shadows-and-flowers - Tumblr blog

shadows-and-flowers · 6 months ago

Text

To be Held | Gil-Galad

Summary: You are Gil-Galad's most trusted warrior. With the centuries of history between you two - and the multiple wars you have both survived before and during his rule - it is hard for you to ignore the obvious: You are his complement, his other half, the shield to his sword. You two work as a unit. Everyone in Lindon knows it.

So what happens when he comes close to losing half of that unit?

Set during S2 of ROP - loosely AU to episode 8 (we don't go into the courtyards of Eregion)

tag: @wild-typo-turtle @celebrimbormylove @pentaghasm

You are one of the earliest memories of his younger years as an ellon. The years where he'd been living in the Grey Havens under the watchful eye of the Shipmaster, a young Elf named Artanaro who had nothing left but himself and the clothes on his back.

You had become a soldier at a very early age, taking to the spear with a gracefulness and poise unlike any of your other comrades who served alongside you in the war. You were raised in the heat of battle. Armor was your skin. Your weapon, your hands.

He admired you deeply. Your training commander at the time had noticed that the two of you were the only ones to take to the spear, and so it came to pass that you were often paired together for spars.

For sparring, for the front, for training. The other Elves whispered about you and how formidable you were as a unit the fields of war.

“What will you call yours?”

You watched him turn the weapon over in his hands. Once, twice, three times, long fingers flexing as it spun for him to properly admire the craftsmanship of the spear that had just been granted to him.

“Aeglos,” The Elvish word rolled off his tongue with an awe that made you shiver. You knew as well as he did that he would be known for being Aeglo’s wielder, among what other accomplishments he took to throughout his years. “It has a number of meanings, Mellon. For this one, however, I think snow thorn is more than appropriate.”

It fits him.

You averted your gaze away from him, desperate to keep your composure as you peered down at the spear in your own hands. He had such a deeply penetrating gaze. That unnerved you. You had to be unflappable. Something such as affection or love could not dare to make you weak.

You would not risk weakness on the field. You would not risk having something to lose.

“I think I have its name,” You announced. “I’ll call it Telmnar.”

Ereinion tilted his head curiously. He was not familiar with that term. “And what does that translate to?”

“Fire of Heaven.”

As the years passed, you took to chaos and disorder. Ereinion Gil-Galad took to the art of ruling much, much later in life with a firm hand and a soft heart. He never lost his spirit. Neither did you.

On the field, the pair of you were a force to be reckoned with. One unit. That’s what Elrond had said the first time he’d seen the two of you fight in the sparring yards of Lindon.

Gil-Galad just hadn’t expected the paralyzing fear that came with nearly losing the other half of your unit.

He sees you fall from across the battlefield. There are so few of you left, so many Elven bodies that litter the grounds of a scorched battlefield that Gil-Galad is sure will be their ruin. Elrond is catatonic over the Dwarvish army. You are fueled by your fury, helm hiding the fire he knows lights your eyes as you spin Telmnar with all the grace of poise of a practiced soldier.

Despite the destruction, you are the most beautiful thing he's ever seen. That is why Ereinion is so shaken when he sees the blade pierce your side through the gaps in your armor. A roar echoes across the battlefield as you twist your body to dismember the offending orc, Telmnar faltering in your grasp as it impales the body at the same time you fall to the earth.

Everything seems to blur together after that. Elrond is the one to rush toward you once clarity reaches him once again, removing the chest piece of your armor to better ascertain the severity of your injuries.

"Ereinion," You whisper. "Tell Ereinion..."

Telmnar gleams out of the corner of your eye as a hand reaches down to remove the spear from the body before laying it down beside Aeglos. They really are beautiful blades: A perfect pair for the best unit that the Elven armies had ever seen.

“Tell him what?” Elrond asks. He wants to keep you awake for as long as possible before blood loss sends you into unconsciousness.

Tears prick the back of your eyes. You’ve spent centuries trying so hard to keep your weaknesses out of harms way, to bury that secret you have kept of growing affections for Gil-Galad so he too would not come to be a name among the list of those you’ve loved and lost.

“He was never my weakness,” You whisper. “He was always my strength.”

"We may have lost many today, sweet friend," Elrond's voice is the only thing keeping you awake as he works to staunch the flow of blood from your body. "But you will not be among them."

You think of Gil-Galad, of Celebrimbor and Arondir, of Galadriel. They will not be able to take Adar on their own. They will need all the men they can muster.

Your innate desire to protect those you love is what coaxes you to move amid Elrond's healing, but not before a firm hand presses you back down into the ground and cradles your head in its embrace. Your eyes slowly shift across the open expanse of sky above you until your gaze falls on the dark eyes of the High King of the Noldor.

“Don’t move.” He commands, firm but soft as his fingers flex around your shoulder. “We will work diligently. Rest.”

Relief washes over you as you raise your fingers to graze his cheek. All you can see is blood and dirt, none of that smooth pale skin you’ve grown so accustomed to over the years.

He’s murmuring something low in Quenya as his hand comes upon your wound, and your eyes roll back into your head as Gil-Galad’s healing begins to seal what damage has been done. Elrond stands beside in waiting for the administration of bandages and salves so it will heal well.

The fingers of his free hand card through your hair as you fall unconscious in Gil-Galad’s capable hands.

***

When you first wake, there is a song on the wind. You’re being carried on a stretcher through what appears to be a path through a valley with elves on either side of you.

Panic rushes through your body until you recognize the voice that the wind carries. Gil-Galad has known since you were young that music was one of your only means of coping as it often brought you such serenity. Especially if the music came from him, his lips, his soul.

“Be well, my friend.” It is Camnir’s voice you hear closest to you instead as his face comes into view at your feet. Why the cartographer is here, you remain unsure, but your exhaustion is softened by the sight of his young face. “The High King is nearby. You are safe. I will wake you once we arrive at our destination.”

Your windpipe feels as if it has been pressed upon and your mouth forced open to swallow handfuls of sand. Despite that discomfort, you swallow and ask, “Is he safe?”

Camnir nods. “Indeed. Be peaceful. We are nearly there.”

You fall asleep once again with Aeglos and Telmnar on your mind.

***

There is warmth the next time you wake.

You’re careful not to aggravate your wound as you slowly shift your weight and rub your hands over your eyes to adjust to the dim light of the tent. Night has fallen, as you can tell from the shadows outside, but you did not expect to find The High King fast asleep with his hand gently laying on top of yours.

You smile. Not many are privileged to see him like this. It reminds you of your younger years, when you and Ereinion were just getting to know one another during your time in the Grey Havens. The pair of you had been far more curious than Círdan had cared for. The Shipwright had never complained. He simply remained grateful that someone cared as much for his charge as you did.

Gil-Galad shifts as you slowly kick your legs off the cot and reach outward to card your fingers through his hair. “Ereinion,” You whisper. Dark eyes flutter open and widen as he realizes you are awake, and it takes all of his willpower not to ask you a million questions as you hold a hand up to silence him. “Are you okay?”

The crease between his brow deepens as you run your thumb along his jaw.

“I believe it should be me asking you that,” He replies quietly. “You gave me quite a scare. I do not think I have experienced fear such as that watching you fall since we were young.”

Your earnest expression crumples almost instantly. “Gil-Galad-“

“You told Elrond to tell me something,” Now fully awake, the High King of the Noldor shifts his seat so that he’s planted directly in front of you, hands hovering over your thighs as he settles into the natural part of your legs. “What was it?”

Your mind shifts back to the early days. The days before the wars had ruined you, had cost the lives of so many people you loved, when it was just you and Ereinion against the forces of darkness and those who tried to tear you down.

The perfect unit, they’d called you.

Ereinion holds his breath as your hand, shaking as it may be, extends towards him to cup his face. “Do you remember all those years ago when I told you that the likelihood of me taking a partner was slim because I was not willing to have a weakness that could distract me on the battlefield?” You ask. He nods, transfixed by your face as your fingers gently trace the line of his jaw. “I’ve had one for centuries now. I have just never breathed a word about it.”

Hope flickers behind those dark eyes. “Do not utter that which you do not wish to come to fruition, nin meld.”

“Why?”

You dip your head down, fingers tangling in dark hair as he tips his head up to hover mere inches above your mouth. Your heart pounds with anticipation as you both waver against the line that was drawn centuries ago: the line that will forever change the two of you once you dare to take that risk.

“Because once you do, you can’t take it back.” Gil-Galad utters so softly you almost don’t hear it.

“I could not take back my affections for you. I would not dare. You’ve had my heart since Círdan introduced us. You are my weakness… and you are my strength, my hope-“

His kiss is bruising as he closes the gap between the two of you, surging upward to stand to his feet and cup your face in his hands. He is so much taller than you that you have to crane your neck to properly kiss him, but you don’t think you could ever quite tire of the fire behind which he kisses you.

“You are my salvation from this wretched life,” Ereinion whispers, relishing in the sweet sound of your whimper as he holds you there, helpless to do nothing but allow his mouth to trail across your jaw and down your neck. He is mindful to not aggravate your injury further lest Elrond have his hide for doing so. “And so I take that weakness willingly if it means I have the privilege to love you all my days.”

You smile sweetly at him and nod as his trail ends at your forehead before you part.

“You’re tired.” You point to the cot beside you that’s open. “Bring that over here.”

“I have to attend to duties elsewhere-“

You give him a pointed look. “Cleaning Aeglos and Telmnar can wait. There’s so many of us injured, and you cannot attend to your duties without having a few hours of sleep. You cannot function.”

He hesitates before acquiescing to your demand. Galadriel is being tended to by Elrond, Arondir is coordinating patrols, and the rest of Eregion’s survivors are taken care of at least for the night. He will sleep much more peacefully - and hopefully avoid nightmares about Celebrimbor - being able to feel your breathing under his fingers.

“Very well.”

When Elrond comes looking for his King, he is not surprised to find him with you, but he is surprised to find that Gil-Galad has indeed fallen asleep in the cot beside yours. You are sitting up in your own cot drinking the mint tea provided by the healers with a smug expression on your face as you meet his eyes.

Your other hand loosely cards through Ereinions hair as he moves himself closer to your leg, forehead pressed against your knee in sleep.

“Should I ask?” Elrond queries, laughing quietly under his breath as you playfully narrow your eyes.

“Keep walking, Peredhel. Nothing to see here.”

He will allow his King that respite for tonight. He deserves the comfort of being held by someone he loves.

250 notes · View notes

shadows-and-flowers · 6 months ago

Text

dam…….. that website “you feel like shit” (it’s like a questionnaire / troubleshooting guide for when you feel like shit) really works………………….. im not even all the way thru it and i even half-assed a lot of the suggestions and i already feel loads better

184K notes · View notes

shadows-and-flowers · 6 months ago

Text

Alternative names for The Silmarillion

"Fëanor, no."

"Elves behaving badly"

"Game of Thrones with elves"

"Calm down Fëanor"

"Damnit Fëanor this is why we can't have nice things"

"Everyone's related and everyone dies"

"Fëanor please stop"

"Fëanor why"

"Melkor the angsty teen"

"Literal hell"

"Can someone please give Fëanor some Valium or Xanax"

"Three shiny rocks"

"Fëanor pls."

"Fëanor stop."

"The great depression"

"Fucking eagles, man."

"Stupid shiny rocks causing literal hell to break out"

"FËANOR CALM THE FUCK DOWN"

380 notes · View notes

shadows-and-flowers · 6 months ago

Text

223K notes · View notes

shadows-and-flowers · 6 months ago

Note

I like the idea that elain also has scarred hands (not as noticable as az’s but kinda like scratches or maybe calloused palms) which came a lot from gardening and how it emphasized that she likes getting her hands dirty, really diving in into her work (why she doesn’t like wearing gloves) and i think it’s so special that in her first meeting with az, she first noticed his scarred ones. ♥️

I wouldn't mind a scene where she gets a tattoo on her hand, that is a trace of his scars. Not the whole hand, but just a few, perhaps the 'ugliest' ones. And she tells him that his hand is always with her.

I know it will never happen, but I think it would be nice if she acknowledged them ONCE, and that's it. Then it's all normal and she pays no further attention to them. And this one thing that he's been obsessing over for 500 years is actually not an issue?

I do wonder why he reaches for her hands all the time (besides just the need to touch her). He holds her hand and offers her his arm consistently. Could be that they like the feel of each others scars and callouses and skin.

41 notes · View notes

shadows-and-flowers · 6 months ago

Text

In case anyone is having a bad night:

Here is the fudgiest brownie in a mug recipe I’ve found

Here are some fun sites

Here is a master post of Adventure Time episodes and comics

Here is a master post of movies including Disney and Studio Ghibli

Here is a master post of other master posts to TV shows and movies

*tucks you in with fuzzy blanket* *pats your head*

You’ll be okay, friend <3

2M notes · View notes

shadows-and-flowers · 6 months ago

Text

show, don't tell:

anticipation - bouncing legs - darting eyes - breathing deeply - useless / mindless tasks - eyes on the clock - checking and re-checking

frustration - grumbling - heavy footsteps - hot flush - narrowed eyes - pointing fingers - pacing / stomping

sadness - eyes filling up with tears - blinking quickly - hiccuped breaths - face turned away - red / burning cheeks - short sentences with gulps

happiness - smiling / cheeks hurting - animated - chest hurts from laughing - rapid movements - eye contact - quick speaking

boredom - complaining - sighing - grumbling - pacing - leg bouncing - picking at nails

fear - quick heartbeat - shaking / clammy hands - pinching self - tuck away - closing eyes - clenched hands

disappointment - no eye contact - hard swallow - clenched hands - tears, occasionally - mhm-hmm

tiredness - spacing out - eyes closing - nodding head absently - long sighs - no eye contact - grim smile

confidence - prolonged eye contact - appreciates instead of apologizing - active listening - shoulders back - micro reactions

96K notes · View notes

shadows-and-flowers · 6 months ago

Text

WEBSITES FOR WRITERS {masterpost}

E.A. Deverell - FREE worksheets (characters, world building, narrator, etc.) and paid courses;

Rach Academia - FREEBIES (workbook, notion template, games, challenges, etc.);

Hiveword - Helps to research any topic to write about (has other resources, too);

BetaBooks - Share your draft with your beta reader (can be more than one), and see where they stopped reading, their comments, etc.;

Charlotte Dillon - Research links;

Writing realistic injuries - The title is pretty self-explanatory: while writing about an injury, take a look at this useful website;

One Stop for Writers - You guys... this website has literally everything we need: a) Description thesaurus collection, b) Character builder, c) Story maps, d) Scene maps & timelines, e) World building surveys, f) Worksheets, f) Tutorials, and much more! Although it has a paid plan ($90/year | $50/6 months | $9/month), you can still get a 2-week FREE trial;

One Stop for Writers Roadmap - It has many tips for you, divided into three different topics: a) How to plan a story, b) How to write a story, c) How to revise a story. The best thing about this? It's FREE!

Story Structure Database - The Story Structure Database is an archive of books and movies, recording all their major plot points;

National Centre for Writing - FREE worksheets and writing courses. Has also paid courses;

Penguin Random House - Has some writing contests and great opportunities;

Crime Reads - Get inspired before writing a crime scene;

The Creative Academy for Writers - "Writers helping writers along every step of the path to publication." It's FREE and has ZOOM writing rooms;

Reedsy - "A trusted place to learn how to successfully publish your book" It has many tips, and tools (generators), contests, prompts lists, etc. FREE;

QueryTracker - Find agents for your books (personally, I've never used this before, but I thought I should feature it here);

Pacemaker - Track your goals (example: Write 50K words - then, everytime you write, you track the number of the words, and it will make a graphic for you with your progress). It's FREE but has a paid plan;

Save the Cat! - The blog of the most known storytelling method. You can find posts, sheets, a software (student discount - 70%), and other things;

I hope this is helpful for you!

Also, don't forget to check my gumroad shop, where you can find plenty of FREEBIES (from notion templates for writers to workbooks and sheets).

-> Check out my freebies

Happy writing! <3

80K notes · View notes

shadows-and-flowers · 6 months ago

Text

— aesthetic words to fill up your vocabulary ♡

✦ if you're tired of using the same repetitive words to describe feelings or actions on your writing, here are some aesthetic words that are not frequently used to help you evolve your vocabulary better and also maybe help you with creative titles <3

ABENDROT: the color of the sky while the sun is setting.

ABIENCE: the strong urge to avoid someone or something.

ACHROOUS: colourless.

AEQUOREAL: marine, oceanic.

AESTHETE: someone with deep sensitivity to the beauty of art or nature.

ALIFEROUS: having wings.

AMITY: warmth and heartfelt friendliness in a friendship; mutual understanding and a peaceful relationship.

AMORIST: someone who is in love; someone who writes about love.

AMBROSIAL: fragrant, delicious.

ANTHOMANIA: great love for flowers.

AQUAPHILE: someone who is an enthusiast of all things related to the water.

ARENOCOLOUS: living or burrowing in sand.

ASPERSE: change falsely or with malicious intent; attack the good name and reputation of someone.

ASTERISM: agroup of stars; a constellation; a cluster of stars.

ATTAR: essential oil or perfume obtained from flowers.

AUREATE: golden or gilded; brilliant, splendid.

AURICOMUS: with golden or yellow colored foliage.

AVIOTHIC: the strong desire to be up in the air or to fly.

BALTER: to dance artlessly, without particular grace and/or skill but usually with enjoyment.

BATHIC: pertaining to depths, especially of sea.

BELAMOUR: the one who is loved; a beloved person.

BELLICOSTIC: aggressive, belligerent, warlike.

BENEFICENCE: the quality of being kind or helpful or generous.

BERCEUSE: a quiet song intended to lull a child to sleep.

BLÁFAR: indicating the freshness and beauties of youth or health; attractive and possessing charm.

BRONTIDE: the low rumble of a distant thunder.

BURBLE: to speak in an excited manner.

CAELITIS: the divinities who dwell within the celestial planes.

CATHARSIS: the release of emotional tension, especially through kinds of art or music.

CELERITOUS: swift, speedy, fast.

CERAUNOPHILIA: loving thunder and lightning and finding them intensely beautiful.

CHEVELURE: the nebulous tail of a comet.

CINGULOMANIA: a strong desire to hold a person in your arms.

COCCINEOUS: bright red; scarlet.

COCKAIGNE: an imaginary land of luxury and idleness.

CONSTELLATE: to eluster; to compel by stellar influence.

COSMOGYRAL: whirling around the universe.

CORDOLIUM: heartache; heartfelt sorrow.

CORUSCATE: to reflect brillantly, to sparkle.

CRAMOISY: of a crimson color.

CREATURELY: a person who is controlled by others and is used to perform unpleasant or dishonest tasks for someone else.

CRYSTALLOMANIA: an obsession with crystals and other crystalline objects.

CHRYSALISM: the amnotic tranquility of being indoors during a thunderstorm.

CLINQUANT: glittering with gold and silver.

CLYSMIC: cleaning, washing.

CUPIDITY: greed for money or possessions.

CYANEOUS: a sky-blue color.

CYNOSURE: guiding star; a object of common interest.

DARKLING: of or related to darkness.

DÉCLASSÉ: having fallen in social status.

DEIFORM: god-like or divine in nature.

DEMERSAL: that lives near the bottom or a body of water.

DESIDERIUM: an ardent longing, as for something lost.

DISPITEOUS: cruel and without mercy.

DOUX: sweet, soft, mild, gentle.

DRACONTINE: belonging to a dragon.

DYSANIA: the state of finding it hard to get out of bed in the morning.

ECCEDENTESIAST: someone who fakes a smile.

EFFLORESCENCE: a period or state of blooming, blossoming.

ELEGY: a poem of serious reflection, typically a lament for the dead.

ELEUTHEROPHILIST: someone who advocates free love.

ELYSIAN: beautiful or creative, divinely inspired; peaceful and perfect.

EMACITY: desire or fondness for buying things.

EMPYREAL: pertaining to the sky; celestial.

EPHIALTES: a nightmare; the demon Incubus that supposedly causes a nightmare.

EPICARICACY: the joy that results from others misfortune.

EREMOPHOBIA: the deep fear of stillness, solitude, or deserted places.

ETHEREAL: extremely delicate, light, not of this world.

EUMOIRIETY: happiness due to state of innocence and purity.

FLORENTIS: abounding in flowers; being in bloom and adorned with plentiful flowers.

FREICEADAN: guard, garrison, watch, sentinal.

FULMINATE: cause to explode violently and with loud noise.

FURCIFEROUS: brat; rascally, scandalous.

GLOAMING: twilight, dusk.

GRAME: anger, wrath, scorn; sorrow, grief, misery.

HALCYON: calm and peaceful; happy, prosperous.

HELLION: a rowdy or mischievous person.

HELIOPHILIA: desire to stay in the sun; love of sunlight.

HEAVENIZE: to render like heaven or fit for heaven, to purify and make a holy place or a person.

HENOTIC: promoting harmony or peace.

HIRAETH: a homesickness for a home you can't return to, or that never was.

HOLILY: belonging to or derived from or associated with a divine power.

HYPNAGOGIC: the state immediately before falling asleep.

IGNICOLIST: a worshiper of fire.

ILLECEBROUS: attractive and alluring.

IMPLUVIOUS: soaked with rain.

INCANDESCENCE: light produced by high temperatures.

INCALESCENCE: the property of being warming.

INCENDIARY: designed for the purpose of causing a fire, likely to cause anger or violence.

INEFFABLE: too great or extreme to be expressed or described in words.

INSOUCIANT: free from worry, concern or anxiety.

IRENIC: aiming or aimed at peace, promoting peace.

IRIDESCENT: producing a display of rainbow-like colors.

INVIDIARE: to envy.

ISOLOPHILIA: a strong preference and affection for solitude.

KALOPSIA: the delusion of things being more beautiful than they really are.

KALON: beauty that is more than skin deep.

LACONIC: expressing much in a few words.

LACUNA: a blank space; a missing part.

LATIBULE: a hiding place, a place of safety and comfort.

LAMBENT: to glow or flicker softly. Luminous, light or brilliant.

LIMERENCE: the state of being infatuated with another person.

LONGANIMITY: still suffering while planning revenge.

LOUCHE: disreputable; morally dubious.

LUCELENCE: the state of being fine and beautiful; shining, brilliant.

LUCIFORM: resembling light in appearance; having, in some respects; the nature of qualities of light.

LUMINESCENCE: light produced by chemical, electrical or physiological means.

MALTALENT: the negative emotions of wanting injury or harm to befall someone; a hostile behavior or attitude towards someone considered an enemy.

MARMORIS: the shining surface of the ocean.

MAZARINE: a dark blue color; rich blue or reddish-blue color.

MELIORISM: the belief that the world gets better; the belief that humans can improve the world.

MÉLOMANIE: an excessive and abnormal love and deep attraction to music and melody.

MERCURIAL: subject to sudden or unpredictable changes.

MESMERIC: appealing; drawing attention.

MORDACIOUS: biting or given to biting; biting or sharp in manner; caustic; capable of wounding.

MORPHEAN: of or relating to Morpheus, to dreams, or to sleep.

MOXIE: courage, nerve, determination.

NEBULOCHAOTIC: a state of being hazy and confused.

NEFARIOUS: wicked, villainous, despicable.

NEMESISM: frustration, anger or aggression directed inward, toward oneself and one's way of living.

NERITIC: pertaining to shallow coastal waters.

NOETIC: of or associated with or requiring the use of mind.

NOIRCEUR: the state of being pitch black in color; a state of lacking illumination.

NUBIVAGANT: wandering in the air, moving through the air.

NUMINOUS: spiritual or supernatural; surpassing comprehension or understanding; mysterious.

ONEIRODYNIA: restless, disturbed sleep, characterized by nightmares and sleepwalking.

OPHIOMORMOUS: snake-like.

ORPHIC: mysterious and entrancing, beyond ordinary understanding.

PAVONINE: characteristic of a peacock; resembling the tail of a peacock; as in colors; iridescent.

PETRICHOR: the scent of rain on dry earth.

POIESIS: creation; creative power or ability.

PORPHYROUS: purple; of purple hue.

PLAXONDRY: the mix of introspective nostalgia, sadness, and calmness felt when listening vaporwave and its related genres.

PRATE: to talk excessively and pointlessly.

PROCELLOUS: tempestuous, stormy.

QUIDDITY: the essence of something.

QUIXOTIC: extravagantly chivalrous or romantic; visionary, impractical or impracticable.

RANTIPOLE: a wild, reckless young person; to be wild and reckless.

REDAMANCY: the act of loving the one who loves you; a love returned in full.

REDOLENT: having a strong distinctive fragrance; serving to bring to mind.

REMEANT: coming back, returning.

RESPLENDENT: having brilliant or glowing appearance; dazzling and impressive in appearance through being richly colorful or sumptuous.

REVERIE: a state of being pleasantly lost in one's thoughts; a daydream.

RODOMEL: juice of roses mixed with honey.

ROSEATE: rose-like; overly optimistic.

RUTILANT: glowing or glittering with red or gold light.

SANGUINEOUS: accompanied by bloodshed.

SASHAY: to strut or move about in an ostentatious or conspicuous manner.

SCIAMACHY: a battle against imaginary enemies; fighting your shadow.

SEQUACIOUS: lacking independence of originality of thought.

SERAPHIC: beautiful and pure; having a sweet nature befitting an angel or a cherub; of or relating to an angel of the first order.

SERENDIPITY: finding something good without looking for it.

SKINT: having little or no money avaliable.

SOLIVAGANT: someone who wanders or travels the world alone; a solitary adventurer.

SOMNIATE: to dream, to make sleepy.

SORTIGER: delivering prophecies of the future; having the qualities of being oracular.

STELLIFEROUS: having or abonding with stars.

STELLIFY: to transform from an earthly body into a celestial body; to place in the sky as such.

SUCCIDUOUS: ready to fall, falling.

SPUME: a white mass of bubbles or froth on the top of a wave.

SYNODIC: relating to or involving the conjunction of stars, planets or other celestial objects.

TARANTISM: the uncontrollable urge to dance.

TEMENOS: a sacred circle where no one can be oneself without fear.

THANATOPHOBIA: fear of death.

TYYNEYS: the state of peacefulness; absent of worry or fear, being composed and at ease.

ULTRAMARINE: beyond the sea; greenish-blue color.

VELLEITY: a wish or inclination not strong enough to lead to action.

VENERATION: a profound emotion inspired by a deity.

VESPERTINE: in or of the evening; setting at the same time as, or just after, the sun.

VERDANT: with plants and flowers in abundance.

VERMEIL: a liquid composition applied to a gilded surface to give luster to the gold.

VERTICORDIOUS: to turn the heart from evil.

VIOLESCENT: tending toward violet color.

VORFREUDE: the joyful anticipation that comes from imagining future pleasures.

WANDERLUST: a strong desire to travel and explore the world.

WHIST: to hush or silence; to still, to become still.

10K notes · View notes

shadows-and-flowers · 6 months ago

Text

when writing: banter

it’s been super long since i’ve done one of these so let’s pretend i am a super great amazing talented award-winning writer and just hear me out.

i think one of the biggest mistakes with writing banter is that people often mistake a character just being pretentious and annoying with being witty. like your character isn’t witty or dry, they’re pessimistic and cynical in the worst way possible.

additionally, in order to write banter, the characters have to compliment each other in some way if that makes sense ?? (not that anything i say does).

like, two people who don’t have the same humor to some degree are not going to be able to play off each others jokes in the same way two people with the same humour would.

so firstly, how to avoid your characters sounding pretentious? put simply, avoid banter that puts people down negatively— or i should say, at the bare minimum, the person they’re talking to or about should know they’re being facetious.

an example:

character a: “i think i’ll wear the pink gloss today. he said he liked pink, didn’t he?”

character b: “i think you should stop obsessing over what he thinks of you and grow a backbone.”

character a: “oh, but i heard those are hard to come by these days.”

character b: “not if you know where to look.”

this isn’t the best example but it does show that character a knew character b was being facetious and therefore the joke came across as such.

secondly, characters playing off each other!!!!!

i think what gives characters good chemistry, whether platonic or otherwise, is giving them a reason to be around each other. why is it YOUR characters are the ones going back and forth? why does it need to be them? what’s special about them and their situations that they play off each other so well?

if there’s no answer to this… what’s the point? it could’ve been any other character; it didn’t have to be yours.

so what are some things to think about to help with chemistry?

things to consider:

do your characters have any inside jokes?

do their inside jokes come up often? in specific situations?

how long have they known each other? does it play into their comfortability with repartee?

this is a little tricky of a subject but what pop culture references can be made? for example, a jeopardy reference always gets me

is their banter usually based around them and themselves, or is it poking innocent fun at someone else?

how can you build on their environment?

how can you use wordplay to your advantage?

are there any similarities in what they’re going through in their lives?

prompts yay!

“how long do you think it’ll take for them to notice their glasses are on their head?” “give or take a couple years.” “years? i was thinking millennia.”

a response of “i’ll take Things That Never Happened for 500” when the other character says something bogus

or even “i’ll take Things You Should Take Up With Your Therapist for 200”

“okay, FINE, i’m leaving!” “oh, so there is a God?”

“what’s that show? that one… you know? with the…” “anytime now.” “the girl who like, fights crime ??? or something??” “you’ve almost got it.”

it’s raining and the character that likes to point out the obvious (which is so me) says “it’s raining!” and the other character is like “give the guy a medal.”

“wait, you’re getting back with your ex? the carpenter one?” “no, the mailman.” “oh, he was awful.” “yeah, but he always delivered my packages on time.” “… fair.”

literally anything from fleabag for inspiration

remember: banter isn’t always between enemies; it could be between friends who’ve known each other a while, or even strangers who are both waiting for their cup of coffee and go back and forth. for me as a reader and writer, a good banter scene makes you feel smart for both writing it and understanding. it makes you feel like you’re in on a joke with the characters and it’s the type of thing you would read and do that little nose air laugh (if u know u know).

anywho~ i hope this helped even a little. happy writing :)

318 notes · View notes