— Lord Byron, from “To the Countess of Blessington.”
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(х)
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yes my favorite colors are the warm orange of the windows of a house u see on a walk at night and also the deep blue of the night around it
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DECEMBER
chandrama deshmukh, a teaspoon of stars / claude monet, snow scene at argenteuil, 1875 / counting crows, a long december / anna mary ‘grandma’ robertson moses, snow ball / natalie diaz, manhattan is a lenape word / laetitia de haas, birds in a winter garden / fritz ward, love letter from inside fatherhood / nate klug, advent / serhiy shyshko, saint volodymyr’s hill / w. s. merwin, song of three smiles / charlotte joan sternberg, home through the pines ii / mike chasar, conches on christmas / alfred sisley, la maison sous la neige, 1878 / robert creeley, the door / claude monet, the magpie / sarah kay, winter without you
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hey did you know that uhh
i. the monster's body is a cultural body
ii. the monster always escapes
iii. the monster is the harbinger of category crisis
iv. the monster dwells at the gates of difference
v. the monster polices the borders of the possible
vi. fear of the monster is really a kind of desire
vii. the monster stands at the threshold… of becoming
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— Richard Siken, I Had a Dream About You from Crush (via lunamonchtuna)
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real estate, richard siken (2020)
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Rainy Day 9 After the Rain - Chin H. Shin
Korean,b. ?
Oil on canvas, 24 x 24
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Ruth Madievsky, All-Night Pharmacy
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Eating the Archive, Yousif M. Qasmiyeh
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i don't care.
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from the introduction to emily wilsons translation of the iliad
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