regularlyfe
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he/they/it/xe/get funky w it (any work but those are probably best) theoretically a physicist, should probably be 18+ to follow but like im not your mom so
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Are you or have you majored in mathematics?
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you cant talk about not being a furry without some chucklefuck saying like “hehe not yet” or acting like you’re some kinda closet furry. girl i’m not ashamed of it. i’ve tried. and some furries are hot it’s just not my lifestyle. and i think that it is a lifestyle. just thinking renamon is hot doesn’t make you a furry that’s like insulting to real furries who caste their hearts in the iron forge of furryism. it’s a prestigious thing to be a furry
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This was on @whatareyoureallyafraidof's post where they put up this:
And I responded with this image:
and promised in the tags to elaborate if asked. And, @frodo-the-weeb, I will. But it's going to get long and I'm going to have to split it up into several reblogs.
First of all, since not everybody in the world is a Silmarillion enthusiast, let me explain what we're referring to.
One of the stories in the Silmarillion, and possibly the one Tolkien cared about the most, is the tale of Lúthien and Beren; a highly condensed version of a narrative poem called the Lay of Leithian, which Tolkien began writing in the 1930s and tried to get his publisher interested in after the success of The Hobbit.
(Their readers said no, and they tactfully asked him to focus on his Hobbit sequel instead. "The result," in Tolkien's own words, "was The Lord of the Rings.")
The skeleton of The Lay of Leithian is as follows; I'm intentionally leaving out a bunch of information that weaves it into the overarching story of the Silmarillion but isn't relevant to the thesis I'm advancing here.
Lúthien, an Elven princess and enchantress, falls in love with a mortal man, a ranger called Beren. Her father, the Elven King Thingol, disapproves and sends him Beren off to fetch one of the jewels from the crown of the Dark Lord Morgoth. Lúthien tries to join Beren but her father imprisons her in a tower to stop her, only it's actually a treehouse because they're forest elves. Lúthien magically grows her hair long and uses it to escape. By the time she catches up with Beren he is chained in the dungeons of Morgoth's second-in-command, Thû (whom Tolkien later renamed Sauron). She rescues him with the help only of a dog, who defeats Thû himself in single combat. They then live in the forest together for quite some time, but Beren feels bad about being the reason she can't go home to her family, and still intends to finish his mission and get the jewel. He leaves one morning while she's still asleep, so as not to put her in danger, and then when he's on the threshold of Morgoth's underground fortress in the far North of Middle-Earth she catches up with him again and he accepts that she's not going to be put off. Together they enter Morgoth's fortress and make their way to his throne room. They are in disguise but Morgoth is not fooled and uncovers Lúthien in front of everyone, declaring his intention to make her one of his many slaves. Lúthien offers to sing and dance for him, which is the way she works her magic. She puts everyone in the throne room to sleep, including both Beren and eventually Morgoth. She wakes Beren and he takes the jewel and they flee, but as they get to the outer door they are stopped by Morgoth's guard-wolf, who bites off Beren's hand holding the jewel.
That's as far as Tolkien ever got with the poem, but we have the synopsis in the prose Silmarillion to tell us the rest of the story; again cutting it down to the quick, Thingol accepts Beren as his son-in-law, Morgoth's guard-wolf attacks Doriath, Beren goes and hunts it but is mortally wounded, his spirit goes to the Halls of Waiting in the Undying Lands where the dead in Middle-Earth go, Lúthien also goes there and, again through her magical song, persuades Mandos the god of the dead to let him come back. Mandos offers her a choice: live on immortally as an Elf without Beren, or return to Middle-Earth with Beren but both of them will grow old and die. She chooses the latter.
Tolkien created Lúthien as a portrait of his wife Edith, which makes Beren a picture of himself. We know this for a fact because he had LUTHIEN written on her grave when she died, and when he joined her in it two years later the name BEREN was written for him:
Now on the lower right side of my response image you'll see Pauline Baynes' illustration of the Lady in the Green Kirtle from The Silver Chair, one of C. S. Lewis's Narnia stories. A quick synopsis of the Lady of the Green Kirtle's part in the story:
The Lady is a witch who rules a gloomy kingdom underneath Narnia, accessible through a fissure in the earth in an old ruined city far to the North. Before the story opens she has enspelled and kidnapped King Caspian's son Prince Rilian, whom she intends to send leading an army to conquer Narnia in her name. For twenty-three hours a day he is her willing slave and lap-dog; to maintain the spell, he must be bound to the titular silver chair for the remaining hour, during which he is sane and aware of his imprisonment. The protagonists, Eustace and Jill and their guide Puddleglum, meet her and Rilian unawares on their journey to the North; she sends them astray and almost succeeds in getting them eaten by giants. Eventually they rescue Rilian from the chair, but she sings a magical song which very nearly puts them all to sleep but for Puddleglum's intervention. Foiled, she transforms into a serpent, attacks them, and they kill her.
It is my contention that the Lady in the Green Kirtle is Lewis's caricature of Lúthien, with the enslaved and befuddled Prince Rilian representing Beren; and further, that Lewis knew or recognised that Lúthien and Beren were a literary portrait of the Tolkiens, so that The Silver Chair is ultimately a nasty commentary on their marriage.
In forthcoming reblogs I will lay out my evidence for this thesis.
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the author's barely disguised open wound splattered livid and filthy across everything they create
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[hunched trembling in a dark corner with a knife] I can be normal about normal things and I can prove it
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I am utterly captivated by this video series that Taryn Delanie and friends have been making on TikTok
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my sister hath sent me. Canned Cheese.
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"Director Phoebe Kemp said in a statement: “Twelfth Night already toys with gender and performance – it feels like Shakespeare wrote it for us. This reading is about joy, solidarity and showing what’s possible when trans and nonbinary artists are at the centre of the story.”"
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donald trump will die on july 20th 2025 at 1pm pacific standard time
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in my regime all ads will be replaced by ads of mathematical objects
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hurt people hurt people. hurt people! HURT PEOPLE!!! NOW NOW NOW GO GO GO
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fic writing ask game!
nothing groundbreaking but it’s fuuuuun
✅ list one or two favorite lines you’ve written and explain why they’re your favorite
🧮 what are you working on? describe it in 20 words or less
🎶 do you write with music? does the music you’re listening to influence your writing?
💕 whats your favorite part of your writing process?
😠 whats your least favorite part of your writing process?
🎀 how do you decide when something is done?
🌅 do you typically known the ending to something before you start writing it?
🔚 have you ever completely changed the direction a piece was going?
🤔 why do you write fic?
⛔️ whats something you try to avoid in your work?
📚 do you ever read similar works while writing, or do you intentionally not read them?
🦉 give yourself a piece of writing advice
😊 say something nice about your writing
😭 what’s something you’re currently struggling with?
🔥 what’s something that’s currently going really well?
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navidson: YIKES! this "house" seems to be growing! if this doesnt stop soon, i might have to "leaf"!
johnny truant:

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