remnantbled

[remnantbled]

he is michael afton to me.

[remnantbled]

'replies' as if the only person that writes with me on this blog isn't @twinbled

jumping on @remnantbled realll quick to get some replies done but then i'm here for the night. will mostly be in the drafts/inbox, so feel free to send me things/write me starters. they are always welcome.

[remnantbled]

His mission is clear. It's always been clear, though it's hardly ever been fair. Find his father. End this. And of course, the only way to do that is to be on the inside – hope that working here will lead him somewhere. It has to. There are no other alternatives, are there? He's damned – he's always been damned.

And others have been damned, too. Plenty others. The souls that lurk here now, some familiar. Others strangers. They've been damned, too. He has to end this. He will end this.

Speaking of the damned – a familiar face comes into view. Is that... ❛ Ro? ❜ She confirms it's her by responding with his name.

No – why is she here? She shouldn't be here. She should be far away from this place, this Hell in disguise as a playground. Ro, like him, has lost plenty in this place. Yet she remains in the dark about its true nature. Perhaps it should stay that way. Perhaps that's what is right.

But she continues. She steps closer. She's starting conversation. Damn it. She's still personable, kind. In spite of what happened, in spite of being in this establishment, now. She remans kind.

❛ I work here. ❜ He taps the security badge on his shirt. ❛ Usually just the night shift, but I took a double today. ❜ He says it simply, as if it's just that. As if it's just a job. But it is so much more than that.

And then, she breaches the subject of her father. Oh, their fathers. Both having such a hold on their respective children, in such different ways. Perhaps both missing in action, but the similarities end there. Besides their genius, the similarities end there.

And Michael's heart does hurt for her, break for her. She's constantly searching, as he is, but for far different reasons.

❛ No, I haven't seen him. ❜ Mike responds, with a shake of his head. ❛ Did you come here looking for him? ❜ Or perhaps she felt drawn here? ❛ To be honest, I haven't seen him here at all since I started. ❜ And it's true. He hasn't.

Leave this place while you still can, Ro. Before you learn the truth of it all.

She almost didn't see him. Mostly because if she had any say in it, she'd stay about 5 million feet away from all Freddy Fazbear's. Romana would have assumed that Michael would too. But he's here. She isn't sure why.

But why the fuck are you here anyway? Probably because Dad's MIA again, & Ethan's about to lose his mind if one more person calls asking for him. But per usual since Charlie's death... he's no where to be found. I guess that now includes Freddy's. She thinks to herself.

The place is buzzing right now, but it's 4:30. Pretty soon, everyone will be packing up. Funny, I don't remember Chica looking that worn. Not back when Dad had made her, anyway. She remember the day he'd shown her & Charlie. They were always the first to see the designs. The glint of a black & white box catches her eye. She glances over to see the Security Puppet. If she didn't know any better, it would seem it was staring at her.

" Mike? " She says, her attention shifting back to him. Ro isn't really smiling -- isn't not that she doesn't want to, but so much bad has happened here... it's hard to be anything but cold. But there is warmth in her eyes. It was hard to picture childhood without the Aftons. For better or for worse.

" It's been... so long. What... what are you doing here? -- Wait, you haven't seen my dad, have you? "

[remnantbled]

where am i supposed to go ?

Shit. He can hear the stirring, the movement –– the music, the... laughter? Michael knows the animatronics – the spirits – are on the move. They're looking for him, but the reality is... there was a chance they would feel Ro is in their way. So, he clicks his walkie-talkie on again, his feet already picking up the pace. He's practically sprinting towards her now, speaking into the device. He raises his volume, to draw attention away from her – buy her some more time. ❛ Don't move. I'm coming. If you don't move – they might not hear you. ❜ Might. Shit. He could do it ; he could outrun them. He had to outrun them – to get to her before anything else did.

[remnantbled]

points at trailer. favorite white boy spotted!!!

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kiss me before we die .

She won't die. Not here. Never here. No – he won't let her. But the look in her eyes ; she's not quite scared – there's a glint of fear in her eyes, but she is accepting. ( And to him, perhaps that is worse. ) But he won't let her die. Not in this place ; not ever if he could help it. And he would do everything in his power to do just that. But if his fate is sealed, if he is meant to die here, he won't die without –– at least once...

He pulls her in by the back of her neck, his lips all but crashing into hers. And if this was the one and only time he got to do this –– he would accept such a fate, as long as it meant she walked out of this place alive. When they pull back, Michael moves his hand to cup her cheek. His eyes search hers. He gives her the assurance he hopes they have ; one that will put her to rest, though perhaps laced with half-truth, his intentions. ❛ We won't die today. ❜

[remnantbled]

this is so unfunny but to celebrate the first ever fnaf movie teaser

[remnantbled]

follow my instructions very closely .

❛ Alright, I'm listening. ❜ He's holding the walkie-talkie in his hand, eyes scanning the dark room before him. It's useless ; he can hardly see a foot in front of him. So, Michael flicks his flashlight on, warily shining the beam around before pressing down on the walkie-talkie's button again. Before he can even open his mouth to speak, he hears a noise in the distance –– the kitchen. It shouldn't pose too much of a threat... for now. ❛ What do you see on the cameras? Tell me where to go. ❜

[remnantbled]

don’t you know how dangerous this is ?

Oh, that is the question, isn't it? Such a simple, yet burning question ––  ( does he know the danger? ) Of course he does. He's been consumed by it. In a way, it's all he's ever known. So he looks at her, gravely ; his eyes express his response before his voice does, yet he confirms anyway. ❛ I do. ❜ And in that vein, he knows that Ro is putting her own life at risk ; every time she followed his steps, she ran the risk of losing far more than he ever could. ( Was it fair to damn her, like he was damned? Perhaps worse than he was? )

Yet, he knows that look in her eyes ; that unyielding dedication, loyalty –– though he isn't sure why or how he has earned it. He knows his next words are already out of the question for her. But he offers them anyway. ❛ You don't have to do this, you know. You can leave this place... Get far away. Where it's safe. ❜

[remnantbled]

[remnantbled]

↪     𝑴𝑶𝑹𝑩𝑰𝑫 ᶜᵘʳᶤᵒˢᶤᵗʸ .    (  a  collection  of  various unsorted question prompts .  adjust  phrasing  as  necessary .   will  be  updated  frequently .  )

are you kidding me ?

[ name ] ,  what just happened ?

hey !  what’d you do that for ?

did you plan on ever telling me ?

do you want to tell me the truth ,  this time ?

you seriously think i could’ve done this ?

did you know about this ?

[ name ] ,  what were you thinking ?!

can we talk ?  alone ?

why are you doing all of this ?

it can’t be that bad ,  right ?

haven’t you heard the stories ?

who did this to you ?

what are you insinuating ?

what did you think was gonna happen ?!

you think i could do something like that ?

who do you think you are ?

why won’t you let me help you ?

do you have any evidence of that ?

can we put away our differences for a second ?

where have you been ? 

is that  …  blood ?

what’s your problem ?

are you real ?

where’s your sense of adventure ?

would you kill for me ?

you’re  [ name ] ,  aren’t you ?

why can’t you just let it go ?

do you want me to stay ?

what if we left  …  ran away ?

what else was i supposed to do ?

how did you get this scar ?

could you give me a hand with this ?

do you ever stop talking ?

you’ve never done this before ,  have you ?

where do you think you’re going ?

how many fingers am i holding up ?

what can i say to make it better ?

why can’t we all just get along ?

can i stay the night ?

what’s that supposed to mean ?

where did your common sense go ?

you seriously don’t believe me ?

what aren’t you telling me ?

do you have a minute ?

why are you lying ?

you’re gonna walk away from this ?

where am i supposed to go ?

can we stop and think about this rationally ?

how long has it been since you’ve slept ?

why can’t we be civil about this ?

what makes you so special ?

where is all of this coming from ?

how are we gonna get out of here ?

you’ll never leave me ,  right ?

were you in on this ?

care to join me for a bit ?

shows what you know ,  doesn’t it ?

do you want to get out of here ?

what were you expecting to happen ?

what are you working on ?

i can tell you’re upset ,  what happened ?

when can i see you again ?

where do we go from here ?

can you sit up for me ?

how long have you been awake ?

what are you getting out of this ?

can we put this behind us ?

where are you ?  nobody’s heard from you .

how can i make this go away ?

were you following me ?

where does it hurt ?  show me .

[ name ] ,  what the hell ?

hey  …  can i ask you something ?

you’re not gonna tell me where we’re going ?

really ?  you’re gonna do that right here ?

are you even listening to me ?

we can help each other ,  right ?

hey  …  did you hear that ?

you have no idea who i am ,  do you ?

how long have you known ?

what exactly are you asking me to do ?

how was i supposed to know that ?

are you new around here ?

can you stop and listen to me for a second ?

do you think there’s something wrong with me ?

what ,  you think i’m not qualified ?

why did you help me ?

can you just look at me ,  please ?

what can i do to convince you ?

where did we go wrong ?

oh my god ,  are you bleeding ?

why the long face ?

are you trying to get yourself killed ?

what do you make of this ?

how much do you wanna bet ?

you’re sure this will work ?

why are you so concerned about me ?

what are you trying to prove ?

did you ever care about me ?

are you drunk ?

isn’t this amazing ?

how long have you been standing there ?

what are you suggesting ?

why are you such a pessimist ?

did you know them ?

can we call it a day ?

where did you come from ?

[remnantbled]

JOSH HUTCHERSON as MICHAEL AFTON MIKE SCHMIDT in FIVE NIGHTS AT FREDDY’S (2023)

[remnantbled]

↪     𝑫𝑰𝑹𝑬 𝑺𝑰𝑻𝑼𝑨𝑻𝑰𝑶𝑵𝑺  .    (   a  collection  of  dire / urgent situation  sentence  &  action  starters .   adjust  phrasing  +  ʳᵉᵛᵉʳˢᵉ  as  necessary .   )

𝐃𝐈𝐀𝐋𝐎𝐆𝐔𝐄 :

hide .   hide now .

shh !!  there’s somebody in the house .

i’m not gonna hurt you !  see ?  look ,  i’m putting down the  [ weapon ] .

[ name ] ,  what were you thinking ?!

you’re being followed ,  pretend you know me .

stop , stop !  just put the  [ weapon ]  down !

drive ,  just drive fast !

you seriously think i could’ve done this ?

can you walk ?  i need you to walk for me ,  okay ?

let me handle it ,  just go !

what was your plan ??  you could’ve gotten yourself killed !

you’re just going to leave me here ?!

[ name ] ,  can you hear me ?  get out of there !

you knew and you didn’t tell me ?!

don’t you know how dangerous this is ?

you’re not going to shoot me .

move and you die .

i’m gonna come back for you ,  do you hear me ?

we have to stop the bleeding .

can you see how many fingers i’m holding up ?

i just want to go home !

don’t move a fucking muscle .

if it weren’t for you ,  we wouldn’t be in this mess .

i almost DIED back there ,  and you’re laughing ?

you’re only making this worse for yourself .

you think this is a joke ?

if i go down ,  i want you to run .

we’re gonna die ,  so what’s the point ?

this was the ONE thing i told you not to do .

i can’t promise we’re going to make it out of here .

where’s your first - aid kit ?!

just calm down and find your phone ,  we need to call the police .

someone’s been stalking me .

just listen to me for once !

i didn’t think you had it in you .

put the gun down ,  and kick it over here .

we can’t stick around here ,  let’s go .

kiss me before we die .

do whatever you need to do ,  hurry .

i can’t breathe ,  i can’t -

please ,  please  -  let me in ,  there’s someone -

i’m gonna give you one last chance .

you have to believe me ,  i didn’t do this !

run ,  and don’t look back .

this is real ,  i’m real .  look at me .

take this .  it’ll keep you safe .

follow my instructions very closely .

put your hands where i can see them .

you can’t just let me die !

i think  …  i think i need a doctor .

we need to get out of here ,  come on .

no ,  this isn’t it .  we’re getting you out of this .

you panicking is not going to help us right now .

𝐀𝐂𝐓𝐈𝐎𝐍𝐒 :

[ GETAWAY ]  sender acts as a getaway driver for receiver .

[ MEDIC ]  sender arrives on receiver’s doorstep ,  badly bleeding .

[ HIDE ]  sender and receiver hide from a threat together .

[ HUSH ]  sender clasps a hand over receiver’s mouth to silence them .

[ DRAG ]  sender physically hauls receiver to safety .

[ RIGHTS ]  sender calls receiver from a police precinct .

[ REALITY ]  sender helps receiver through an episode of derealization .

[ SHELTER ]  sender and receiver must find shelter from a storm  .

[ ARMED ]  sender brandishes a  [ gun / knife ]  at receiver .

[ CRASH ]  sender and receiver survive a  [ car / bike ]  crash together .

[ SEARCH ]  sender barges into the hospital demanding to see receiver .

[ BACKUP ]   sender calls receiver panicking after committing a crime .

[ CORNERED ]  sender menacingly backs receiver into a corner .

[ UNEXPECTED ]  receiver comes home to find sender already inside .

[ BREATHE ]  sender helps receiver get through a panic attack .

[ BADGE ]  sender and receiver flee from the cops together .

[ STRANDED ]  sender and receiver become stranded in the woods .

[ EMBRACE ]  sender kisses receiver thinking it’ll be the last time .

[ STRANGER ]  sender can’t remember who receiver is after an injury .

[ TOKEN ]  sender gives receiver a lucky charm before they go into battle .

[ CHOICE ]  receiver has to choose between sparing their own life or the sender’s .

[remnantbled]

𝐑𝐄𝐌𝐍𝐀𝐍𝐓 –  a small remaining quantity of something ; 𝐈 𝐒𝐇𝐎𝐔𝐋𝐃 𝐁𝐄 𝐃𝐄𝐀𝐃.

⟨ 𝐑𝐄𝐌𝐍𝐀𝐍𝐓𝐁𝐋𝐄𝐃 ⟩ ── independent & private MICHAEL AFTON from the FIVE NIGHTS AT FREDDY'S franchise, affiliated with @twinbled.

INFO COMING SOON / cherished by Bree ( she / her ) 24 ; EST.