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Working on one of the largest woodcuts I’ve ever worked on. I will be explaining more soon on the meaning, my plans and etc! But for now I’m slowly adding the sharpie layer and soon I’ll be carving. The “due date” is May 6th and hopefully it’ll be ready for the gallery show on that day!

For more daily updates follow my insta @ h.f.creations

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Wood cut that I hand printed on Stonehenge paper. I love the eyes and flowers so much.

This is about deception in friendships and overcoming the pain when they end. I made this in a reality difficult period in my life because of a friendship ending but it was really cathartic making this to be honest.

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Recent artwork I did with guache paint and prismacolor pencils. Available for purchase on my shop🌙✨

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no one picked him (cont.)

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Oh, and the night that is dark shall be mother of mine And the month of all months shall be father for me My little sister - her name is noon, And the older one - evil thrush.

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GUSTAVE DORÉ / THE INFERNO / pub. 1861 [DANTE ALIGHIERI | THE DIVINE COMEDY, 1320]

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Lionel Lindsay - Parador del Genera, Malaga, Spain, 1936, etching; A Hawker, Ronda, Spain, 1934, etching; The Compliment, 1934, drypoint

Sir Lionel Arthur Lindsay (1874 – 1961) was an Australian artist producing prints, watercolour paintings and wood carving. He taught himself etching and engraving. Lionel entered journalism in 1892. He studied at the National Gallery School, Melbourne. He travelled widely, visiting Spain, Italy, France and India. His many exhibitions in London brought international recognition.

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Hold

Copperplate etching on Hannemule paper

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Nightshade, Alex Shadrin

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Wallace Stevens, ‘The Dwarf’, The Collected Poems of Wallace Stevens

[Text ID: “Now it is September and the web is woven. The web is woven and you have to wear it.”]

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They mean a lot to me 🥺

***No shipping, I just love their friendship dynamic!

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Ossuary from Eberhard Kieser’s “Toden Tantz”, 1617.

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