sarasteel - Tumblr blog

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Idiolecto: En el cine, la manera como los personajes hablan en las ficciones. Los personajes no hablan como hablan las personas en realidad.

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Cuando vendemos la película vendemos intangible; experiencias que cuestan millones.

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¿Cuál es el highconcept de mi proyecto?

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Las imágenes se construyen del reconocimiento por asociación y de los recuerdos que me traen (la emotividad, la evocación). En este segundo está el poder, el poder evocador de las imágenes cinematográficas.

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Carne de tu carne (Carlos Mayolo, 1983)

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Methods of representing water. A text-book of topographical drawing. 1907.

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Generación de mapas en la casualidad,

I’m working on a drawing of city for a homebrew Pathfinder game tonight and I realized halfway through the process that you might like to see how I sometimes create larger, more complex maps.

There is a secret world at the bottom of coffee cups and in this case, cups of hot chocolate. Once it’s all dried and cracked, narrow streets and wide avenues appear that are just waiting to be defined.

Sometimes entropy shows urban areas in other ways, like it does in this cracking road sign I took a picture of at Disney in Florida a few years ago. Look for inspiration everywhere - you’ll find it.

-  Mo!

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Conventional signs for maps. Topographic maps and sketch mapping. 1920. 

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Vintage maps of Robin Hood’s Sherwood Forest.

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A closeup video of the scouting map I made for Critical Role of Eiselcross’ Southwestern Territory. Again, Matthew Mercer added the finishing touches himself & thus the one show last night is slightly different. Music by BattleBards.

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Sueños Baldíos (2019)

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“La ambigüedad de la lingüística y la fotografía” (2018) Fotografía digital, 100 x 200 cm

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Wassily Kandinsky „Soft Hard“ Animation

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KANDINSKY ART PAINTING

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Wassily Kandinsky - A study of simplifying subject form on the dance curves of Palucca, 1926.

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Wassily Kandinsky (1866 - 1944)

Yellow-Red-Blue

Several Circles

Composition VIII

Composition VI

On White II

Composition X

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“Olla“, directed by  Ariane Labed, 2019.