random-writing-run-ons

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do you all see my vision here

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You're the healer of the group. The rest of the party has always treated you like you're made of glass. You were content to stay out of their way and let them do their thing. Until they all got downed leaving you the only one standing. That's when you show them how deadly healing magic can be.

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You, the chosen one, walk into the evil queen's throne room. The queen was sitting gloomily on her throne. She sees you and lightens up. She rises from her throne and kisses you. "Sweetheart, I am so glad you are back."

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Somehow, some way, a human managed to acquire both a pomegranate from the underworld and fruit from the realm of the Fae, then made a smoothie out of them. Now, Hades and the Fae are in a fierce argument regarding who the human belongs to.

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You became a “supervillain”, not out of any particular desire to do evil deeds or take over the world or whatever, but just because your friend is a somewhat underpowered superhero, and you wanted to make sure they had a “nemesis” who wouldn’t actually hurt them.

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Whgskl. Okay.

PSA to all you fantasy writers because I have just had a truly frustrating twenty minutes talking to someone about this: it’s okay to put mobility aids in your novel and have them just be ordinary.

Like. Super okay.

I don’t give a shit if it’s high fantasy, low fantasy or somewhere between the lovechild of Tolkein meets My Immortal. It’s okay to use mobility devices in your narrative. It’s okay to use the word “wheelchair”. You don’t have to remake the fucking wheel. It’s already been done for you.

And no, it doesn’t detract from the “realism” of your fictional universe in which you get to set the standard for realism. Please don’t try to use that as a reason for not using these things.

There is no reason to lock the disabled people in your narrative into towers because “that’s the way it was”, least of all in your novel about dragons and mermaids and other made up creatures. There is no historical realism here. You are in charge. You get to decide what that means.

Also:

“Depiction of Chinese philosopher Confucius in a wheelchair, dating to ca. 1680. The artist may have been thinking of methods of transport common in his own day.”

“The earliest records of wheeled furniture are an inscription found on a stone slate in China and a child’s bed depicted in a frieze on a Greek vase, both dating between the 6th and 5th century BCE.[2][3][4][5]The first records of wheeled seats being used for transporting disabled people date to three centuries later in China; the Chinese used early wheelbarrows to move people as well as heavy objects. A distinction between the two functions was not made for another several hundred years, around 525 CE, when images of wheeled chairs made specifically to carry people begin to occur in Chinese art.[5]”

“In 1655, Stephan Farffler, a 22 year old paraplegic watchmaker, built the world’s first self-propelling chair on a three-wheel chassis using a system of cranks and cogwheels.[6][3] However, the device had an appearance of a hand bike more than a wheelchair since the design included hand cranks mounted at the front wheel.[2]

The invalid carriage or Bath chair brought the technology into more common use from around 1760.[7]

In 1887, wheelchairs (“rolling chairs”) were introduced to Atlantic City so invalid tourists could rent them to enjoy the Boardwalk. Soon, many healthy tourists also rented the decorated “rolling chairs” and servants to push them as a show of decadence and treatment they could never experience at home.[8]

In 1933 Harry C. Jennings, Sr. and his disabled friend Herbert Everest, both mechanical engineers, invented the first lightweight, steel, folding, portable wheelchair.[9] Everest had previously broken his back in a mining accident. Everest and Jennings saw the business potential of the invention and went on to become the first mass-market manufacturers of wheelchairs. Their “X-brace” design is still in common use, albeit with updated materials and other improvements. The X-brace idea came to Harry from the men’s folding “camp chairs / stools”, rotated 90 degrees, that Harry and Herbert used in the outdoors and at the mines.[citation needed]

“But Joy, how do I describe this contraption in a fantasy setting that wont make it seem out of place?”

“It was a chair on wheels, which Prince FancyPants McElferson propelled forwards using his arms to direct the motion of the chair.”

“It was a chair on wheels, which Prince EvenFancierPants McElferson used to get about, pushed along by one of his companions or one of his many attending servants.”

“But it’s a high realm magical fantas—”

“It was a floating chair, the hum of magical energy keeping it off the ground casting a faint glow against the cobblestones as {CHARACTER} guided it round with expert ease, gliding back and forth.”

“But it’s a stempunk nov—”

“Unlike other wheelchairs he’d seen before, this one appeared to be self propelling, powered by the gasket of steam at the back, and directed by the use of a rudder like toggle in the front.”

Give. Disabled. Characters. In. Fantasy. Novels. Mobility. Aids.

If you can spend 60 pages telling me the history of your world in innate detail down to the formation of how magical rocks were formed, you can god damn write three lines in passing about a wheelchair.

Signed, your editor who doesn’t have time for this ableist fantasy realm shit.

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“So, why are we learning martial arts at a wizard school?” “Because I’ll be damned if I lose another promising wizard to a thug with a knife again.”

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There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.

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You were a renowned individual in a world where certain mythical entities are real. Becoming a lich in order to continue your work was the best decision you’ve made yet! Though this is the 100th time someone has come to destroy you since, and it’s getting bothersome.

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feeling called out today

credit: _ADWills

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You are kidnapped by the villain regularly, but you’re starting to look forward to it. You know they won’t hurt you, and are simply being dramatic. It also doesn’t help that you are the only person they ever kidnap. This time, the hero doesn’t bother trying to save you.

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You accidentally cross a witch, and she curses you, saying “You can only speak lies”. Unfortunately, this makes it so you can only say the word “lies”, and the witch admits she’s an apprentice that screwed up the spell. Now you’ve teamed up with her to figure out how to undo it.

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I don't know if you've done this before but what are some good ways to describe speech?

Ways to Describe Speech

-> feel free to edit and adjust pronouns as you see fit.

His voice was deep like the rumbling of the earth.

She had the voice of a singer, smooth and rich like chocolate.

Their voice reminded him of spring rain.

He often paused in his speaking, like a car radio that had lost signal.

She had a lilt to her voice that made it seem like she was asking a question.

Their voice was monotonous, threatening to put her to sleep with every word.

He couldn't put her voice into words. It was... otherworldly.

Her voice was brittle, as if she were on the verge of tears.

Their voice was authoritative. Their words carried like a loud command.

His voice, unapologetic and unwavering, made her shrink back.

Her voice was barely above a whisper.

Their words were cold with anger.

Other Words to Use to Describe Voice:

Firm

Formal

Frank

Hesitant

Humorous

Passionate

Playful

Professional

Respectful

Serious

Sympathetic

Smug

Superior

Croaky

Dry

Forceful

Grating

Hateful

Insincere

Nasally

Snarky

Tuneless

Wavering

Breaking

Coarse

Flat

Hoarse

High Pitched

Husky

Mellow

Raspy

Rough

Scratchy

Strong

Trembling

Boisterous

Booming

Screeching

Faint

Feeble

Frail

Penetrating

Piercing

Quiet

Raised

Shrill

Soft

Weak

Whisper

Captivating

Deep

Feathery

Hypnotic

Lilting

Mesmerizing

Rich

Smoky

Soothing

Breathy

Delicate

Warbling

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One of the funniest things about enemies-to-lovers ships is how they’re almost always obsessed with each other. Like if a character actively chooses to interact with another character over and over again instead of simply ignoring them? Throw darts at it all you want, but you still printed out a picture of them to hang on your wall

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How to show emotions

Part VI

How to show bitterness

tightness around their eyes

pinched mouth

sour expression on their face

crossed arms

snorting angrily

turning their eyes upward

shaking their head

How to show hysteria

fast breathing

chest heaving

trembling of their hands

weak knees, giving in

tears flowing down their face uncontrollably

laughing while crying

not being able to stand still

How to show awe

tension leaving their body

shoulders dropping

standing still

opening mouth

slack jaw

not being able to speak correctly

slowed down breathing

wide eyes open

softening their gaze

staring unabashingly

How to show shame

vacant stare

looking down

turning their head away

cannot look at another person

putting their head into their hands

shaking their head

How to show being flustered

blushing

looking down

nervous smile

sharp intake of breath

quickening of breath

blinking rapidly

breaking eye contact

trying to busy their hands

playing with their hair

fidgeting with their fingers

opening mouth without speaking

Part I + Part II + Part III

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