ashton | 26 | they/them + she/they | arospec lesbian | voice of kristen in hey girlie game!!
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we as a society do not explore proxy sex enough………….
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God bless Murph for seeing a season with guns and airship battles and planes and deciding to play a character with an effective range of one foot.
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"the demonization of queer desires and queer sexualities is so widespread that it is necessary to defend them and amplify them" and "barging in on a post by a trans woman you don't know to comment on how you are sexually attracted to her is not ok, especially if she's specifically discussing transmisogyny" are not in fact contradictory statements.
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this gay ass, grew up in a gated community, went to a private school so he could learn to fight like a gentleman rich kid, self proclaimed rowdy, has a waxed mustache, runs across the deck of a ship, punches a man in a fully metal suit off the side of said ship, then turns and leaps through the air onto what is basically a helicopter attacking the ship, punches into the glass of the cockpit, picks up the pilot and throws him into the fog, jumps BACK onto the ship, lands gracefully, then just goes “hup!”
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there's something incestuous about seasoning tofu with soy sauce
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"I don't believe Tarot is real, but it does work"
Expand on that, king (genuinely curious)
I feel like…
okay, so it’s a lot like conceptual art, or like introspective meditation, at the risk of sounding pretentious
Like. It’s not so much about “the cards are a portal to a higher wisdom that knows more than me” thing- it’s more of a, “given the symbols drawn, could I interpret them posing a question or possibility or suggestion?” Followed by, “is this applicable to my current context? COULD it be?”
Like.
I don’t lay out á tarot hand and say “ah yes, the devil and the tower, I am about to be betrayed”
But I MAY lay out a hand and say, “okay, devil and the tower. Something treacherous and danger. Am I approaching a treacherous or risky situation in my life? What might be a tipping factor? Am I being deliberately reckless? Maybe I should spend some more time working on X project I’ e been thinking of before spending money on it” or “you know what, I HAVE been kind of uncomfortable with X thing, I should say something” or “yeah okay I KNOW Tom from work sucks to work with, I KNOW, yeah maybe I should consider ways of handling that”
Less of a magic oracle, more of a tool for doing literary analysis on real life. Like simplifying everything and laying it out flat so I can gain some distance to untangle my problems without in-your-head crap like projected feelings and social obligation getting in the way and muddying the waters.
So like. I don’t think tarot cards can legit tell the future, but I DO think that self-reflection, mindfulness, and consideration sometimes allow us to predict and calculate our own circumstances.
So, IMO- It’s not real. But it works
If that makes sense
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People with significant scarring aren't obligated to cover up their bodies to make you feel comfortable, but also visible scars aren't an invitation to start asking invasive questions either. It's still none of your fucking business
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#i thought 'it couldn't be that bad' and then i went into the replies#some of you will see a man criticizing a women and immediately forget all feminist theory and throw away all context#anyways professorneil's videos are fantastic i see them all the time
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I should draw rouge the bat. But in what circumstance
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[about my own oc, who i created] in theory its possible she would say that, but we just dont know for sure
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you resisted the forcefemmification beams for too long
Nope. Completely incorrect and wrong.
This is a decision that I made for myself. I made this choice because it's who I want to be. Not because someone else wanted me to for their own pleasure.
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once you start noticing how many of the Sexy Thicc Anime Babez hornyposted across the net with fat tits and fat asses overflowing out of their micro-bikinis still have 24" waists and rail-thin arms and pencil necks you never stop noticing it
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Scott Pilgrim is, I think, the best example I can think of for establishing a setting's Nonsense Limit. The setting's Nonsense Limit isn't quite "How high-fantasy is this". It's mostly a question of presentation, to what degree does the audience feel that they know the rules the world operates by, such that they are primed to accept a random new element being introduced. A setting with a Nonsense Limit of 0 is, like, an everyday story. Something larger than life, but theoretically taking place in our world, like your standard spy thriller action movie has a limit of 1. Some sort of hidden world urban fantasy with wizards and stuff operating in secret has a nonsense limit around 3 or 4. A Superhero setting, presenting an alternate version of our world, is a 5 or 6. High fantasy comes in around a 7 or so, "Oh yeah, Wizards exist and they can do crazy stuff" is pretty commonly accepted. Scott Pilgrim comes in at a 10. If you read the Scott Pilgrim book, it starts off looking like a purely mundane slice of life. The first hint at the fantastical is Ramona appearing repeatedly in Scott's Dreams, and then later showing up in real life. When we finally get an explanation, it's this:
Apparently Subspace Highways are a thing? And they go through people's heads? And Ramona treats this like it's obscure, but not secret knowledge. Ramona doesn't think she's doing anything weird here. At this point, it's not clear if Scott is accepting Ramona's explanation or not, things kind of move on as mundane as ever until their Date, when Ramona takes Scott through subspace, and he doesn't act like his world was just blown open or anything, although I guess that could have been a metaphor. there's a couple other moments, but everything with Ramona could be a metaphor, or Scott not recognizing what's going on. Maybe Ramona is uniquely fantastical in this otherwise normal world. And then, this happens
Suddenly, a fantastical element (A shitty local indie band finishing their set with a song that knocks out most of the audience) is introduced unrelated to Ramona, and undeniably literal. We see the crowd knocked out by Crash and The Boys. but the story doesn't linger on the implications of that, the whole point of that sequence is to raise the Nonsense Level, such that you accept it when This happens
Matthew Patel comes flying down onto the stage, Scott, who until this point is presented as a terrible person and a loser, but otherwise is extremely ordinary, proceeds to flawlessly block and counter him before doing a 64-hit air juggle combo. Scott's friends treat this like Scott is showing off a mildly interesting party trick, like being really good at darts. The establish that Scott is the "Best Fighter in the Province", not only are street-fighter battles a thing, Scott is Very Good at it, but they're so unimportant that being the best fighter in the province doesn't make Scott NOT a loser. So when Matthew Patel shows off his magic powers and then explodes into a pile of coins, we've established "Oh, this is how silly the setting gets". It's not about establishing the RULES of the setting so much as it is about establishing a lack of rules. Scott's skill at street-fighter battles doesn't translate to any sort of social prestige. Ramona can access Subspace Highways and she uses it to do a basic delivery job. It doesn't make sense and it's clear that it's not supposed to. So later on, when Todd Ingram starts throwing around telekinesis, and the explanation we're given is "He's a Vegan" , you're already so primed by the mixture of weirdness and mundanity that rather than trying to incorporate this new knowledge into any sort of coherent setting ruleset, you just go "Ah, yeah, Vegans".
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I'm a big fan of writing and posting shitty fanfiction. Who cares if it sucks and is full of grammar and spelling issues? Write and post it anyway because you engaged in the act of creation and should be proud of yourself!
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