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Maggie Cheung in Mood for Love
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Albert Ayler "New York City’s Killing Me"
Photo montage by Sam Novak
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My Name is Albert Ayler by Sam Novak
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“You are a great fertile bitch of evil, and I love you for your fertility and your power. You are the woman of all our dreams and all our night terrors.” Well.
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La Bauta.
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A Mesmerizing Sequence of Biological Simulations by Maxime Causeret for Max Cooper’s ‘Order from Chaos’
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: The flesh is weak, Johnny. Only the soul is immortal.
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: The flesh is weak, Johnny. Only the soul is immortal.
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: No matter how cleverly you sneak up on a mirror, your reflection always looks you straight in the eye.
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Alas... how terrible is wisdom when it brings no profit to the wise, Johnny?
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The Hand of Glory.
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Music, madness, death and darkness face amateur criminologist Lamont Cranston and The Shadow.
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Edvard Munch.
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Welles played the dual role in 1937 and 1938, The program, loosely adapted from the popular pulp magazine series, told the story of Lamont Cranston, a wealthy young man-about-town who used his hypnotic powers to cloud men’s minds so that they could not see him, fighting crime as an Invisible Avenger known only as The Shadow.
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