shujung

[shujung]

漢聲廣播電台 Voice of Han Broadcasting Network

21, Aug., 2024 *趙書榕的《眷村駐村創作故事》* 和聽眾分享我於眷村駐地創作的大小事 Sharing my experience of Artist-in -Residence in military villages …….. 今晚播出藝術家～趙書榕聊聊她的眷村駐村創作。趙書榕分別在2017年、2022年桃園憲光二村駐村，2023年台中清水眷村，聽她怎樣適應當地環境，用吊床築起自己悠遊的窩，用清水磚保存舊時光的回憶，用語言磚訴說不同族群的故事⋯。 # 8/21（三）漢聲電台2200-2300「音樂沙拉吧～趙書榕的《眷村駐村創作故事》」。

Media : https://open.firstory.me/....../cm0hf59ls0d2....../platforms

YouTube :https://youtu.be/11fWymKp2is?si=b-mP15f9SGX1EHWJ

[shujung]

« 跟你說個故事 / Telling a Story with You » 2024

A Mixed Media Installation and Land Art work by 趙書榕 Shu-Jung CHAO

« 海島生活節-海島漂浪藝術共創計畫 / Island Life Festival – Island Drift AIR Program » 2024

https://shujung.tumblr.com/2024kinmen

Artist-in-Residence / 駐島藝術家 Residency : 30, May ~ 30, June, 2024 Venue : 臺灣金門縣金湖鎮新湖漁港 Xinhu Harbor, Jinhu Township, Kinmen County, Taiwan Opening & Artist’s Talk : 13, July, 2024 Exhibition Date : 1, July, 2024 ~ Feb., 2025 (Island Life Festival : 1, July, 2024 ~ 31, Aug., 2024)

. 複合媒材裝置 廢棄木製老漁船、海廢材料(魚線漁網編織)、*自然媒材（多種貝類、甲殼類、木麻黃…）、物��（書信、漁具…） *自然媒材 : 錐螺、大玉螺、椰子螺、蚵岩螺、香螺、花蛤、文蛤、血蚶、台灣環簾蛤、象牙鳳螺、條紋鬘螺、褐帶鶉螺、華南骨螺、環紋蛤、寄居蟹殼、三棘鱟殼、螃蟹殼、藤壺、海螵蛸、木麻黃…

**Commissioned Artwork 現地製作In Situ : 356 cm (H) x 1556 cm (W) x 867 cm (D) 24° 25'45.26" N 118°24'39.83" E 臺灣金門縣金湖鎮新湖漁港前港路黃金沙灘 Golden Beach, Qiangang Road, Xinhu Harbor, Jinhu Township, Kinmen County, Taiwan

. 很久很久以前， 有一艘中國的漁船3089…… 因為越界了臺灣的海域， 被海巡署給扣了下來， 慢慢地……人們幾乎忘了它的存在了， 不知不覺地……紫色的牽牛花已經爬滿了它木製的全身， 是它多年來唯一的陪伴， 就這樣– 靜靜地躺在金門的回收廠裡超越了半個世紀 ! 是為了等待與你、與他(她)，和與我的相遇…… . 這是一件關於時間&空間 ; 記憶&流動的作品。 藉由歷史超越半世紀之久的木製漁船而展開，包含了: 視覺和聽覺，連結金門在地自然人文、漁業文化與人類生命的故事，人與自然形塑時間的樣貌，時間和空間的堆積沈澱雕塑了作品，猶如孩童般最初的眼光好奇地去觀察和探索這世界。 . 指導單位：海洋委員會 主辦/承辦單位：金門縣政府建設處、金門區漁會 策劃單位：甘樂文創志業股份有限公司 特別感謝 : 金門縣環境保護局、大洋回收站、金湖國小五年一班師生、 洪清漳老師、吳朝和 & 吳陳籌(船錨捐贈)

………………………

Mixed Media Installation Old Wooden Fishing Boat Abandoned, Marine Waste (fishing line and fishing net weaving), *Natural Materials (Various shellfish, crustaceans, casuarinas…), Objects (letters, fishing gear…) *Natural Materials : Turritella terebra, Polinices didyma didyma, Melo melo, Reishia clavigera, Melongenidae, Gomphina veneriformis, Meretrix meretrix, Tegillarca granosa, Marcia hiantina, Babylonia areolata, Phalium flammiferum, Tonna sulcosa, Murex aduncospinosus, Cyclina sinensis, hermit crabs, Tachypleus tridentatus, crabs, Cirripedia, Cuttlebone Sepium, Casuarina . **Commissioned Artwork In Situ : 356 cm (H) x 1556 cm (W) x 867 cm (D)  24° 25'45.26" N 118°24'39.83" E 臺灣金門縣金湖鎮新湖漁港前港路黃金沙灘 Golden Beach, Qiangang Road, Xinhu Harbor, Jinhu Township, Kinmen County, Taiwan

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Once upon a time, there was a Chinese fishing boat 3089… The boat crossed territorial sea, so it was detained by the Taiwan Coast Guard. Little by little… people almost forgot that it existed. Unconsciously…Purple morning glory flowers have been covering its wooden body. They have been its only companion for many years. This is it ! 3089 had been lying quietly in the recycling station of Kinmen for more than half a century! It is waiting to meet you, him(her) and me…

.

This is an installation artwork about time & space/ memory & flow. The work unfolds through the old wooden fishing boat abandoned with a history of more than half a century. It includes visual and auditory components that bridge the local nature, humanities, fishing culture, and human lives of Kinmen to form a unique story. Human and nature jointly shape the landscape of time. The accumulation of time and space has carved a sculpture artwork. Let us observe and explore this world with a childlike curiosity and naïveté. . Supervisor : OAC (Ocean Affairs Council) Organzier : Economic Affairs Department Kinmen County Government, Kinmen Fishermen’s Association Curating : The Can- Culture Art and Nature Co., Ltd. Special THANKS TO : Environmental Protection Bureau, Kinmen County, Kinmen Da Yang Recycling Station、洪清漳老師、吳朝和 & 吳陳籌(船錨捐贈) 、金湖國小五年一班師生

#abstractsculpture #contemporarysculpture #artcollector #curator #contemporarysculpture #mixedmediaart #emergingartist #mixedmediasculpture #artexhibition #artgallery #installationart #femaleartists #womanartist #art #femmeartiste #contemporary #contemporaryartist #artist #artistsoninstagram #sculpture #sound #soundsculptures #emergingart #artcollections #artcontemporary #artnow #artworks #artlovers #artworld  #artculture#sitespecificart

#2024海島生活節#金門#金門海島學校#新湖漁港#藝術共創#海島漂浪#kinmen#金門旅遊#kinmentravel#金門景點#現地製作#現地創作#限地製作#限地創作#海廢創作

[shujung]

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漢聲廣播電台 Voice of Han Broadcasting Network

2024《金門海島生活節～海島漂流藝術共創計劃》 趙書榕。

展期2024.7.1～2025.2。

7/24(三）2200-2300漢聲電台

線上播放 Online

「音樂沙拉吧～藝術家趙書榕《跟你說個故事》」

今晚颱風天，來聽聽藝術家～趙書榕《跟你說個故事》。

就在金門縣金湖鎮新湖漁港，正展出趙書榕《跟你說個故事》作品，是一艘廢棄的50年前木構漁船，上面佈著爬藤與紫色牽牛花，經趙書榕以海廢媒材用一個月的時間改造，拖著藍白綠漸層流刺網編織的長長尾巴，綴著各式貝殼串起的叮咚鈴響，在海風中悠揚的唱著自己的旋律。

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經典回放

Media : https://open.firstory.me/story/clz0ree2c00u2010bevpe7rqg/platforms

YouTube : https://youtu.be/gPaO3DibRMs?si=bOxSEMWTmr0mg93T

…….

19, July, 2024 (預錄）

和聽眾分享我在金門展覽的最新作品：

« 跟你說個故事 / Telling a Story with You » 2024和留法學習歷程

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Sharing my latest exhibition in kinmen County, Taiwan

« 跟你說個故事 / Telling a Story with You » 2024 and 7 years study aboard experience in France with the audience

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主持人 ：江秀靜

今天邀請書榕來錄音室，談談2024《金門海島生活節》她的一件現地創作作品～「跟你說個故事」是一艘廢棄50多年對岸的魚船，以海廢煤材創作的大型裝置藝術，同時，最近趙書榕的作品《城市漂移》，也被文化部選入2024巴黎奧運，台灣300多位參展藝術家之一。

#abstractsculpture #contemporarysculpture #artcollector #curator #contemporarysculpture #mixedmediaart #emergingartist #mixedmediasculpture #artexhibition #artgallery #installationart #femaleartists #womanartist #art #femmeartiste #contemporary #contemporaryartist #artist #artistsoninstagram #sculpture #sound #soundsculptures #emergingart #artcollections #artcontemporary #artnow #artworks #artlovers #artworld  #artculture#sitespecificart

#2024海島生活節#金門#金門海島學校#新湖漁港#藝術共創#海島漂浪#kinmen#金門旅遊#kinmentravel#金門景點#現地製作#現地創作#限地製作#限地創作#海廢創作

[shujung]

« 文化奧運台灣館 / Cultural Olympiad Taiwan Pavilion » 2024

(2024 臺灣文化前進巴黎奧運/2024 Taiwanese Cultural Program at the Paris Olympics)

7.27 - 8.10. 2024

Venue : Parc de la Villette, Paris, France

**臺灣故事 Taiwan Stories

« 城市飄移 / Floating Cities » 2024

A New Media Art Video by  趙書榕 Shu-Jung CHAO

[shujung]

« 跟你說個故事 / Telling a Story with You » 2024

A Mixed Media Installation and Land Art work by 趙書榕 Shu-Jung CHAO

« 海島生活節-海島漂浪藝術共創計畫 / Island Life Festival – Island Drift AIR Program » 2024

https://shujung.tumblr.com/2024kinmen

Artist-in-Residence / 駐島藝術家 Residency : 30, May ~ 30, June, 2024 Venue : 臺灣金門縣金湖鎮新湖漁港 Xinhu Harbor, Jinhu Township, Kinmen County, Taiwan Opening & Artist’s Talk : 13, July, 2024 Exhibition Date : 1, July, 2024 ~ Feb., 2025 (Island Life Festival : 1, July, 2024 ~ 31, Aug., 2024)

. 複合媒材裝置 廢棄木製老漁船、海廢材料(魚線漁網編織)、*自然媒材（多種貝類、甲殼類、木麻黃…）、物件（書信、漁具…） *自然媒材 : 錐螺、大玉螺、椰子螺、蚵岩螺、香螺、花蛤、文蛤、血蚶、台灣環簾蛤、象牙鳳螺、條紋鬘螺、褐帶鶉螺、華南骨螺、環紋蛤、寄居蟹殼、三棘鱟殼、螃蟹殼、藤壺、海螵蛸、木麻黃…

**Commissioned Artwork 現地製作In Situ : 356 cm (H) x 1556 cm (W) x 867 cm (D) 24° 25'45.26" N 118°24'39.83" E 臺灣金門縣金湖鎮新湖漁港前港路黃金沙灘 Golden Beach, Qiangang Road, Xinhu Harbor, Jinhu Township, Kinmen County, Taiwan

. 很久很久以前， 有一艘中國的漁船3089…… 因為越界了臺灣的海域， 被海巡署給扣了下來， 慢慢地……人們幾乎忘了它的存在了， 不知不覺地......紫色的牽牛花已經爬滿了它木製的全身， 是它多年來唯一的陪伴， 就這樣– 靜靜地躺在金門的回收廠裡超越了半個世紀 ! 是為了等待與你、與他(她)，和與我的相遇…… . 這是一件關於時間&空間 ; 記憶&流動的作品。 藉由歷史超越半世紀之久的木製漁船而展開，包含了: 視覺和聽覺，連結金門在地自然人文、漁業文化與人類生命的故事，人與自然形塑時間的樣貌，時間和空間的堆積沈澱雕塑了作品，猶如孩童般最初的眼光好奇地去觀察和探索這世界。 . 指導單位：海洋委員會 主辦/承辦單位：金門縣政府建設處、金門區漁會 策劃單位：甘樂文創志業股份有限公司 特別感謝 : 金門縣環境保護局、大洋回收站、金湖國小五年一班師生、 洪清漳老師、吳朝和 & 吳陳籌(船錨捐贈)

………………………

Mixed Media Installation Old Wooden Fishing Boat Abandoned, Marine Waste (fishing line and fishing net weaving), *Natural Materials (Various shellfish, crustaceans, casuarinas…), Objects (letters, fishing gear…) *Natural Materials : Turritella terebra, Polinices didyma didyma, Melo melo, Reishia clavigera, Melongenidae, Gomphina veneriformis, Meretrix meretrix, Tegillarca granosa, Marcia hiantina, Babylonia areolata, Phalium flammiferum, Tonna sulcosa, Murex aduncospinosus, Cyclina sinensis, hermit crabs, Tachypleus tridentatus, crabs, Cirripedia, Cuttlebone Sepium, Casuarina . **Commissioned Artwork In Situ : 356 cm (H) x 1556 cm (W) x 867 cm (D)  24° 25'45.26" N 118°24'39.83" E 臺灣金門縣金湖鎮新湖漁港前港路黃金沙灘 Golden Beach, Qiangang Road, Xinhu Harbor, Jinhu Township, Kinmen County, Taiwan

.

Once upon a time, there was a Chinese fishing boat 3089… The boat crossed territorial sea, so it was detained by the Taiwan Coast Guard. Little by little… people almost forgot that it existed. Unconsciously…Purple morning glory flowers have been covering its wooden body. They have been its only companion for many years. This is it ! 3089 had been lying quietly in the recycling station of Kinmen for more than half a century! It is waiting to meet you, him(her) and me…

.

This is an installation artwork about time & space/ memory & flow. The work unfolds through the old wooden fishing boat abandoned with a history of more than half a century. It includes visual and auditory components that bridge the local nature, humanities, fishing culture, and human lives of Kinmen to form a unique story. Human and nature jointly shape the landscape of time. The accumulation of time and space has carved a sculpture artwork. Let us observe and explore this world with a childlike curiosity and naïveté. . Supervisor : OAC (Ocean Affairs Council) Organzier : Economic Affairs Department Kinmen County Government, Kinmen Fishermen’s Association Curating : The Can- Culture Art and Nature Co., Ltd. Special THANKS TO : Environmental Protection Bureau, Kinmen County, Kinmen Da Yang Recycling Station、洪清漳老師、吳朝和 & 吳陳籌(船錨捐贈) 、金湖國小五年一班師生

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Behind the Scenes :

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#abstractsculpture #contemporarysculpture #artcollector #curator #contemporarysculpture #mixedmediaart #emergingartist #mixedmediasculpture #artexhibition #artgallery #installationart #femaleartists #womanartist #art #femmeartiste #contemporary #contemporaryartist #artist #artistsoninstagram #sculpture #sound #soundsculptures #emergingart #artcollections #artcontemporary #artnow #artworks #artlovers #artworld  #artculture#sitespecificart

#2024海島生活節#金門#金門海島學校#新湖漁港#藝術共創#海島漂浪#kinmen#金門旅遊#kinmentravel#金門景點#現地製作#現地創作#限地製作#限地創作#海廢創作

[shujung]

« 清水三部曲 / Qingshui Trilogy » 2023

(A series of works)

https://shujung.tumblr.com/2023trilogy

這是關於時間&空間 ; 記憶&流動的系列作品。

連結台灣臺中清水在地的人文考古、音景漫遊、周遭建築歷史與人類生命的故事，人與自然形塑時間的樣貌，時間和空間的堆積沈澱雕塑了作品，猶如孩童般最初的眼光好奇地去觀察和探索這世界。

This is a series of works about time & space/ memory & flow.

The work connects the local humanities archeology, soundscape wandering, surrounding architectural history and human life stories in Qingshui, Taichung, Taiwan. Human and nature jointly shape the landscape of time. The accumulation of time and space has carved a sculpture artwork. Let us observe and explore this world with a childlike curiosity and naïveté.

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2023 臺中清水眷村文化園區藝術進駐計劃

2023 Taichung Qingshui Military Community Village Artist-in-Residence Program

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指導單位 : 文化部、臺中市政府

主辦/承辦單位 : 臺中市政府文化局、臺中市港區藝術中心

特別感謝 : LIMIT 釐米特影像製作、賈瑪莉 老師、白俊忠 先生、張美翎 老師

Supervisor : Minustry of Culture、Taichung City Government

Organzier : Cultural Affairs Bureau, Taichung City Government、Taichung City Seaport Art Center

Special THANKS TO : LIMIT Studio、賈瑪莉 老師、白俊忠 先生、張美翎 老師

[shujung]

«  無窮的瞬間：臺灣當代女性藝術2003-2023 /  Infinitely Ephemeral: Contemporary Women’s Arts in Taiwan, 2003-2023 »

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« Taiwan Venus » 2016 ~ Now

(A series of works by 趙書榕 Shu-Jung CHAO)

(interview )https://vimeo.com/326135869

https://shujung.tumblr.com/2016taiwanvenus

很榮幸我的作品《Taiwan Venus》被收錄在此重要的書中！

(**好希望此系列作品可以在不久的將來完整的展出!)

I am honored that my work 《Taiwan Venus》 is included in this important book！

（** I really hope that this series of works can be fully exhibited in the near future!）

-----------------------

Publication :

《無窮的瞬間：臺灣當代女性藝術2003-2023》

《Infinitely Ephemeral: Contemporary Women’s Arts in Taiwan, 2003-2023》

#陳明惠 教授 著

Ming Turner

五南出版社

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本書以2003年至2023年臺灣女性藝術發展為題，但並非以時間線性為書寫軸線，而是以藝術家作品議題與思想脈絡為章節安排。本書從臺灣的歷史、政治、社會、文化以及全球經濟主義的觀點，來分析臺灣當代女性藝術創作在形式與議題上的多樣性與異質性。本書收錄135位二十一世紀臺灣女性藝術創作，論述議題包含：歷史敘事、離散美學、族群認同、日常生活、性���政治、編織藝術與常民文化、抽象藝術與精神探索、後人類與數位女性主義。

This book focuses on the development of Taiwanese women’s art between 2003 and 2023. It is not written in chronological order, rather the structure of the book is based on the themes of the art works featured therein. It analyses the diversity and heterogeneity of contemporary Taiwanese women’s art through the perspectives of history, politics, society, culture and global capitalism. The book includes 135 women’s art practices in Taiwan in the 21st century, with a theoretical consideration of historical narratives, diasporic aesthetics, ethnic identities, everyday life, gender politics, textiles and folklore culture, abstract art and spiritual exploration, posthumanism and cyberfeminism.

[shujung]

« Dwelling ↔ Drifting » 2023

https://shujung.tumblr.com/2023dding

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Group Exhibition by 趙書榕 Shu-Jung CHAO

30, Nov., 2023 ~ 31, March, 2024

Venue :

台北市客家文化主題公園, 台北, 台灣

Taipei City Hakka Cultural Park, TW

https://ssl.thcp.org.tw/

FB : 臺北市客家文化主題公園

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**Commissioned Artwork

415cm(W) x 610cm(D) x 145cm(H)

複合媒材裝置(環氧樹脂翻模、行李箱、物件、書本…)

Mixed Media (Epoxy resin molding, luggage, objects, books…)

Dimension Variable

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以自身為中心點，訪談了周遭十多位客籍親朋好友，客家文化已經深入我們的生活當中，將對於他們自身情感和家庭的珍貴照片或物件重新用翻模的方式，以磚推砌的流動意象，並且加入其他珍貴小物件，藉由一塊塊大大小小的「磚」所延伸出的多種思考角度 : 民族植物、食材、容器、烹調、歷史人文、人類遷徙、地理…，更重要的是串起人與人之間的那份情感，猶如時間空間記憶的封存和結晶。

「磚」和「行李箱」的堆疊展示猶如客家人勤儉樸拙的個性，各種新舊記憶間堆疊出生命的迴廊意境，並象徵著客家族群在臺灣各地深刻的發展，同時作品將給予觀者一層層回憶，隨著不同角度觀看，有不同的驚喜及呈現方式，同時觀者也將成為作品的一部分。

……………………..

Take myself as the center point and I interviewed more than ten Hakka relatives and friends around me. Hakka culture has penetrated deeply into our lives. I used epoxy resin to mold and added precious photos and objects that were meaningful to their emotions and family. Through the flowing image of “bricks” and the various perspectives of thinking extended by “bricks” of various sizes: ethnic plants, food ingredients, containers, cooking, history and culture, human migration, geography… What’s more important is the connection between people, which is like the sealing and crystallization of time and space memories.

The stacked display of “bricks” and “suitcases” seems to symbolize the diligent, thrifty and simple personality of the Hakka people. The stacking of various old and new memories creates the artistic conception of the corridor of life, and symbolizes the profound development of the Hakka community in various parts of Taiwan. At the same time, the work will give participants several layers of memories and accumulations. The participants can take a walk freely and discover this artwork. The participants will find different surprises and presentations through different kinds of perspectives of the work.

Thus, they become an integral part of this installation.

.

Special THANKS TO :

曾琇卿、葉桂香、鍾文龍、林麗玲、詹翔宇、范新梅、新珍香餅行、廖大錦逢一郎、徐琬甯

[shujung]

« Tower of Babel in a Foreign Land / 異鄉巴別塔 » 2023

(extract) https://vimeo.com/868739291

New media art Video 7'10” in loop, color, sound .

**Supported by : Cultural Affairs Bureau, Taichung City Government, TW & Taichung City Seaport Art Center, TW

**贊助支持 : 臺中市政府文化局 & 臺中市港區藝術中心

新媒體錄像作品《異鄉巴別塔》靈感源自聖經中的「巴別塔」故事，延續我自2005年以來對當代藝術多重主題的探索與關懷，涵蓋懷鄉情懷、身份認同、離散、情境偏移，以及對烏托邦的想像與追尋。這些主題不僅根植於我個人記憶漫遊的私密經驗，也映照了全球化時代中普遍存在的處境：人們在多重文化與語言環境中穿梭，在「地方」與「非地方」之間遷徙，於漂泊與扎根之間尋找身份的定位。

作品聚焦於臺灣的臺中清水眷村的在地歷史與文化變遷，交織史前中社遺址、台灣原住民文化、日治時期新高港的建設，以及戰後國軍眷村的發展脈絡，呈現地方記憶的層層疊構。同時，作品也融合我長期關注的其他場域與經驗素材──如台北南機場公寓，見證都市演變與庶民生活的現場；亦如東南亞新住民社群，映現台灣多元族群共構的���化風景。透過這些跨域記憶與影像的交織，《異鄉巴別塔》試圖搭建一座象徵性的「文化巴別塔」，回應當代社會中多語、多元與多重身份共存下的張力與可能。

The new media video work « Tower of Babel in a Foreign Land » draws inspiration from the biblical story of the Tower of Babel. It extends my ongoing exploration since 2005 of multiple interwoven themes in contemporary art, including nostalgia, identity, displacement, spatial dislocation, and the pursuit of utopian ideals. These themes are rooted in the intimate realm of personal memory drift, while also reflecting the broader conditions of a globalized world—where individuals navigate through multilingual and multicultural environments, migrate between “places” and “non-places,” and search for a sense of identity amid the tension between rootlessness and belonging.

The work centers on the local history and cultural transformations of Qingshui Military Dependents’ Village in Taichung, Taiwan, weaving together layers of historical narratives—from the prehistoric Zhong-She archaeological site and Indigenous cultures, to the construction of Shin-Ko Harbor during the Japanese colonial era, and the post-war development of military dependents’ villages. These intertwined temporalities reveal the sedimented memory of place. At the same time, the work incorporates other sites and lived experiences I have long engaged with—such as the Nanji Chang Apartment Complex in Taipei, a witness to urban transformation and grassroots life; and the Southeast Asian immigrant communities, which embody the multicultural mosaic of contemporary Taiwan. Through the convergence of these cross-regional memories and visual fragments, « Tower of Babel in a Foreign Land » aspires to construct a symbolic “cultural Babel”—a structure that reflects both the tensions and possibilities of coexistence in today’s multilingual, pluralistic, and multi-identity society.

........................

« 清水三部曲 / Qingshui Trilogy » 2023

(A series of works)

Artist-in-Residence / 駐村藝術家 Qingshui Military Community Culture Park, Taichung, TW 清水眷村文化園區, 臺中, 臺灣 Residency : 1 July ~ 30, Oct., 2023 Exhibition Date : 3~ 29, Oct., 2023 (Close Mondays) Opening & Artist’s Talk : 5, Oct., 2023 Venue : 清水眷村文化園區, 臺中, 臺灣 Qingshui Military Community Culture Park, Taichung, TW

https://www.qingshuiartvillage.net/

**Supported by : Cultural Affairs Bureau, Taichung City Government, TW & Taichung City Seaport Art Center, TW **贊助支持 : 臺中市政府文化局 & 臺中市港區藝術中心 ……………………….

這是關於時間&空間 ; 記憶&流動的系列作品。

連結台灣臺中清水在地的人文考古、音景漫遊、周遭建築歷史與人類生命的故事，人與自然形塑時間的樣貌，時間和空間的堆積沈澱雕塑了作品，猶如孩童般最初的眼光好奇地去觀察和探索這世界。

This is a series of works about time & space/ memory & flow.

The work connects the local humanities archeology, soundscape wandering, surrounding architectural history and human life stories in Qingshui, Taichung, Taiwan. Human and nature jointly shape the landscape of time. The accumulation of time and space has carved a sculpture artwork. Let us observe and explore this world with a childlike curiosity and naïveté.

[shujung]

« 留給未來的自己 / Leave it to My Future Self » 2023

https://shujung.tumblr.com/2023trilogy

.................

現地製作(依場地決定佈展方式和呈現)

複合媒材裝置(復古燈. 桌子. 椅子. 布. 空白水墨冊頁)

In Situ Mixed Media, Dimension Variable

(Retro desk lamp, table, chai, fabric, blank ink album…)

.

 這並不是結束，而是另一段旅程的開始…

The end of a journey is just the beginning of a new one…

..................................

« 清水三部曲 / Qingshui Trilogy » 2023

(A series of works)

Artist-in-Residence / 駐村藝術家 Qingshui Military Community Culture Park, Taichung, TW 清水眷村文化園區, 臺中, 臺灣 Residency : 1 July ~ 30, Oct., 2023 Exhibition Date : 3~ 29, Oct., 2023 (Close Mondays) Opening & Artist’s Talk : 5, Oct., 2023 Venue : 清水眷村文化園區, 臺中, 臺灣 Qingshui Military Community Culture Park, Taichung, TW

https://www.qingshuiartvillage.net/

**Supported by : Cultural Affairs Bureau, Taichung City Government, TW & Taichung City Seaport Art Center, TW **贊助支持 : 臺中市政府文化局 & 臺中市港區藝術中心 ............................

這是關於時間&空間 ; 記憶&流動的系列作品。

連結台灣臺中清水在地的人文考古、音景漫遊、周遭建築歷史與人類生命的故事，人與自然形塑時間的樣貌，時間和空間的堆積沈澱雕塑了作品，猶如孩童般最初的眼光好奇地去觀察和探索這世界。

This is a series of works about time & space/ memory & flow.

The work connects the local humanities archeology, soundscape wandering, surrounding architectural history and human life stories in Qingshui, Taichung, Taiwan. Human and nature jointly shape the landscape of time. The accumulation of time and space has carved a sculpture artwork. Let us observe and explore this world with a childlike curiosity and naïveté.

[shujung]

« 翻 ∞ 憶 » 清水篇2023

« Molding ∞ Memories » Qingshui Chapter 2023

https://shujung.tumblr.com/2023trilogy

.....................

現地製作 : 315cm x 315cm x 300 cm(H)

(依場地決定佈展方式和呈現)

複合媒材裝置

(眷村廢棄紅磚. 環氧樹酯翻模. 多個生命故事. 小物件. 復古燈)

.

« 翻 ∞ 憶 » 清水篇則是將眷村、家庭、書信重新用翻模的方式，以新舊紅磚和藝術家特製的「語言水磚」推砌的意象，並且加入其他珍貴小物件，新舊記憶間堆疊出生命的迴廊意境，體驗著生命中的去與留，並提出「World without Strangers」之想法，以及城市、建築、環境、歷史…多元漫遊的呈現。

………

In Situ : 315cm x 315cm x 300 cm(H)

Mixed Media Installation, Dimension Variable

(abandoned red bricks recycled in military Kindred villages, Sound (strangers calling home), Life Stories, Old Historical Objects… )

.

« Molding ∞ Memories » Qingshui Chapter is the In Situ Mixed Media Art Installation that the artist repurposed the letters from military Kindred villages and immigrant families in the way of re-molding, and using old and new red bricks and the artist’s specially made “language water bricks”, and also adding other precious small objects. The stacking of old and new memories creates the artistic conception of the corridor of life. Participants experienced the leaving and staying in life, and puts forward the idea of ​​"World without Strangers", as well as the presentation of diverse wanderings in cities, architecture, environment, history…

..............................

« 清水三部曲 / Qingshui Trilogy » 2023

(A series of works)

Artist-in-Residence / 駐村藝術家 Qingshui Military Community Culture Park, Taichung, TW 清水眷村文化園區, 臺中, 臺灣 Residency : 1 July ~ 30, Oct., 2023 Exhibition Date : 3~ 29, Oct., 2023 (Close Mondays) Opening & Artist’s Talk : 5, Oct., 2023 Venue : 清水眷村文化園區, 臺中, 臺灣 Qingshui Military Community Culture Park, Taichung, TW

https://www.qingshuiartvillage.net/

**Supported by : Cultural Affairs Bureau, Taichung City Government, TW & Taichung City Seaport Art Center, TW **贊助支持 : 臺中市政府文化局 & 臺中市港區藝術中心 ............................

這是關於時間&空間 ; 記憶&流動的系列作品。

連結台灣臺中清水在地的人文考古、音景漫遊、周遭建築歷史與人類生命的故事，人與自然形塑時間的樣貌，時間和空間的堆積沈澱雕塑了作品，猶如孩童般最初的眼光好奇地去觀察和探索這世界。

This is a series of works about time & space/ memory & flow.

The work connects the local humanities archeology, soundscape wandering, surrounding architectural history and human life stories in Qingshui, Taichung, Taiwan. Human and nature jointly shape the landscape of time. The accumulation of time and space has carved a sculpture artwork. Let us observe and explore this world with a childlike curiosity and naïveté.

[shujung]

« 眷戀清水日記  /  Diary of Nostalgia for Qingshui » 2023

https://shujung.tumblr.com/2023trilogy

.....................

現地製作 : 326 cm x 266 cm x 238 cm (H)

(依場地決定佈展方式和呈現)

複合媒材裝置

(水墨卷軸35 cm x 600 cm, 數位影像輸出)

.....................

« 眷戀清水日記 »是藝術家初到清水眷村的水墨日記書寫，蜿蜒屈伸於空間中，對於眷村所觀看的新穎視角，以及與藝術家生命有所連結的感性書寫和圖畫，流動穿梭於各個時空的影像和記憶，給予觀者一層層的回憶和堆積，並且留有多個小驚喜給觀者於展場中去探索和發現，不同角度的觀看，不同的驚喜和呈現，觀者也將成為作品的一部分 (身體 <-> 記憶<-> 流動)。

…………..

In Situ : 326 cm x 266 cm x 238 cm (H)

Mixed Media Installation, Dimension Variable

(Ink sketch 35cm x 600cm, digital color photography)

.

« Diary of Nostalgia for Qingshui » is an ink diary written by the artist when she first arrived at Qingshui Military Kindred Village.

The work meanders and stretches in the space, offering a novel perspective on Qingshui Military Kindred Village, as well as perceptual writings and drawings that are connected to the artist’s life. The participants travels through images and memories in various time and space as the works flow.

They give the participants several layers of memories and accumulations. The participants can take a walk freely and discover this artwork. The participants will find different surprises and presentations through different kinds of perspectives of the work. Thus, they become an integral part of this installation.

(Body & memory & flow)

.................................

« 清水三部曲 / Qingshui Trilogy » 2023

(A series of works)

Artist-in-Residence / 駐村藝術家 Qingshui Military Community Culture Park, Taichung, TW 清水眷村文化園區, 臺中, 臺灣 Residency : 1 July ~ 30, Oct., 2023 Exhibition Date : 3~ 29, Oct., 2023 (Close Mondays) Opening & Artist’s Talk : 5, Oct., 2023 Venue : 清水眷村文化園區, 臺中, 臺灣 Qingshui Military Community Culture Park, Taichung, TW

https://www.qingshuiartvillage.net/

**Supported by : Cultural Affairs Bureau, Taichung City Government, TW & Taichung City Seaport Art Center, TW **贊助支持 : 臺中市政府文化局 & 臺中市港區藝術中心 ............................

這是關於時間&空間 ; 記憶&流動的系列作品。

連結台灣臺中清水在地的人文考古、音景漫遊、周遭建築歷史與人類生命的故事，人與自然形塑時間的樣貌，時間和空間的堆積沈澱雕塑了作品，猶如孩童般最初的眼光好奇地去觀察和探索這世界。

This is a series of works about time & space/ memory & flow.

The work connects the local humanities archeology, soundscape wandering, surrounding architectural history and human life stories in Qingshui, Taichung, Taiwan. Human and nature jointly shape the landscape of time. The accumulation of time and space has carved a sculpture artwork. Let us observe and explore this world with a childlike curiosity and naïveté.

[shujung]

« Taiwan Venus » 2016 ~ Now

(A series of works by 趙書榕 Shu-Jung CHAO)

(interview )https://vimeo.com/326135869

https://shujung.tumblr.com/2016taiwanvenus

...............................

** 2018-19參與了台灣十五年來最大型的女性聯展 « 女潮 ：女性主體與藝術創作展 » 國立臺灣工藝研究發展中心,台灣

** 2018-19, Shu-Jung participated in the largest exhibition of work solely by women artists to be staged in Taiwan for 15 years (2018-19 « Femi–Flow: Creating Female Subjectivity in Art », National Taiwan Craft Research and Development Institute, Nantou/Taipei, Taiwan).

. mixed media, dimension variable (Natural media weaving(seeds, roots, found objects in nature…), jute,  Ink sketch (Plant Collection Research / Diary)46cm x 15000cm, watercolor sketch 109cm x 79cm, digital color photography…)

Couture Dress/Styling/Heroine/Photographer : Shu-jung CHAO 趙書榕

........................

書榕的錄像與複合媒材作品，往往探討有關 「游離」、「漂泊」、「旅行」等課題，她的《Taiwan Venus》作品以台灣自然植物與種子編織成一小禮服，以表演及物件的形式呈現富有台灣區域性特質的作品，以及一種充滿對於美麗、 烏托邦和女神的想像，作品亦包含一水墨素描長卷軸(植物收集研究 (Plant Collection Research/Diary 46 cm x 15000 cm) ，以水墨繪畫及文字書寫方式記錄製作此禮服所採用的樹根和種子，及數件藝術家穿著此禮服，於台灣各地具���雕塑感的老建築自拍的影像作品，呈現跨越時間和空間的記憶模式和材料的漫遊旅行。

Chao’s work often combines videos and mixed media to discuss memories, traveling, diaspora/disassociation, wandering and being away from home.

Her « Taiwan Venus » is an artwork brimming with the characteristics of Taiwan through the forms of performance and object, in a dress made from Taiwanese plants and seeds. Through the artist’s re-imagination of beauty, Utopia and the idea of “goddess,” this piece becomes possibilities of different materials.

The artworks also includes a Chinese ink sketch in the form of a long scroll (Plant Collection Research/Diary, 46 cm x 15000 cm). Here, Shu-Jung describes how she collected the natural materials to make the gown, as well as the illustrations. In addition she has included a selection of color “selfies”, which the artist took in several sculptural architectures in Taiwan.

[shujung]

« Molding ∞ Memories / 翻 ∞ 憶 » 2022

A Solo Exhibition by 趙書榕 Shu-Jung CHAO

(少部分協同憲光二村居民共同創作)

https://shujung.tumblr.com/2022MoldingMemories

...........................

2022 / 10 / 08 Sat. – 2022 / 12 / 31 Sat.

9:00 - 17:00 (週三~週六)

Venue : Sianguang 2nd Village ( Military Kindred Village)

憲光二村106號房舍(333 桃園市龜山區明德路203巷)

FB : 憲光二村的光陰故事

................

複合媒材裝置 / 大小依場地而異

(300塊眷村回收廢棄紅磚. 聲音(10位異鄉人打電話回家). 20個生命故事. 縫紉機. 老物件…)

現地製作 : 桃園憲光二村

In Situ : Sianguang 2nd Village ( Military Kindred Village), , Taoyuan, TW

**Commission Artwork . Mixed Media, Dimension Variable

(300 pieces of abandoned red bricks recycled in military villages, Sound (10 strangers calling home), 20 Life Stories, Sewing Machine, Old Historical Objects… )

.........................

這是關於時間&空間 ; 記憶&流動的作品。

包含了：視覺&聽覺&觸覺，連結眷村在地的風土民情和文化人文，以及人類生命的故事。將眷村和移民家庭的書信重新用翻模的方式，以磚推砌的意象，並且加入其他珍貴小物件，新舊記憶間堆疊出生命的迴廊意境，給予觀者一層層的回憶和堆積，不同角度的觀看，不同的驚喜和呈現，觀者也將成為作品的一部分 (身體 ↔ 記憶 ↔ 流動)

體驗著生命中的去與留，並提出「World without Strangers」之想法，以及城市、建築、環境、歷史…多元漫遊的呈現。

.

主辦單位 : 桃園市議會. 桃園市政府文化局

執行單位 : 聚合文化事業有限公司. 憲光二村

…..

This is an installation artwork about time & space/ memory & flow.

It includes visual, auditory, and tactile components that bridge the culture, archaeology, soundscapes, and human lives of military village to form a unique story.

I repurposed the letters from military villages and immigrant families in the way of re-molding, using the image of bricks and adding other precious small objects, stacking the old and new memories to create the artistic conception of the corridor of life.

They give the participants several layers of memories and accumulations. The participants can take a walk freely and discover this artwork. The participants will find different surprises and presentations through different kinds of perspectives of the work.

Thus, they become an integral part of this installation.

(Body & memory & flow)

Participants experienced the leaving and staying in life, and proposed the idea of “World without Strangers”, as well as the presentation of multiple wanderings in cities, architecture, environment, history…

.

Supervisor : Taoyuan City Council

Department of Cultural Affairs, Taoyuan

Organzier : Poly Culture Enterprise Co., Ltd.

Sianguang 2nd Village ( Military Kindred Village)

.

[shujung]

« Wanderlust & World Traveler » 2022 Action for Art - Online Streaming 24, May, 2022 /10h00 ~ 18h00

. (Document 6'00'')

https://vimeo.com/728782556 https://shujung.tumblr.com/2022Wanderlust

.........................

.

此錄像行為表演記錄為2022年���麥提舞團合作, 在疫情期間藉由自己身體的行動行腳於自身居住周遭所在地域。藉著「個體」與「場域」對話的當下進行就地創作。

藉由自己手中的鏡頭，在行腳之間將景物捕捉，也將創作記錄著，同時把當下蒐集的影像媒材，利用網路平台即時分享，讓藝術家帶著參與者在這後疫情時代透過鏡頭也能隨心所欲的遨遊台灣。

透過平台連結人、土地、藝術表演，藝術家回歸身體以行腳的方式，達成藝術創作與實踐，產生出觀眾參與雲端戶外空間及觀賞藝術的新模式。透過此計畫，將藝術家們的能量散播至台灣全國各地，對正面臨疫情期間浮動的社會氛圍，能有多一些正面影響，產生連結及抒發。網絡將人、土地和藝術表演串連，透過雲端帶領觀眾走出被限制的生活圈外、參與創作當下，倚作疫情與藝術創作共存下衍伸的新模式。 

This video performance documentation captures a 2022 collaboration with the Mai-Ti Dance Company, undertaken during the pandemic. Through personal, bodily movement within the artist's immediate surroundings, the work unfolds as a site-specific creation, fostering a dialogue between "individual" and "environment."

Using a handheld camera, the artist captures scenes and documents the creative process during these explorations, sharing collected footage in real time via online platforms. This allows participants to virtually experience Taiwan alongside the artist, roaming freely through the post-pandemic lens. By connecting people, landscapes, and performance art through digital platforms, the artist reinvigorates the body as a means of creating and practicing art, opening a new mode for audiences to engage in outdoor, cloud-based spaces and to appreciate art.

This project radiates the artists' energy across Taiwan, aiming to bring a positive influence to the fluctuating social atmosphere during the pandemic by fostering connection and expression. The internet links people, land, and performance, guiding audiences out of confined spaces to participate in the moment of creation. This approach presents an emerging model of coexistence between pandemic conditions and artistic creation.

.

A Journey... . 地方↔ 非地方 Places ↔ Non-places . from Home to ↓→ ...Nowhere Elsewhere... . 人與自然形塑時間的樣貌，時間和空間的堆積沈澱雕塑了作品，猶如孩童般最初的眼光好奇地去觀察和探索這世界。 Human and nature jointly shape the landscape of time. The accumulation of time and space has carved a sculpture artwork. Let us observe and explore this world with a childlike curiosity and naïveté. . 時間和空間是最動人的催化劑。 Time and space are the most active catalysts. . 似曾相識的��異氛圍讓人忘了身在何處。 The atmosphere of Uncanny that makes you forget where you are. . 流動的記憶加深了觀者多重感官且不同層次的感受，猶如顯影劑般地慢慢浮現。 Flowing memories intensify the viewers’ multiple senses and layers of feelings, which emerge slowly and gradually like the effect of developer. . 一段旅程的結束意味著另一段旅程的開始 The end of a journey means the start of another. --------------------- .指導單位 Supervisor : 文化部Ministry of Culture 國藝會National Culture and Arts Foundation

.主辦單位 Organzier : 麥提舞團 Mai-Ti Dance Company

[shujung]

« You are here, Somewhere » 2021

(interview) https://vimeo.com/585702281

https://shujung.tumblr.com/2021somewhere

......................

(2021臺北客家巢環境藝術展)

Site-Specific Art

In Situ : 15m(W) x 3m(D) x 4.5m(H)

N 25°01'10.1748" E 121°31'30.1584"

Exhibition Date : 1, Aug., ~ 31 Oct., 2021(extend)

Venue : 臺北市客家文化主題公園

Taipei City Hakka Cultural Park, TW

Material : Mixed Media Art Installation

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由「船 」所延伸的多種思考角度，猶如象徵著客家族群在臺灣各地深刻的發展。蜿蜒屈伸於百年老樹中，流動穿梭於各個時空的影像和記憶，給予觀者一層層的回憶和堆積，不同角度的觀看，不同的驚喜和呈現，觀者也將成為作品的一部分 (身體<-> 記憶<-> 流動)。

Through multiple perspectives of the “boat” and the extended meanings of the “boat”, those are metaphors that the Hakka group has developed profoundly throughout Taiwan.

Ninety boats are sailing, winding and stretching among the century-old trees. The precious historical patterns on the boats travel through time and space. They give the participants several layers of memories and accumulations. The participants can take a walk freely and discover this artwork ( The Hakka Culture & History, this big Banyan tree with rich history…). The participants will find different surprises and presentations through different kinds of perspectives of the work.

Thus, they become an integral part of this installation.

(Body & memory & flow)

[shujung]

« Sculpting in Time – Body & memory & flow / 雕刻時光 ‒ 身體&記憶&流動 » 2020

https://shujung.tumblr.com/2020sculpting

http://www.guandu-natureart.tw/artist/413

(interview) https://vimeo.com/514196652

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(« 2020關渡國際自然藝術季 / 2020 Guandu International Nature Art Festival »)

Artist-in-Residency : 6, Oct., ~ 30 Oct., 2020

Exhibition Date : 1, Nov., ~ 31 Dec., 2020

Opening Carnival & Artist’s Talk : 1 Nov., 2020

Venue : 關渡自然公園 Guandu Nature Park,TW

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材料:自然媒材編織. 聲音物件空間裝置

Material :Natural Materials weaving, Sound-Space Installation

攝影 / Photography: 杜秀良. 康錫頂. 劉克修. 葉沁心. 趙書榕

In Situ : 11m(W) x 9.5m(D) x 2.5m(H)

North latitude : 25° 7'11.00" East longitude : 121°28'24.82"

簡介 / Description :

這是一件關於時間&空間 ; 記憶&流動的作品，包含了：視覺&聽覺&觸覺，連結關渡人文考古、音景漫遊、公園動植物與人類生命的故事，人與自然形塑時間的樣貌，時間和空間的堆積沈澱雕塑了作品，猶如孩童般最初的眼光好奇地去觀察和探索這世界。

在遠處，參與者隱約先被聲音所吸引著，隨著慢慢地走進而發現若隱若現的網狀編織隱藏於樹林中，接著映入眼簾的是多個大型蜘蛛網，結合公園內的自然媒材(蛤、昆蟲蛻變留下的殼、種子(銀葉樹、欖仁、海檬果、槭樹…)、鹹草繩、藤蔓、榕樹根、月桃葉、樹皮、蘆葦、…) ，以及餐廳回收的海鮮殼類來象徵這塊土地豐富的生態(潮間帶、蟹、貝殼…)一起裝置成屬於我個人特色的作品，除了有童趣可愛的編成組織，更包含了視覺上的量感，當觀者可自由穿梭漫步其中，漸漸發現了作品的’‘音景’’(關渡人文、公園動植物與人類生命的故事)，觀者也是作品之一，同樣的觀者也是在被觀察。在這個人情感經驗和外在世界的結合，配合關渡自然公園所呈現的空間意象，呈現出超越地域與物質性的氛圍與精神，猶如經歷一場時間空間之旅，隨著時間的流逝，作品將有著不同的變化，作品會有植物成長延展的痕跡，昆蟲和生物將慢慢寄居其中，作品最終將回歸於自然，變成關渡自然公園的一部分。

This is an installation artwork about time & space/ memory & flow. It includes visual, auditory, and tactile components that bridge the culture, archaeology, soundscapes, flora and fauna in the Nature Park, and human lives of Guandu to form a unique story. Human and nature jointly shape the landscape of time. The accumulation of time and space has carved a sculpture artwork. Let us observe and explore this world with a childlike curiosity and naïveté.

From the distance, participants were attracted to the site by sounds. They walked slowly into this mesh woven piece hidden in the woods and saw many large spider webs. The natural materials used for this artwork are from the Nature Park, including clam, shred insect shells, seeds of Looking Glass Tree, Indian Almond, Common Cerberus Tree, Maple Tree, straw ropes, vines, Banyan roots, beautiful galangal leaves, tree barks, reeds, as well as recycled shells of sea food from restaurants to signify the abundant ecological diversity (intertidal zone, crabs, seashells, etc.)

The whole installation reveals my own style, such as weaving work of childhood fun and cuteness and visual sense of volume. The audience can take a walk freely and discover the soundscape of this artwork ( the local culture, flora and fauna and local residents’life stories in Guandu ). The viewers are an integral part of this installation. The observers are also being observed in such space full of images of the Guandu Nature Park, where personal emotional experiences are connected with external world. We are taking a special journey in time and space in an ambience and spirit beyond locality and materiality. The artwork changes with passing time. There will be traces of insects and other living creatures and plants growing onsite. The artwork will eventually return to nature and become part of the Guandue Nature Park.

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« 榕式飄忽乎語 » : 當那光線來臨，以45度角穿透我的捕夢網，在地面和物件上形成如鏡面一般的光影，並且映照出這森林秘密小屋中獨有的塵埃。

« Shu-Jung’s Sayings » : When the light coming and penetrating “my dream catcher” at a 45 degree angle. It forms a mirror-like light and shadow on the ground and objects that reflect the unique dust to the secret cabin in this forest.

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« The Itsy Bitsy Spider » The itsy bitsy spider went up the water spout. Down came the rain, and washed the spider out. Out came the sun, and dried up all the rain, and the itsy bitsy spider went up the spout again. lala~la~~la~la~

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« 榕式半夢半醒飄忽乎語 » : 傍晚將至… 正準備將手邊的工作結束… 另一個世界早已在不知不覺中悄悄上場… 即將迎來冬至的昆蟲們 黃斑椿象? 蜘蛛們發現回家的路? 發現森林中的糖果屋? 像星星般的形象正燃燒著 可以敲碎靈魂的亮 ∞？ in loop…in loop… 人與自然形塑時間的樣貌 時間和空間的堆積沈澱雕塑了作品 如孩童般最初的眼光好奇地去觀察和探索這世界 . « Shu-Jung’s monologue between wake and dream » : Towards evening… I’m preparing to finish the work at hand… Another world coming up secretly… Insect chirping for winter solstice Erthesina fullo？ Spiders find their way back home？ Discovering the candy house in the woods? Stars of form become enflamed A soul-crushing brightness ∞？ in loop…in loop… Human and nature shapes the landscape of time. The accumulation of time and space shapes an artwork. Let us observe and explore this world with an innocent naïveté.

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« L’acte de Création »

              …behind the scene…

                            « Creative Act »

水黃皮 Millettia pinnata

銀葉樹 Heritiera littoralis

海檬果 Cerbera manghas

瓊崖海棠 Calophyllum inophyllum

大葉山欖 Palaquium formosanum

光蠟樹 Fraxinus griffithii

華他卡藤 Dregea volubilis

月桃 Alpinia zerumbet

烏桕 Triadica sebifera

穗花棋盤腳 Barringtonia racemosa (L.) Blume ex DC. Eugenia racemosa L.

臺灣欒樹 Koelreuteria elegans

鹹草 Cyperus malaccensis var. malaccensis

榕樹鬚根 Ficus microcarpa

牽牛花藤 Ipomoea nil

葛藤 Pueraria lobata (Willd.) Ohwi Dolichos lobatus Willd.

構樹皮 Broussonetia papyrifera

鳥巢 Bird’s Nest

旅人蕉 Ravenala madagascariensis

白鳥蕉 Strelitzia nicolai

龍眼仔 Dimocarpus longan

阿勃勒 Cassia fistula

掌葉蘋婆 (愛心果莢) Sterculia foetida Linn

楓香 Liquidambar formosana

青葙 Celosia argentea

猢猻木 Adansonia digitata

盾柱木 Peltophorum pterocarpum

印度紫檀 Pterocarpus indicus

錦屏藤 Cissus sicyoides

圓蛤 Clam

孔雀蛤 Green Mussel

九孔 Haliotis diversicolor

螃蟹殼 Crab

Sound :

Bird~Birds~

大彎嘴-臺灣紋胸鉤嘴鶥(Pomatorhinus erythrocnemis)

小彎嘴-臺灣鉤嘴鶥(Pomatorhinus musicus)

五色鳥-臺灣擬啄木(Psilopogon nuchalis)

白喉笑鶇-棕冠噪鶥.臺灣白喉噪鶥(Pterorhinus ruficeps)

竹鳥-臺灣棕噪鶥(Pterorhinus poecilorhynchus)

竹雞(臺灣竹雞) (Bambusicola sonorivox)

金翼白眉-玉山噪鶥.臺灣噪鶥(Trochalopteron morrisonianum)

冠羽畫眉-褐頭鳳鶥.臺灣鳳鶥(Yuhina brunneiceps)

栗背林鴝-臺灣林鴝(Tarsiger johnstoniae)

烏頭翁-臺灣鵯(Pycnonotus taivanus)

紋翼畫眉-臺灣斑翅鶥(Actinodura morrisoniana)

深山竹雞-臺灣山鷓鴣 (Arborophila crudigularis)

臺灣朱雀(Carpodacus formosanus)

臺灣畫眉(Garrulax taewanus)

臺灣紫嘯鶇(Myophonus insularis)

臺灣戴菊-火冠戴菊(Regulus goodfellowi)

臺灣叢樹鶯-褐色叢樹鶯.臺灣短翅鶯(Locustella alishanensis)

臺灣藍鵲(Urocissa caerulea)

臺灣鷦鶥-臺灣小鷦鶥.鱗胸鷦鶥(Pnoepyga formosana)

褐頭花翼-臺灣雀鶥.紋喉雀鶥(Fulvetta formosana)

Taiwan Shortwing(Brachypteryx goodfellowi)

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