selenbeanbeany - Tumblr blog

selenbeanbeany · 4 years ago

Text

Fantasy Guide to Architecture

This post has been waiting on the back burner for weeks and during this time of quarantine, I have decided to tackle it. This is probably the longest post I have ever done. I is very tired and hope that I have covered everything from Ancient times to the 19th Century, that will help you guys with your worldbuilding.

Materials

What you build with can be determined by the project you intend, the terrain you build on and the availability of the material. It is one characteristic that we writers can take some some liberties with.

Granite: Granite is an stone formed of Igneous activity near a fissure of the earth or a volcano. Granites come in a wide range of colour, most commonly white, pink, or grey depending on the minerals present. Granite is hard and a durable material to build with. It can be built with without being smoothed but it looks bitchin' and shiny all polished up.

Marble: Probably everyone's go to materials for building grand palaces and temples. Marble is formed when great pressure is placed on limestone. Marble can be easily damaged over time by rain as the calcium in the rock dissolves with the chemicals found in rain. Marble comes in blue, white, green, black, white, red, gray and yellow. Marble is an expensive material to build with, highly sought after for the most important buildings. Marble is easy to carve and shape and polishes to a high gleam. Marble is found at converging plate boundaries.

Obsidian: Obsidian is probably one of the most popular stones mentioned in fantasy works. Obsidian is an igneous rock formed of lava cooling quickly on the earth's surfaces. Obsidian is a very brittle and shiny stone, easy to polish but not quite a good building material but a decorative one.

Limestone: Limestone is made of fragments of marine fossils. Limestone is one of the oldest building materials. Limestone is an easy material to shape but it is easily eroded by rain which leads most limestone monuments looking weathered.

Concrete: Concrete has been around since the Romans. Concrete is formed when aggregate (crushed limstone, gravel or granite mixed with fine dust and sand) is mixed with water. Concrete can be poured into the desired shape making it a cheap and easy building material.

Brick: Brick was one of history's most expensive materials because they took so long to make. Bricks were formed of clay, soil, sand, and lime or concrete and joined together with mortar. The facade of Hampton Court Palace is all of red brick, a statement of wealth in the times.

Glass: Glass is formed of sand heated until it hardens. Glass is an expensive material and for many years, glass could not be found in most buildings as having glass made was very expensive.

Plaster: Plaster is made from gypsum and lime mixed with water. It was used for decoration purposes and to seal walls. A little known fact, children. Castle walls were likely painted with plaster or white render on the interior.

Wattle and Daub: Wattle and daub is a building material formed of woven sticks cemented with a mixture of mud, one of the most common and popular materials throughout time.

Building terms

Arcade: An arcade is a row of arches, supported by columns.

Arch: An arch is a curved feature built to support weight often used for a window or doorway.

Mosaic: Mosaics are a design element that involves using pieces of coloured glass and fitted them together upon the floor or wall to form images.

Frescos: A design element of painting images upon wet plaster.

Buttress: A structure built to reinforce and support a wall.

Column: A column is a pillar of stone or wood built to support a ceiling. We will see more of columns later on.

Eave: Eaves are the edges of overhanging roofs built to allow eater to run off.

Vaulted Ceiling: The vaulted ceilings is a self-supporting arched ceiling, than spans over a chamber or a corridor.

Colonnade: A colonnade is a row of columns joined the entablature.

Entablature: a succession of bands laying atop the tops of columns.

Bay Window: The Bay Window is a window projecting outward from a building.

Courtyard/ Atrium/ Court: The courtyard is an open area surrounded by buildings on all sides

Dome: The dome resembles a hollow half of a sphere set atop walls as a ceiling.

Façade: the exterior side of a building

Gable: The gable is a triangular part of a roof when two intersecting roof slabs meet in the middle.

Hyphen: The hyphen is a smaller building connecting between two larger structures.

Now, let's look at some historical building styles and their characteristics of each Architectural movement.

Classical Style

The classical style of Architecture cannot be grouped into just one period. We have five: Doric (Greek), Ionic (Greek), Corinthian (Greek), Tuscan (Roman) and Composite (Mixed).

Doric: Doric is the oldest of the orders and some argue it is the simplest. The columns of this style are set close together, without bases and carved with concave curves called flutes. The capitals (the top of the column) are plain often built with a curve at the base called an echinus and are topped by a square at the apex called an abacus. The entablature is marked by frieze of vertical channels/triglyphs. In between the channels would be detail of carved marble. The Parthenon in Athens is your best example of Doric architecture.

Ionic: The Ionic style was used for smaller buildings and the interiors. The columns had twin volutes, scroll-like designs on its capital. Between these scrolls, there was a carved curve known as an egg and in this style the entablature is much narrower and the frieze is thick with carvings. The example of Ionic Architecture is the Temple to Athena Nike at the Athens Acropolis.

Corinthian: The Corinthian style has some similarities with the Ionic order, the bases, entablature and columns almost the same but the capital is more ornate its base, column, and entablature, but its capital is far more ornate, commonly carved with depictions of acanthus leaves. The style was more slender than the others on this list, used less for bearing weight but more for decoration. Corinthian style can be found along the top levels of the Colosseum in Rome.

Tuscan: The Tuscan order shares much with the Doric order, but the columns are un-fluted and smooth. The entablature is far simpler, formed without triglyphs or guttae. The columns are capped with round capitals.

Composite: This style is mixed. It features the volutes of the Ionic order and the capitals of the Corinthian order. The volutes are larger in these columns and often more ornate. The column's capital is rather plain. for the capital, with no consistent differences to that above or below the capital.

Islamic Architecture

Islamic architecture is the blanket term for the architectural styles of the buildings most associated with the eponymous faith. The style covers early Islamic times to the present day. Islamic Architecture has some influences from Mesopotamian, Roman, Byzantine, China and the Mongols.

Paradise garden: As gardens are an important symbol in Islam, they are very popular in most Islamic-style buildings. The paradise gardens are commonly symmetrical and often enclosed within walls. The most common style of garden is split into four rectangular with a pond or water feature at the very heart. Paradise gardens commonly have canals, fountains, ponds, pools and fruit trees as the presence of water and scent is essential to a paradise garden.

Sehan: The Sehan is a traditional courtyard. When built at a residence or any place not considered to be a religious site, the sehan is a private courtyard. The sehan will be full of flowering plants, water features snd likely surrounded by walls. The space offers shade, water and protection from summer heat. It was also an area where women might cast off their hijabs as the sehan was considered a private area and the hijab was not required. A sehan is also the term for a courtyard of a mosque. These courtyards would be surrounded by buildings on all sides, yet have no ceiling, leaving it open to the air. Sehans will feature a cleansing pool at the centre, set under a howz, a pavilion to protect the water. The courtyard is used for rituals but also a place of rest and gathering.

Hypostyle Hall: The Hypostyle is a hall, open to the sky and supported by columns leading to a reception hall off the main hall to the right.

Muqarnas : Muqarnas is a type of ornamentation within a dome or a half domed, sometimes called a "honeycomb", or "stalactite" vaulted ceiling. This would be cast from stone, wood, brick or stucco, used to ornament the inside of a dome or cupola. Muqarnas are used to create transitions between spaces, offering a buffer between the spaces.

African Architecture

African Architecture is a very mixed bag and more structurally different and impressive than Hollywood would have you believe. Far beyond the common depictions of primitive buildings, the African nations were among the giants of their time in architecture, no style quite the same as the last but just as breathtaking.

Somali architecture: The Somali were probably had one of Africa's most diverse and impressive architectural styles. Somali Architecture relies heavy on masonry, carving stone to shape the numerous forts, temples, mosques, royal residences, aqueducts and towers. Islamic architecture was the main inspiration for some of the details of the buildings. The Somali used sun-dried bricks, limestone and many other materials to form their impressive buildings, for example the burial monuments called taalo

Ashanti Architecture: The Ashanti style can be found in present day Ghana. The style incorporates walls of plaster formed of mud and designed with bright paint and buildings with a courtyard at the heart, not unlike another examples on this post. The Ashanti also formed their buildings of the favourite method of wattle and daub.

Afrikaner Architecture: This is probably one of the oddest architectural styles to see. Inspired by Dutch settlers (squatters), the buildings of the colony (planters/squatters) of South Africa took on a distinctive Dutch look but with an Afrikaner twist to it making it seem both familiar and strange at the same time.

Rwandan Architecture: The Rwandans commonly built of hardened clay with thatched roofs of dried grass or reeds. Mats of woven reeds carpeted the floors of royal abodes. These residences folded about a large public area known as a karubanda and were often so large that they became almost like a maze, connecting different chambers/huts of all kinds of uses be they residential or for other purposes.

Aksumite Architecture: The Aksumite was an Empire in modern day Ethiopia. The Aksumites created buildings from stone, hewn into place. One only has to look at the example of Bete Medhane Alem to see how imposing it was.

Yoruba Architecture: Yoruba Architecture was made by earth cured until it hardened enough to form into walls, or they used wattle and daub, roofed by timbers slats coated in woven grass or leaves. Each unit divided up parts of the buildings from facilities to residences, all with multiple entrances, connected together.

Igbo Architecture: The Igbo style follows some patterns of the Yoruba architecture, excepting that there are no connected walls and the spacing is not so equal. The closer a unit was to the centre, the more important inhabitants were.

Hausa architecture: Hausa Architecture was formed of monolithic walls coated in plaster. The ceilings and roof of the buildings were in the shape of small domes and early vaulted ceilings of stripped timber and laterite. Hausa Architecture features a single entrance into the building and circular walls.

Nubian Architecture: Nubia, in modern day Ethiopia, was home to the Nubians who were one of the world's most impressive architects at the beginning of the architecture world and probably would be more talked about if it weren't for the Egyptians building monuments only up the road. The Nubians were famous for building the speos, tall tower-like spires carved of stone. The Nubians used a variety of materials and skills to build, for example wattle and daub and mudbrick. The Kingdom of Kush, the people who took over the Nubian Empire was a fan of Egyptian works even if they didn't like them very much. The Kushites began building pyramid-like structures such at the sight of Gebel Barkal

Egyptian Architecture: The Egyptians were the winners of most impressive buildings for s good while. Due to the fact that Egypt was short on wood, Ancient Egyptians returned to building with limestone, granite, mudbrick, sandstone which were commonly painted with bright murals of the gods along with some helpful directions to Anubis's crib. The Egyptians are of course famous for their pyramids but lets not just sit on that bandwagon. Egyptian Architecture sported all kinds of features such as columns, piers, obelisks and carving buildings out of cliff faces as we see at Karnak. The Egyptians are cool because they mapped out their buildings in such a way to adhere to astrological movements meaning on special days if the calendar the temple or monuments were in the right place always. The Egyptians also only build residences on the east bank of the Nile River, for the opposite bank was meant for the dead. The columns of Egyptian where thicker, more bulbous and often had capitals shaped like bundles of papyrus reeds.

Chinese Architecture

Chinese Architecture is probably one of the most recognisable styles in the world. The grandness of Chinese Architecture is imposing and beautiful, as classical today as it was hundreds of years ago.

The Presence of Wood: As China is in an area where earthquakes are common, most of the buildings are were build of wood as it was easy to come across and important as the Ancient Chinese wanted a connection to nature in their homes.

Overhanging Roofs: The most famous feature of the Chinese Architectural style are the tiled roofs, set with wide eaves and upturned corners. The roofs were always tiled with ceramic to protect wood from rotting. The eaves often overhung from the building providing shade.

Symmetrical Layouts: Chinese Architecture is symmetrical. Almost every feature is in perfect balance with its other half.

Fengshui: Fengshui are philosophical principles of how to layout buildings and towns according to harmony lain out in Taoism. This ensured that the occupants in the home where kept in health, happiness, wealth and luck.

One-story: As China is troubled by earthquakes and wood is not a great material for building multi-storied buildings, most Chinese buildings only rise a single floor. Richer families might afford a second floor but the single stories compounds were the norm.

Orientation: The Ancient Chinese believed that the North Star marked out Heaven. So when building their homes and palaces, the northern section was the most important part of the house and housed the heads of the household.

Courtyards: The courtyard was the most important area for the family within the home. The courtyard or siheyuan are often built open to the sky, surrounded by verandas on each side.

Japanese Architecture

Japanese Architecture is famous for its delicacy, smooth beauty and simplistic opulence. Japanese Architecture has been one of the world's most recognisable styles, spanning thousands of years.

Wood as a Common Material: As with the Chinese, the most popular material used by the Japanese is wood. Stone and other materials were not often used because of the presence of earthquakes. Unlike Chinese Architecture, the Japanese did not paint the wood, instead leaving it bare so show the grain.

Screens and sliding doors: The shoji and fusuma are the screens and sliding doors are used in Japanese buildings to divide chambers within the house. The screens were made of light wood and thin parchment, allowing light through the house. The screens and sliding doors were heavier when they where used to shutter off outside features.

Tatami: Tatami mats are used within Japanese households to blanket the floors. They were made of rice straw and rush straw, laid down to cushion the floor.

Verandas: It is a common feature in older Japanese buildings to see a veranda along the outside of the house. Sometimes called an engawa, it acted as an outdoor corridor, often used for resting in.

Genkan: The Genkan was a sunken space between the front door and the rest of the house. This area is meant to separate the home from the outside and is where shoes are discarded before entering.

Nature: As both the Shinto and Buddhist beliefs are great influences upon architecture, there is a strong presence of nature with the architecture. Wood is used for this reason and natural light is prevalent with in the home. The orientation is meant to reflect the best view of the world.

Indian Architecture

India is an architectural goldmine. There are dozens of styles of architecture in the country, some spanning back thousands of years, influenced by other cultures making a heady stew of different styles all as beautiful and striking as the last.

Mughal Architecture: The Mughal architecture blends influences from Islamic, Persian along with native Indian. It was popular between the 16th century -18th century when India was ruled by Mughal Emperors. The Taj Mahal is the best example of this.

Indo-Saracenic Revival Architecture: Indo Saracenic Revival mixes classical Indian architecture, Indo-Islamic architecture, neo-classical and Gothic revival of the 1800s.

Cave Architecture: The cave architecture is probably one of the oldest and most impressive styles of Indian architecture. In third century BC, monks carved temples and buildings into the rock of caves.

Rock-Cut Architecture: The Rock-cut is similar to the cave style, only that the rock cut is carved from a single hunk of natural rock, shaped into buildings and sprawling temples, all carved and set with statues.

Vesara Architecture: Vesara style prevalent in medieval period in India. It is a mixture of the Dravida and the Nagara styles. The tiers of the Vesara style are shorter than the other styles.

Dravidian Architecture: The Dravidian is the southern temple architectural style. The Kovils are an example of prime Dravidian architecture. These monuments are of carved stone, set up in a step like towers like with statues of deities and other important figures adorning them.

Kalinga Architecture: The Kalinga style is the dominant style in the eastern Indian provinces. The Kalinga style is famous for architectural stipulations, iconography and connotations and heavy depictions of legends and myths.

Sikh Architecture: Sikh architecture is probably the most intricate and popular of the styles here. Sikh architecture is famous for its soft lines and details.

Romanesque (6th -11th century/12th)

Romanesque Architecture is a span between the end of Roman Empire to the Gothic style. Taking inspiration from the Roman and Byzantine Empires, the Romanesque period incorporates many of the styles.

Rounded arches: It is here that we see the last of the rounded arches famous in the classical Roman style until the Renaissance. The rounded arches are very popular in this period especially in churches and cathedrals. The rounded arches were often set alongside each other in continuous rows with columns in between.

Details: The most common details are carved floral and foliage symbols with the stonework of the Romanesque buildings. Cable mouldings or twisted rope-like carvings would have framed doorways.

Pillars: The Romanesque columns is commonly plainer than the classical columns, with ornate captials and plain bases. Most columns from this time are rather thick and plain.

Barrel Vaults: A barrel vaulted ceiling is formed when a curved ceiling or a pair of curves (in a pointed ceiling). The ceiling looks rather like half a tunnel, completely smooth and free of ribs, stone channels to strengthen the weight of the ceiling.

Arcading: An arcade is a row of arches in a continual row, supported by columns in a colonnade. Exterior arcades acted as a sheltered passage whilst inside arcades or blind arcades, are set against the wall the arches bricked, the columns and arches protruding from the wall.

Gothic Architecture (12th Century - 16th Century)

The Gothic Architectural style is probably one of the beautiful of the styles on this list and one of most recognisable. The Gothic style is a dramatic, opposing sight and one of the easiest to describe.

Pointed arch: The Gothic style incorporates pointed arches, in the windows and doorways. The arches were likely inspired by pre-Islamic architecture in the east.

Ribbed vault: The ribbed vault of the Gothic age was constructed of pointed arches. The trick with the ribbed vaulted ceiling, is that the pointed arches and channels to bear the weight of the ceiling.

Buttresses: The flying buttress is designed to support the walls. They are similar to arches and are connected to counter-supports fixed outside the walls.

Stained-Glass Window: This is probably one of the most recognisable and beautiful of the Gothic features. They can be set in round rose windows or in the pointed arches.

Renaissance Architecture (15th Century- 17th Century)

Renaissance architecture was inspired by Ancient Roman and Greek Architecture. Renaissance Architecture is Classical on steroids but has its own flare. The Renaissance was a time for colour and grandeur.

Columns and pilasters: Roman and Greek columns were probably the greatest remix of the Renaissance period. The architecture of this period incorporated the five orders of columns are used: Tuscan, Doric, Ionic, Corinthian and Composite. The columns were used to hold up a structure, support ceilings and adorn facades. Pilasters were columns within a chamber, lining the walls for pure decoration purposes.

Arches: Arches are rounded in this period, having a more natural semi-circular shape at its apex. Arches were a favourite feature of the style, used in windows, arcades or atop columns.

Cupola: Is a small dome-like tower atop a bigger dome or a rooftop meant to allow light and air into the chamber beneath.

Vaulted Ceiling/Barrel Vault: Renaissance vaulted ceilings do not have ribs. Instead they are semi-circular in shape, resting upon a square plain rather than the Gothic preference of rectangular. The barrel vault held by its own weight and would likely be coated in plaster and painted.

Domes: The dome is the architectural feature of the Renaissance. The ceiling curves inwards as it rises, forming a bowl like shape over the chamber below. The dome's revival can be attributed to Brunelleschi and the Herculean feat of placing a dome on the Basilica di Santa Maria del Fiore. The idea was later copied by Bramante who built St. Peter's Basilica.

Frescos: To decorate the insides of Renaissance buildings, frescos (the art of applying wet paint to plaster as it dries) were used to coat the walls and ceilings of the buildings. The finest frescos belong to Michelangelo in the Sistine Chapel.

Baroque (1625–1750)

Baroque incorporates some key features of Renaissance architecture, such as those nice columns and domes we saw earlier on. But Baroque takes that to the next level. Everything is higher, bigger, shinier, brighter and more opulent. Some key features of Baroque palaces and buildings would be:

Domes: These domes were a common feature, left over from the Renaissance period. Why throw out a perfectly good bubble roof, I ask you? But Baroque domes were of course, grander. Their interiors were were nearly always painted or gilded, so it drew the eye upwards which is basically the entire trick with Baroque buildings. Domes were not always round in this building style and Eastern European buildings in Poland and Ukraine for example sport pear-shaped domes.

Solomonic columns: Though the idea of columns have been about for years but the solomonic columns but their own twist on it. These columns spiral from beginning to end, often in a s-curved pattern.

Quadratura: Quadratura was the practice of painting the ceilings and walls of a Baroque building with trompe-l'oeil. Most real life versions of this depict angels and gods in the nude. Again this is to draw the eye up.

Mirrors: Mirrors came into popularity during this period as they were a cool way to create depth and light in a chamber. When windows faced the mirrors on the wall, it creates natural light and generally looks bitchin'. Your famous example is the Hall of Mirrors at the Palace of Versailles.

Grand stairways: The grand sweeping staircases became popular in this era, often acting as the centre piece in a hall. The Baroque staircase would be large and opulent, meant for ceremonies and to smoother guests in grandeur.

Cartouche: The cartouche is a design that is created to add some 3D effect to the wall, usually oval in shape with a convex surface and edged with scrollwork. It is used commonly to outline mirrors on the wall or crest doorways just to give a little extra opulence.

Neoclassical (1750s-19th century)

The Neoclassical Period involved grand buildings inspired by the Greek orders, the most popular being the Doric. The main features of Neoclassical architecture involve the simple geometric lines, columns, smooth walls, detailing and flat planed surfaces. The bas-reliefs of the Neoclassical style are smoother and set within tablets, panels and friezes. St. Petersburg is famous for the Neoclassical styles brought in under the reign of Catherine the Great.

Greek Revival (late 18th and early 19th century)

As travel to other nations became easier in this time period, they became to get really into the Ancient Greek aesthetic. During this architectural movement they brought back the gabled roof, the columns and the entablature. The Greek Revival was more prevalent in the US after the Civil War and in Northern Europe.

Hope this helps somewhat @marril96

27K notes · View notes

selenbeanbeany · 4 years ago

Text

Ayo who wanna snort prince philip's ashes with me 🤩

#prince philip #prince Philip meme #ashes #snorting #pls guys i made this post on my dead acc for this reason <3

35 notes · View notes

selenbeanbeany · 5 years ago

Text

58K notes · View notes

selenbeanbeany · 5 years ago

Text

the way people view my race in america has made it so very hard to distance myself from femininity

i could do anything to my body and still be viewed as a small, cute asian girl

really fks me up that people think it's okay to tell others who obviously have a poor relationship w femininity that they look feminine and will always look cute no matter what

v not ok

34K notes · View notes

selenbeanbeany · 5 years ago

Note

Do you have a tumblr

1K notes · View notes

selenbeanbeany · 5 years ago

Text

⚠️ PSA: Everybody Hurts (When People Repost)

Hello @thebestaqua32,

Thank you very much for your Ask. I cannot tell you how much I appreciate the fact that you are reaching out to ask me for permission before actually doing so. Unfortunately, I do NOT allow my work to be reposted by anyone other than myself, on any platform, whether it is Wattpad, Instagram, Twitter, etc.

What follows is by no means directed towards you, dear @thebestaqua32, but I thought I’d take this opportunity to talk about something many creators (writers and artists alike) have been dealing with for a while now, and me, myself, recently.

Over the course of the past 3-4 weeks, I have found instances of my work being reposted to no less than 3 different platforms, once with attribution in difficult to see fine print with no links back to the original source of my work, and twice with absolutely no credit at all. As you can probably imagine, it was quite upsetting to me that pieces I’ve worked so incredibly hard on was being distributed in such a manner, and a lot of time and energy was expended in order to rectify the situation — time and energy that could’ve been otherwise used to create more content for my lovely readers and followers.

Unfortunately, reposting without permission from authors and artists is a common occurrence, and some may not realize the damage doing so can inflict. I seek here to try to explain why reposting in this manner hurts everybody, not just the content creator.

Argument #1:

“How can I possibly hurt someone by reposting their work? The more likes and comments I generate on this post of mine just means I’m giving them free publicity!”

This is something I’ve heard many reposters say in defence of their actions, and while publicity is definitely a good thing for content creators, that is only the case if the people consuming a piece could be bothered to check its original source — that is, if exposure is a guarantee of user traffic being driven back to the creator’s website, social media accounts, etc. And oftentimes, especially in this digital age of “see it and forget it” fast-consumption, most cannot be bothered to do so — the action that is one-step removed proves to be too much of an effort, even if it is merely clicking a link.

Please also consider this: many creators depend on commissions to make a living. This avenue of revenue has only become more important in current times because we are in the midst of a pandemic. People are literally relying on these funds to pay their rent and feed and support themselves and their families. The ability of a creator to support themselves is thus dependent on the size of their fan base or their numbers of followers. If people cannot be bothered to check the original source of a piece of writing or artwork, this essentially cuts down on their potential earnings. You cannot commission a piece from someone or support them if you don’t know of their existence.

This is especially so if things are reposted without proper credit at all, as was the case with one of my works. The worst part was that the stolen piece was taken from a project where the proceeds from all commissions were being donated to charity. In doing so, the thousands of people who liked this post had no way of finding out about this charity project, which means that even if they would’ve been interested in donating, they would not have known how. In essence, this translated to less money being raised to help those who really needed it in dire times.

So please, please, please do not think that the act of reposting hurts no one because that is simply not the case. There needs to be a direct link between people that engage with the content and the creator, which is why reblogging on Tumblr is excellent (feel free to reblog any of my content here if you wish, dear @thebestaqua32) and retweeting (without quotes!) on Twitter is great. These are among the best ways to support us!

Argument #2: The act of reposting could potentially contribute to the decline of a fandom.

Imagine you spent hours, days or even weeks working on something — pouring your heart and soul into a piece — and when you finally shared it to the world, not much happened. Maybe you got a few likes here or there, a couple of comments if you were very lucky. How would you feel? What conclusion would you draw? Some might feel discouraged, others might stop creating altogether.

Imagine then, that same post receiving tons of comments and likes and legitimate shares because someone with a bigger following reposted it on their own social media account without your knowledge. Imagine what you would’ve done with this information — the feeling that others loved and enjoyed your work and wanted to see more. Perhaps it might’ve encouraged you to continue creating.

Case in point:

I wrote this letter. And if I weren’t alerted to the existence of this post, I would’ve never known that thousands of others had liked my work. Also, that’s 124 comments I didn’t get the chance to read. Furthermore, this was a piece that was written for the charity project. Imagine how many potential donors we might have received if people knew about its source.

Feedback is absolutely crucial to creators. It enables us to discover what others did and did not like. Not only can it serve as a compass of sorts to guide our artistic progress and work (and create pieces that can cater to the needs and desires of those who consume it), it is also a point of communication between members of a given fandom. It builds community. And without a strong sense of community, a fandom flounders and could eventually fizzle out.

Without content creators, there is very little for people to consume. Please support all of us by not reposting our work, especially without our knowledge and/or permission.

With that being said, please accept a giant THANK YOU from me to you for reading till the very end. It is very much appreciated. 🙏🏻💕

2K notes · View notes

selenbeanbeany · 5 years ago

Text

It’s The End Of The World (MLQC Headcanon)

Dear Nonny…

I say that now, Nonny, but the truth is that the ONLY thing I love more than smut is angst! Mwahahaha! 🤣🤣 That being said, let’s take a one-way trip to Angst Town! Everybody got their seatbelts on?! LET’S GO!!! (Please note warnings below before reading 💕💕💕)

Warnings: angst, explicit language, trigger warnings (mentions of speeding, near-death experiences and flashbacks, nausea & vomiting, insomnia, slight mention of possessive behaviour, workaholism, loss of appetite and weight loss, anger and violent behaviour (not towards other people though!)) and SPOILERS (basically up to chapter 24 in the EN server; includes dates and Rumours & Secrets for the boys)

Gavin:

DEVASTATED. This man is absolutely devastated.

Gavin has known you since high school and loved you since then

You were his dream girl — the one he thought had got away until his duties brought you back into his life. He had vowed to protect you till the very end, had absolutely no qualms about giving his life for yours. He made a solemn promise to himself that he would never lose you a second time

Until that fateful day when you invited him out for lunch at Lynn’s Kitchen on the grounds of your old high school

You order his favourites, spicy noodles and lemon tea; wait until his stomach is full before you open your mouth to gently broach the topic

“Gavin…I…”

A single glance at your face tells Gavin that something is terribly off. He’s immediately setting his chopsticks down, asking, “What’s wrong? You know you can talk to me about anything. Whatever it is, I’ll help you—”

“Shaw. We…we’ve decided to be together. I know you’re not on good terms, and he did insist on coming today, but I thought it would be best if I told you myself…”

He cannot hear

He cannot move

And it isn’t until the burning sensation in his lungs catches up with him that he realizes he hadn’t even been breathing

Amber eyes, listless and dull, float from your lips to the wall decorated with Post-It notes just behind you, moving from one colourful slip of paper to another

“I hate it when people leave without saying goodbye.”

Gavin still remembers the loops and dashes of your handwriting on the Post-It note you had written so long ago, the way you dotted your i’s with hearts

And all of a sudden, he is back in his high school uniform, bloodied and bruised and free falling from the roof of the four-storey building

Except this time, he cannot hear the strains of a piano, no matter how hard he tries. The gingko leaves around him flutter to the ground just before…

“Gavin?” The touch of your hand on his snaps him out of his reverie. He tries to force a smile and fails.

“I…I’m sorry. There’s somewhere…I just remembered…I have to go….” He hurriedly puts a few bills on the table — more than enough to cover the entire meal — and dashes out of the restaurant

Gavin hops on Sparky and just goes…riding for hours on end with no destination in mind. He’s taken with an intense urge to go fast, as if his body were trying to outrun the feelings he doesn’t have the means of dealing with. At one point, an overwhelming wave of nausea hits him and he stops at the side of the road, retching and retching until his stomach is as empty as his hollowed-out heart

He’s still thinking of you the entire time he’s MIA. The last text from his phone is one sent to you, telling you not to worry about him and apologizing for the way he behaved back at the restaurant. He’s asking if you’d still be okay with talking to him when he gets back, and of course, to contact him immediately if you need anything at all

He still feels you in the wind

Believe it or not, for a short period of time, Gavin actually develops a fear of flying: it reminds him too much of you, brings up too many memories of him holding you in his arms as you traverse the skies together. He’s not confident he can do it anymore, partly because he thinks his Evol might suddenly give out when he’s high up in the air

The turning point comes when Gavin visits his mother’s resting place. There, for the first time since you broke the news to him, he actually cries, and it gives him the strength to carry on

Let’s be clear: Gavin will never, ever be over you. The two of you will remain friends though because Gavin intends to watch over you for the rest of his life (that is one promise he would never break)

With time, he gets used to seeing you with Shaw, even starts to relax a bit when he realizes that his younger brother is capable of protecting you

Someday, Gavin will marry — likely someone who was set up with him either by Minor or his colleagues (Birdcop would never take the initiative to actually meet somebody). This person is absolutely smitten with the handsome officer and his gruff ways and cannot wait to start a family with him. They would also have to be thick-skinned and stubborn enough to turn Gavin’s “no” into an eventual “yes”

And while Gavin would prove to be a loyal husband and doting father who would do anything for his family, a part of him would always, always, continue to burn for you.

Keep reading

785 notes · View notes