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šŗšš šš¾šŗš š šŗš»šššŗššš¾š½, šššš šš¾šŗš š š½š¾šššš [ ... ]
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Black Swan (2010) dir. Darren Aronofsky
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innate Ā urge Ā to Ā throw Ā a Ā tantrum, Ā like Ā her Ā four Ā year Ā old Ā self Ā would Ā when Ā daddy Ā said Ā the Ā word Ā 'no' Ā - Ā rare Ā occurrence Ā she Ā still Ā can't Ā fully Ā grasp. Ā a Ā mental Ā push, Ā there's Ā strength Ā in Ā numbers Ā with Ā gorgeous Ā brunette Ā next Ā to Ā her Ā as Ā posture Ā is Ā rightened, Ā sight Ā that Ā grandparents Ā would Ā adore Ā to Ā see Ā - Ā the Ā perfect Ā grand Ā daughter Ā swathed Ā in Ā shades Ā of Ā blue. Ā isa's Ā cranium Ā shakes Ā softly Ā as Ā strands Ā of Ā chocolate Ā fall Ā out Ā of Ā high Ā ponytail, Ā chosen Ā words Ā selfish Ā compared Ā to Ā the Ā compassionate Ā nature Ā lena Ā exudes Ā āø» Ā she Ā wants Ā penelope Ā to Ā be Ā cherished Ā and Ā done Ā right, Ā while Ā bella Ā just Ā wants Ā this Ā horror Ā show Ā to Ā be Ā over Ā and Ā move Ā on. Ā " Ā all Ā publicity Ā isn't Ā necessary Ā good Ā publicity, Ā i Ā do Ā not Ā care Ā what Ā those Ā marketing Ā majors Ā say. Ā " Ā new Ā yorker Ā thumbs Ā her Ā straw, Ā unconsciously Ā trying Ā to Ā dent Ā fingerprint Ā into Ā paper Ā material. Ā " Ā she Ā deserves Ā more Ā and Ā we Ā deserve Ā peace Ā āøŗ Ā is Ā it Ā too Ā much Ā to Ā ask Ā for Ā a Ā normal Ā senior Ā year Ā ? Ā law Ā enforcement Ā on Ā campus Ā freaks Ā me Ā out Ā and Ā i Ā wouldn't Ā be Ā surprised Ā if Ā they're Ā doing Ā illegal Ā things Ā to Ā find Ā out Ā the Ā truth. Ā " Ā it Ā bothers Ā her, Ā it Ā shouldn't Ā bother Ā someone Ā innocent Ā yet Ā it Ā eats Ā isabella Ā alive, Ā nibbles Ā on Ā her Ā ribcage Ā to Ā savor Ā her Ā heart Ā as Ā final Ā treat.
Ā herĀ Ā voiceĀ Ā cutsĀ Ā throughĀ Ā theĀ Ā lowĀ Ā humĀ Ā ofĀ Ā theĀ Ā spaceĀ Ā āĀ Ā lena'sĀ Ā sittingĀ Ā besideĀ Ā her,Ā Ā legsĀ Ā crossedĀ Ā atĀ Ā theĀ Ā ankle,Ā Ā fingersĀ Ā curledĀ Ā aroundĀ Ā aĀ Ā half-drankĀ Ā cappuccinoĀ Ā sheĀ Ā didn'tĀ Ā touchĀ Ā inĀ Ā twentyĀ Ā minutes.Ā Ā herĀ Ā headĀ Ā turnsĀ Ā justĀ Ā slightly,Ā Ā slowĀ Ā andĀ Ā deliberate,Ā Ā likeĀ Ā she'sĀ Ā tryingĀ Ā notĀ Ā toĀ Ā breakĀ Ā underĀ Ā theĀ Ā weightĀ Ā ofĀ Ā theĀ Ā moment.Ā Ā glossedĀ Ā lipsĀ Ā partĀ Ā likeĀ Ā she'sĀ Ā aboutĀ Ā toĀ Ā sayĀ Ā something,Ā Ā butĀ Ā thenĀ Ā sheĀ Ā justĀ Ā breathes.Ā Ā steady.Ā Ā controlled.Ā Ā andĀ Ā thenĀ Ā :Ā Ā āĀ Ā ofĀ Ā course,Ā Ā theyĀ Ā are.Ā Ā āĀ Ā sheĀ Ā says,Ā Ā voiceĀ Ā lowĀ Ā andĀ Ā cuttingĀ Ā likeĀ Ā velvetĀ Ā overĀ Ā aĀ Ā blade.Ā Ā āĀ Ā aĀ Ā tragedy'sĀ Ā justĀ Ā anotherĀ Ā brandingĀ Ā opportunityĀ Ā ifĀ Ā you'reĀ Ā heartlessĀ Ā enough,Ā Ā āĀ Ā sheĀ Ā looksĀ Ā awayĀ Ā āĀ Ā outĀ Ā theĀ Ā windowĀ Ā maybe,Ā Ā orĀ Ā nothingĀ Ā atĀ Ā all.Ā Ā herĀ Ā fingersĀ Ā drumĀ Ā againstĀ Ā theĀ Ā porcelainĀ Ā cup,Ā Ā theĀ Ā onlyĀ Ā outwardĀ Ā signĀ Ā ofĀ Ā what'sĀ Ā boilingĀ Ā underĀ Ā herĀ Ā skin.Ā Ā āĀ Ā penelopeĀ Ā deservesĀ Ā moreĀ Ā thanĀ Ā photoĀ Ā slideshowĀ Ā andĀ Ā horsĀ Ā dāoeuvres,Ā Ā āĀ
#š„» ššš¾šš¹š¼šš²š±.ććšŖ.ćššŗš šš¾šššš¾š
šŗš¾šāććscript.#š„» ššš¾šš¹š¼šš²š±.ććš“š¤š³šŖš±šµš¦š„āććflcgod.#i pinky promise you will be the first person i hit up for plotting tomorrow morning
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the Ā warm Ā air Ā reminds Ā her Ā of Ā the Ā last Ā few Ā days Ā before Ā penelope's Ā untimely's Ā death Ā - Ā serene Ā as Ā time Ā ticked Ā by Ā only Ā hourglass Ā broke Ā intoĀ Ā pieces Ā for Ā one Ā of Ā them, Ā glass Ā shards Ā mingling Ā with Ā the Ā sand. Ā brunette Ā misses Ā the Ā salt Ā breeze, Ā surrounded Ā by Ā a Ā romance Ā language Ā āø» Ā now, Ā she's Ā back Ā on Ā campus Ā and Ā everything Ā has Ā changed. Ā laptop Ā thrown Ā haphazardly Ā in Ā her Ā brown Ā leather Ā back, Ā strap Ā straining Ā under Ā weight Ā digging Ā into Ā dainty Ā shoulder, Ā isa's Ā looking Ā for Ā silence Ā - Ā both Ā in Ā her Ā mind Ā as Ā around Ā her. Ā the Ā temple's Ā a Ā safe Ā option, Ā everyone Ā must Ā be Ā avoiding Ā it Ā anyway. Ā pillowy Ā lips Ā part Ā - Ā open Ā like Ā rose Ā petals Ā in Ā sunlight Ā - Ā as Ā hazel Ā eyes Ā take Ā in Ā childhood Ā friend, Ā the Ā one Ā that Ā got Ā away Ā as Ā new Ā yorker Ā misses Ā him Ā dearly. Ā words Ā refuse Ā to Ā leave, Ā strange Ā behavior Ā for Ā the Ā usually Ā articulate Ā one, Ā too Ā afraid Ā to Ā disturb Ā whatever Ā is Ā happening Ā in Ā the Ā garden. Ā a Ā predator Ā waiting Ā before Ā eagerly Ā pouncing Ā on Ā its Ā prey, Ā but Ā they're Ā friends, Ā right Ā ? Ā " Ā skipping Ā class Ā actually, Ā " Ā she Ā responds, Ā voice Ā strained Ā as Ā isabella Ā says Ā anything Ā to Ā keep Ā the Ā conversation Ā flowing. Ā a Ā good Ā two Ā shoes, Ā perfect Ā attendance Ā until Ā now. Ā time Ā doesn't Ā stand Ā still.
š¤for @shesloved š[ THE TEMPLE, OUTSIDE GARDEN ]
he doesn't usually like spending time at the temple, but he'll always make an exception for the garden. especially in today's weather, the sun creating soft shadows that spill gently across the grass, pond shimmering in the gentle breeze. yeongmin sits with his back to the stone by the entrance, sketching the lotus flowers standing tall in the water into his leather-bound sketchbook. a shadow casts over the page he's working on, and when he looks up, he squints slightly, puts a hand to shade his eyes, to make sure that the sunlight isn't playing tricks on him. isa. it's the first time he's seen her this semester. when was the last time they really spoke ? he knows that he can just stand up now, close his sketchbook and leave, let the past rest, sand at the bottom of an hourglass one cannot turn over. but there's something about the garden ā how the soft grass reminds him of lying in central park as a kid, or how the sun kissing his skin feels like a summer lost to time, or how the distant sound of the tennis court reminds him of how often he used to lose to isa when they were young. something about the garden that makes a part he locked away want to fall back into naivete and reach, to disturb the hourglass. ā have a break between classes ? ā he asks, and the shape of the words don't feel right. useless words, the kind of small talk he hates, like he's talking to a stranger.
#it's perf !!#š„» ššš¾šš¹š¼šš²š±.ććš“š¤š³šŖš±šµš¦š„āććpromethaean.#š„» ššš¾šš¹š¼šš²š±.ććšŖ.ćššŗš šš¾šššš¾š
šŗš¾šāććscript.
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hazel Ā hues Ā are Ā burning Ā as Ā brunette Ā keeps Ā eyes Ā hooked Ā on Ā the Ā brightness Ā of Ā macbook Ā screen Ā - Ā nose Ā scrunches Ā while Ā fingers Ā mindlessly Ā grab Ā her Ā matcha Ā latte. Ā " Ā can Ā you Ā believe Ā the Ā mail Ā the Ā administration Ā just Ā sent Ā out Ā ? Ā they're Ā hosting Ā a Ā remembrance Ā for Ā penelope Ā - Ā you'd Ā think Ā they Ā want Ā this Ā entire Ā thing Ā to Ā stop Ā but Ā they're Ā just Ā getting Ā more Ā media Ā attention Ā with Ā this Ā stunt, Ā " Ā isabella Ā rambles, Ā caffeinated Ā by Ā her Ā second Ā cup Ā of Ā the Ā green Ā tea. Ā fingers Ā swipe Ā against Ā her Ā nose, Ā pressing Ā hard Ā against Ā natural Ā bronzed Ā skin Ā as Ā if Ā she Ā could Ā swipe Ā off Ā the Ā exhaustion Ā and Ā filth Ā of Ā family Ā friend's Ā death.
šš¢ššš§šš¢š”: Ā matcha Ā your Ā own Ā business
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mirror palais
#work is over time to play#š„» ššš¾šš¹š¼šš²š±.ććšŖ.ćššŗš šš¾šššš¾š
šŗš¾šāććparallel.
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āĖąæĀ [Ā eliseĀ hoogerdijk,Ā cisĀ woman,Ā sheĀ +Ā herĀ ]Ā hey,Ā iĀ thinkĀ iĀ justĀ ranĀ intoĀ ISABELLAĀ VANĀ RENSSELAERĀ atĀ MATCHAĀ YOURĀ OWNĀ BUSINESSĀ !Ā youĀ meanĀ theĀ TWENTYĀ TWOĀ yearĀ oldĀ SENIORĀ studyingĀ POLITICALĀ SCIENCEĀ ANDĀ ENGLISHĀ LITERATUREĀ DOUBLEĀ MAJORĀ knownĀ forĀ theirĀ VINTAGEĀ ALHAMBRAĀ MALACHITEĀ PENDANTĀ ANDĀ MATCHINGĀ BRACELETĀ HIDDENĀ UNDERNEATHĀ AĀ BURBERRYĀ TRENCHCOATĀ PAIREDĀ WITHĀ SOMEĀ MEDIUMĀ WASHĀ BAGGYĀ DENIMSĀ ANDĀ BASEBALLĀ CAPĀ aroundĀ MONTGOMERYĀ COLLEGEĀ ?Ā accordingĀ toĀ theĀ records,Ā theyĀ areĀ recognizedĀ forĀ theirĀ involvementĀ inĀ TENNISĀ andĀ PRINCEĀ HONORĀ SOCIETY.Ā wordĀ goesĀ thatĀ theyĀ areĀ partĀ ofĀ theĀ š³š¤šĀ š®š„Ā šÆš¤šš³š š¢š«š¤š²,Ā butĀ noĀ wayĀ thatĀ they'reĀ tangledĀ inĀ thatĀ webĀ ofĀ secrecyĀ ā¤Ā iĀ meanĀ theirĀ vibesĀ areĀ wayĀ toĀ similarĀ toĀ SPENCERĀ HASTINGSĀ andĀ LAURELĀ CASTILLOĀ toĀ beĀ inĀ aĀ secretĀ society,Ā rightĀ ?Ā whatever,Ā theirĀ admissionsĀ applicationĀ toĀ princeĀ remindsĀ meĀ of Ā neverĀ aĀ godĀ inĀ theĀ biblicalĀ sense,Ā temptressĀ meantĀ forĀ worshipĀ āøŗĀ sacrificesĀ broughtĀ toĀ yourĀ altarĀ /Ā whenĀ willĀ yourĀ sickĀ devotionĀ toĀ theĀ craftĀ finallyĀ beĀ answeredĀ byĀ theĀ devil,Ā whenĀ willĀ youĀ finallyĀ winĀ Ā Ā + Ā Ā Ā sevenĀ -Ā pointĀ planĀ detailingĀ howĀ toĀ startĀ aĀ politicalĀ revolutionĀ likeĀ theĀ frenchĀ annotatedĀ inĀ matchaĀ greenĀ markerĀ andĀ matchingĀ stickyĀ notes Ā Ā + Ā Ā Ā rageĀ lurkingĀ beneathĀ statuesqueĀ surfaceĀ āøŗĀ fairyĀ withĀ clippedĀ wings,Ā cagedĀ inĀ aĀ palaceĀ ofĀ siberianĀ iceĀ andĀ snow:Ā cruelĀ andĀ deadlyĀ /Ā patientlyĀ abidingĀ timeĀ beforeĀ yourĀ angerĀ disruptsĀ asĀ vesuvius,Ā turningĀ everythingĀ itĀ touchesĀ intoĀ ash Ā Ā +Ā Ā Ā yourĀ signatureĀ move,Ā headĀ tiltsĀ andĀ thickĀ lashĀ -Ā framedĀ bambiĀ eyesĀ withĀ teethĀ nibblingĀ onĀ poutyĀ lipsĀ āøŗĀ youĀ tasteĀ likeĀ strawberriesĀ inĀ earlyĀ summer,Ā orĀ maybeĀ that'sĀ theĀ reputationĀ they'reĀ tryingĀ toĀ cultivate.Ā while,Ā ISAĀ claimsĀ notĀ toĀ beĀ involvedĀ withĀ thatĀ oneĀ student'sĀ murder,Ā theĀ FBI'sĀ stillĀ gotĀ theirĀ eyeĀ onĀ them ⸻ let'sĀ hopeĀ they�� canĀ affordĀ aĀ goodĀ attorney.Ā goodĀ luckĀ withĀ theĀ newĀ academicĀ year,Ā andĀ don'tĀ getĀ intoĀ tooĀ muchĀ troubleĀ thisĀ semesterĀ .į
ćććććććgoogle Ā docs Ā + Ā pinterest Ā + Ā spotify
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#ššµš²šš¹š¼šš²š±, Ā dependent Ā collective Ā of Ā highborn Ā aristocrats, Ā as Ā crafted Ā and Ā penned Ā by Ā š“šµš¦š±š©. Ā script Ā exclusively Ā written Ā for Ā @ Ā š½šæš¶š»š°š²šš»š¶šš²šæšš¶šš Ā āøŗ Ā do Ā not Ā interact Ā if Ā not Ā affiliated. Ā Ā
š°š½ Ā š“ššæš»š¾šš°ššøš¾š½ Ā š¾šµ Ā š¼š¾ššøšµš: Ā never Ā - Ā stopping Ā longing Ā for Ā the Ā ripped Ā away Ā spring Ā of Ā your Ā life, Ā with Ā gnashing Ā sharp Ā teeth Ā and Ā bloodied Ā fingers Ā you Ā hold Ā on Ā to Ā the Ā buried Ā debris Ā of Ā šš¾š¾ššŗšš¾Ā Ā š½šš¾šŗšš. Ā the Ā self Ā - Ā romanticization Ā of Ā the Ā great Ā war Ā fought Ā between Ā the Ā dichotomy Ā of Ā your Ā soul Ā āøŗ Ā šøš©š° Ā š¢š³š¦ Ā šŗš°š¶ Ā šµš³š¶ššŗ Ā beyond Ā the Ā expectations Ā of Ā your Ā ancestors Ā ? Ā a Ā curse Ā / Ā a Ā šššššššš, Ā whispers Ā of Ā bewitching Ā prose Ā that Ā are Ā prayers Ā of Ā pure Ā magic Ā āøŗ Ā crafted Ā lies Ā so Ā intricate Ā you Ā fall Ā for Ā your Ā own Ā tricks.
isabella Ā van Ā rensselaer, Ā pinterest Ā + Ā google Ā docs
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Immoral Tales (Walerian Borowczyk, 1973)
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elise Ā hoogerdijk Ā via Ā instagram
#elise hoogerdijk#model fc#modeledit#modelgifs#modelsedit#š„» ššš¾šš¹š¼šš²š±.ććšŖ.ćššŗš šš¾šššš¾š
šŗš¾šāććparallel.
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No no no don't give up, you are a woman, you must thrive
OK true women deserve to prosper . Staying alive for feminist reasons
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Amuck!/Alla ricerca del piacere (Silvio Amadio, 1972)
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