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I was looking at Leverage fic on AO3, read the tag "hand job" and thought "I don't remember that episode" in all seriousness before it hit me

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You know, in all the posts I've seen about how great Leverage is (which are the posts that got me to watch the show!) there's one part of it that doesn't really come up. They take down the bad guys, and that's really cool, and the characters are incredible, and that's also really cool.

What gets me the most though? Is the jobs where they make things better.

The jobs where they do still take down the bad guys, give them their due, stop the harm. But they also make things better.

Sometimes it's small things, like the Tap Out Job where the guy they help gets to run the boxing club going forward, keep his people safe. The checks they sometimes give at the end of an episode, with a suggestion of what to use it for, fall into this theme.

Slightly bigger, you get things like the Underground Job where the mine will have proper safety equipment now and an owner who will keep it that way. Or the Blue Line Job, which comes with a show of solidarity between the guys that fight each other on the ice - but not when it could kill one of them. Not once they know. And now they'll make sure no one faces that risk again.

On a personal level, there's the Carnival Job, where a father ends up connecting with his daughter again by the end.

And then there's the episode that got me thinking about this.

The Gimme A K Street Job.

For once, they're doing a (mostly) legal job. And the end goal is simple: get laws into place so teenage girls won't get hurt from the lack of safety regulations.

And they do it.

And going forward, no more teenage girls are going to break their bones because they landed on a mat that doesn't give anything except the illusion of protection.

Leverage is different from the typical crime solving show because of the robin hood angle, sure. But it's also different because every now and then, they don't just catch the bad guy. Every now and then, they make things better.

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public proposals are so embarrassing if someone tried to propose to me in public I’d walk away

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Leverage textposts part 2/? - Sophie edition ❤️

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Leverage textposts part 1/? - Parker edition ❤️

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Leverage textposts part 3/?

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Today I made Eliot’s sandwich from The Office Job. It was very good, totally understandable why Hardison stole it. XD

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The dark, menacing underbelly of Found Family they never warn you about: IT’S THAT MANY MORE PEOPLE TO YELL AT YOU FOR NOT DOING “GOOD FOR YOU” STUFF THAT YOU DON’T WANT TO DO 

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"I'm not walking away: that's not my job. My job is to get your back, and I'm gonna do it-- all the way down." Eliot Spencer // Leverage (2008)

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Leverage | The Big Bang Job

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i am occasionally reminded that parker knows how to shoot/handle a gun competently in redemption s1e3 and it's like, eliot, mr. "i dont like guns", why are you teaching people this.

(i am aware parker has a handgun in s1e1 but i dont think the skills are transferable to shotguns and its never really established if she can actually hit anything and also i doubt archie would train her in it bc its not a gentleman thief skill and by the same logic i doubt parker would teach herself bc its not particularly thief-y)

anon, this ask was like an early christmas present for me. i love when people are "wrong" in interesting ways, or if not wrong then... take a different view to what i do. so, parker and guns. i can't believe i've never made a post about this.

(heads up, i've stolen vast swathes of this post from conversations i've had with both @ghostlyarchaeologist and @aardvaark. words are all mine but ideas are mutually borne, so thank you both for being sounding boards at various points in the past. everyone go follow heather and adrian cos they're better at this than i am.)

right, let's talk about the pilot, becuase parker can absolutely hit things with that. both eliot and nate know immediately that hardison isn't a real danger, but the second nate hears the safety beng turned off there he whirls around and matches her threat; that's what you do when you know someone's not making pointless bluffs.

also, boiling this back to it's utter basics, what's the main skillset you use in order to handle a pistol competently? hand-eye coordination. which is something we know for sure parker has in spades; she's a master pickpocket and she learns fast.

we need to remember, also, that parker's initial sense of morality is completely fucked. or... not morality, exactly, but sense of what does and doesn't count as wrong, what does or doesn't count as harm? because there's that scene in homecoming, right, where everyone's protesting the concept of eliot having to do the thing they hired him for, and parker weighs in with "i never hurt anyone." except... like, the FIRST thing we know about parker is that she blew up a house as a child. it's canonical that the parents survived, but parker also spent six months in juvie and has broken out of prison multiple times and lived on the street for god knows how long and stork job shows she can fight pretty well pre-leverage, too. i'll come back to all this in a minute.

her being a crack shot with a gun is... not really incongrous with who she was pre-leverage. archie describes her when he found her as "a danger to herself and to others" and like YEAH no i buy that. i buy that completely.

next up, what about things that aren't pistols? well.

that's a fucking sniper rifle.

that's a fucking sniper rifle.

that is, and i cannot stress this enough, a fucking sniper rifle.

so yeah, i'd say that those skills are transferrable. she can take out an armed gunman and tie him up with duct tape, without causing a scuffle, and re-aim the gun. with enough consistency that nate knows for sure she'll manage it in less than three seconds. sure, we can chalk some of that up to parker at this point having had four seasons of eliot here's-how-you-take-out-thugs-with-guns fight training, but... i think at this point it's pretty fair to say that (regardless of the provinance of her skills) parker's kinda a good shot, actually.

okay, let's revisit that point about morality, because there are kinda a bunch of really important touchstones here.

so, john rogers once said that "parker is the second most dangerous person on the team, and eliot would argue first most dangerous." she's the team member with the least qualms about hurting people, always, and that's a detail that tends to get brushed over.

she would have killed tara here. she makes that extremely clear. i can't listen to that "Bye, now." and not get shivers.

talking of shivers.... "I want to do the right thing."

because, look, parker's not eliot. she's not thawing ice all the way through, and yet we're shown again and again that, despite that, "She has the nuclear winter inside her." there will always be a part of her who's first instinct is to jump, to hide, to run, to kill, to not care because caring hurts. but there's also a part of her that is softer than any of the team, that is a child who'll never grow up and yet grew up too fast. she grew up beaten, bruised, neglected and starved yet she's something wonderful - but she knows she's broken, she knows they all call her crazy, and it hurts. she wants to do the right thing, make the right choice, but she hates that it'll never be her first instinct. and the thing is? that's okay. she went through hell and back and turned out someone strange and weird and at times unkind, but... the team like how she turned out. hardison likes how she turned out. and that's worth the world - she just needs to remember it and believe it and use HER skills instead of trying to be something she's not. that is what parker and eliot's conversation in the ice cave is about, if you strip it back to it's bare essentials. parker doesn't want to be normal, she just wants to be normal enough for her friends.

has parker ever killed someone? i don't know. i don't know if she even thinks like that, in such clear terms - as i already talked about, parker's definition of 'hurt' is not the same as anyone else's.

so let's talk about broken wing job for a second, because absolutely everyone overlooks the reason why parker does the job in the first place - "You brought a gun? To my bar?"

because. yeah.

"Those guys are gonna rob this store, right? Which is fine. I don’t mind robbers who aren’t robbing me, or my friends, or kids or… But they brought a gun to the party, and that changes all the rules."

this is season five. she investigates the theives because she's bored - but she only decides to stop them because they brought a gun. that's the kind of very specific morality you only get after being the good guy for a very long time, and i do think that hanging around eliot probably helped affect that a bit.

actually, fuck it, look at what else she says about this whole thing in the broken wing job.

"No cops. No cops. That will actually increase the chances of people getting hurt. [...] Seeing a uniform in the middle of stealing something could cause you to panic, make bad decisions..."

"These guys aren’t that good, which is actually another reason why we should do this, ‘cause sooner or later, they’re gonna make a mistake. Someone’s gonna get hurt."

so. yeah. on the one hand, this is weapons safety 101, for someone in parker's position. "[The Leverage crew] don't use guns because - when guns come out, people die. This attitude very much comes out from traditional American crime literature, and also from talking to our professional criminal friends. Guns are messy, when they show up things escalate, you take a longer, harder fall when doing a crime with a gun - professional criminals are pathologically averse to carrying weapons." i'm quoting john rogers here, because i can, but you'll hear similar in any training manual, and it's especially relevant to parker's actions both here and elsewhere in the show.

on the other hand, mix up all those statements and it definitely implies parker has fucked up badly in the past. again, i don't know if she's ever killed someone. but.

well, for funsies, let's look at the rest of JR's above statement about gun safety (i'm quoting from his blog on the gone fishin' job, in case you wanted to find the source): "You do not point a gun at anything or anyone you are not willing to kill. [...] I had that drilled into my head at an early age. A gun has two settings - holstered and murderous. 'Wounded' is an accidental condition. Eliot in particular is aware of this, and one of the many reasons he does not use a gun is because he is trying to, well, not kill people anymore. Hardison is magnificently awful with weaponry. Although Parker is probably a fine shot, she's trying to play nice by the new rules, and only brought a weapon to the meet in the pilot because she wanted to get paid."

and all that is, more than anything else, the core and crux of everything i'm saying here. factor in how broken parker is, how we know she's made mistakes in the past, throw in archie's "a danger - to herself and to others" line, think about the tara rooftop incident... there's a picture emerging here. it's not a nice one, but it's unpleasantly clear.

so. where does that leave us?

well, it at least leaves me extremely certain for a vast number of reasons that eliot didn't need to teach parker how to shoot a rigged game.

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Never wanted a person as much as the King George Job (s3e12), when Hardison was forging an 18th century manuscript by blending modern and historical techniques and materials

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Nate whenever he goes into a spiral of Catholic Guilt™

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“You are utterly unclear on how to be dead. This is the second time in two years that you’ve shown up at your own funeral.”

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dr who’s on first, doctor strange is on second and doctor house is on third. theres no way theyre getting through a single inning

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Old warriors did not get old by accident; they got old by being wise, having the right knowledge, and being tough. Never underestimate an old man who has grown up in a rough profession or a rough environment. -Bodhi Sanders