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He was the best starpilot in the galaxy. Star Wars: Episode III - Revenge of the Sith (2005)

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Jude Law in The Holiday, 2006 for @kimtaegis <3 | giffing romcoms

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CHRIS EVANS as STEVE ROGERS AVENGERS: ENDGAME (2019) dir. The Russo Brothers

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STAR WARS: EPISODE II - ATTACK OF THE CLONES 2002, dir. George Lucas

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Death Proof (2007)

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Moulin Rouge! (2001) dir. Baz Luhrmann

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He was a good boy, even if he didn't let me touch his tail to take things out of it; even if he never let me trim his nails; even if he didn't let me wipe his butt when he got poo stuck in it (he had a fluffy bottom); even if he growled and bared his teeth when I tried to pull off dirt or god forbid fleas. We had him for 20 years. Cancer sucks. Knowing he's no longer in pain is a comfort and I know that I miss him because I love him. My sorrow is that love finding how to exist without him nearby to feel it. I tried to show him how much I'd miss him and hope he understood me. He was nearly blind and almost if not completely deaf, and still had 100% of hia attitude lol Love you Sumo. 🖤🌈

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"The Empire cannot win. You'll never feel right unless you're doing what you can to stop them. You're coming home to yourself. You've become more than your fear. Let that protect you."

DIEGO LUNA as CASSIAN ANDOR in Andor, Season 2 [1/4] 2x01 — "One Year Later" 2x02 — "Sagrona Teema" 2x03 — "Harvest"

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💔

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He's lying anyway. This guy is a test pilot.

ANDOR | 1.01 & 1.03

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pride & prejudice (2005) → moments that hit different in the theater

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Practical Magic (1998) dir. Griffin Dunne

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MARIE ANTOINETTE (2006)

dir. sofia coppola

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Academy Award Winners for Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord of the Rings: The Fellowship of the Ring (2001) Directed by Peter Jackson Aspect Ratio: 2.39 : 1

Andrew Lesnie immersed himself in the project by rereading the books and going through hundreds of sketches and paintings created by Tolkien artists Ted Nasmith, Alan Lee and John Howe. “The art department was a constant source of inspiration for me,” Lesnie recalls. “In the main hallway was a huge mural that was a condensed visual interpretation of the narrative for the trilogy. It consisted of conceptual drawings, set designs, costume designs, location photos and so forth. It was a matter of throwing everything into one great big pot and letting it simmer.” A big pot it certainly was, for the three films entailed 274 days of principal photography encompassing 600 scenes, 350 sets and more than 4 million feet of exposed negative. “The Lord of the Rings trilogy deals with such a staggering number of issues and takes so many directions that it’s better to let the process operate subliminally. That way, your work starts springing out of a different place than you might normally anticipate.” While Lesnie and Jackson viewed other films for elements such as staging or stylistic treatment, both knew that the books were the obvious source of inspiration. As Lesnie declares, “Tolkien’s writing is exceptionally eloquent in its depiction of feeling and mood.” — American Cinematographer, December 2001

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GET TO KNOW ME ♡ [8/25] films: ☆ Jawbreaker (1999) [Dir. by Darren Stein]

Liz had this craving for men, strange men, sex with strangers, she wasn’t into the boys at school.It wasn’t about boys, she liked the real thing, real, live, strange men. she’d have her way with them. they’d be gone by dawn, ln and out, never to be heard from again.

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MOULIN ROUGE! (2001)

dir. baz luhrmann