samwynneedinburghnapier

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Visual Breakdown

1

2

3

4 - Pan up

5

6

7

8

9

10 - Push-in

11 - Whip-pan

12

13

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Prop and Costume List

Props

1 Beinser LED Desk Lamp with Clamp, 1 C4 Envelope, 5x A4 Sheets of paper

Costume

'Park Hyeon-Gyu': Grey long-sleeved over-shirt

'Seo Tae-yoon': Black bomber jacket, Black sweater

'Park Doo-man': Brown bomber jacket, Chequered shirt

'Shin Dong-Chul': Blazer, Tie and White Undershirt

'Choi Yong-koo': Brown bomber jacket, Red sweater

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Shot List

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Cast and Crew

Directed by SAM WYNNE

Produced by JACK BURNS

DOP JAKE RAE

Lighting, Camera Assistant JACOB DOIG

Production Design, Sound RUSHIL DEEPAK

Starring:

Harry Batkin as Park Hyeon-Gyu, Daniel Lee as Seo Tae-yoon, Cameron McIntyre as Park Doo-man, Jack Burns as Shin Dong-Chul, Euan Hunt as Cho Yong-koo

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KIT LIST, Shoot Date -04/12/23

Blackmagic Pocket PRO 6K, Samyang Xeen Cinema Lens Kit, Smallrig Tripod

Sennheiser 416, Sound Devices MixPre3 - Recorder and Mixer

Large Boom Pole, Microphone Stand

LEDGO LG-B308K 3x 308 Light Daylight Reporter LED Lighting Kit, Gloves

Polyboard (White), Black Flag x3, Floor Cable Cover, Clapper, Sandbag x3

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Final Project- ‘MEMORIES OF MURDER’ Scene Recreation

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Film Narrative Final Project - ‘STATIC RAGE’

Very happy with how this turned out.

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The sky is dark, and so is the water. As is the cobblestone, the road and the brick buildings that loom overhead. 

The canal sits still on my right, as do the barges that rest on it. On my left, a construction site sits still. Those that work on it have left, and so everything is quiet.

But the night is lit up by a vibrant strip of hoarding wall.Splashed across the side of the walkway, and all the way down the street around the corner, a gallery of street art lights up the night. 

An otherwise still scene now feels more like a clash of dull greys and hot pink. The construction site and the art around it feels like an expression of the new, overlooking the veins of the city. 

However, the houses across the water are proof enough that neither the art nor the construction will last as long as the centuries old canal, nor the bridge that crosses it. 

In this scene, the old meets the new, and the very old meets the age old. The gallery itself is just a fading snapshot of art and life. For now though, it looks damn good. 

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Post Production Notes

The space we chose to shoot at is one I’ve walked through a good deal of times, and one I’d say I now know quite well. It’s a place that is rich with detail and has a unique atmosphere.

It’s usually filled with a calming sort of quiet, despite being right next to an active construction site. On top of that, it’s only a short walk from a busy road. However, this strip of cobblestone has a serenity about it likely due to the canal water that flows alongside it. It looks great at night, lit up by a row of street lights, but once we had footage from both day and night, we decided the light of day created an atmosphere we preferred. The film feels less like a snapshot and more like a still life. Filled with scattered details.

What I love about the area, and what makes it ideal for shooting, is the strip of fresh, untouched street art that interrupts a scene pretty devoid of colour. The art is a mish-mash of vibrant colours that feels new and exciting. With the film, we wanted to focus on the scene taking place around the art. A quiet, grey walk along the canal suddenly interrupted by bright, in your face, expression. The film, I feel, emphasises this contrast.

Above, you can find my writing done before the shoot. Bear in mind I did this at night but I’ll post it anyway.

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Visual Exercise 2 - Documenting a space