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shatteredtvscreens · 19 days
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Turning Red (2022) + 2002-era details (source)
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shatteredtvscreens · 21 days
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Adobe is going to spy on your projects. This is insane.
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shatteredtvscreens · 23 days
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shatteredtvscreens · 26 days
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back in the 00s a single dancing anime chibi gif would feed us for months on end
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shatteredtvscreens · 27 days
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tutorial for drawing characters with cleft lip! sorry that it's mostly unilateral-centric but it makes up the vast majority of resources and photos. still tried to get tips for drawing bilateral clefts in though.
please keep in mind that this is an introductory drawing tutorial and has some generalizations in it, so not every “X is Z” statement will be true for Actual People : )
if you draw any characters using this feel free to tag me!!
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shatteredtvscreens · 1 month
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This is a hairstyle timeline that is meant to cover the Taishō era (1912-1926). However the dates for many reference photographs were rather vague, so some might actually fall into Shōwa era (1926-1989). Regrettably I couldn’t cover EVERY single hairstyle from this period so please consider this to be a brief overview. There are no Geisha, Maiko, etc featured here; they will be covered in another fashion timeline someday.
Some interesting notes about Meiji-Taisho era from Liza Crihfield Dalby’s Kimono: Fashioning Culture (1993)
·         “Men and women of Meiji had gulped up Western culture with all the indiscriminate enthusiasm of new converts. By Taishō, Japanese sensibilities vis-à-vis the West were much smoother. This was Japan’s political equivalent of the … social scene of the American Roaring Twenties. Japanese born during Taishō would enter adolescence as modern boys and girls. Significantly, women opened their closets to Western clothing during this decade. Kimono has lost space ever since.” (pg. 124)
·         “By 1915 Japan was beginning to feel itself a world-class nation, more confident of its military strength and social development. Ordinary Japanese were inclined to look at their society in light of how life might be bettered by adapting foreign ideas, or made more interesting by acquiring foreign fashions. Borrowing from the West was of course not new, but it had now become a more reciprocal and respectable process.” (pg. 124)
WOMEN’s HAIR:
·         In the Meiji era “a few women cropped their hair, but these courageous souls were simply regarded as weird” and indecent (pg. 75)
·         “If cutting the hair short was too radical [in Meiji Japan], as public reaction attests, women’s hair did gain a new option in the sokugami style, a pompadour resembling the chignons worn by Charles Dana Gibson’s popular Gibson girls. The further the front section, or ‘eaves,’ of the hair protruded, the more daring the style. The sokugami style bunched the hair, coiling it in a bun at the crown of the head. Unlike traditional coiffures, sokugami did not require the heavy use of pomade, pins, bars, strings, and false hair to hold its shape. Its appeal was promoted as healthier and more rational – hence, more enlightened- than the old ways.” (pg. 75)
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shatteredtvscreens · 1 month
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I think in this new age of A.I. the general public is going to need to increase their photography and lighting literacy. The response to this photo has just been a shit show.
There are people pointing out perfectly normal edge lighting and misunderstanding how reflections work.
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First the plane is parked at an angle. The tail is farther back than the nose. But also that is a curved surface and it tapers. It's reflecting the area to the right of the photo.
And the bottom of the plane is reflecting what is directly underneath. Which is the tarmac, not the crowd.
It should also be noted that photo was shot with a very telephoto lens and everything is super compressed. The crowd appears much closer to the airplane than they actually are.
But then someone who should have good understanding of lighting said this...
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And now I'm worried for her clients. Because that's very... wrong.
Well, wrong-ish.
First, let's try to understand why this photo is setting off some alarm bells.
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The crowd toward the rear is in shadow, but they are still very well exposed. But then there is also a bright light source creating a strong edge light on them. Looking at this photo with just the context of what is in it, there are some things that seem uncanny.
The information we do not have is the people in the shadow area are inside a very brightly lit airplane hangar.
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So they have artificial light blasting them from the top.
But that light is still much dimmer than the sunlit areas outside so they appear in shade. But we are used to shade being much darker than areas in direct sun. So the balance seems off in our brain. We expect the people to be darker because we don't have the context of the bright hangar lights above them.
But the other issue is that the photo was post processed. It wasn't manipulated. The pixels weren't changed. But the exposure balance was altered.
If I were to guess, the original photo looked more like this...
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But newer digital cameras can have 13 to 15 stops of dynamic range. And if you shoot in RAW, you can easily lift shadows and bring down highlights. You can balance the exposure so the dark parts aren't as dark and the bright parts aren't as bright. This photographer might have overdone it a bit in this case, but this is a fairly standard edit used to bring balance to photos.
And lastly, where does the edge light come from?
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Edge lighting or backlighting or rim lighting (all the same) should probably be called wrap-around lighting if you want to be more accurate.
It comes from a homogenous light source that is larger than the subject being lit. So with my knife photo, I placed it on a large LED panel light.
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The light source was bigger than the subject so it wrapped around the edges.
And I'm afraid the airplane is not nearly large enough to create a light source to wrap around everyone in the crowd. It isn't even reflecting direct sunlight. So I'm sorry to say that lighting designer was mostly mistaken despite the confidence.
The light source is... everything.
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That entire red area I highlighted is the light source.
As well as everything above and everything to the sides.
And the biggest aspect of that light source would be the sky above. I think people always forget the sky is a light source. If you are seeing blue, you are seeing light. And I guess the plane is included in that, but that entire highlighted red area is so bright, and so filled with sunlight bouncing around, that it creates basically a giant softbox. It becomes a huge single light source for the people in the hangar.
If you look at footage taken from way inside the hangar, you can see the camera adjusting exposure for the crowd inside, but look at what happens to the sunlit area outside.
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What does that look like?
A giant softbox.
A single homogenous light source blasting light inside the hangar.
The sun is so incredibly bright that even when it is not directly lighting something, the light just bouncing around outside is enough to overpower the very bright hangar lights.
So, what have we learned from this?
Perhaps people should hire me to be their lighting designer.
Though I'm sure she is actually very talented. She seems to work with stage lights and this is more physics and photography.
Phystography.
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shatteredtvscreens · 2 months
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Muff and cape with Worth skirt, 1890’s
From the collection of Alexandre Vassiliev via Fashion Blog
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shatteredtvscreens · 2 months
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Ohh, so I was looking at my storage and found these! I originally shared them on twitter before yeeting the platform. Anyway, feel free to use! Art memes for your oc :D
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shatteredtvscreens · 2 months
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How to draw Pokespe. Mezase Manga Master scanned (Yellow version 1 and 2)
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shatteredtvscreens · 2 months
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taillow and razz berries
// full illustration for @pokepocketzine, a tiny pokémon fanzine
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shatteredtvscreens · 2 months
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Compiled some basic information I know about drawing fat characters for beginners since I've been seeing more talk about absence of really basic traits in a lot of art lately.
Morpho Fat and Skin Folds on Archive.org (for free!)
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shatteredtvscreens · 2 months
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Remember kids, Nazis don't deserve their kneecaps.
Also if any of these are incorrect pls lemme know
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shatteredtvscreens · 2 months
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* when canids need to scratch their neck so they crane their bodies uncomfortably and make this face
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shatteredtvscreens · 2 months
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Going to put all this in its own post too by popular request: here's how you make your own website with no understanding of HTML code at all, no software, no backend, absolutely nothing but a text file and image files! First get website server space of your own, like at NEOCITIES. The free version has enough room to host a whole fan page, your art, a simple comic series, whatever! The link I've provided goes to a silly comic that will tell you how to save the page as an html file and make it into a page for your own site. The bare minimum of all you need to do with it is JUST THIS:
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Change the titles, text, and image url's to whatever you want them to be, upload your image files and the html file together to your free website (or the same subfolder in that website), and now you have a webpage with those pictures on it. That's it!!!!! .....But if you want to change some more super basic things about it, here's additional tips from the same terrible little guy:
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That last code by itself is: <meta HTTP-EQUIV="REFRESH" content="0; url=001.html"> Change "001.html" to wherever you want that link to take people. THIS IS THE REASON WHY when you go to bogleech.com/pokemon/ you are taken instantly to the newest Pokemon review, because the /pokemon/ directory of my website has an "index.html" page with this single line of code. Every pokemon review has its own permanent link, but I change that single line in the index file so it points to the newest page whenever I need it to! While I catered these instructions to updating a webcomic, you can use the same template to make blog type posts, articles or just image galleries. Anything you want! You can delete the navigational links entirely, you can make your site's index.html into a simple list of text links OR fun little image links to your different content, whatever! Your website can be nothing but a big ugly deep fried JPEG of goku with a recipe for potato salad on it, no other content ever, who cares! We did that kind of nonsense all the time in the 1990's and thought it was the pinnacle of comedy!! Maybe it still can be?!?! Or maybe you just want a place to put some artwork and thoughts of yours that doesn't come with the same baggage as big social media? Make a webpage this way and it will look the same in any browser, any operating system for years and years to come, because it's the same kind of basic raw code most of the internet depends upon!
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shatteredtvscreens · 2 months
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Artist: tsulala on Twitter (X)
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shatteredtvscreens · 3 months
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White authors need to understand that Racism in real life is inherently nonsensical and making a fake oppressed fantasy race then saying ‘uhh well back during The Great War their people were on the side of evil and now they’re hated even though the ones alive today are nice I swear’ is still racist but in like. A Mormon way
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