remxnd - Tumblr blog

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I feel like we, as a fandom, don‘t talk about this line enough.

BinDS HIS WRISTS TO A HOTEL BEDPOST WITH HIS OWN NECKTIE??? ARE U TRYING TO KILL ME HERE???

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oh the level i relate to this

im like if a girl was born to be in a band but without the talent ambition or music knowledge

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... so you can imagine my shock when I found out that they do, in fact, both die at the end.

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Greek Mythology Retellings

Neon Gods - Katee Robert

Keep Me Close - R.M. Virtues

Lore Olympus - Rachel Smythe

Daughter of Sparta - Claire M. Andrews

Gild - Raven Kennedy

The Dark Wife - Sarah Diemer

Ariadne - Jennifer Saint

Never Look Back - Lilliam Rivera

Promises and Pomegranates - Sav R. Miller

Electric Idol - Katee Robert

The Cassandra Curse - Chantel Acevedo

Punderworld - Linda Sejic

The Star-Touched Queen - Roshani Chokshi

Hot As Hades - Alisha Rai

Frankenstein; Or, The Modern Prometheus- Mary Shelly

For Her Dark Skin - Percival Everett

The Just City - Jo Walton

Neverhome - Laird Hunt

Galatia - Madeline Miller

House Of Names - Colm Toibin

Helen In Egypt - H.D.

The Vegetarian - Han Kang

Cold Mountain - Charles Feazier

The Autobiography Of Cassandra, Princess & Prophetess Of Troy - Urusle Molinaro

Women And Power - Mary Beard

Here, The World Entire - Anwen Kya Hayward

Gods Behaving Badly - Marie Phillips

Weight: The Myth Of Atlas And Heracles - Jeanette Winterson

Lavinia - Urusla K. Le Guin

The King Must Die - Mary Renault

Autobiography Of Red - Anne Carson

The Cassandra - Sharma Shields

Daphne - Will Boast

The Children Of Jocasta - Natalie Haynes

The Silence Of The Girls - Pat Barker

Eurydice - Sarah Ruhl

An Orchestra Of Minorities - Chigozie Obioma

Everything Under - Daisy Johnson

Circe - Madeline Miller

The Song Of Achilles - Madeline Miller

The Penelopiad - Margaret Atwood

Till We Have Faces - C.S. Lewis

The Labours Of Hercules - Agatha Christie

Please feel free to add more!

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Reblog if you think fanfiction is a legitimate form of creative writing.

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Want to learn something new in 2022??

Absolute beginner adult ballet series (fabulous beginning teacher)

40 piano lessons for beginners (some of the best explanations for piano I’ve ever seen)

Excellent basic crochet video series

Basic knitting (probably the best how to knit video out there)

Pre-Free Figure Skate Levels A-D guides and practice activities (each video builds up with exercises to the actual moves!)

How to draw character faces video (very funny, surprisingly instructive?)

Another drawing character faces video

Literally my favorite art pose hack

Tutorial of how to make a whole ass Stardew Valley esque farming game in Gamemaker Studios 2??

Introduction to flying small aircrafts

French/Dutch/Fishtail braiding

Playing the guitar for beginners (well paced and excellent instructor)

Playing the violin for beginners (really good practical tips mixed in)

Color theory in digital art (not of the children’s hospital variety)

Retake classes you hated but now there’s zero stakes:

Calculus 1 (full semester class)

Learn basic statistics (free textbook)

Introduction to college physics (free textbook)

Introduction to accounting (free textbook)

Learn a language:

Ancient Greek

Latin

Spanish

German

Japanese (grammar guide) (for dummies)

French

Russian (pretty good cyrillic guide!)

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ON PURPOSE, I'M GOING TO LOVE YOU ON PURPOSE

Jenny Slate // Casey McQuiston, Red, White & Royal Blue // Pleiades, Anne Carson // Taylor Jenkins Reid, The Seven Husbands of Evelyn Hugo // @oriley42 and @earth167 (and a half) on Tumblr // Jodi Picoult from The Book Of Two Ways // The Night Vale, Episode 100, The Toast // Adam Melchor, I Choose You // Kierston White, The Chaos of Stars

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the look on andrew garfield’s face while saving MJ deserves an oscar

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Visual development for Big Hero 6 by Scott Watanabe

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Why are we still killing and eating them🥺

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boys don’t do cry

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Supernatural had the opportunity to do something great. To send a message of love and validation to a whole community. Not only to the part of the community that liked their show, but to all of us. But instead they decided to pander to the people, who never had to fight for their representation.

I support #TheySilencedYou, #TheySilencedThem and #TheyWillNeverSilenceUs and I'm in awe of all of you. Of your eloquence, passion, coordination and decisiveness. And I feel like your message goes beyond this particular TV show and the CW.

It's about protesting a pattern of disrespect towards otherness in Mainstream Media. It's about demanding meaningful, unmistakably queer representation, that enables discourse and furthers understanding in a heterogenic Audience. It's about asking Networks to not only hire diverse staff but to also give them the freedom to tell their stories the way they want to. It's about telling creators to own up to the inherent messages they leave us with in the end.

And that's inspiring and should be celebrated.

Stories matter.

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2020 has been like:

January

February

March

March

March

March

March

March

March

March

March

March

March

March

March

March

March

Ap-

Junly

Augsepoctob…Halloween

Destiel

December

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I’m done keeping my composure.

Sorry, this will be a LOADED post! (And I’ll be repeating the points others have made)

for real, to everyone being nasty and telling heartbroken fans that “Dean was always supposed to die get a grip you’re just butthurt etcetera etcetera—” F you royally.

How dare you police the brutal feelings that’s been embroiling us since the Finale That Must Not Be Named aired. 

The show you think you all watched, the show you all believe was the same SPN from Season 1-4, changed at some point. Kripke wrote his original vision, put it to screen, saw it through in S5 as he intended, and closed the door on that era.

In 2008, Supernatural was adopted and inherited. As you know, there was a supreme paradigm shift post-Kripke era. The show FLOURISHED (we won’t talk about Gamble thanks). It evolved, transformed, grew beyond trauma-induced self-worthlessness and toxic masculinity and endless death and hegemonic social ideals and conservatism and repressive anti-revolutionary ideas. Castiel, the iconic favourite and beloved staple of the series portrayed by Misha Collins, was introduced in Season 4 as the core lead character, and he ushered in a brand new era of Christian mythos that SPN took advantage of. Longevity SKYROCKETED. Audiences were INTERESTED. SPN amassed an incredibly groundbreaking fanbase infused by non-nuclear principles. A massive subversive wave began, fighting the Status Quo of the times since 2008. It’s precisely why such an abysmal ending to a show of extensive Freud-Jungian metanarratively meta META complex stature and social POWER will render us totally and unbearably broken for years to come.

Point is, DEAN WINCHESTER NO LONGER WANTED TO DIE. HE WANTED TO LIVE. HE WANTED TO SIT ON THE BEACH, PLUNGE HIS TOES IN THE SAND, AND SIP UMBRELLA DRINKS WITH HIS BROTHER AND HIS BEST FRIEND. He said this in Season 13. And then, a season later, he told the ghost of his long-deceased father — the source of his deep-running trauma and the figure of self-reductive authoritarianism permeating his arc since Season 1 — after being questioned why he didn’t pursue the Nuclear Fam, that he already has his own: his brother Sam, his adopted child Jack, and Cas.

Dean’s best friend Cas. Oh god, Cas, who made his inevitably permanent mark on Dean’s soul beyond allyship. Castiel, renamed to Cas, God’s -iel removed by Dean. Dean, the human spark that lit the fire of pre-existing autonomy in the inherently rebellious angel who was, this entire time, the catalyst for free will in God The Writer’s puppet show. Their friendship set on goddamn fire. I can also write paragraph upon paragraph about my love for Cas while devastated tears stream down my face, but I digress—

Cas’ romantic love for Dean pushed our main Heart of SPN to love himself. Love is free will. Free will is also love. Of note, Cas’ love confession in 15x18 was supposed to offset something so vastly important and fundamental…to maybe (read: most likely) pull the trigger on SELF-TRUTHS in conjunction with free will. And The Great Anticipated Follow-Up to the episode penned by the passionate Berens should have included (read: seemed like it was going to be) Dean, closeted trauma survivor in love with his best friend, being given the opportunity to do it right: to SPEAK HIS TRUTH, and then that very singular opportunity was STOLEN so grossly. After poring over it for days, I refuse to believe we made their years-long story up out of thin air, spun it out of fantastical-delusional dream cotton candy, because we DIDN’T. IT WAS REAL.

As I said in another post: “I’ve just been feeling physically ill for the past >40 something hours with the terrible knowledge that 19/20 undid years of vital progression towards healthy interdependence, autonomy, and a positive endgame, where Sam, Dean and Cas close the ring of found family in final empowering self-fulfillment…where Dean, no longer repressed and set free, is able to use his words and speak his truth as a queercoded trauma survivor, henceforth confirming and self-affirming his own bisexuality since S1 by reciprocating — by telling Cas that he always loved him, too, loved him endlessly, which would have altogether divested Supernatural of its cult status and catapulted it into global worldwide significance as the longest running sci-fi genre show in American broadcasting history that actually dared to defy and, by proxy, empower LGBTQ2IA+ everywhere who found profound personal meaning in Destiel through VALIDATION,” — found themselves mirrored in Dean and Cas’ respective character journeys individually and as each other’s queer love interests.

THIS IS WHY DEAN WASN’T MEANT TO DIE.

THEY WERE SO ESSENTIAL, NOT JUST TO THE OVERARCHING STORY AND HEALTHY INTERPERSONAL THEMATICS OF MODERN SPN, BUT ALSO TO THE SOULS OF THOUSANDS OF PEOPLE ACROSS THE WORLD WHO FOLLOWED THEIR JOURNEYS, HOPED FOR THEM, ASPIRED TO BE LIKE THEM, TREASURED THEM, WEEPED FOR THEM, AND FOUGHT FOR THEM, LIKE YOU AND ME.

Heck, how could anyone think Sam Winchester had a well-deserved characteristic ending? He didn’t. Dean’s brother was shafted so badly. He stopped hunting when seasons ago, he had canonically accepted that he no longer wanted an apple pie life. He simply…turned the lights off in a resoundingly empty bunker and left — abandoning his dead brother’s room — never to return (he did return later to get the Impala, family photos etc, I mean this symbolically)…as if — dare I say it — Supernatural itself eerily told us, in the negative-spaced pitch blackness, that the organic show and the wonderfully complex, matured characters we’ve grown to love weren’t going to survive or be revisited…that it was all going to perish, and that they no longer gave a single shit about their own show, which, to me, is the worst cardinal sin, because how dare they throw Team Free Will, an immovable and indomitable and passionate found family they built from the ground up, a found family CHOCK FULL TO THE BRIM OF LOVE AND LIFE RAGING AGAINST THE AUTHORITARIAN MACHINE IN ORDER TO ACHIEVE FREE WILL, under the bus no matter who is to blame. Growth was stomped on.

Then Sam married a faceless wife who wasn’t his textually established (and deaf) love interest Eileen, named his son Dean Jr., and grew old miserably, still mourning the passing of his older brother, shaken and sombre. Back to square one. IT WAS ALL ANTITHETICAL, even OUTSIDE a shipping context, and I ripped my hair out at this point in sheer disbelief.

This 15x20 ending would have fit somewhere between S4-7. Now? IT DOESN’T FIT. IT’S A JAGGED PUZZLE PIECE THAT DOESN’T BELONG ANYWHERE. IT’S THE FOREBODING UNKNOWN STRANGER IN ITS OWN LAND, BOTH LITERALLY AND FIGURATIVELY. This kind of ending was basically an illogical, unsound cluster of metastasized cells that, to me, ruined the viability of previous seasons to sustain bold praise and respect and dignity and rewatches and classic nostalgia in such insidious ways.

Dean Humanity Winchester and Cas, after everything they’ve been through, were silenced and lost in death, ripped apart from each other, unable to love each other the way they deserved, because of disappointing, vile incompetency and homophobia. The greatest love story ever told, again obliterated in less than 60 hollow minutes.

You know what this tells your audience, CW SPN? Death without self-growth is the way to go, and no one is allowed to forge their own path to freedom.

HOW INSULTINGLY HARMFUL IS THAT?

I don’t think I’ll ever stop grieving.

We all deserve answers.

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Oh please don‘t let me regret reblogging this

okay i’m going to rant about Supernatural here for a minute, as a head’s up, but i’m just seeing so many people not understand what the show is actually doing - which is fair, i don’t expect anyone to have 15 seasons of genre tv show memorized - and assuming the worst when i’m pretty sure that it’s a fucking beautiful, galaxy brain story playing out.

like, just. the final season 15 big bad is literally God - but he’s not really God, the Christian God, he is the incarnation of the writers themselves. the character of God was originally a tongue-in-cheek avatar of the actual writers as the author of the Supernatural books (yes, inside Supernatural there are Supernatural books, and Supernatural conventions, and a Supernatural musical), Carver Edlund - as in Jeremy Carver and Ben Edlund, two of the primary writers at the time. he was, at the time, a ‘prophet’ who could foresee the future and write what was supposed to happen.

the character of God is the author of this story, and this entire season has been about how the protagonists have to defeat God - they have to literally defeat the story itself in order to be victorious. in a fucking unprecedented level of meta, the villain of the final season is literally the story and the writers themselves.

and then you have Castiel, a character who was supposed to be in a handful of episodes 11 years ago and then permanently killed off. a character who was meant to be permanently killed off again three years after that, who was kept and brought back again and again because the fans demanded it, because Cas and Misha Collins became so intrinsic to the story. 

at the end of his first season, the ‘prophet’ (God) told Castiel that he wasn’t supposed to be in this story, and Castiel replied, Yeah, well, we’re making it up as we go.

and then, in the episode before the one with this confession, God confronted Castiel and called him the one thing that he couldn’t ever control. God, Cas’s “father” (the writers who created him) shouted at Cas for never doing as he was told, for always being the spanner in the works.

and then, Castiel culminates years of character development with a beautiful speech about how happiness is in the being, not the having, and comes out as explicitly queer. he confesses that everything he’s ever done has been for love.

and what is Supernatural about? Supernatural is about love saving the world. that was literally the final message of the season 5 finale, which was originally intended to be the series finale. the first time Supernatural ended, “love will save the world” was its final message.

Castiel is the queer love that the writers never intended to exist but that they couldn’t control and couldn’t stop, that they tried to kill and couldn’t. 

Castiel didn’t die, Castiel is the queer love that couldn’t die. 

and, i think many people don’t realize, the deal that Cas made with the Empty was something put into action - two seasons ago, i think? it was quite a while ago that he made this deal. this has been planned for a long time, it wasn’t a last minute fan service thing. there are people putting meticulous care into this story and they’re not playing around with it, they are laying out their final hand with deliberate intention. the writer who crafted Castiel’s confession (a gay man, fyi) wrote that speech as the first thing he wrote for the season. there is care here.

people unfamiliar with the show may also not realize that when Castiel first came on the show, he saved Dean from hell - because Dean had also made a deal, a deal trading his life for the one he loved most, his brother. Castiel made a deal trading his life for the one he loved most, his son. 

that is a parallel, a rhyme to this story, that can only be completed with Dean saving Cas from hell. that is a beautiful, poetic, fucking incredible way to bring this to a close. i have been very wary about actually trusting this show after getting burned over and over, but even i can’t deny the care being written into this and the self-aware beauty of the story that is unfolding. 

Castiel has died a dozen times before, at least, as has Dean - in fact, two seasons ago Cas escaped the Empty, the “hell” he was just taken to. leaving your story there would be hella weak sauce, and make no narrative sense.

but Dean, who has been galvanized by rage for so long - Dean, who has been lost and furious knowing that he’s a puppet whose strings have been pulled for a capricious God’s amusement and who now knows that maybe the only real thing in the universe is that an angel is in love with him - laying down his anger and choosing to fight for love, saving Castiel the same way that Castiel first saved him? our protagonists, collectively known as Team Free Will, defeating the Author and choosing their own destiny, choosing love and saving the world? 

now that’s a fucking story.

i’m still nervous, of course i am. but all of the pieces have been set in place, and with two episodes left, for the first time i’m actually excited to see how this story ends.

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Can I just say

THAT THESE

ARE NOT CHARACTERISTICS OF A GIRL

PRESENTATION DOES NOT EQUAL GENDER IDENTITY

LET MEN BE “FEMININE”

LET MEN BE BEAUTIFUL

LET MEN BE MEN

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when drawing people kissing, it’s good to make their heads more tilted. if theyre too straight up it looks less natural (im bad at explaining but i hope this is useful advice)

I know what you mean, I‘ll make sure to keep it in mind for the next time!