s1nnam0n

[s1nnam0n]

Your honor, THEM

i wa s going through my drafts to se eif i had anything on organization and i cannot believe i forgot to psi this??? i’m obsessed with these fuckers i’ve written small drabbles and stuff on them before. let me know if anyone cares. otherwise my rp account for sinnamon is @s1nnam0n ✨

[s1nnam0n]

@starlixir inquired: ∗ 53﹕ sender  buys  receiver  a  drink  at  a  bar .

Finding the brunette at a club was not uncommon. The loud music, atmosphere and drinks are what kept her sane in this day and age. At least clubs like these were not filled with posh rich men grabbing at young woman, or filled with thousand dollar wines.

Instead, you could get a drink for a decent amount of money. Not that she really ever cares how much her tab is by the end of the night. Money never felt like an object to her. It never felt like it could run out. At least, not when her father still tries to shove it in her face to “keep her off the streets.”

Bringing the last of her beverage to her lips, she feels almost disappointed as the last drop rolls down her tongue. She’d order another one, but she expects the drink to be placed in front of the person sitting next to her, it’s placed in front of her. A drink she wouldn’t normally order, nonetheless.

❛ The hell is this ? ❜ Vienna huffs towards the bartender. She doesn’t sound like she won’t drink it, but it certainly reminds her of the countless times someone’s tried to drug her.

❛ Girl over there ordered the wrong thing, said i should give it to the saddest schmuck at the bar. ❜ The bartender replies with a gesture, a small smirk on his lips as Vienna rolls her eyes.

❛ Very funny . . . ❜ She grumbles before getting up off her chair, grabbing the glass and walking over to the woman he’d gestured to. Woman don’t often buy her drinks, not that she’d ever complain for free anything. But, when someone offers you a drink, you tend to get suspicious as to why. And this ain’t her first rodeo, so to speak. She came here to drink her thoughts away, not hook up. But she’d rather know the real reason why someone “gifted” her a drink out of nowhere, than drinking it without knowing.

❛ Hey cutie, you buy me this drink ? ❜ Vienna asks, head tilting towards the drink in her hand as she approaches the woman.

[s1nnam0n]

@haacked inquired : ❛ you know what they say, an eye for an eye. ❜

tw: light description of a corpse and gore

She feels almost stupid for not hearing the foot steps, and instead hearing a man’s voice among the silence. Her form still hunched over the remains of a bloody corpse, breathing heavy through her masks modulator as stared in the direction of the voices location. her left hand still brandishing the knife that had done the man in, a switchblade pierced deep into the corpse’s unfortunate socket.

Had he witnessed her penetrating this man’s eye socket? Was he a witness to her “self-defense” against the armed individual that was ready to shoot? Thank whatever higher power she’d not been shot, she does not need her dna evidence left on the scene. Either way, the mama cross the room —perhaps no more than ten feet away— had seen her gloved hand on her knife in a man’s face. And he was armed to.

❛ Tooth for tooth; why? you want it? ❜ She inquired? pulling the eye from the blade and holding it up. She’d have half a mind to pull out a tooth too, but deep down she already knows the time is slim for her to get out without issue. She rolled the eyeball on the floor towards the man, carefully watching his own firearm as she used the deadman’s clothes to wipe his own lukewarm blood off her switch blade.

When her eyes slipped away for just a moment, she noticed the security card that would help move things along much smoother, much faster than a line of code from her phone. She looks back at the man as she slowly grabs it, and finally stands up. She held up both her hands, left with her closed switch blade and right with the key-card, trying to show she has no projectile weapons —unless you count a closed switch blade as a blunt object— and thus not planning on harming him too. Unless, he decided to also get in her way.

❛ Listen, you look like you’re twice my body weight. We got three options. We fight and one of us ends up dead. Or we go separate ways and don’t get in each others way. Or we go the same way and preferably don’t fight. ❜ The woman says through a modulator through her own mask, a face covering just over her mouth, but enough to conceal her identity from recognition. She would much prefer not to fight, but she’ll do what needs to be done to get this whole situation resolved, even if that means working along side a stranger. She really doesn’t want to have to grab her concealed firearm and fight this older man almost twice if not three times her body weight.

[s1nnam0n]

a man 😏

This took waaaaaaaaay too long

[s1nnam0n]

Send a 🙌 and I’ll introduce you to an NPC related to my Muse.

This means any minor ‘background character’ in my Muse’s life, such as a relative, coworker, friend, rival, etc. that they interact with in their personal canon. 

[s1nnam0n]

Send me “✒  + a headcanon “  and I’ll tell you if I approve it or not

[s1nnam0n]

Reblog if you're a little weird and ok with it.

[s1nnam0n]

Hey girlie 😘😘 How’s it hanging back in Chicago?

[s1nnam0n]

𝐏𝐑𝐎𝐌𝐏𝐓𝐒 𝐓𝐇𝐀𝐓 𝐌𝐀𝐊𝐄 𝐌𝐄 𝐆𝐎 👀.

okay so i got like, three books delivered this week, and in anticipation i reread another book that i had, and lads, let me tell ye, it was like quicksand. so now i have a list, some from my head, many from my wonderful friends’ heads, of prompts that basically made us all very soft or very “pleasantly scandalized rich lady from the sixties who just found out a juicy bit of goss about the new neighbor”. i hope ye like them! (DO NOT ADD TO THE LIST. I WILL MAKE A PART TWO. AND THREE. AND FOUR. MANY MANY PARTS. EVENTUALLY. )

[ HAIR ]:          sender slowly reaches out to catch a loose strand of the receiver’s hair and tuck it gently and securely back behind their ear, letting their touch linger afterwards. (if the receiver has short hair, then the sender reaches out and gently runs their fingers through their hair to smooth it back.)

[ CLOSE ]:          while standing remarkably close to one another, the sender is unable to stop themselves from running their gaze across the receiver’s body, lingering for a moment on their lips, before returning to initiate prolonged, intense eye contact.

[ CHIN ]:          as they stand close to one another, the sender hooks a finger and tenderly lifts the receiver’s chin, tilting it up so that they can look at one another, and running a thumb across their skin lightly.

[ THUMB ]:          while cupping the receiver’s cheek in their hand, the sender slowly glides their thumb across their cheekbone in a tender, sweeping caress.

[ WOUND ]:          upon noticing a recent injury on the receiver’s person, the sender carefully moves closer, running a thumb (or hand) across the wound in a gentle, troubled manner.

[ INHALE ]:          while standing in very close quarters to the receiver, the sender shakily inhales with desire/anticipation as they realize how intimately close they are to one another.

[ DANCE ]:          when alone together (e.g. the bedroom, the kitchen, literally anywhere once they’re alone) the sender takes the receiver’s hand, and pulls them into a graceful yet intimate dance as a spontaneous act.

[ BARE ]:          as they get undressed, the sender gently places a soft, tender kiss against the receiver’s bare shoulder.

[ SCAR ]:          noticing a scar on the receiver’s skin, the sender tentatively stops them from covering it up, and rests a gentle, soft kiss over it.

[ FOREHEAD ]:          placing a hand on the back of the receiver’s neck, the sender guides them close and rests their foreheads together.

[ PALM ]:          taking the receiver’s hand, the sender brings it to their mouth, and places a tender kiss against the receiver’s palm.

[ LINGER ]:          taking the receiver’s hand, the sender lifts it to their lips, and gently kisses their knuckles, lingering for a moment before withdrawing.

[ BEHIND ]:         upon entering the same room as the receiver, the sender steps behind them, and winds their arms around the receiver’s waist, drawing them close against them.

[ WAIT ]:          realizing the receiver is about to leave the room, the sender hastily reaches out and catches their wrist, preventing them from continuing their departure.

[ ARM ]:          after holding their hand, the sender releases the receiver, but slowly glides their hand up the full length of their arm, lingering on the upper arm, then the shoulder, then resting their touch against the side of their neck.

[ HOLD ]:          while close to the receiver, the sender wordlessly takes a hold of their hand, for no other purpose than to be holding it.

[ PLAY ]:          while sitting together, the sender absently lifts the receiver’s hand, idly running their fingertips across the lines of their palms, mapping out every inch of their hand with slow, lazy touches.

[ GUIDE ]:          in the process of guiding the receiver through a crowded place, the sender’s hand protectively grazes against the small of their back

[ TOUCH ]:          while touching the receiver’s waist, the sender’s hand briefly dips beneath the hem of their shirt, skimming briefly across the bare skin of their waist.

[ CUP ]:           bringing both hands up to cup the receiver’s face, the sender draws them in closer to them in order to get a better look at their face.

[ TUG ]:          the sender tugs the receiver close against them by resting a hand against the small of their back, pulling them flush against their body.

[ HUSH ]:          while standing close to one another and hiding from pursuers, the sender reaches up and places a finger against the receiver’s lips to prevent them from speaking and revealing their location.

[ WRAP ]: when sitting astride a horse/motorcycle/etc. together, the sender reaches back, takes the receiver’s wrists, and gently pulls their arms around the sender’s waist in an embrace designed to keep the receiver safe, despite feeling remarkably intimate.

[s1nnam0n]

𝟏𝟎𝟎 𝑵𝑶𝑵𝑽𝑬𝑹𝑩𝑨𝑳 𝑷𝑹𝑶𝑴𝑷𝑻𝑺 .    (  a  collection  of  100  nonverbal  action  prompts .   mature  and  potentially  triggering  themes  are  present .   add  “ + reverse ”  to  swap  assigned  roles . )

∗ o1﹕ sender  tucks  hair  out  of  receiver’s  face . ∗ o2﹕ sender  offers  receiver  a  bite  from  their  fork . ∗ o3﹕ sender  places  their  feet / legs  in  receiver's  lap . ∗ o4﹕ sender  offers  receiver  an  earbud  to  share  their  music . ∗ o5﹕ sender  comforts  receiver  in  the  aftermath  of  a  nightmare . ∗ o6﹕ sender  gives  receiver  company  in  the  hospital . ∗ o7﹕ sender  wraps  their  arms  around  a  hysterical  receiver  to  calm  them . ∗ o8﹕ sender  shows  up  at  receiver’s  home  late  at  night . ∗ o9﹕ sender  falls  asleep  leaning  against  receiver . ∗ 1o﹕ sender  wields  a  [ gun / knife ]  at  receiver . ∗ 11﹕ sender  runs  their  fingers  through  receiver’s  hair . ∗ 12﹕ sender  invites  receiver  to  dance . ∗ 13﹕ sender  takes  a  [ picture / video ]  of  receiver . ∗ 14﹕ sender  places  their  head  in  receiver’s  lap . ∗ 15﹕ sender  and  receiver  make  eye  contact  across  a  busy  room . ∗ 16﹕ sender  pushes  receiver  against  a  wall  to  kiss  them . ∗ 17﹕ sender  and  receiver  cook  together . ∗ 18﹕ sender  comes  to  receiver  after  being  injured . ∗ 19﹕ sender  sits  in  receiver’s  lap . ∗ 2o﹕ sender  lifts  receiver's  chin ,  invoking  eye  contact . ∗ 21﹕ sender  overtakes  receiver  in  combat . ∗ 22﹕ sender  finds  receiver  [ injured / bloodied ] . ∗ 23﹕ sender  straightens  an  article  of  receiver’s  clothes . ∗ 24﹕ sender  crawls  into  bed  with  receiver . ∗ 25﹕ sender  rolls  their  eyes  at  receiver . ∗ 26﹕ sender  lights  receiver’s  [ cigarette / joint ] . ∗ 27﹕ sender  is  caught  wearing  receiver's  clothes . ∗ 28﹕ sender  strikes  receiver  with  a  pillow . ∗ 29﹕ sender  writes  a  note  on  receiver’s  skin :  [ note ] . ∗ 3o﹕ sender  wraps  a  blanket  around  receiver’s  shoulders . ∗ 31﹕ sender  runs  and  jumps  into  receiver’s  arms . ∗ 32﹕ sender  shoves  receiver  out  of  anger . ∗ 33﹕ sender  hovers  over  receiver’s  shoulder  as  they  complete  a  task . ∗ 34﹕ sender  is  found  by  receiver  somewhere  they  shouldn’t  be . ∗ 35﹕ sender  curls  up  against  receiver  in  their  sleep . ∗ 36﹕ sender  is  found  drunk  by  receiver . ∗ 37﹕ sender  throws  an  item  of  sentiment  bitterly  at  receiver . ∗ 38﹕ sender  joins  receiver  in  the  shower . ∗ 39﹕ sender  is  caught  following  receiver . ∗ 4o﹕ sender  traces  one  of  receiver’s  [ scars / bruises ] . ∗ 41﹕ sender  twines  their  fingers  with  receiver’s . ∗ 42﹕ sender  barges  into  receiver’s  home  unannounced . ∗ 43﹕ sender  kicks  receiver’s  shin  beneath  a  table . ∗ 44﹕ sender  aggressively  shoves  past  receiver . ∗ 45﹕ sender  kisses  receiver’s  [ forehead / cheek ] . ∗ 46﹕ sender  pulls  receiver  out  of  harm’s  way . ∗ 47﹕ sender  is  found  sobbing  by  receiver . ∗ 48﹕ sender  locks  receiver  out  of  their  room . ∗ 49﹕ sender  brings  receiver  [ coffee / tea ]  in  the  morning . ∗ 5o﹕ sender  rests  their  forehead  against  receiver’s . ∗ 51﹕ sender  plays  a  song  for  receiver  that  reminds  them  of  them :  [ song ] . ∗ 52﹕ sender  takes  a  [ punch / stab / bullet ]  meant  for  receiver . ∗ 53﹕ sender  buys  receiver  a  drink  at  a  bar . ∗ 54﹕ sender  needs  receiver’s  help  getting  in  the  bath . ∗ 55﹕ sender  and  receiver  cross  paths  in  the  kitchen  late  at  night . ∗ 56﹕ sender  twists  receiver’s  arm  behind  their  back . ∗ 57﹕ sender  winks  at  receiver . ∗ 58﹕ sender  is  found  collapsed  by  receiver . ∗ 59﹕ sender  prevents  an  injured  receiver  from  getting  up . ∗ 6o﹕ sender  claps  a  hand  over  receiver’s  mouth  to  silence  them . ∗ 61﹕ sender  cages  receiver  against  a  [ wall / the floor ]  with  their  arms . ∗ 62﹕ sender  storms  away  from  receiver  during  an  argument . ∗ 63﹕ sender  is  found  by  receiver  sleeping  in  receiver’s  bed . ∗ 64﹕ sender  [ applies / touches up ]  receiver’s  makeup . ∗ 65﹕ sender  throws  receiver  into  a  wall  during  combat . ∗ 66﹕ sender  dances  sensually  with  receiver . ∗ 67﹕ sender  strikes  receiver  across  the  face . ∗ 68﹕ sender  places  their  hand  on  receiver’s  leg  while  driving . ∗ 69﹕ sender  pulls  a  chair  out  from  under  receiver . ∗ 7o﹕ sender  catches  receiver’s  wrist  when  they  turn  to  leave . ∗ 71﹕ sender  leaves  an  intimate  mark  on  receiver . ∗ 72﹕ sender  beats  receiver  in  a  video  game . ∗ 73﹕ sender  and  receiver  stand  in  stunned  silence  after  a  fight . ∗ 74﹕ sender  cares  for  receiver  while  they’re  sick . ∗ 75﹕ sender  and  receiver  go  on  a  hike . ∗ 76﹕ sender  is  caught  snooping  in  receiver’s  things . ∗ 77﹕ sender  and  receiver  cuddle  while  watching  television . ∗ 78﹕ sender  throws  something  aggressively  at  receiver . ∗ 79﹕ sender  creeps  up  behind  receiver  to  scare  them . ∗ 8o﹕ sender  and  receiver  go  shopping  together . ∗ 81﹕ sender  helps  receiver  [ dye / style ]  their  hair . ∗ 82﹕ sender  draws  receiver  into  a  kiss  by  the  back  of  their  neck . ∗ 83﹕ sender  is  discovered  having  a  panic  attack  by  receiver . ∗ 84﹕ sender  accidentally  injures  receiver  during  sparring . ∗ 85﹕ sender  grabs  receiver  roughly  by  the  hair . ∗ 86﹕ sender  brings  receiver  to  their  knees  during  combat . ∗ 87﹕ sender  shows  receiver  evidence  of  a  lie  they  told . ∗ 88﹕ sender  winks  [ seductively / mockingly ]  at  receiver . ∗ 89﹕ sender  yells  at  receiver  to  put  their  hands  in  the  air . ∗ 9o﹕ sender  helps  receiver  patch  up  a  wound . ∗ 91﹕ sender  holds  receiver  as  they  cry . ∗ 92﹕ sender  silently  and  angrily  points  receiver  towards  the  door . ∗ 93﹕ sender  gestures  for  receiver  to  sit  down . ∗ 94﹕ sender  pulls  receiver  into  their  lap . ∗ 95﹕ sender  cradles  receiver’s  face . ∗ 96﹕ sender  tackles  receiver  out  of  the  way  of  danger . ∗ 97﹕ sender  has  hidden  an  injury  from  receiver ,  and  receiver  finds  out . ∗ 98﹕ sender  confronts  receiver  about  their  unhealthy  behavior . ∗ 99﹕ sender  proposes  to  receiver . ∗ 1oo﹕ sender  has  just  died ,  receiver  finds  out .

[s1nnam0n]

STAR WARS: EPISODE IV - A NEW HOPE (1977) PROMPTS *  assorted dialogue from the film, adjust as necessary

uh... everything's under control. situation normal.

this will be a day long remembered.

in my experience, there's no such thing as luck.

i have you now!

let's blow this thing and go home!

great shot, kid, that was one in a million!

look, a few minutes ago you said you didn't want to just wait here to be captured. now all you want to do is stay?

he doesn't like you.

it's a wonder you're still alive.

no reward is worth this.

i'm surprised that you had the courage to take the responsibility yourself.

the more you tighten your grip, the more star systems will slip through your fingers.

screaming about it can't help you.

i see your point.

i wonder if he really cares about anything, or anybody.

what is it? some kind of local trouble?

i have the death sentence on twelve systems.

this little one's not worth the effort.

i sense something.

should i have your ship standing by?

you don't believe in the force, do you?

i've flown from one side of the galaxy to the other. i've seen a lot of strange stuff.

there's no mystical energy field that controls my destiny.

the force will be with you, always.

how did my father die?

if there's a bright center to the universe, you're on the planet that it's furthest from.

i don't know what all this trouble is about, but i'm sure it must be your fault.

you watch your language!

we seem to be made to suffer. it's our lot in life.

either i'm going to kill her or i'm beginning to like her.

aren't you a little short for a stormtrooper?

the force is strong with this one.

i fear something terrible has happened.

we had a slight weapons malfunction, but... uh. everything's perfectly all right now.

we're fine, we're all fine here now. thank you. how are you?

we're sending a squad up.

we're doomed.

it's not over yet.

i ain't in this for your revolution, and i'm not in it for you.

i expect to be well paid. i'm in it for the money.

use the force, [name].

i find your lack of faith disturbing.

this bickering is pointless.

hokey religions and ancient weapons are no match for a good blaster at your side.

look, your worshipfulness, let's get one thing straight. i take orders from just one person: me.

give us a few minutes to lock it down!

who is this? what's your operating number?

[name], we're gonna have company!

you will never find a more wretched hive of scum and villainy. we must be cautious.

let me see your identification.

you can go about your business.

move along.

my ship has fallen under attack.

this is our most desperate hour.

you're my only hope.

i've gotta get home! it's late! i'm in for it as it is!

i'm getting too old for this sort of thing.

look, i can't get involved. i've got work to do.

it's all such a long way from here.

evacuate? in our moment of triumph? i think you overestimate their chances.

we have no weapons!

you're far too trusting.

i recognized your foul stench when i was brought on board.

marching into a detention area is not what i had in mind.

that's what i'm afraid of.

this is all your fault.

i don't know who you are or where you came from, but from now on you'll do as i tell you, okay?

surely he must be dead by now.

i have something here for you.

there was nothing you could have done.

[s1nnam0n]

&. 𝐡𝐨𝐫𝐫𝐨𝐫 𝐭𝐡𝐞𝐦𝐞𝐝 𝐬𝐞𝐧𝐭𝐞𝐧𝐜𝐞 𝐬𝐭𝐚𝐫𝐭𝐞𝐫𝐬.

(  various  non - halloween  themed  dialogue  prompts  for  all  your  slashers,  final  girls,  and  other  horrors  beyond  your  comprehension.  trigger  warning  for  dark  themes.  feel  free  to  edit  as  you  seem  fit.  ) 

❛ it’s the silence that scares me. ❜

❛ i’m every nightmare you ever had. ❜

❛ i want to see your true face. ❜

❛ one way or another, you’re going to die tonight. ❜

❛ just because you don’t see it, doesn’t mean it’s not already here. ❜

❛ by the time anyone finds your body, they won’t be able to identify it. ❜

❛ you’re playing a dangerous game here, girl. ❜

❛ i’m playing the villain, just like you wanted. ❜

❛ i won’t give up on you, i know you’re worth it! ❜

❛ scream all you want. no one will hear you. ❜

❛ what are you going to do to me? ❜

❛ there you are, my darling! ❜

❛ i knew you would come back to me. ❜

❛ don’t you want to be consumed by what loves you? ❜

❛ i’m going to send you back to hell where you came from! ❜

❛ you can’t keep me here forever! ❜

❛ how are you still alive? i killed you! ❜

❛ sometimes human spaces make inhuman monsters. ❜

❛ please. why don’t you just let me go? ❜

❛ this missing poster has your face on it. ❜

❛ that wasn’t so bad, was it? ❜

❛ what’s wrong, you don’t trust me? ❜

❛ i know a lot about you. more than you think. ❜

❛ you want me to shut him up for you? ❜

❛ we could have been beautiful together. ❜

❛ when you think you’re alone, someone watches. ❜

❛ rest while you can, because i will hunt you and eat you whole. ❜

❛ what you want is very wrong. ❜

❛ you look so pretty all tied up like this. ❜

❛ what, you like to watch? you goddamn sicko. ❜

❛ god isn’t here. god doesn’t even know about this place. ❜

❛ there is something at work in my soul which i do not understand. ❜

❛ i am the devil, and i am here to do the devil’s work. ❜

❛ you know what they say, an eye for an eye. ❜

❛ why don’t you scream for me? ❜

❛ are you… smelling me? ❜

❛ we’re going to die out here. ❜

❛ i’m not afraid of anything. not anymore. ❜

❛ we will be what everyone wants to be. perfect. ❜

❛ no offense, but i think you might be just a little too crazy for me. ❜

❛ we all go a little mad sometimes. ❜

❛ the harder i try to escape, the further i get into this awful place. ❜

❛ this was not how it was supposed to go! ❜

❛ this is the end of your little game. i win. ❜

❛ don’t leave me! i can’t be alone! ❜

❛ no one is coming for you. ❜

❛ you hide. and i’ll try to find you. sound fun? ❜

❛ fuck this place. seriously, just fuck this place. ❜

❛ what’s the matter, honey? you’ve barely touched your dinner. ❜

❛ don’t be afraid. dying is much easier than living. ❜

❛ i won’t let them kill you. i won’t let them even touch you. ❜

❛ let’s get you some clothes before i get too turned on. ❜

❛ you weren’t putting that tongue to use anyway. ❜

❛ shall i drink your blood fresh, or slice your neck and spill it out first? ❜

❛ dying keeps moving lower on the list of worst things that could happen to me. ❜

[s1nnam0n]

setting prompts ˗ˏˋ ꒰ 🕊️ ꒱

¹⁾ a rural gas station in the middle of the night

²⁾ the last room at a drive-in motel in the small hours of the morning

³⁾ a cold, draughty church on a thursday night

⁴⁾ a stranger’s bedroom at noon

⁵⁾ a window seat on a red-eye flight during a storm

⁶⁾ a hospital waiting room with only one other person in it

⁷⁾ a sleeper train eight hours from its destination

⁸⁾ the first night in a new house, alone

⁹⁾ the steps of a wedding chapel in the rain

¹⁰⁾ a dingy truck stop after ten hours on the road

¹¹⁾ a divorce attorney’s office on valentine’s day

¹²⁾ the beach at ten on a monday morning

¹³⁾ a police station in a foreign country

¹⁴⁾ a coffee shop at two in the morning

¹⁵⁾ a concert venue, hours after the band’s set has finished

¹⁶⁾ a boat miles from land in any direction

¹⁷⁾ the third highest floor in a skyscraper

¹⁸⁾ the end of the line at a b-list movie star’s meet-and-greet

¹⁹⁾ a bar an hour after last call

²⁰⁾ an overgrown garden in a heatwave

²¹⁾ a car park lit only by streetlamps

²²⁾ a film set two days from the end of production

²³⁾ a graveyard in spring

²⁴⁾ the lap of someone who’s been gone for too long

²⁵⁾ a kitchen counter whilst dinner’s being made

[s1nnam0n]

actions speak louder than words non - verbal / action prompts from yours truly. (add a "swap" to swap the sender/receiver in the prompt (or just do it manually).)

back, sender gives receiver a back hug.

beckon, sender beckons receiver closer with a finger.

blood, sender cleans blood off of receiver.

book, sender helps receiver get a book from a higher part of the shelf.

care, sender takes care of receiver when they're sick.

catch, sender catches receiver by the waist after they bump into each other.

choke, sender saves receiver from choking by giving them the heimlich.

cold, sender places their jacket over receiver's shoulders.

cry, sender wipes tears off receiver's face with their thumbs.

dance, sender sticks a hand out to receiver and invites them to dance.

dip, sender skinny dips in front of receiver and invites them to join.

dog, sender's dog pulls them in receiver's direction.

drive, sender drives receiver somewhere in their car.

drag, sender drags receiver into a room and closes the door behind them.

draw, sender draws receiver like one of their french girls.

face, sender turns receiver's face towards them.

flower, sender gives receiver a flower.

footsie, sender initiates footsie with receiver under the table.

forehead, sender presses their forehead against receiver's.

grab, sender grabs receiver's wrist to stop them from leaving.

jump, sender jumps onto receiver's back.

kiss, sender kisses receiver.

link, sender links arms with receiver while walking.

massage, sender offers receiver a massage.

patch, sender patches up receiver's wounds.

piano, sender teaches receiver how to play the piano.

pin, sender pins receiver's hands behind their back.

pluck, sender plucks something out of receiver's hair.

press, sender presses receiver against a wall.

propose, sender proposes to receiver.

quiet, sender gestures for receiver to be quiet.

rest, sender rests their head on receiver's shoulder.

serenade, sender serenades receiver with a song.

sign, sender walks into a sign and receiver sees.

size, sender measures the size of their hand against receiver's.

shoes, sender removes receiver's shoes for them.

sun, sender rubs sunblock onto receiver's back.

tattoo, sender gives receiver a tattoo.

tie, sender helps tie receiver's tie.

tuck, sender tucks receiver's hair behind their ear.

umbrella, sender lets receiver under their umbrella.

warning, sender presses a knife against receiver's neck as a warning.

zip, sender needs receiver's help to zip up the back of their dress.

[s1nnam0n]

Wtf do you have against country clubs??

[s1nnam0n]

Got any favorite movies?

[s1nnam0n]

i’ve never wanted something more in my life

i love him

hey guys i made a fish :)

his name is grain