seanwomersley

[seanwomersley]

VFX Showreel from Daniel Moore on Vimeo.

[seanwomersley]

Amperity // Customer Data from Giant Ant on Vimeo.

Amperity parses customer data, and we parsed their story. Then we wrapped it in a cube, and made it glow, showing how their technology can power the platforms their customers already use to successfully connect with THEIR customers.

------- CREDITS Client: Amperity Directed by Giant Ant Executive Producer: Teresa Toews Executive Creative Director: Jay Grandin Producer: Melissa Buísan Creative Direction: Eric Pautz, Jay Grandin Script: Sam Malissa (Amperity) & Jay Grandin Art Direction: Eric Pautz Storyboard: Taylor Yontz, Eric Pautz Animation Direction: Taylor Yontz 3D Animation: Taylor Yontz, Shawn Hight 3D Modelling: Shawn Hight, Taylor Yontz, Matthew James, Diego Maclean Compositing: Matthew James, Eric Pautz Rendering & Lighting: Matthew James Music & Sound Design: Playdate VO Artist: Sam Malissa

[seanwomersley]

arnold-and-octane-m1-mac from Paul Colton on Vimeo.

[seanwomersley]

The Saga Of Biorn from The Animation Workshop on Vimeo.

Bachelor film project 2011 from The Animation Workshop.

Story Biôrn, an old Viking, is determined to reach Valhalla, the warrior's afterlife full of excessive drinking and debauchery. To gain entry he has to die honorably in battle, but he discovers that the right death isn't so easy.

Credits A film by: Benjamin J. Kousholt, Daniel D. Christensen, Mads Lundgaard Christensen, Jesper A. Jensen, Jonas K. Doctor, Steffen Lyhne, Pernille Ørum-Nielsen, Frederik Bjerre-Poulsen, Jonas Georgakakis

[seanwomersley]

The Notebook from Collin Leix on Vimeo.

This is a VR painting I did in Tilt Brush, from a sketch by the illustrator Joey Yu

[seanwomersley]

Jo Hopley - 2022 Social Reel from Jo Hopley on Vimeo.

A quick showcase of the range of content I've worked over the last few years for various brands social media pages.

Skills: Producing, Editing, Directing, Graphics

[seanwomersley]

Apple - Intention from Apple Inc on Vimeo.

Apple ad spot "Intention." Premiered as WWDC 2013 Intro. Designed by Apple in California.

If everyone is busy making everything how can anyone perfect anything? we start to confuse convenience with joy abundance with choice. Designing something requires focus the first thing we ask is what do we want people to feel? Delight Surprise Love Connection then we begin to craft around our intention it takes time. There are a thousand no’s for every yes. we simplify we perfect we start over until every thing we touch enhances each life it touches. only then do we sign our work.

[seanwomersley]

ROSEMARIE`S LIFE | CURAVIVA from Roof Studio on Vimeo.

For exclusive Making of >>> follow us on instagram :) instagram.com/roofstudionyc/

“Rosemarie’s Life” is a touching 3D-animated short about an elderly WWII survivor. From the pain of being separated from her family as a little girl to her joyful reunion years later, Rosemarie’s profound experiences become a source of inspiration for her caretaker — and a reminder that a career in long-term health care is an opportunity to help others and become part of their story.

[seanwomersley]

Dark Room from Pedro Allevato | Sugar Blood on Vimeo.

Dark Room is a reflection about relationships. The hero of this project revisits some old photos and start to be hunted by the ghost of his ex-girlfriend. The film also talks about how memories and photographies might not show what really happens between couples. In other words, Happiness does not exist without sadness and sadness does not exist without happiness.

Directed | Designed | Animated by Pedro Allevato

Sound Designed by Bruno Allevato Read by James McConnell Additional Animation by Peter Lowey & Rui Almeida Produced by Andrew Fleming and Pedro Allevato

[seanwomersley]

Sean Womersley Motion Graphics Show Reel [June 2019] from Sean Womersley on Vimeo.

sean-animation.co.uk

SHOT BREAKDOWN:

00:00 - 00:02 Name plate I built this in Cinema 4D with xParticles, then used Cycles 4D to render and After Effects to composite.

00:02 - 00:08 GN Good Story Guide Titles Created for the Graham Norton end-of-year special. I was solely responsible for the project, working alongside the producers from concept development though to completion. The page was hand drawn and coloured in Photoshop, then layered up in 3D space in After Effects to give a parallax when the camera pans over. vimeo.com/312095693

00:08 - 00:12 Heli corner stats One of the many pieces of content Created for Formula One Management. This was tracked and composited in After Effects using the Element 3D plugin.

00:12 - 00:14 Blind Date Series 2 Titles I helped create the opening title sequence as part of a team effort to rebrand the show. I designed and built the logo in After Effects and then handed off the project to be animated. vimeo.com/276711857

00:14 - 00:18 Eastenders Back to Ours Titles Title sequence for a show exclusive to the BBC iPlayer for the 30th Anniversary of Eastenders. I was solely responsible for the project, from conception to completion. It was made using Photoshop to cut out each character and building, and then taken into After Effects to animate. vimeo.com/118992837

00:18 - 00:24 Calcio Storico Map This piece is for a documentary about a medieval Florentine sport called Calcio Storico. It was created using Photoshop to cut out and clean up map sections and then taken to After Effects to layer in z-space and animate.

00:24 - 00:26 GN Good Guest Guide Titles Created for the Graham Norton end-of-year special. I was solely responsible for the project, working alongside the producers from concept development though to completion. The book was modelled and animated in Cinema 4D, then brought into Element 3D in After Effects to have textures applied. vimeo.com/249992915

00:26 - 00:32 BBC Six Nations 2015 I was responsible for modelling the landmarks in a low-poly style, done in Maya. vimeo.com/121172832

00:32 - 00:37 Champions League Promo GFX This was created to be used in promos for the Champions League Finals. I made this using Illustrator to adapt the team logo and then Element 3D in After Effects to animate.

00:37 - 00:40 Europa League Promo GFX This was created alongside several other teams to be used in promos for the Europa League Semi-Finals. I made this using After Effects to layer up many instances of text and basic shapes.

00:40 - 00:42 Plex Cinematic Space Preroll) This was a personal project that I worked on, as a preroll for my home Plex library. I built this in After Effects using the Element 3D and Optical Flares plugins.

00:42 - 00:44 Plex Cosy Rain Preroll Another personal project for my home Plex library. This was made in After Effects using Particular to create a displacement map that I then used to give a rain-on-window effect.

00:44 - 00:47 World Cup 2018 Titles I worked on this section of the titles only, as it was a huge undertaking with many artists involved. I started by compositing an image together in Photoshop of the footballers all together. I then took this into Illustrator to build the lines where the grout between the tiles would sit, and filled the tile colours in. This was taken into After Effects to create the final mural. I then animated the wink, and manually tracked the mural onto the footage.

00:46 - 00:48 Intervention Media Logo Sting This was made for a showreel for a New York-based creative media firm. It was built in After Effects using basic 3D layers and the Element 3D and Saber plugins. vimeo.com/249992831

00:48 - 00:50 A Night For the Emergency Services 2017 Titles Title sequence for ITV’s show honouring the country’s emergency service staff. For this project I modelled the medallion in Cinema 4D and then imported the model into Element 3D in After Effects and animated the camera moves. vimeo.com/285962993

00:50 - 00:52 BBC Cycling Championships 2017 Titles For this we created a title sequence for the BBC’s coverage of the Cycling Championships in Hong Kong. I created the background skies using After Effects to warp and distort ink textures and added colour overlays to make it feel more mystical. vimeo.com/216023622

00:52 - 00:54 Bear’s Mission With… AJ Titles For this project I was responsible for overlooking the whole thing, from concept development through to completion. I built the scenery in Illustrator in many layers, then imported them into After Effects to distribute in z-space. I then built and animated the climbers and photos and added camera moves. vimeo.com/285969074

00:54 - 01:00 Endboard Built in Cinema 4D using xParticles.

Music released by Perturbator Song Title: Satanic Rites

[seanwomersley]

Quasimontecarlo - Reel 2018 from Luigi Dalla Riva on Vimeo.

Works done last year for several clients and agencies.

[seanwomersley]

Sean Womersley Motion Graphics Reel January 2019 from Sean Womersley on Vimeo.

[seanwomersley]

Max Cooper - Waves - Official Video By Kevin McGloughlin from Max Cooper on Vimeo.

'Waves' is out now on Mesh Pre-order 'Emergence' LP: maxcooper.lnk.to/emergence

This video is part of the Emergence audio/visual project, where I explored the idea of natural laws and their creation of the world around us. The early chapters of the story focus on the fundamentals of natural laws themselves, the basic principles of nature which needed to be in place before the physical universe could come into being.

Luckily for me, working on an AV project, these basic building blocks of nature tended to yield beautiful results visually - symmetries, the distribution of the primes, dimensionality and hyper-dimensional forms, and here, waves. Perhaps this is because we have some subconscious appreciation for their importance, or maybe it’s just through social conditioning and the fact that they are usually common forms because of their irreducibility.

The idea seemed like a simple one visually, so I wanted to create a simple classic synth approach musically, and find a strong retro aesthetic visually to match. Tom Hodge added some Fender Rhodes noodling for extra retro feel, and Kevin McGloughlin nailed the visual approach with a great technique for presenting waves as the product of strong moving lines in a simple colour scheme. Some of the video work reminds me of 60’s or 70’s modernist imagery, which fit right in musically.

I chose the concept of waves for part of the Emergence story, because they are a very important idea in much of our understanding of the world around us, and within us. They form the basis of light and wireless communications, and our source of energy from the sun which creates almost all plant and animal life. Our best understanding of the fundamental nature of reality at the smallest scales is purely waves, apparently. And even the process of neuronal action that produces our awareness relies on waves of charge flow created by forces which are supposedly themselves mediated by waves - the virtual photon, a massless wave (i.e. light), being the force carrier of the electromagnetic charge which shunts particles around inside your neurones to make you think. And then there’s the more familiar waves that can dump you under and make you swallow some rank sea water.

In addition to all of that, waves are also the basis of music - waves in the air, that is, sound, structured with symmetries. Much the same as with thinking about symmetry for that chapter of the Emergence story, it turns out that music shares a lot in common with our visual aesthetic preferences, and both are deeply rooted in principles of nature illuminated by science.

There are different ways in which waves can operate, and what constitutes a wave at all, with or without a medium for example. But they all seem to involve energy transfer without needing the transfer of physical mass - like you can see in the video, the mass (each particle, or a charge) moves up and down on a single axis, and the wave, and energy, is propagated through the medium by these point oscillations.

- Max

Some words from Kevin McGloughlin on the project

"I had been toying with ideas of emerging patterns from minimal configurations when Max Cooper contacted me to be involved in a video project.

I initially pitched these ideas for a different track on 'Emergence'. Max swiftly seen intertwined concepts within our work and suggested using the ideas for the track 'Waves'. On hearing the concept for the track, 'Waves' seemed the perfect fit.

My approach was to remain minimal and fluid with inspiration from the great Norman McLaren.

I used only one element of animation for the entire clip (the initial line, in three colours). I gradually used multiples of this element and offset the times. Every form in the video was built from this initial line animation in a flat 2D space.

I decided to limit the piece to three bold colours in a 2D environment in an effort to convey the idea that even in this limited space with limited material, these forms still have a capacity to create a wide variety of patterns and complexities, in part taking on the appearance of 3D depth.

I felt these attributes demonstrated aesthetically and conceptually the core ideas within Waves."

[seanwomersley]

10328x7760 - A 10K Timelapse Demo from SCIENTIFANTASTIC on Vimeo.

"10328x7760 - A 10K Timelapse Demo" is a video I put together showcasing the extreme resolution of the PhaseOne IQ180 camera of which it was shot. This footage comes from some shots I did while shooting 4K and 8K timelapses in Rio De Janeiro for a major electronics manufacturer. Each shot is comprised of hundreds individual still images, each weighing in at a whopping 80 megapixels. Each individual raw frame measures 10328x7760 pixels.

Each shot was very minimally processed and included curves, input sharpening, saturation adjustments. The h264 compression really kills alot of the fine detail. No noise reduction was done on any of the shots. I tried to keep the shots as close to raw as possible so you may see some dust spots, noise, and manual exposure changes I made while shooting. For a final video edit these adjustments would be smoothed out and fixed. Normally I run shots where I manually change exposure during the shot through LRTimelapse, but unfortunately the program can't seem to handle such huge raw files. I also had to loop some shots in order to have enough runtime to do some zooms, so you may see a jump in the footage here and there.

Each shot sequence starts off with the full resolution footage scaled down to fit within a 1920x1080 resolution (14% scale). The next shot in each shot sequence is the full resolution shot scaled to 50%, so basically zooming in quite a bit. From there we go into the full resolution shot scaled to 100%, which is an extreme zoom/crop. As you can see, the quality and detail holds up extremely well, it’s pretty amazing.

I wanted to show a couple things with this demo video. First, the extreme resolution of this camera (and medium format in general). Second, the amazing amount of flexibility this resolution allows for in post production. You can literally get about 8-10 solid 1920x1080 shots out of a single shot. You can also get about 5-6 solid 4K shots out of a single shot.

If you enjoyed this demo videos please feel free to pass it around and share it. If you enjoy my work, or want to see some of my other work (including the full Rio video) you find me on all the social media outlets below.

BEST VIEWED FULLSCREEN IN FULL HD

Music: Licensed from themusicbed.com Artist: Tony Anderson Song: Hold On tonyandersonmusic.com/

All footage is Copyright Joe Capra - Scientifantastic 2015, and may not be used without permission.

Special thanks to my local Rio producer/assistant/badass Jose Olimpio ( joseolimpio.com )

WWW.SCIENTIFANTASTIC.COM

YOU CAN FOLLOW ME AT: Twitter - twitter.com/scientifantasti Instagram - instagram.com/scientifantastic Vimeo - vimeo.com/scientifantastic Facebook - facebook.com/pages/Scientifantastic/163137190447579 Google+ - gplus.to/scientifantastic 500px - 500px.com/scientifantastic ProPic - propic.com/scientifantastic

[seanwomersley]

Everything is a Remix Remastered (2015 HD) from Kirby Ferguson on Vimeo.

--->T-shirts and posters can now be pre-ordered! everythingisaremix.info/merch/ --->Become my Patron for more free videos: patreon.com/kirbyferguson --->Check out my acclaimed new series: vimeo.com/ondemand/tinact

For the first time, the whole series as a single video in HD. Written and Remixed by Kirby Ferguson

In the five years since the series launched, Everything is a Remix has been viewed over two million times and produced a popular TED Talk. Amazingly, Remix continues to change the way people think about creativity, originality, and copyright.

To celebrate the five year anniversary, I've polished up the original four parts and merged them into a single video. For the first time now, the whole series is available as a single video with proper transitions all the way through, unified styling, and remixed and remastered audio. Part One has been entirely rebuilt in HD.

Full sources available at everythingisaremix.info

Join my email list to get occasional notifications about new work: eepurl.com/bsl0Dn Twitter: twitter.com/remixeverything Facebook: facebook.com/everythingisaremix

[seanwomersley]

BBC Sport - Brazil World Cup 2014 - The Flying Dutchman Opener from GeeFX® Studios on Vimeo.

Creative Services: Editorial VFX, Concept Design, Creative Direction, Compositing, 3D Modelling and Animation Client: BBC Sport Creative Director: Graham Clarkin 3D Modelling & Compositing: Marcus Wheat Producer: Mark Woodward Editor: Dom Robson Smith

[seanwomersley]

BBC Sport World Cup 2014 - Ones To Watch from GeeFX® Studios on Vimeo.

Creative Services: Graphics Template Design Client: BBC Year: 2014