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“Sisterhood (or women’s friendship) was a popular motif in the advertisement paintings on calendar posters of the Republican era.”
The Emerging Lesbian: Female Same-Sex Desire in Modern China by Tze-Lan D. Sang (2003)
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The Emerging Lesbian: Female Same-Sex Desire in Modern China by Tze-Lan D. Sang (2003)
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Season 3 Episode 7, Angie was added to the chart. im still trying to figure out how to lay out her future connections. Im loving the friendship between Sophie and Dani they are finally healing!
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Link: How Stephanie Hsu Brought One of the Year’s Best Queer Characters to Life (James Factora)
“Queerness, as Hsu puts it, exists indelibly in the texture of the movie. That much is clear in the way that she effortlessly portrays Joy/Jobu/Joybu in all her contradictions — Joy’s muted sorrow and rage, Jobu’s almost hedonistic mode of self destruction, and the tensions that arise when those two tendencies clash. Between her stunning performance in the movie and her deeply thoughtful philosophies on acting and other forms of making art, it’s almost hard to believe that Everything Everywhere is her first feature film. It’s clear that Hsu and her ‘undeniable talent’ are here to stay.”
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no because when everything everywhere all at once said “‘alone I’m useless’ ‘everyone’s useless alone. good thing we’re not alone.’” and “in another life, i would have loved to have just done laundry and taxes with you” and “you think i am naive. i’ve been alive just as many years as you. this [love] is how i fight” and “of all the places i could be, I just want to be here with you” and-
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…because tenderness depends on how little the world touches you. To stay tender, the weight of your life cannot lean on your bones.
Ocean Vuong, from On Earth We’re Briefly Gorgeous (via luthienne)
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EVERYTHING EVERYWHERE ALL AT ONCE
2022, dir. Daniel Kwan, Daniel Scheinert
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