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Dominique Vellard (*1953) Cantique 2, pour soprano et 3 violes (2004-2012)

– Quam pulchra es – Intermède – Anima mea

Quam pulchra es et quam decora amica mea, columba mea, formosa mea. Veni dilecta mea, amica mea, columba mea, formosa mea. Vox enim tua dulcis et facies decora nimis. Quam pulchra es amica mea.

Anima mea liquefacta est, ut dilectus locutus est. Vox enim eius dulcis, et facies eius decora. Labia eius lilia stillantia myrrham primam. Adiuro vos, filiae Hierusalem, si inveneritis dilectum meum, ut nuntietis ei, quia amore langueo.

Dominique Vellard – Cantica Sacra Ensemble Gilles Binchois, Dominique Vellard. (2015, Evidence – EVCD009)

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Philippe Poyte

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Image from page 128 of  Mauri Sarti …1755.

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Studio CubeY

Raw Edge Gallery

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Nicolas Pasquereau + Ivan Bléhaut type: Marianne

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Lygia Clark: Monument in all Situations, hinged aluminum, 1964 

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a+u / A Monthly Journal of World Architecture and Urbanism / No. 49, 1975

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Carla Accardo - Favoloso su nero (1959)

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Andrew Zimmerman

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Cuneiform tablet: Sumerian dedicatory inscription from Ekur,  the temple of the god Enlil, ca. 16th–15th century B.C.

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From: Takahiro Kurashima: ‘Elasticity’, Motion in Symmetries, Ichibanboshi Gallery, Art Fair Tokyo, Tokyo International Forum, Tokyo, March 10-12, 2023 [© Takahiro Kurashima]

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Véra Szekely - Bas-relief (1960)

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Michael E. Smith Crèvecoeur, Paris, rive droite January 17 – March 1, 2025

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Nobuo Sekine (1942-2019) [Japan] ~ ‘G8-261 3, 2, 1’, 1989. Mixed media on paper (45.7 × 38 cm).

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Anna-Eva Bergman - Untitled no. 73, 1961, oil on canvas, 116.2 x 88.9 cm

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Valentin Fougeray

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MONOTYPE 1924 Vilmos Huszar