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you’re welcome.

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Addams Family Values (1993) dir. Barry Sonnenfeld 

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Am I lazy or is this another Depression Session™

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“i want a glimpse of an idea of what its like to die. i’ll stop when i’m bored or when i’m barking like a dog in the gutter on my hands and knees. i might get hit by a truck before then anyway. cigarettes are such clinical forms. they are like pills. they have purity before you smoke them. they’re expensive, dangerous, from the point you light one to when you stub it out, it’s death.”

—damien hirst in an interview with sophie calle, 1991 

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Julia Hetta for Rodeo Magazine

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The Muse (short, 2014, dir. Tim Walker)

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Ben Whishaw by Tim Walker, for British Vogue Centenary issue June 2016.

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Alec Soth, Untitled, From series Broken Manual, 2006.

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That’s what photography does. It’s very related to poetry. It’s suggestive and fragmentary & unsatisfying in a lot of ways. It’s the art of limitation. Framing the world. It’s as much about what you leave out as what you put in. With photography you have one little moment and you allow everyone else to fill it in.

Alec Soth (via rachelceleste)

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Tokyo. 2015. A self-portrait of Alec Soth in his hotel room at the Park Hyatt Hotel, where Lost in Translation was filmed.

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