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satyajeetvishwakarma · 8 months
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Peace, Propaganda And The Promised Land from Wave Trader India on Vimeo.
This video shows how the foreign policy interests of American political elites-working in combination with Israeli public relations stratgies-influence US news reporting about the Middle East conflict. Combining American and British TV news clips with observations of analysts, journalists and political activists, Peace, Propaganda & the Promised Land provides a brief historical overview, a striking media comparison, and an examination of factors that have distorted U.S. media coverage and, in turn, American public opinion.
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satyajeetvishwakarma · 9 months
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MANUMENT from MANUMENT Coffee on Vimeo.
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satyajeetvishwakarma · 9 months
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MANUMENT from MANUMENT Coffee on Vimeo.
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2020: an isolation odyssey from lydia cambron on Vimeo.
2020: an isolation odyssey is a reenactment of the iconic finale of 2001: A Space Odyssey (Stanley Kubrick, 1968). Restaged in the context of home quarantine, the journey through time adapts to the mundane dramas of self-isolation–poking fun at the navel-gazing saga of life alone and indoors. May, 2020 lydiacambron.com
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CEASE TO EXIST - (Charles Manson/Beach Boys music documentary, 2008.) from Ryan Oksenberg on Vimeo.
"Cease To Exist" explores Charles Manson's musical aspirations and his relationship with The Beach Boys' drummer Dennis Wilson.
Written and Directed by Ryan Oksenberg
This was made for a documentary film class at the School of the Art Institute of Chicago in 2007. The entire film is compromised of unlicensed, unearthed footage I collected from everywhere in glorious 420p (pre-HD). A few interviews are taken out of context to best tell the story since there is no visual evidence in existence of Manson and Wilson's relationship.
Running time: 85mins
*Poster art by Aleksander Walijewski
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Apu Trilogy Restoration Trailer from Criterion Collection on Vimeo.
Created by :: kogonada
janusfilms.com/aputrilogy
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“Singularity (after Stephen Hawking)” by Marie Howe from Maria Popova on Vimeo.
Poem by Marie Howe. Text and context: themarginalian.org/2020/04/23/singularity-marie-howe-animated/
Created for The Universe in Verse: themarginalian.org/the-universe-in-verse
Produced by SALT Project (saltproject.org) with Maria Popova (themarginalian.org). Original music by Zoë Keating (zoekeating.com).
This has been a multi-woman labor of love, with everyone involved donating their time and talent.
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plant machete from david bowen on Vimeo.
This installation enables a live plant to control a machete. plant machete has a control system that reads and utilizes the electrical noises found in a live philodendron. The system uses an open source micro-controller connected to the plant to read varying resistance signals across the plant’s leaves. Using custom software, these signals are mapped in real-time to the movements of the joints of the industrial robot holding a machete. In this way, the movements of the machete are determined based on input from the plant. Essentially the plant is the brain of the robot controlling the machete determining how it swings, jabs, slices and interacts in space.
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Frame of Mind: Psychiatry On-Screen - Criterion Channel Teaser from Criterion Collection on Vimeo.
From pop-Freudian deconstructions of criminal psychology to explorations of the therapist-patient relationship both serious and satiric, these films reflect the increasingly nuanced representation of psychiatry in art as well as our evolving understanding of our own inner lives.
Watch our 17-film Frame of Mind: Psychiatry On-Screen on the Criterion Channel:
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Czechoslovak New Wave - Criterion Channel Introduction from Criterion Collection on Vimeo.
Of all the cinematic New Waves that broke over the world in the 1960s, the one in Czechoslovakia was among the most fruitful, fascinating, and radical. With a wicked sense of humor and a healthy streak of surrealism, a group of fearless directors risked censorship and began to use film to speak out about the hypocrisy and absurdity of the Communist state. Ranging in style from the dazzlingly experimental to the arrestingly realistic, these revolutionary transmissions from a singular time and place stand as models of art as a tool of political resistance.
Watch our Czechoslovak New Wave series now on the Criterion Channel! criterionchannel.com/czechoslovak-new-wave
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vimeo
One Way Street: Fragments for Walter Benjamin (1993) from g. c. on Vimeo.
Directed by John Hughes
One way street explores the life and work of German Jewish critic and philosopher, Walter Benjamin, who died escaping the Gestapo in 1940. Although Benjamin's work is little known in this country, he is regarded in Europe as one of the most influential figures in 20th Century thought.
One way street provides clear and accessible introductions to some of the central ideas in Benjamin's writings. Expert commentary from a range of English scholars situate Benjamin's work in the context of their time and evoke a sense of the excitement that his work has generated. A heightened visual style, montage structure and strong musical treatments correspond in evocative and powerful ways with the concerns and the strategies of Benjamin himself.
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The Opposites Game from Lisa LaBracio on Vimeo.
A classroom erupts into a war of words as students grapple with a seemingly simple prompt: what is the opposite of a gun?
A TED-Ed Production A film by Anna Samo & Lisa LaBracio A poem by Brendan Constantine Performed by Brendan Constantine Animation & Design by Anna Samo and Lisa LaBracio Sound design by Weston Fonger Produced by Gerta Xhelo
Associate Producer: Bethany Cutmore-Scott Editorial Producer: Alex Rosenthal Executive Creative Director: Logan Smalley Executive Producer: Stephanie Lo Producer: Sarah Kay
Special Thanks: Jessica Ruby & Tom Bergmann
This animation is part of TED-Ed's series, "There's a Poem for That," which features animated interpretations of poems both old and new that give language to some of life's biggest feelings. Check out the full series at http://bit.ly/TEDEdTheresAPoemForThat.
SELECTED HONORS Best in Show - ASIFA EAST Festival Official Selection - Animafest Zagreb Best Gallery Film - Anima Mundi Best Animated Short - Raindance FIlm Festival (Oscar qualifying) Best Animated Short - Downtown LA Film Festival Best Animated Short - Florida Film Festival Best Animated Short - Walla Walla Film Festival Ritter Sport Film Prize - ZEBRA Poetry Film Festival Junior Jury Award - Festival Animocje
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Caldera (2012) from Evan Viera on Vimeo.
∆ ∆ ∆ DOWNLOAD THE SOUNDTRACK - orchidtheatre.bandcamp.com/ evanviera.com - - facebook.com/evanvieraanimation
SYNOPSIS Through the eyes of a young girl suffering from mental illness, CALDERA glimpses into a world of psychosis and explores a world of ambiguous reality and the nature of life and death.
DIRECTOR'S STATEMENT CALDERA is inspired by my father's struggle with schizoaffective disorder. In states of delusion, my father has danced on the rings of Saturn, spoken with angels, and fled from his demons. He has lived both a fantastical and haunting life, but one that's invisible to the most of us. In our differing understanding of reality, we blindly mandate his medication, assimilate him to our marginalizing culture, and entirely misinterpret him for all he is worth. CALDERA aims to not only venerate my father, but all brilliant minds forged in the haunted depths of psychosis.
HISTORY CALDERA was helmed by Evan Viera (Director/Composer/Co-Writer) and Chris Bishop (Co-writer/Animation Supervisor/Story Artist) and was produced at Hampshire College. CALDERA was the first film to go through the Bit Films Incubator Program, where founder and professor Chris Perry (co-producer/editor) invites orphaned independent films to be made on campus with the College's students and resources. MANY students and industry professionals generously donated their time to the making of this film. See below for the full credits list.
In co-production with Bit Films and Flicker Dreams Productions
FULL CREW Amir Zarrin Andrew Chan Andrew Kantos Andrew Nighswander Ann Mullin Ashley Souza Audrey Condon Barbara Bolles Ben Fiske Chris Bishop Chris Perry Christine Stuckart Cristin McKee Dan Finnegan Dan Peck Daniel Gilbert Dave Boutillier Ed Bishop Edgardo Padilla Evan Viera Ian Krebs-Smith Jake Blais Jake Mazonson Jarred de Beer Jerry Chan Jim Levasseur Josh Marvel Katie Taccone Katie Wynkoop Liz Ellis Louai Abu-Osba Marcus Wolf Michael Flaherty Nat Stein Owen Granich-Young Perry Chau Raf Anzovin Rhea Kewalramani Rob Sandell Ryan Moore Sam Plattner Samah Majadla Shane Kirby Stephen Sues Taryn Johnson Tati Soutar William Young
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THE OVERCOAT trailer, adapted from Nikolai Gogol's short story from New Division Films on Vimeo.
NOW AVAILABLE TO DOWNLOAD ON iTUNES: apple.co/2DFoB9L
THE OVERCOAT adapted from Nikolai Gogol's short story
"A quest for the ultimate belonging..."
with Jason Watkins, Tim Key, Vicki Pepperdine, Alex Macqueen, Dominic Coleman, Shazia Nicholls, Rosalind Blessed, Oliver Tilney, Sam Jenkins-Shaw, Daniel Francis-Swaby, Grace Rowe, Stephen Bisland, Paul O'Shea, Andrew Macbean, Christopher Williams
adapted and directed by Patrick Myles based on the short story by Nikolai Gogol produced by Kate Turner and Mark Puddle coproducers Harold Salakianathan and Lynne Turner director of photography Tom Turley production designer Melanie Jane Brookes editor Jo Walker original music by Alex Baranowski
Distribution: Shorts International (not released yet) 2.40 anamorphic 2k 25fps 5.1 sound (also available in stereo)
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The White Widow from Fred L Epee on Vimeo.
The White Widow (2015) Film by Fred L'Epee and Kenneth Gentry.
"The White Widow" is a psychotropic visual arts film representing the themes of mythology, mysticism, and the existential struggle. The realm is that of the subconscious, the alterations of perception, in the other-worldly than the worldly. Once upon a time the white widow at the edge of a path.
CREDITS
Screenplay Kenneth Gentry
Editing Fred L’Epee
Design Fred L'Epee
Music soundtrack Artist: Cooper Raines Album: "Subterranean Holiday" Titles: Uranium, Surface tension, Mystery of the Junkman
Additional sound 169035_cormi_harp4-d
Special thanks Freesound Prelinger Archives
Helicon Films 2015 Fred L’Epee Kenneth Gentry Ed Alvarado
This work is licensed under Creative Commons. Attribution-NonCommercial-NoDerivs 3.
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Derive from Fred L Epee on Vimeo.
Derive (2016) Film by Fred L’Epee and Jean-Baptiste Lozac’h Music by William Ryan Fritch
Between an inexhaustible past and a non-unfoldable future: a chase after the horizon and some areas of refuge. Between what we believe, what we lived and what we would like to live. Life, perhaps...
Entre un passé inépuisable et un avenir non dépliable: une course-poursuite après l'horizon et certaines zones de refuge. Entre ce que nous pensons, ce que nous avons vécu et ce que nous aimerions vivre. La vie, peut-être ...
CREDITS
Editing
 Cinematography 
Fred L’Epee
Text
 Script Jean-Baptiste Lozac’h
Music Soundtrack 
William Ryan Fritch
Albums 
With The Winds Against Us (2014)
 Music For Film Vol.I (2015)

Songs
 With The Winds Against Us | Tangled
Together
 Split | Distance | Exit Wounds
Voice-over
 Narration
 Lucie Grande
Transcription
 Translation
 Matthieu Farcot

Special thanks 
Prelinger archives
Helicon Films 2016 
Executive producer
 Fred L’Epee 
Co-producer
 Jean-Baptiste Lozac’h Licenced under Creative Commons

 Attribution-NonCommercial-NoDerivs
 CC-BY-NC-N
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Fahrenheit 4.33 from Fred L Epee on Vimeo.
"Contemporary mythology as the representation of a catharsis. A thousand variations from human Vacuum. Translated by the definition of our identities which became amorphous. Stasis. The alteration of our psyche. Vertigo. An existential schism. The labyrinth built by Daedalus. Death is not an end in itself. Perhaps an inertia. Without reproduction. Neither transposition".
CREDITS
Editing Concept Fred L’Epee
Stock Footage Video Jeffrey Beach (Beachfront Productions) beachfrontprod.blogspot.com
Sound/Music Jarredgibb (drone-001)
Thalamus-lab (stone-grind)
Speedenza (suspense-theme)
Nick121087 (spaceship-ambience)
ERH (space-sound-ph-sny-b6-3) (mf3b7-92-whisperers) (prep-pianoiiikng-rnp-4)
Helicon Films 2016 Executive producer Fred L’Epee Co-producer Jean-Baptiste Lozac'h
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