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I love this bit
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love them
#nintama fanart#tairano takiyashamaru#ayabe kihachirou#yonnensei igumi#nintama rantarou#ruxeo art#nintama
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Back to my half-serious-half-BS guide to nintama characters yay
6th years
5th years
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#fuwa raizou#hachiya saburou#nintama fanart#nintama rantarou#both are old memes... imma a mimir too#ruxeo art
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Episode 18-58 事務員になりたいの段
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Wang Da Dong appreciation post | K.O. One
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JPN Nintama Fandom Hashtags & Etiquette no Dan
Since the fandom is increasing in numbers, both in its country of origin and in western spaces, I thought I could help people better understand some of the hashtags more widely used on Twitter/Bluesky and other places. And maybe give some more insight on the more basic etiquette expected of you in Japanese fandom spaces. This is, after all, a predominantly Japanese fandom space and you're bound to interact with users who don't speak English at all and aren't familiar with our fandom culture. Let's be polite!
First, let's tackle the hashtags and how Japanese fandom users use them.
A twitter user, Yada-san, kindly summed up the most popular hashtags in their post here, and I thought that was such a nice summary I could just translate it and hopefully give you a little more cultural insight as I go.
#忍たま Mainly used by the official accounts and such. You can find official information and updates here. Yada-san specified since official accounts use this tag, they refrain from using it themself. You'll find this sentiment is shared among a lot of otaku, specially women who are into either the BL or yume subculture. (And going by word of mouth, the fandom online is mostly adult women lol.) #RKRN (From the title of the manga, Rakudai Ninja Rantarō). Since a lot of fans feel uneasy using the "official" tag, this is the tag most use for their gen fanart. Yada-san says "personally, I don't think it's a good idea to post shippy content to this tag."
#rkrnプラス The yume tag for the fandom. Here you'll find yume art/fic and scenarios in general. Yumes in the fandom usually use the 🌸 emoji.
#nin_draw Now this tag is quite popular and causes a lot of confusion to newcomers. Some people think that since it's such an active tag, it must be the main fandom tag but that'd be incorrect. What happens is that every 2 days, the manager of the account nin_draw on twitter will post a new prompt (usually a character name or the name of a committee or a group) and then you have 60 minutes to draw it. Everyone is free to join! You just have to make sure you follow the rules. They have quite a few, but basically. No NSFW, no ships unless they are canon, no ninmyu, no kemomimi or animals, no modern aus, no genderbends, no aged up or aged down characters (unless we've seen those versions in canon). Basically, they want to keep things gen and as close to canon as possible.
These are not rules anyone can force you to follow, but if you ignore them it will make users uncomfortable and more likely to ignore you/mute your or straight up block you.
(Yada-san mentions a tag for people wanting to connect with other Nintama fans, but I'll skip it for now.)
And what about ship art, you ask? Yada-san states "I post it by clearly stating the ship name and without any of the other tags. If the art is too risque or it might need more warnings, I either mark it as sensitive or post it on poipiku. However, determining what's appropriate or not can be hard at times, and I still have a lot of room for improvement in this area."
And that's it for the original tweet!
Now, for a more general overview of etiquette in the Japanese fandomsphere. You may have noticed through a lot of it, Yada-san offers suggestions or examples of what they do rather than say "don't do that!" and that's very common in the fandom in general. Nobody will confront you directly (at most, they might through an anon messages) but they will most likely just mute you/block you/ignore you.
Some users give foreign fans more of a leeway but others don't. A lot of them are very unforgiving of people who use official art as icons. This stems from NHK itself not allow sharing screenshots on social media, a rule most Japanese fans follow. Consistent with this, if they see you posting screenshots and gifs they may steer clear from your account. Again, we live in an era in which we are in constant communication with people from other countries, so some users are more forgiving about this than others. Remember that this is just a guideline, and in the end, whether you follow it or not is up to you.
You also don't want to use other people's art as icons, unless specify in their profile that it's okay. That's a surefire way to get blocked by an artist you like. On the same vein, don't repost OR trace art. Recently, there was an issue of a foreign fan tracing art and they thought they could get away with it since Nintama is such a small fandom in English speaking circles... don't be that guy!
Also if you're an adult you may want to add your age to your bio. Sometimes, just putting 18+ won't be enough since Japanese users don't want to risk someone still in high school seeing their works.
As for Pixiv, the Yume tag is 忍玉-夢 and the BL tag is 忍玉-腐.
If you're interested in a ship but aren't sure what tag people use, I highly recommend looking at the pixiv dictionary entry for Nintama BL ships! If you're not familiar with the characters names or how to write them in Japanese, the Nintama English wiki has the kanji for the character names as well.
⚠️ ⚠️⚠️ The name order in which ships are written in Japanese is really important! ⚠️⚠️⚠️
Unless the artist states they are into reversible ships (riba/リバ)it's safe to assume they are fixed and the first kanji/name of the ship indicates the top. So don't go to an AB artist asking for BA! That will, again, get you ignored/muted/blocked.
And I think that's it for now! I got tired and can't think of anything else haha. Hopefully this was helpful. I can't overstate how much these rules aren't enforced by anyone but the users' preferences, but if you don't follow them it may be the reason why people are not engaging with you or blocking you.
If you have any other questions feel free to ask me on this post, via ask, or in the Tasogaredoki Jou discord server! Take care and be a 良い子。
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There it is, the Big Tsudoi Post!
I reordered by theme and translated claims that were originally compiled on this page. Said page was edited with time, some info reworded or removed, so I used the wayback machine to make it as exhaustive as possible. I've read more facts browsing boards, and I might add them to this list in the future. But this page is the most well-known, and the facts listed here are what comes up most often in discussion and fanworks.
What is tsudoi? It just means meet-up, and it refers to the fan gatherings with the author of Rakuran, Amako Soubee, which used to occur every 2 years. What's relevant here is the Q&A and discussions with the author that led to plot points, trivia, bits that she hadn't included in the story yet or can't include at all, being mentioned during those meets. None of these meet-ups were recorded, so all the info we know about them comes from word of mouth, forum messages, and blog reports. As such, these facts should be taken with a grain of salt, and while a lot of them turned up to be canon (either in the manga, anime, or musicals) in the long run, they are not canon. Consider them food for thought for possible development and lore for the characters if you want, or just context for discussion and fanworks you might encounter in the fandom. There haven't been any such meetings in a good decade, so you'll notice a lot of that info is obsolete or eventually became canon. Additionally, while there's a lot of overlap with the anime, these concern the manga.
Under the cut, you'll find my translation. The text in black is directly translated from the people who reported those facts, and I tried to offer context and additional information in blue text.
Ninjutsu Academy
In general
Among the students of Ninjutsu Academy, there are orphans other than Kirimaru.
In Ninjutsu Academy, students keep the same class and same teachers for six years.
Uniform colors do not depend on the year, meaning that the 1st year will keep the criss-cross and circles patterned uniform until graduation. This was retconned / not true for the anime and musicals. Flashbacks showed the current sixth years wearing the blue patterned uniform in their first year, and the purple one in their fifth year.
Tomesaburou, Sakubei and Kazuma were established as mob characters at first, but the author made them join the main cast after a group of fans begged her to. It’s funny when you look up discussions about this, there’s a lot of anti-fujo sentiment going on because it seems those fans were from a BL doujin circle. Some people claim they nearly harassed the author about giving these 3 bigger roles.. err… I assume Amako Soubei is grown up enough to decide by herself…
There are kunoichi upperclassmen too, but these characters won’t appear or the cast would get too out of hand.
The family situation and number of siblings of upperclassmen (except for Takamaru) hasn’t been really decided yet. Nowadays Tomesaburou, Koheita, Heisuke, and Shuichirou’s family situation are known in canon. Saburou’s family background is mentioned within tsudoi, and his name implies he has two older brothers. (the characters in ‘saburou’ means ‘third son’)
It’s a coincidence that “Taira” no Takiyashamaru and “Minamoto” Kingo ended up in the same P.E Committee. Sensei said she didn’t think about it at all. “Taira” and “Minamoto” are two major clans from Japanese history, whose rivalry would cause the Genpei War, concluding with the fall of the Taira Clan, the victory of the Minamoto Clan, and the end of the Heian Period and beginning of the Kamakura Period.
Classmates share a bedroom in the dormitory. Monjirou and Senzou, Chouji and Koheita, Tomesaburou and Isaku, Saburou and Raizou, Kihachirou and Takiyashamaru are roommates. Has been canon for a long time now! 31-69 explains why Saburou and Raizou are rooming together without their classmate Hachizaemon.
1st years
Rantarou is kind, so he won’t be able to perform assassination and such, and won’t become an elite ninja.
Just like his father, he will become a half low tier ninja-half farmer in the future.
Kirimaru lost his parents in the war, and was picked up by a certain monk who raised him until he entered Ninjutsu Academy.
Kirimaru used to have an older brother.
Kirimaru’s spring clothes were originally Doi’s. Doi cut his clothes and patched them up to fit Kirimaru.
Kirimaru is 140cm tall.
Shinbei’s future is not decided yet.
He might drop out in the 4th year because he has to take over his family business.
In a more recent meet-up, Shinbei dropping out was retconned, and instead all of the 1-ha class will graduate together. (Since Doi-sensei and Yamada-sensei are in charge of them!)
Shouzaemon will become an anaushi ninja, acting like a relay of information for everyone. Anaushi refers to ninja infiltrating a given space by living a regular civil life with a regular job, gaining information by earning the enemy’s trust over a long amount of time. This is why ninja have to learn many skills and crafts, to assume different identities and work different jobs. Senzou takes a pottery class because of this in 18-43, and there is such a ninja in 24-66.
Rantarou, Kirimaru and Shinbei always make sure to give the best seats to the teachers, because “it’s more important to be a polite person than a top student.” This refers to an aspect of Japanese etiquette where everyone is expected to know their seating positions in a given room based on social hierarchy. The most important people will sit the furthest away from the entrance door into the room (or into the most comfortable seat). In a tatami room of feudal Japan, this would be the warmest place, and also safest in case of attack. I assume this works as Rankirishin’s justification for sitting closest to the door in the classroom!
The “The lord who visited me last night~” song that Rantarou and the others sing is actually pretty suggestive, but they still sing it since they don’t understand the meaning of the lyrics :
From volume 42. Doi-sensei is blushing and saying “Come on, now…” Phonetically, the kids are singing: “Yufubekita yobahidono akai fundoshi otoshita Otoshitayara wasuretayara Mata koyouto oitayara” Written properly, it becomes, and is translated as the following: 昨夜来た夜這い殿 The lord who visited me (a woman) last night, 赤い褌を落としていった Dropped his red loincloth. 落としたやら、忘れたやら、 Did he drop it, did he forget it, また来ようと置いていったやら Or did he leave it behind so he can come see me again?
Danzou does not usually wear pants, but he carries a pair around with him.
Maybe due to the influence of his parents, Sanjirou might have some sixth sense when it comes to the supernatural.
Tsurumachi Fushikizou’s “So thrilling!” catchphrase comes from a pair of older sisters being suspected of a crime in Agatha Christie’s Hercule Poirot. This doesn’t specify if it’s from a novel or the script of a TV adaptation, and older sisters being suspected of a crime in a Hercule Poirot story does not ring a bell, sadly.
The 1st years’ uniform is flashy so that in case of emergency, the teachers can find them easily. Contradicting the retconned fact that uniforms don’t change by year.
The Equipment Committee stinks of pee because the 1st year members often pee their pants. In the anime, Heita is the sole responsible of this. I'm pointing fingers.
Underclassmen
Shirobei is stupid enough to get yelled at by even Koheita. (ow)
Tounai’s front bangs aren’t curly, it’s bed hair.
Because of bad luck (and being forgotten), Kazuma’s name wasn’t properly introduced. In the anime, he introduces himself in 16-11 after his fellow committee members ask him “Who are you again…?”
4th years
Kihachirou thinks of Takiyashamaru as trash. Kiiiind of retconned with 32-61.
Kihachirou’s grades are average.
Takiyashamaru will find an early death.
5th years
Hachizaemon’s quirk of going “Oho!”, comes from a line spoken by Mifune Toshirou’s character Kikuchiyo in the movie Seven Samurai, pronounced as he was watching approaching enemies. Timestamp is 2:29:55. I think. Kikuchiyo makes a lot of funny noises.
Hachizaemon is a natural optimist.
Heisuke was modelled after what Doi Hansuke would be like in his younger days.
Heisuke is 165cm tall, the same as Monjirou. Hachizaemon has a bigger build than Heisuke.
Heisuke is an airhead. The original text says 天然キャラ tennen kyara, literally an “airhead character”, but when a real person is called a tennen kyara it means they are Pretending to be an airhead for attention/to be cute/etc. I assume OP meant it as in a character who fits the “tennen” trope. Tennen evokes an airhead personality but also someone who goes at their own pace, is eccentric, has trouble reading the room, etc.
Heisuke has “excellent grades”, a “sharp mind”, and is “accomplished at both the pen and the sword”.
Heisuke is a better student than Kanemon, but Saburou is a better student than Heisuke.
Raizou and Saburou will find work in the same castle as sounin, showing effort and success. 双忍 sounin, literally “a pair of ninja”, or ninja working together! Love wins.
Saburou’s actual hair is silky straight. On day offs, he walks around town maskless, and no one recognizes him.
His father is alive and well, and is also a master of disguise, apparently even more skilled than Saburou.
Even though some of them weren’t introduced into the story yet, some 6th years sneak out at night to meet with girls. They get in trouble if teachers catch them.
Sensei looks disappointed that Hachiya Saburou’s name is spelled 蜂屋 hachiya in the anime, and would like it to revert back to 鉢屋 hachiya somehow.
Hachiya might be a discriminating word against burakumin in some regions?
The name 鉢屋 Hachiya was taken after the real life Hachiya-shu ninja clan. The original poster seems unclear on this, so let me add context even though it’s a bit long. This is a huge speedrun and burakumin has a complex history which deserves better than being taught through ninja cartoons, so I really urge you to read about them. In the anime, Hachiya is spelled with the characters 蜂 hachi (bee) and 屋 ya (seller, store, house). Hachiya with that spelling is also the name of a variety of persimmon. In the manga, Hachiya is spelled with the characters 鉢 hachi (bowl) and the same 屋 ya (seller, store, house), and has a richer history. Burakumin are historically stigmatized people in Japan. Back in Muromachi, they would live separately from the rest of society in their own settlement, and were considered lesser due to the jobs they occupied. These mostly involve work deemed “unclean” by Buddhist teachings, relating to blood, rot, and death: they were famously executioners, butchers, and leather workers. It also includes popular, “vulgar” entertainers, opposed to noble entertainment such as noh theater. 鉢屋 hachiya (with the “bowl” character) in relation to burakumin refers to followers of Kuuya’s teachings. Kuuya was an itinerant monk involved in “unclean” practices, such as burying the dead or praying while dancing for the people. His religious dance, nembutsu odori, found more practitioners in the San’in region (North-west of Hyougo Prefecture), living secluded in their own villages called Hachiya. These people worked with bamboo to craft items such as tea whisks, but were marginalized due to their dancing performances. They went door-to-door chanting prayers and making sound by tapping a bowl, and this gave them the nickname 鉢叩き hachitataki (who hits a bowl) or 鉢ひらき hachiaraki(who presents a bowl). Like this, hachiaraki became synonymous with “to beg for money”. 鉢屋 hachiya (still with the same “bowl” character) also refers to a group of entertainers in the same region turned ninja associated with the Amago clan during the Sengoku period. They’re famously known for taking Gassantoda Castle (Izumo Province, nowadays Shimane Prefecture) with an extravagant scheme involving a spectacular parade of dancers and musicians passing through the main gate of the castle, with weapons hidden under their clothes. The ninja who led this attack was named… Hachiya Yanosaburou!
6th years
According to the meet-up in 2006, all the sixth years except Isaku come from a background of the Koga school of ninjutsu. When this was stated, Tomesaburou was still a background character and not properly established, so his background is unclear. The school of Koga is a type of ninjutsu from the Koga region (now Koka City, Shiga Prefecture). The Koga region had sou, villages that were allowed to self-govern (sou are mentioned in Nintama movie 2) in exchange of helping out the local Rokkaku Clan during wartime. They specialized in guerrilla warfare and handling of medicinal herbs and poison, and after retaking Koka Castle from Shogun Ashikaga to the Rokkaku Clan, they started working as ninja for said Rokkaku Clan. This would be pretty modern history by the time Nintama takes place, making the sixth years’ family, except Isaku’s, having a recent history of being farmers/samurai mercenaries recently turned “professional” (in Nintama terms) ninja. Interestingly, we don’t know the sixth years’ family situation in canon, except for the fact Koheita has an army of siblings living in a household large enough to belong to the samurai class (31-65), and that Tomesaburou has two older brothers that are warriors, making him likely to be samurai as well (30-34)
6th years ranked by height:Chouji > Koheita > Tomesaburou > Monjirou > Isaku = Senzou.
Even though some of them weren’t introduced into the story yet, some 6th years sneak out at night to meet with girls. They get in trouble if teachers catch them.
Senzou is the most popular among the town girls. Isaku is the most popular among kunoichi, because he’s easy to deceive.
Among the 6th years, Senzou has the best grades. Isaku has the worst ones.
Koheita is so bad at studying people wonder, “how did you even make it to the 6th year?”. But because of his bad luck, Isaku’s grades are still worse overall.
Koheita has had that kind of personality since the second year. Kind of retconned? He’s shown being his cheery ikedon self back in 1st year in 30-33.
Chouji used to laugh a lot as a kid, but gradually stopped as he got wounded while practicing using the jouhyou rope dart, because the scars on his face hurt him. Also shown in 30-33.
Chouji might be an eccentric person, but he’s kind.
Monjirou has been acting as a hardcore gingin ninja since he was little.
Monjirou’s left and right eyes are different shapes. One is pine-nut shaped, the other almond shaped.
The speech Monjirou makes before and after his meal to pay respect comes from Enryakuji Temple on Mount Hiei(?) or some other very famous temple (I[OP] can't remember exactly). This refers to vol 42 of the manga. In the anime, he recites this speech in 16-56. OP says they don’t remember well, but Enryakuji is a very likely candidate as it’s the head temple of the Tendai sect, and this speech comes from Tendai meal etiquette. As found on Tendai’s website, here’s the complete speech: われ今幸に、仏祖の加護と衆生の恩恵によって、この清き食を受く。つつしんで食の来由をたずねて、味の濃淡を問わ��。その功徳を念じて品の多少をえらばじ。いただきます。 I am now blessed to receive this pure food, granted by the divine protection of the Buddhas and the grace of all living beings. I will humbly reflect on the origin of this food, regardless of its rich or mild flavor. I will pray for its merits without thinking about the quantity. Thank you for this meal. Monji omits the “granted by the divine protection of the Buddhas and the grace of all living beings”, but otherwise recites it word for word!
Monjirou and Tomesaburou often disguise themselves as Rokubu (I[OP] don’t know the kanji spelling, but it’s pronounced rokubu), itinerant monks who travel to offer copies of the Lotus Sutra in 66 different temples. But even while in disguise, they can’t stop bickering. Over things such as whether to take the right path or the left path, etc. OP spelled it right, it’s 六部 rokubu. As they explained, they are monks going on a pilgrimage across the country to offer copies of the Lotus Sutra, the most important scripture in Buddhism, to 66 temples, looking to expiate their sins.
Monjirou and Tomesaburou make good teammates, and when push comes to shove they are able to work together like in the Sonoda Village arc.
Tomesaburou is regarded by fans as handsome, but Sensei didn’t particularly try to draw him in a cool way. But while trying to keep his face consistent with the profile that appears in volume 22, he ended up looking handsome.
Tomesaburou might be manly and handsome, but he’s stupid.
Tomesaburou gets caught up in Isaku’s bad luck because they are roommates.
Tomesaburou and Isaku’s bedroom is split in two. The front of the room is Isaku’s area (that is turning into a small infirmary), the back of the room is Tomesaburou’s (that is turning into a small equipment storehouse).
Their room is the most cluttered with their respective luggage, so it has been divided in two.
Since Tomesaburou’s side of the room doesn’t have an entry door, there’s a little corridor made with a partition screen on Isaku’s side at the front of the room, leading to the back.
As a consequence, Isaku’s area is smaller than Tomesaburou’s. His part of the room being more narrow is also because of his bad luck.
Whether other students partitioned their room the same way or not is unknown. (Or rather than unknown, she worded it more like “it’s not decided yet”.)
(Seemingly from a more recent report.) All the sixth years seem to have a lot of clutter due to their respective committee, so their room is partitioned as well.
Isaku’s name comes from the baptismal name of one of Sensei’s friend, “Isaac”.
Someone asked why Isaku often trips on his feet or into pitfalls, and was told that “He might have a bad leg.”
In the first drafts, instead of being known as the Unlucky Health Committee, it was known as the Poop Committee, so Isaku wasn’t the Unlucky Committee President but the Poop Committee President.
Isaku caring for others comes from an instinct typical of those involved in medical care.
After graduation, faithful to the mentality of the Health Committee, Isaku becomes a “battlefield doctor” who treats people without taking sides. Kinda like Doctors without Borders.
Isaku’s weapons are drugs and poisons, but he can use weapons like swords. He doesn’t seem proficient at using any specific weapon (apart from drugs), as he’s shown using different ones in every fight scene ; swords, bandages, …pebbles…… But he’s also shown having interest in getting better at the sword in 27-13.
Staff
Doi-sensei’s personality is unfit for a ninja. Same for Isaku.
To Doi-sensei, cheese feels the same as nerimono (fish paste products), so he can’t eat it. After the Heian period, due to the rise of the samurai class, the need to transport people and supplies, and war in the larger sense, raising horses became a priority over raising cattle. People didn’t consume dairy anymore until the late Edo period where it was regarded as medicinal food, and it only became an everyday food during Meiji. Who the heck tried to feed Doi cheese? Castella-san’s cheese harassment episode when…
Doi-sensei is 175cm tall. Studies of remains from the early Edo period suggest that the average height of people was 157cm for men, and 145cm for women. Since Nintama takes place before Edo, it makes Doi an exceptionally tall person for the times.
Yamada-sensei recommended Doi-sensei as a teacher to Ninjutsu Academy. Shown in 32-64.
Doi is from a powerful family in the Seto Inland Sea, which fell in the war.
Doi's father was named Tokikuni, and he was a person of character.
He was killed in a sneak attack by someone named Sadaakira.
Just before passing, Tokikuni told Doi “Do not avenge me”. Doi’s backstory is based on Hounen, founder of Jodo Buddhism. It ended up being explicitly mentioned in vol 50. Hounen was born in a powerful clan in Mimasaka province (now Okayama prefecture), and his father, Uruma no Tokikuni, was a military chief who was assassinated at night by a warrior named Sadaakira, sent by the emperor to govern the province. In the manga, Doi’s backstory is merely referred to through Hounen’s own story. It’s kept vague how similar the two actually are. In Ninmyu 12, the father entrusts baby Doi to a servant, so there is no “do not avenge me” bit. The servant runs away but is killed by Kaentake ninja, who pick up Doi and raise him under the name Yogiri. Later, when he learns Kaentake killed his family, Doi runs away, and the story becomes similar to the anime where he is found by the Yamada family.
After the current 1-ha class graduates, Doi will quit teaching and open an orphanage.
Kirimaru, now independent, will sometimes come to help care for the kids.
A Komatsuda fan once told the author “I’d be happy to see him return as an office worker [for the school] or something”, to which the author replied “That sounds fun” and eventually made it canon.
Tasogaredoki Castle
Currently, Tasogaredoki is the strongest antagonistic ninja army.
There’s a ninja village in Tasogaredoki Castle.
Zatto is 180cm tall. Like I said earlier with Doi, that makes him Extremely tall for the time period.
Zatto has between 50 and 100 men under his command. (At first, Sensei said 100 men, to which a fan reacted like “Huh?! So many?!” in surprise, so she lowered it to 50.)
While doing his bandages, Isaku saw Zatto’s unmasked face.
“He might be covering burns?”, Sensei said. Confirmed in volume 50.
After the accident that caused Zatto’s burns, his engagement was called off.
That accident happened when Zatto saved Sonnamon’s father. Shown in 32-63.
Zatto is deaf in his left ear. This is reflected in the second movie, when Zatto reports information to his lord on Jinbei’s right side, but then has to turn to his left to listen to Jinbei’s reply.
Kousaka was Zatto’s chigo. Chigo mostly refers to children left in Buddhist temples to receive an education from monks. Because of the sexual exploitation they could be subjected to in exchange for that education, they are portrayed in art and described as graceful, attractive young men often dolled up like little girls. As far as we know Zatto doesn’t come from a specifically religious background, so his relationship to Kousaka might have been that of chigo and master in the secular sense, so that of a wakashuu (“young folk” ; prepubescent boys considered genderless/not men yet) and a samurai master who offers him apprenticeship, be it in academics, religion, martial arts, etc. Those were purely contractual relationships, supposed to end once the boy comes of age, and weren’t necessarily sexual. …But sexual relationships were prevalent enough that the samurai’s sexual practices with young boys has a name, wakashuudo. As for the nature of Zatto and Kousaka relationship, nothing is specified canonly.
Zatto’s subordinate, Moroizumi Sonnamon, got his name when Sensei told herself “Isn’t something like that good?” Sonnamon’s name is spelled with the kanji characters 尊奈門 sonnamon, individually meaning 尊 son, respect, 奈 na, quince fruit, and 門 mon, gate. I already explained the etymology of his name in another blog post. “Sonnamon” spelled in the phonetic hiragana alphabet, そんなもん sonnamon, means “that’s how it is”, “that’s like that”, “that’s it”... So when she said “Isn’t something like that good?”, it sounds like そんなもんでいいんじゃないの, sonnamon de iinja nai no?, or “Isn’t “sonnamon” good?” .
Sonnamon is 19 years old.
Sonnamon is Zatto’s subordinate number two, and Zatto’s favorite.
Hyougo Navy
The Hyougo Navy crew is modeled after the real Murakami Navy. They were devoted to war lords and close to the samurai class. Suigun directly translates to “navy”, but is an historical term. It refers to groups of pirates robbing goods meant as official taxes, who eventually gained enough power and influence to control a given area at sea. They became sort of “samurai of the sea” when daimyo (feudal lords) contracted them to provide security, transporting goods, set up checkpoints, collect fees, etc. The Murakami Navy operated in the Seto Inland sea, the body of water separating the islands of Honshu, Shikoku and Kyushu.
Atoi is tall because he’s Gilyak. His name comes from the word “atuy” in Ainu language, which means “sea”. Gilyak, or Nivkh people, are an indigenous ethnic group living in the northern Sakhalin Island (north of Japan) and the adjacent Russian coast, by the river Amur. In the Muromachi period, they traded with the Chinese, Japanese, and Ainu people. Ainu are another ethnic group inhabiting the north of Japan, Kuril Islands, and southern Sakhalin Island. The Ainu language is written either in latin characters or Japanese katakana alphabet, making the word for “sea” spelled atuy or アトゥイ. Atoi’s name is written 網問 in Japanese, the kanji characters are used for phonetics rather than meaning: 網(a), 問(toi).
Suiren, the dedicated swimmers/divers of the Hyougo Crew, also perform during battle. This ended up being shown in 31-57, Shige and Miyoshimaru dive to stick explosives under enemy ships.
Whales were luxury goods, offered as a valuable present.
Whale fishing was used as practice for naval battles.
Yoshimaru has a woman in every port.
Kagerou’s eye was shot with an arrow, and when he pulled it out both the arrow and eye came out together.
Kagerou suffers from landsickness (oka-yoi) and vomits going bluuurgh (gerogero), so that’s why his name is Kagerou.
Pirates who got landsick were an actual thing. It is an actual thing for sailors, yes. It’s called Mal de débarquement syndrome.
Kameko will inherit the Fukutomi family business.
Kameko admired Chouji, but will marry Onigumomaru.
Onigumomaru will manage the import and export of goods, while Kameko will work staying on land.
Sekibune are fast, but not sturdy. It can reach a speed of about 16.2 km/h when rowed by hand. Given that the current ships of the Japan Coast Guard can reach roughly twice that speed, achieving this speed with a hand-rowed boat is impressive.
Atakebune have high defense, but are slow. About 2 knots. Sekibune and Atakebune are two types of warships used during the Sengoku period. Atakebune is the larger one. 2 knots is about 3,7km/h.
The price to hire pirates as bodyguards is absurdly high. They’d ask for something like ⅓ of the cargo one is carrying, but there’s no substitute for safety.
In the Hyougo Crew, Yoshimaru is the first to attack during battles. Explained in 20-79, part of the Hyougo Crew Audition Arc.
Others characters
After Doi-sensei ruined the Yamada family’s picnic, little Rikichi felt “damn him!” since he was a cheeky kid. But later, just like how an elementary school student grows affection for his teacher, he became attached to Doi-sensei. Doi-sensei crashing the Yamada’s picnic appears in 30-35.
Rikichi wasn’t a student of Ninjutsu Academy.
A long time ago in the rakuran doujin world, it was believed that Yamada Denzou gave Rikichi a spartan education, this fact being apparently written in an answer letter to a fan by Amako-sensei.
But it’s actually his mother who taught ninjutsu to Rikichi. Shown in 32-62.
Rikichi goes through a seriously turbulent phase in his twenties. The original wording uses the verb 荒れる, “to become violent, out of control”, “to get wild”, “to come to ruin”, implying physical and mental instability.
Rikichi will leave a child he got from making a housemaid pregnant in Doi’s care.
That child will look a lot like Rikichi.
They had a talk kind of like, “That child looks a lot like you.” “...S/He’s an orphan.”
Yoshirou and Kisanta are close friends. Initially, Yoshirou was designed with a short bun, making him look even more similar to Tomesaburou.
Back when the anime’s production started, Sensei asked the staff “Please make sure to give Shousei-san a cool voice, okay?”.
The reason why Shousei-san has such a sexy voice is that since he uses matchlocks regularly, the smoke that comes out of the fuse gets to his throat. Because of this, his voice became lower.
Satake’s rifle corps will eventually go under, as every army will have their own rifle corps in the future.
Shousei knows this, but keeps silent as he watches over his men.
In the near future, Satake and Fukutomi will be in conflict, because Fukutomi will do business selling guns to every military commander for the war. While no specific date is mentioned in Nintama, we know it takes place during the Sengoku period, which overlaps with the Muromachi period. “Muromachi” is often brought up within the series, and this period corresponds to the Ashikaga Shogunate, which ends in 1573. The use of firearms, which will become even more widespread in the future of the series, seems to indicate we are near the end of Muromachi, when the matchlocks imported from Portugal in the port of Sakai were imitated and perfected by Japanese blacksmiths. Oda Nobunaga equipped his army with firearms in 1549, slowly setting a standard as they got further improved in the following years.Meaning the story is probably set after 1549 but before 1573!
Komatsuda Yuusaku is not married. He really wants to marry, but he’s still dealing with a recent heartbreak.
Kitaishi Teruyo’s age was a fan’s idea.
She is 19 years old. That makes her a mature woman for the era.
Kitaishi Teruyo is in a position similar to Fujiko Mine, except she always ends up making a mistake at a critical moment, resulting in failure. Not sure what their connection is…. Fujiko Mine is a femme fatale kind of character, from the franchise Lupin the III. A female character working solo amongst an overwhelmingly male cast…?
General setting stuff, misc info
The salary of foot soldiers was between 60~70 mon per day. Meaning that hiring 100 foot soldiers for a month would cost 300,000,000 yen nowadays. At war, one battle would cost 3,000,000,000yen, so Dokutake Castle is pretty rich.
Linen fabric cost 100 mon, making clothes very expensive at the time. As a consequence, laborers such as horse riding couriers wore little to no clothes. Characters like Seihachi or Danzou don’t wear pants when riding horses so as to not damage expensive clothes.
Couriers load heavy luggage on a pole they carry on their shoulder. When that happens, they’d remove their clothes to avoid damaging them. When that happens to Seihachi, he ends up wearing no pants and no top, leaving him looking all sexy. (lol. Oh... Seihachi.)
At the time, wood planks were valuable. Half of Rantarou’s house has bamboo flooring.
Because the wood plane wasn’t invented yet, wood planks would look uneven. The beams of Doi-sensei’s house have that uneven finish to them. Kanna, the japanese wood plane (the tool used to make planks even), has been developed mid-Muromachi, making it a new invention by the time Nintama takes place. Before that, yariganna, a curved blade attached to a handle, was used to work wood. The labor intensity came at cost, meaning advanced carpentry was first for samurai houses, temples etc.
The age of characters is expressed according to the western style of counting ages, not the traditional Japanese one. Rantarou, Kirimaru, Shinbei, and all the 1st years are 10 years old. The western way of counting age is what you’re familiar with: a just born is 0 year old, and will turn 1 after fully completing one year, etc. The traditional Japanese way of counting ages comes from China, and faded out of use after the Meiji era. A baby would be considered 1 year old when born, and everyone would get one year older during the New Year. So for example, all the first years are considered 10 years old in modern times, but would have been considered 11 back in the days.
The pattern on Shou-chan’s clothes is called “suhama”. Literally "sandy beach". It’s a symbol representing a shoreline.
The pattern on Kisanta’s clothes is called “shikiriki”. I couldn’t find any information about this, so I wonder if it was misheard. The “shi” part might come from 四 shi, “four”, the first letter in 四角 shikaku, “square”.
The pattern on Ooki-sensei’s clothes is called “karigane”. It refers to the clothes he wears in the manga, since it’s different in the anime. The twisty shape evokes the wings of a goose. Karigane is originally used as a family emblem, kamon, and it features the bird’s head on top of the twisty shape.
The screentone used for the 6th years’ uniform is “Tone No. 654 LETRASET JAPAN”.
And that's it for now! Phew! Thank you for reading this far!
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Anyone: Who's your committee president?
Heisuke: It's actually me
Anyone: Ohh must be so tough for a fifth-year
Heisuke: (I can't keep having the same conversations)
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Some reflections, minor spoilers ig
This is a kind of character observation about Kukuchi Heisuke and the school environment… this came up in my head a few weeks ago, so I wanted to put it into words mostly to brainstorm.
When I first got into Nintama, I used to learn the students' roles one at a time. For Heisuke, he was either a committee chairman, a loyal upper/underclassman, or a tofu enthusiast, and then I’d assimilate these traits being brought together.
But things started to feel a little different as episodes went by. Like something beyond these main traits.
Most “tofu episodes” deliver the 5th-year boys having a hard time to say “no” to Heisuke. Which is understandable, since refusing food, and made especially for you, can be extremely rude. Gradually, they become more aware of this phenomenon, but continue to appreciate Heisuke’s efforts to bring everyone together. That’s a plain example of having power over a situation, but here we go.
Though he sometimes doubts himself as a committee president for being 14 — mostly because it's someone else pointing it out rather than his own self-awareness —, he’s clearly capable. He filters information to reach a better outcome.
Now, an intriguing moment happens in the 4th-years competition episodes [S28/E64-65]. Each 4th-year committee chairman guides the juniors through different challenges, including a test of influencing skills headed by Senzou, who determines the final score, and Heisuke, the one who must be affected somehow — a fitting coincidence, right?
That being said, persuasion and negotiations also come sporadically in Nintama, such as requests, (chaotic) budget conferences, a test, or even a committee invitation.
For example, in [S28/E19], Hachizaemon confronts Takamaru’s insistence to change his hairstyle. Furthermore, Takamaru put more effort into changing Hachizaemon’s mind and quite accomplished it, until… the final event lol.
And there’s that episode where Saburouji pranked his entire committee at once… yeah this team has a way with words, right Doi?
Well, it’s really compelling how the trivia plays subtly with book-smart x street-smart concepts. It feels tangible.
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"In my opinion, Komatsuda is an excellent young man."
From episode 11-20, さゆりちゃんが来たの段
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It's so clear now… you are natural teacher!
A quick curiosity is that saying "Fizemos os discurso que criamos" is repetitive, so all his sentence kind of meant "We made the speeches that we made with dekana readings, so let's give it a try" hehe.
About the pronunciaton, I couldn't help but smile big throughout the talking part and the song. Just a few mispronounced words, but overall pretty decent ^^
Also, I didn't know that konpeito was a portuguese thing, that's why it sounds like "confeito" (sprinkles). I wish they pointed out how "Isaku" sounds almost the same as Isaac in portuguese, well, maybe in another time.
First of all, your translations are amazing!1! I have a question about a scene from the clip https://www.youtube.com/watch?v=GMT28bEmdlA >>timestamp 1:35, about NinMyu 13, where Isaku speaks in Portuguese. The thing is: the portuguese sentence is not making much sense: "Fizemos os discursos que criamos com as leituras dekana, então vamos todos tentar", and as soon as the camera zooms out, the projector turns off, so the best screenshot I took is far from perfect. Could you help me to understand what's written in the Japanese phrase? Ik it sounds rlly specific, it's just that Portuguese is my first language xD, and I wasn't expecting a scene like this to ever happen, even with some references about Portugal in the anime. That was interesting. Thanks for your time!
Hi! Thank you so much!!
Portugal comes up often in Nintama, but I was surprised hearing the students actually speaking and singing in Portuguese in the musical. In this one, they are brainstorming ideas for a cultural festival that will be held at school after the Headmaster got another one of his sudden ideas. This excerpt from youtube is taken from the encore. In the first show, the sixth years only spoke Japanese, with Kanemon asking them what language is written on the paper he was just handed. It goes a little bit differently here:
Tomesaburou (in Portuguese): I suggest a speech contest. Chouji (in Portuguese): We'll be speaking in a foreign language. Isaku (in Portuguese): We wrote the speeches we came up with in yomigana, so give it a try. He means the speech written on the paper was transcribed using kana characters, the letters used in japanese alphabets. I'm not sure about his pronunciation because I do not know a single word of Portuguese, but the end of his sentence sounds like he's saying "tempura", a method for deep-frying food the Japanese learned from Portuguese missionaries during the Muromachi Period, making it an all new dish by the time Nintama takes place. Hence Heisuke's reaction... Heisuke: Tempura...? Shuichirou: In what language are you all speaking? Tomesaburou: "Eu sou um ninja". It's Portuguese!
The youtube excerpt cuts here, but the song "Eu sou um ninja" is supposed to start just after. You can give it a listen here. I'll let you judge the quality of their Portuguese because I can't tell at all lol.
Portugal comes up a lot in Nintama because they were the first Europeans to reach Japan, and it all happened during Muromachi. They famously brought tempura to Japan as I mentioned before, but others stuff mentioned in Nintama as well like castella and konpeitou. They didn't just bring food with them though, and what makes them so relevant to ninjas is how they contributed to the art of war and influenced the outcome of the Sengoku period. The first Portuguese traders arrived on the island of Tanegashima and introduced firearms to the people there, which is why matchlocks are called tanegashima in Japanese (a word you can hear in the ending song Shihou Happou Hiji Deppou~).
Portugal plays an important role in Ninmyu 14, with two ninja characters moving all the way to Portugal, and a Portuguese character appearing in it too!!
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