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Catalogue for the exhibition Call of the Avant-Garde: Constructivism & Australian Art at Heide Museum of Modern Art in 2017.

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Catalogue for the exhibition Sitelines: Natasha Johns-Messenger at Heide Museum of Modern Art in 2016.

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Social media and cinema trailer for the exhibition Sitelines: Natasha Johns-Messenger

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Exhibition catalogue for Alex Selenitsch: LIFE/TEXT

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St Martins Youth Arts Centre Annual Report.

View the interactive version here.

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Light box posters for St Martins Youth Arts Centre

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The St Martins Youth Arts Centre 2015 Calendar aims to engage parents and families of St Martins workshop participants with the broader range of activities on offer at St Martins.

It displays useful information such as school terms, workshop times and holidays as well as information regarding the unique access and inclusion program and artistic collaborations with major arts festivals, The Melbourne Festival, Castlemaine State Festival and Dance Massive.

It aims to communicate the full spectrum of St Martins involvement in the theatre landscape.

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Signage for the Royal Melbourne Zoo’s food outlets, in use throughout the summer Twilights music series. The event hosts a plethora of renowned national and international acts, including Paul Kelly, Stephen Malkus & the Jicks and the Village People.

I was responsible for designing signage for all four of the Zoo’s culturally themed food and beverage outlets. 

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Catologue for Melbourne based curator Jake Treacy's exhibition Holy Lands, featuring ten artists exhibiting works of a celestial and nomadic nature.

The catalogue, printed in a limited colour pallet, on tactile newsprint alludes to the topics of the exhibition by creating paths for the viewer to navigate, both visually and physically.

Extensive footnotes are referenced by significant alchemic symbols, and positioned in such a manner that the reader is encouraged to fold inwards the bottom right corner. 

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antiTHESIS Journal, Volume 23, LIVE.

antiTHESIS is a student run, peer reviewed literary journal, published annually by the University of Melbourne. 

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Logo, photography and posters for theatrical production Monkey!; an original composition and dance piece based on the ancient Chinese legend A Journey to the West, that debuted at the 2013 Melbourne Fringe Festival.

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Logo, Business Cards and Origami Sculptures for Richard Rose, a freelance bass player, performer and teacher.

Richard wanted a graphic identity that reflected the relationship between maths, geometry and music, while demonstrating his passion and dedication to his craft. In initial discussions he also let on that he had been experimenting with modular origami, which seemed to me the perfect manner in which to marry his interests and talents.

The photographic logo can be applied in a range of different manners, with a select colour pallet and also exists in its three dimensional form, as a sculpture piece in Richard's studio. 

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Business Cards, Letterheads, With Compliments Slips and promotional postcards for renowned jazz pianist Steve Sedergreen. 

Steve asked me to work with his existing brand guidelines to create clean and simple graphics that convey his classic jazz style.

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Identity and website for Wonderbao, a steamed bun shop in Literature Lane, Melbourne.

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A pro bono logo for Bird Rehoming Services, an organisation that arranges new living situations for abandoned or unwanted pet birds in Melbourne. 

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In 2011 I was in charge of graphics, media and communications at Guildford Lane Gallery. Mostly I updated the website and facebook, but occasionally designed event posters & gallery promotional material.

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Lot’s Wife is a student run and written publication released monthly and distributed throughout the campuses of Monash University. Its content includes current affairs, campus life, creative writing and reviews of literature, theatre, music and film. In 2009 each issue was themed in reference to a novel with a film adaptation.

The themes included: The Virgin Suicides (The welcome edition), He Died With a Falafel in His Hand (The nineties edition), Keep the Aspidistra Flying (The recession edition), 120 Days of Sodem (The sex Edition), Twilight (The parody edition), The Turner Diaries (The conspiracy edition), Dead Europe (The ethnic edition), and Titus Andronicus (The revenge edition).

As co-creative director in 2009 I was involved in developing a new logo and a cohesive style for the publication, as well as designing covers and contributing to layout on a monthly basis.