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silverlinedeyes · 12 days ago

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There's something about Merrill

Disclaimer: this is a theory that makes no claim of being canon. It's been percolating in my mind since 2021, I'm just finally getting down to posting it, although not as part of the "Lightsingers in the Library" meta I keep delaying - that will hopefully happen soon. Ish. 🫣

Spoilers: ACOTAR series only, nothing from the extended Maasverse.

These two lines, both from Azriel's bonus chapter in ACOSF, have bugged me no end since 2021:

Fury was a moonless night on Rhys' face.

Just this taste in the dead of the longest night of the year, where only the Mother might witness them.

Amongst my friends, I have previously suggested - but never fully discussed on Tumblr - that Merrill may be inspired by the Erinyes (also known as the Furies) of Greek mythology, and that she may have been acting on Koschei's behalf (though not necessarily as his true ally, I still think any involvement on her behalf will be complex) throughout ACOSF. The notion that Merrill may be a spy is not a new one, as many of us found her suss right off the bat, but I haven't seen this take on the theory before.

Has Koschei been using Merrill to spy on - or "witness" - the Inner Circle or others, and even possibly on Winter Solstice evening, having been tipped off by Death's shadows (who are monitoring the situation in Velaris), or by using her own ties to the murky realm?

Merrill laughed, that phantom wind around her whispering. "Do you not know who I am, girl?" "I know that you are keeping us from our work," Nesta said with that flat calm she knew made people irate. "And I know that this is a library, but you hoard books like it is your own personal collection." Merrill bared her teeth. "You think I do not know you? The human girl who was shoved into the Cauldron and came out High Fae. The female who slew the King of Hybern and held up his head like a trophy as his blood rained upon her." Surprise lit Gwyn's face at the graphic description. Nesta didn't allow herself to so much as swallow. "The wind whispers to me even here, under so much stone," Merrill said. "It finds its way in through the cracks and murmurs the goings-on of the world in my ear." Merrill snorted. "Do you think you are entitled to do as you please now?" Nesta's power rumbled in her veins. She stomped on it, shoved it down and strangled it. "I think you like to hear yourself talk too much." "I am descended from Rabath, Lord of the Western Wind," Merrill seethed. "Unlike Gwyneth Berdara, I am no lackey to be dismissed." To hell with this witch. To hell with restraint and hiding. - ACOSF, chapter 29

Merrill claims to descend from Rabath, the Lord of the Western Wind, but many - myself and @wingedblooms included - have long questioned whether her "twilight eyes" hint specifically at some sort of Dusk (or Starborn) heritage. Would this be why she is able to understand the wind (which I suspect speaks Wyrd), just as I think both Azriel and Elain can speak the language of "shadow, wind and stone"? Can she also understand shadow and stone, as well, and is this how she was able to hypothetically spy on, and maybe even control Rhys on solstice evening?

In addition to being Chthonic goddesses of vengeance, or personified curses, some sources suggest that the Furies or Erinyes possibly began their mythological lives as the ghosts of the murdered, especially those concerned with children murdering their parents; this ties in nicely with the Slavic Rusalki, which many have discussed in terms of lightsingers (see @silverlinedeyes, @wingedblooms and @merymoonbeam), but it might also fit with the wards set around Velaris, which were made by a past High Lord spilling his blood into the earth as the spell was cast.

No one in the other courts knows of its existence, either.” “How?” “Spells and wards and my ruthless, ruthless ancestors, who were willing to do anything to preserve a piece of goodness in our wretched world.” - ACOMAF, chapter 15

“To preserve it,” Rhys continued, “he kept it a secret, and so did his offspring, and their offspring. There are many spells on the city itself—laid by him, and his Heirs, that make those who trade here unable to spill our secrets, and grant them adept skills at lying in order to keep the origin of their goods, their ships, hidden from the rest of the world. Rumor has it that ancient High Lord cast his very life’s blood upon the stones and river to keep that spell eternal. - ACOMAF, chapter 29

Given what we learnt from Silene in HOFAS, it is unlikely that Merrill was actually the High Lord (Lady) who was sacrificed, but was she their child, or related in some way? Did she possibly wield the knife herself? She was almost certainly high born, we just don't know how high, but regardless - if the Erinyes sprang from Uranus' blood as it hit Gaia/Earth, what if Merrill's metaphorical journey began as the High Lord's blood hit the ground in Velaris?

She knocked on the shut wood door. "Enter." Nesta opened the door to a rectangular cell of a room, occupied by a desk on the far side and two bookshelves lining both long walls. A small pallet lay to the left of the desk, a blanket and pillow neatly aligned. As if the hooded priestess with her back to Nesta sometimes couldn't be bothered to return to the dormitory to sleep. - ACOSF, chapter 13

Merrill turned at that, and Nesta was greeted with a surprisingly young face—and a stunningly beautiful one. All the High Fae were beautiful, but Merrill made even Mor look drab. Hair white as fresh snow contrasted against the light brown of her skin, and eyes the color of a twilight sky blinked once, twice. As if focusing on the here and now and not whatever work she'd been doing. She noted Nesta's leathers, the lack of any robes or stone atop her braided hair, and demanded, "Who are you?" - ACOSF, chapter 13

Gwyn mastered herself enough to say, "I don't know how, but Merrill learned you swapped the book out." She gasped for air as she pointed up to a level high above. "You should go." Nesta frowned. "Who cares? I'm not going to let her scare me off like some errant child." Gwyn blanched. "When she's in a fury, it is—" "It is what, Gwyneth Berdara?" crooned a female voice from the stacks. "When I'm in a fury, it is what?" Gwyn winced, turning slowly as the white-haired beauty appeared from the gloom. Her pale robes flowed behind her as if on a phantom wind, and the blue stone atop her hood flickered with light. Gwyn bowed her head, face paling. "I meant nothing by it, Merrill." - ACOSF, chapter 29

Where Nesta had been in contented silence before we found her, Elain's silence was... hollow. Empty. Her hair was down-not even braided. I couldn't remember the last time I'd seen it unbound. She wore a moon-white silk dressing robe. She did not look, or speak, or even flinch as we entered. Her too-thin arms rested on her chair. That iron engagement ring still encircled her finger. Her skin was so pale it looked like fresh snow in the harsh light. I realized then that the color of death, of sorrow, was white. The lack of color. Of vibrancy. I left Cassian and Rhys by the door. Nesta's rage was better than this shell. This void. - ACOWAR, chapter 15

IF Merrill is the ghost of a murdered faerie (or if the fate of the ghost of her ancestor is being used to control her), then the following would make a lot of sense:

Merrill's room was described as a cell - I suspect she may be trapped in service to Koschei, but also that she might be acting as a double agent against him

The dormitories have windows which would allow for easier access to her - maybe she sleeps in her study to avoid unnecessary contact with Koschei winds

She was wearing a hood, and even blinked herself back to the present, which could tie in nicely with both @wingedblooms and my theories that discuss Elain and her powers - specifically the way she appears to blink when she has a vision/comes out of it (here) or the way she may need darkness to access her powers/the murky realm (here)

Merrill has hair the colour of "fresh snow," and Elain's skin was described the same way - death and misery

Elain's "moon white" dressing robe could be further tying her to (as of ACOWAR) an unnamed priestess whose story might intersect with hers one day

Whom might she be seeking vengeance against? Did someone lie to her, or swear a false oath?

Now of course, these could all be plot seeds that have since been given away to others, but I know I'm not alone in thinking that Elain's journey will still involve the priestesses in some capacity, even after the latest couple of books. How important is it that Elain and Merrill might both be able to access the space between, and will they ultimately work together, or against each other? Only time will tell, but I do think it's suspicious that Rhys has been acting off, and "fury" was a "moonless night" on his face. Moonless. Was he - or the person who was hypothetically controlling him - free or hidden from the Mother/Wyrd? Compromised by Death, or the Deathless? Has Merrill been channelling Koschei, or acting as his conduit? Is she the Night Court mole, or a member of the IAFT headcanon that I love so much (shared by @silverlinedeyes and @merymoonbeam), or both?

It has to mean something, even if it's just that Merrill's illustrious ancestor became the Suriel lol. I hope to discuss at least one of the possible theories soon. 🤞🏻

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silverlinedeyes · 21 days ago

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Why (I think) ACOSF made it *obvious* Elain’s book is next

I know there have been a bunch of posts on this point, but I find it so interesting how I see so many posts assuming Azriel’s book is next (based mainly, I think, on his bonus chapter). I had the exact opposite reaction when I finished ACOSF and when I finished the bonus chapters. I came away thinking “the next book is 100% about Elain” and it wasn’t until I started interacting with different parts of the fandom that I realized most people were assuming Az’s book was definitely next. So I thought I would compile what made it obvious to me that the next book is Elain’s (and Azriel’s too, but that’s beside the point lol).

Elain’s Powers

We’re told there’s been no signs of Elain’s power since the war.

Elain, too, had revealed no indication of her seer’s abilities since then.

But there is quite a bit of foreshadowing that Elain still has them, which made me think we’re going to see them very soon.

All three sisters were now High Fae with considerable powers, though only Feyre’s were let loose. Even Amren had no idea whether Elain’s and Nesta’s powers remained.

“The last time we involved ourselves with the Cauldron, it abducted you,” Nesta countered, fighting her shaking. She found the words, the weapons she sought. “I thought you didn’t have powers anymore.” Elain pursed her lips. “I thought you didn’t, either.”

But Elain had confirmed it for everyone: both sisters still possessed their Cauldron-gifted powers. Whether they were as powerful as before, he had no idea.

Elain Coming Out Of Her Shell

We get several scenes showing Elain is coming out of her shell and that she’s not as weak/docile/nice as everyone seems to think she is, telling us, the readers, that there’s a lot more for us to learn about Elain. All of this to me seemed to be preparing us for Elain’s book, and telling us that her story is coming next.

Elain stiffened, but refused to balk from whatever she beheld in Nesta’s gaze. “You think I’m to blame for his death?” Challenge filled each word. Challenge—from Elain, of all people. “No one but the King of Hybern is to blame for that.” The quaver in her voice belied her firm words.

Elain remained in the doorway, her face pale but her expression harder than Nesta had ever seen it. “You do not decide what I can and cannot do, Nesta.”

Elain said, “Then I will find it. I might require some time to … reacquaint myself with my powers, but I could start today.” “Absolutely not,” Nesta spat, fingers curling at her sides. “Absolutely not.” “Why?” Elain demanded. “Shall I tend to my little garden forever?” When Nesta flinched, Elain said, “You can’t have it both ways. You cannot resent my decision to lead a small, quiet life while also refusing to let me do anything greater.”

Elain cut in sharply, “I am not a child to be fought over.”

But Nesta cut her off, seething at the pity about to be thrown her way. “Look who decided to grow claws after all,” she crooned. “Maybe you’ll become interesting at last, Elain.”

But Elain said, “I went into the Cauldron, too, you know. And it captured me. And yet somehow all you think of is what my trauma did to you.”

Nesta was wrong, Cassian realized, to think Elain as loyal and loving as a dog. Elain saw every single thing Nesta had done, and understood why.

“Oh, fuck you,” Nesta snapped, and then choked. Elain blinked. Nesta blinked back, horror lurching through her. And then Elain burst out laughing. Howling, half-sobbing laughs that sent her bending over at the waist, gasping for breath. Nesta just stared, torn between questions and wanting to throw herself into the icy Sidra. “I— I’m so sorry—” Elain held up a hand, wiping her eyes with the other. “You’ve never said such a thing to me!” She laughed again. “I think that’s a good sign, isn’t it?”

Predestiny vs. Choice

We also get several moments of how Cassian and Nesta see Elain that to me at least screamed “this is how Elain is seen, but this is not who Elain is or who Elain is going to choose to be.” These scenes to me are setting up the dichotomy between Elain’s predestiny and how everyone sees Elain, vsersus who Elain really is and chooses to be.

Lucien vs. Az (I don’t have a quote for this, but clearly this is set up as predestiny vs. choice)

It was always that way between them: Elain, sweet and oblivious, and Nesta, the snarling wolf at her side, poised to shred anyone who threatened her. Elain is pleasant to look at, her mother had once mused while Nesta sat beside her dressing table, a servant silently brushing her mother’s gold-brown hair, but she has no ambition. She does not dream beyond her garden and pretty clothes. She will be an asset on the marriage market for us one day, if that beauty holds, but it will be our own maneuverings, Nesta, not hers, that win us an advantageous match.

Elain could make her own choices. And had chosen to thoroughly shut the door on Nesta. Even as she fully embraced Feyre and her world. Nesta’s chest tightened, but she refused to think of it, acknowledge it. Elain was like a dog, loyal to whatever master kept her fed and in comfort.

Elain would love this place. So many flowers, all in bloom, so much green—the light, vibrant green of new grass—so many birds singing and such warm, buttery sunshine. Nesta felt like a storm cloud standing amid it all. But Elain … The Spring Court had been made for someone like her.

Elain in black was ridiculous. Yes, she was beautiful, but the color of her long-sleeved, modest gown leeched the brightness from her face. It wore her, rather than the other way around. And he knew the cruelty of the Hewn City troubled her. But she hadn’t hesitated to come. When Feyre had offered to let her remain home, Elain had squared her shoulders and declared that she was a part of this court—and would do whatever was needed. So Elain had let her golden-brown hair down tonight, and pinned it back with twin combs of pearl. He’d never once in the two years he’d known her found Elain to be plain, but wearing black, no matter how much she claimed to be part of this court … It sucked the life from her.

We’re given signs that Elain is over Graysen.

Elain cocked her head. Didn’t dissolve into the crying mess she usually became when Graysen came up. Instead she said, “You’re angry with me.”

We got hints of #spyelain

Elain spoke from the doorway, having appeared so silently that they all twisted toward her, “Using me.”

Elain had already departed with Feyre, claiming she had to be up with the dawn to tend to an elderly faerie’s garden. Cassian didn’t exactly know why he suspected this wasn’t true. There had been some tightness in Elain’s face as she’d said it. Normally when she made such excuses, Lucien was around, but the male remained in the human lands with Jurian and Vassa.

While we also got quite a bit of Azriel in this book (admittedly more than Elain) and got hints that he’s unhappy and avoiding the river house for “mysterious reasons” (that are not mysterious at all after the bonus chapter), we didn’t get the same kind of in-your-face foreshadowing about Az that we did Elain. (And to me, after the bonus, it seems like all the mysterious things that were raised about Az might revolve around Elain and his feelings for her 👀).

Then the bonus chapters. I don’t have physical copies of those and don’t really want to go take screenshots, so I’m going to paraphrase what about them made me think Elain’s book is certainly next (aside from the fact that she was featured prominently in both).

Feysand

We learn Elain refuses to use Lucien’s gift from solstice the previous year (and would apparently rather get cut and dirty than do so)

We learn Elain has no problem getting her hands dirty and risking pain

Feyre says that maybe Elain is not as docile as everyone thinks she is, basically foreshadowing that there’s more to Elain than meets the eye

Feyre says they should focus on helping one sister before they turn to helping the next 🚨🚨🚨:

Azriel

We learn both Az and Elain can read each other well

We learn they both have sexual feelings for each other

We learn Az has been avoiding family dinners because of Elain

We learn there have been lingering glances and grazing of fingers between them off the page that we haven’t seen 👀

We know that Elain is certainly confused after their near kiss, likely feels rejected, and returns the necklace

Based on all of this, I am *convinced* that Elain’s book is next (and that one of the purposes of Az’s bonus chapter was to tell us that the next book will also be his). That is what is most obvious to me about the next book. I feel a lot more certain about the next book when I look at it from the perspective of Elain than I do Az.

Now, this isn’t really an Elriel post, but I have to add that if Elain’s book is next, I’m also *convinced* it’s Elriel. Az and Gwyn just don’t have enough connections (if any) to the overarching plot of this trilogy to be the last book. Not to mention all signs currently point to Elriel at this point (both parts of ACOSF and Az’s bonus chapter). And I think if Elucien is going to happen, it needs a book of some further development between before it can happen (for example, Elain going to the human lands during Gwynriel’s book to help with something, which allows them to get to know each other better).

And, can I just say, I for one cannot wait to finally get inside Elain’s head and learn her story ❤️

#one day we will be free of this damn ship war #until then I will continue to rely on this logic #Elain’s book is next #nothing has changed

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silverlinedeyes · 21 days ago

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Some tapestry of fate

“Would the Bone Carver make a difference?” And Bryaxis.

The Suriel had no eyelids. But its milky eyes flared with surprise. “I cannot see—not him. He is not…born of this earth. His thread has not been woven in.” (acowar)

The Suriel, a being similar to Elain in unexpected ways (link and link), implied that they could not see the Bone Carver’s impact because he is not born of this earth and it wasn’t woven in. Woven into what, exactly? One of my favorite scenes in the original trilogy has an answer:

My lips tugged toward a smile. But Rhys stared at all of us, somehow assembled here in the sun-drenched open grasses without being given the order. Our family—our court. The Court of Dreams.

They all quieted.

Rhys looked them each in the eye, even my sisters, his hand brushing down the back of my own.

“Do you want the inspiring talk or the bleak one?” He asked.

“We want the real one,” Amren said.

Rhys pushed his shoulders back, elegantly folding his wings behind him. “I believe everything happens for a reason. Whether it is decided by the Mother, or the Cauldron, or some sort of tapestry of Fate, I don’t know. I don’t really care. But I am grateful for it, whatever it is. Grateful that it brought you all into my life. If it hadn’t…I might have become as awful as that prick we’re going to face today.

[…]

And then he said to my sisters, “We have not known each other for long. But I have to believe that you were brought here, into our family, for a reason, too. And maybe today we’ll find out why.”

He surveyed them all again—and held out his hand to Cassian. Cassian took it, and held out his other for Mor. Then Mor extended her other to Azriel. Azriel to Amren. Amren to Nesta. Nesta to Elain. And Elain to me. Until we were all linked, all bound together.

Rhys said, “We will walk onto that field and only accept Death when it comes to haul us away to the Otherworld. We will fight for life, for survival, for our futures. But if it is decided by that tapestry of Fate or the Cauldron or the Mother that we do not walk off that field today…” His chin lifted. “The great joy and honor of my life has been to know you. To call you my family. And I am grateful—more than I can possibly say—that I was given this time with you all.” (acowar)

This scene still gives me all the feels and it is still so very relevant to the overarching plot. I’ll explain why.

Rhys references a tapestry of Fate (alongside the Mother and Cauldron, naturally; there’s evidence it’s all part of the the same vast source).

He also acknowledges each member of the Court of Dreams—a court dedicated to fighting for life, for survival, for their futures—before he binds them together through their hands, a mirror of their fates woven together in that grand tapestry. 🥹

Woven together, they create 8 points.

What else is connected by 8 points?

The Harp sat atop a large rendering of an eight-pointed star. Its cardinal points stretched longer than the other four, with the Harp situated directly in the heart of the star.

The hair on the back of her neck stood. She could have sworn the blood in her body reversed course.

She had the creeping feeling she’d been brought here.

Not by the Cauldron or the Mother or the Harp. By something vaster. Something that stretched into the stars carved all around them. (acosf)

The eight-pointed star. A symbol of the Starborn. Something both @offtorivendell and I have theorized means something more and is connected to Wyrd. In the Dusk Court, it is depicted as a compass rose and the Harp rests in its heart (or the space between where all those points meet).

The Harp makes perfect sense there. When the right strings are plucked, it can manipulate time and space, even move power from one place to another. These strings seem to mimic the ley lines in Wyrd’s grand tapestry, which move magic and communication across great distances. And the vast force that brought Nesta to that symbol and object—which are linked to Wyrd’s magic, especially since one of them was Made in the Cauldron—is Wyrd. She is a force that governs all life and winds between worlds.

I’ve suggested before that Elain might have access to Wyrd’s secret language (the language of the universe, of creation) and linked it to her tapestry and ley lines in one of my absolute favorite metas. It makes even more sense why Elain and the Harp would echo one another, if their magic is connected to Wyrd’s tapestry and ley lines in particular.

In hofas, we learn the Asteri knew how to bend this tapestry—the fabric of worlds—through ley lines. They used this knowledge to conquer worlds and amplify their own magic when needed, pooling massive amounts of raw power, or firstlight, in the land where these lines met.

“We grew too populous. Wars broke out between the various beings on our world. Some of us saw the changes in the land beginning—rivers run dry, clouds so thick the sun could not pierce them—and left. Our brightest minds found ways to bend the fabric of worlds. To travel between them. Wayfarers, we called them. World-walkers.”

[…]

Vesperus backed up a half step, hissing at the gleaming weapon. “We hid pockets of our power throughout the lands, in case the vermin should cause … problems. It seems our wisdom did not fail us.”

“There are no such places,” Azriel countered coldly.

“Are there not?” Vesperus grinned broadly, showing all of her too-white teeth. “Have you looked beneath every sacred mountain? At their very roots? The magic draws all sorts of creatures. I can sense them even now, slithering about, gnawing on the magic. My magic. They’re as much vermin as the rest of you.”

[…]

“There are certain places, girl, that are better suited to hold power than others. Places where the veil between worlds is thin, and magic naturally abounds. Our light thrives in such environments, sustained by the regenerative magic of the land.” She gestured around them. “This island is a thin place—the mists around it declare it so.”

[…]

“Every world has at least one thin place,” Vesperus drawled. “And there are always certain people more suited to exploit it—to claim its powers, to travel through them to other worlds.” (Vesperus speaking to Bryce, Azriel, and Nesta; hofas)

“No,” Aidas agreed. “But Helena knew that Midgard possessed its own magic. A raw, weaker sort of magic than that in her home world, but one that could be potent in high concentrations. She learned that it flowed across the world in great highways, natural conduits for magic.”

“Ley lines,” Bryce breathed.

Aidas nodded. “These lines are capable of moving magic, but also carrying communications across great distances.” Like those between the Gates of Crescent City, the way she’d spoken to Danika the day she’d made the Drop. “There are ley lines across the whole of the universe. And the planets—like Midgard, like Hel, like the home world of the Fae—atop those lines are joined by time and space and the Void itself. It thins the veils separating us. The Asteri have long chosen worlds that are on the ley lines for that exact purpose. It made it easier to move between them, to colonize those planets. There are certain places on each of these worlds where the most ley lines overlap, and thus the barrier between worlds is at its weakest.” Everything slotted together. “Thin places,” Bryce said with sudden certainty. (Bryce speaking to the Princes of Hel, hofas)

In blooming dreams, I mentioned the curious terms Bryce uses to discuss the secrets that were left behind in the land:

“No,” Bryce said quietly. “We’re exactly where we need to be.” She pointed to the floor, the carving of rivers of stars winding throughout. “And this place wasn’t built by Pelias. He had nothing to do with these tunnels, the carvings.” She laid a hand on the floor. Her starlight flowed through the carvings in the stone, the walls, the ceiling—

What had looked like etched seas or rivers of stars now filled in with starlight, became…alive. Moving, cascading, coursing. A secret illustration, only for those with the gifts and vision to see it.

The rippling river of starlight flowed right to the sarcophagus in the center of the chamber. Swirled around it like an eddy.

Bryce threw herself against the coffin, legs straining as she pushed—

And the sarcophagus slid away. Revealing a small, secret staircase beneath. (hofas)

Secrets were left behind for those with the gifts and vision to see. I’ve said it before and I’ll say it a thousand times more: this screams Elain to me. I’ve theorized that she was given gifts and vision from Wyrd to unravel the Asteri’s remaining secrets buried in the land. And it is interesting how this illustration of flowing magic on Avallen, magic that Bryce followed to uncover a hidden chamber, mirrors how Elain’s is described in acosf:

Her sister’s delicate scent of jasmine and honey lingered in the red-stoned hall like a promise of spring, a sparkling river that she followed to the open doors of the chamber. Elain stood at the wall of windows, clad in a lilac gown whose close-fitting bodice showed how well her sister had filled out since those initial days in the Night Court. Gone were the sharp angles, replaced by softness and elegant curves. (acosf)

It wouldn’t surprise me if Elain’s words to her family in acosf were, in fact, prophetic (and not just iconic): find me when you wish to begin. Based on the events in hofas, the IC will likely require the third sister’s gifts and vision to find a true beginning untethered from the Asteri. The more I think about the Asteri’s influence on Prythian—from the rotted peaks to the rigid division of magic to the objects they weaponized—the more I am convinced Wyrd’s tapestry wasn’t meant to be controlled this way, especially not in the name of violence toward her creation.

I’m not the only one who believes Elain’s magic is linked to this grand tapestry, particularly the ley lines and thin places that overlap within it. @merymoonbeam recently discussed Elain’s sight, ley lines, and thin places; she theorized that the Cauldron itself may be a thin place. @offtorivendell also theorized that the Cauldron and Ouroboros are portals associated with thin places in her meta on the Chaos star. The Cauldron, Ouroboros, and Trove are all connected to Wyrd; they were Made to harness her magic (or exploit, claim - as Vesperus said, which explains how they utterly destroyed their own world). Thin places are parts of the tapestry that connect beings and worlds through overlapping ley lines. It’s where Void and Chaos meet. Certain symbols reflect this balance, like the Starborn star.

These places of balance, where opposing forces meet and merge in the tapestry, is also repeatedly reflected in those who are farseeing, like Wyrd, and in symbols that represent her across worlds, as @merymoonbeam and I have theorized.

Elain’s murky realm and unfocused eyes;

the milky eyes of the Suriel;

the murky darkness in the Oracle’s chamber;

the cloudy water in mystic tubs;

the smoky water of the Cauldron;

the murky darkness in the Night Court’s library;

the smoking black altar in Wyrd’s temple;

the breathing, bottomless pit of Chaos in Hel.

In other words, as @merymoonbeam pointed out, they reflect thin places in Wyrd’s grand tapestry. Sarah also includes subtle references to this tapestry through words like entwined, weaving, veil, and…braid:

Seer. The word clanged through me. She’d known. She’d warned Nesta about the Ravens. And in the chaos of the attack, that little realization had slipped from me. Slipped from me as reality and dream slipped and entwined for Elain. Seer. (a description of Elain’s sight, acomaf)

The smoke parted, and he sucked in a breath at the being that emerged. Sphinxes were rare—only a few dozen walked the earth, and all of them had been called to the service of the gods. No one knew how old they were, and this one before him … She was so beautiful he forgot what to do with his body. The golden lioness’s form moved with fluid grace, pacing the other side of the hole, weaving in and out of the mist. (a description of the oracle, hoeab)

A withered humanoid form, veiled and dressed in gray robes, the material gauzy enough to reveal the bony body beneath, stood at the massive desk at the entrance of the room. The Mistress of the Mystics. If she had a name, Lidia had never heard it uttered. (a description of the Mistress of the Mystics, hofas)

It was like a braid, the song—a plait of seven voices, weaving in and out, individual strands that together formed a pattern. (a description of the priestesses’ service honoring Wyrd, acosf)

These references ultimately bring us back to where this meta began: the Suriel. Their sight was limited to the beings woven into the tapestry of their specific world. But what about Elain’s sight? Without any training whatsoever, she was able to see Koschei, his prisoners, his lake, and an onyx box that was important to him. Koschei, like the Bone Carver, was not born of this world. She might not be able to see all of the threads of his story yet, but maybe it’s a matter of finding the right combinations—threads, or ley lines, in the tapestry—to locate the information she needs. Or a matter of securing the right help. If she can learn how to use the threads in Wyrd’s tapestry, it might be possible for her to learn the Asteri’s secrets, who are also not born of this earth, and unravel the threads that bind their land.

I believe Nesta’s comment about Elain training in acosf with her friends and Azriel was a very big hint: she did not wait for her family to begin. She is probably already exploring her gifts and vision with friends, Azriel, or even the priestesses who worship Wyrd and seem to possess their own methods for piercing the veil like subterranean mystics.

We’ve already seen her friends (and Azriel) bend the fabric of the world to vanish and move through it unseen. Cerridwen and Nuala even created their own dark tapestry, another reflection of the grander one governed by Wyrd, in acotar:

Nails clicked on stone, and my escorts swapped glances before they swung me into an alcove, a tapestry that hadn’t been there a moment before falling over us, the shadows deepening, solidifying. I had a feeling that if someone pulled back that tapestry, they would see only darkness and stone. (acotar)

What if, like so many have suggested (@silverlinedeyes, @merymoonbeam, @offtorivendell, myself and more), that is why Elain was drawn out of the House to learn about the weaver’s tapestry with Feyre? Was Elain so curious about it because she’s seen something similar in her mind, or watched her friends create a void with their magic? Could they help Elain master Void so she can weave Hope?

If this is the direction Sarah goes, I can see Elain claiming the forbidden magic of Wyrd not for violence or power, but for life. To fight for her own future, and the futures of her friends and family, like her sisters before her. Maybe she already has at least once before and we’re about to see it on a far grander scale in her book.

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silverlinedeyes · 25 days ago

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I love when their insecurity shows.

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silverlinedeyes · 25 days ago

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She post what she wants. Not her fault she more popular because she speak facts and Elaine and Elriels speak lies and have BloomsBury fall for it

*With apologies to my non ACOTAR mutuals*

I have never once criticised her for being so popular, she's clearly put a lot of time and effort into her IG account and it shows! But she does have to acknowledge that she didn't just invite all of her people to join in the voting, she made it very clear they should vote a particular way. That's blurring the lines just a bit, imo.

As to your assertion she speaks "facts," none of us will know what's fact until we get ACOTAR 5. But suggesting we are making the publisher fall for our theories? .....

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silverlinedeyes · 2 months ago

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They're never beating the can't read allegations. They use words they don't even know the meaning to 🫢

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silverlinedeyes · 2 months ago

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Hey there! Appreciate your thoughtful responses to all the anonymous messages. Aside from the shipwar answers as I too believe it will be an Elain/Azriel book next, I’m curious to know your opinion on how the events will unfold? There are several unresolved issues that were set up in ACOSF and HOFAS, and it does seem like there will not be another ACOTAR book after this one, tbh. How will the rejection of the mating bond take place? Is it even a true bond? Will they revive Dusk Court? Will they defeat Koshei/Queens? It seems like this book will have a lot of action (which I’m excited for) but I hope it does not take away from the romance between Elain and Azriel. They have so much potential. My apologies if you have already answered this type of question.

Hi Anon!

Big questions! Obviously this is all pure speculation and theory, and it’s up to Sarah what she will write. These are just my thoughts, inspired heavily by several Elriel friends: @elrieldreamer @ladynightcourt3 @silverlinedeyes @offtorivendell @wingedblooms (I’m not sure that I can adequately credit via tags bc we discuss these things and I forget who actually has posted what, but they’re all brilliant and have such incredible theories. I take no sole credit for any of these thoughts- they’re collective and built upon a collective Elriel conscious atp).

1. How will events unfold?

IMO, Elain and Azriel will start off being estranged, just as Nessian and Feysand were in ACOSF and ACOMAF, respectively. There is misunderstanding and tension. I think there will be a set of circumstances that requires them to work together. Perhaps a premonition of Elain’s that requires spy work and a made sister. That or Elain will take it upon herself and venture out with Nuala and Cerridwen and Azriel will go after them. Perhaps something learned from HOFAS. Perhaps they need to go to Cretea to explore the cauldron or retrieve it. I love @wingedblooms Bloudewedd theory. I love the sleeping beauty theory (not sure who to credit this to).

I’ve also wondered if Elain might go to the human lands for some reason where she and Lucien can have time to discuss and settle tension around their bond. I can imagine Azriel having an epic internal meltdown with Elain being there.

Ultimately, I think there will be an expose on the mating bond early. When we get in Elain’s head, we will know what her feelings are towards the bond (it’s been heavily hinted at). We will see a conversation with Lucien. And I think it will go from there.

@silverlinedeyes has speculated HOFAS and the next ACOTAR could act as a tandem read and that the events of HOFAS and the next book could overlap. I know Elriels get made fun of for the “roses and bread” line, but I’ll go out on a limb, at risk of being put in my place by Sarah, that I still think this could come up. I still think it’s possible Elain saw Bryce coming. If I’m wrong, I’m wrong. I’m just saying. I don’t think HOFAS ruled out this possibility.

I also think the next ACOTAR and the book Sarah disclosed is next after ACOTAR (and is presumably in Erilea) could be a tandem read too. Maybe?

2. How will the mating bond rejection take place?

I think this depends on how much Elain has seen or knows when we get in her head. As of now, we have no idea. Azriel knows the cauldron was tampered with. What will he do with that information? Will it be a sit-down as the IC? At some point the information from HOFAS will need to disseminated within the ACOTAR series, and I think this is clearly why SJM included Azriel, as I believe, as an Elriel, we will have his pov to discuss this or flashback to get the reader up to speed.

My belief, since reading HOFAS, is that the cauldron has corrupted mating bonds for the benefit of the Asteri and their relative “nutrition.” I think the cauldron was warped to provide a more nutritious food source, as their tithe as parasites was given in magic and needed to be stronger to sustain them in Prythian.

My theory (and a collective theory amongst many Elriel theorists) is that these instantaneous bonds we’ve seen in Prythian are the doing of said warped cauldron. Rhys’s parents? Created the most powerful HL in history. Tamlin’s parents produced multiple powerful children, which is unusual for high fae. I believe the cauldron pairs based on biological advantage to create the most potent magical “hosts” as a remaining corruption from the Asteri. I believe this bc the true, soul bonds we have seen across series involve choice. The mating bond is recognized after love is chosen. It isn’t an instantaneous claiming. IMO, this is a theory that is established strongly in canon. Although I could be wrong. We could be wrong. @wingedblooms has proposed the idea that fae used to choose their mates in the lore of ACOTAR world. There is likely a very real combination of choice + fate with choice being integral.

I think Elain and Lucien will discuss that something is off. Something feels different. It will be mutual. And I think when Elain heals the corruption of the cauldron, it will not only restore the land that has been corrupted by the asteri- the dead, baron and rotten roots throughout Prythian, it will destroy these biologically advantageous mating bonds. This will likely pull Mor in as well, who I believe is assigned a male mate (not a female) for these reasons. It will also resolve the issue of the pull for Lucien that many who love his character are concerned about.

The poetics of defying fate and the religious imagery surrounding Elriel is beautiful.

3. Is the bond even a true bond?

I think the bond is real, but true? True in how a true mating bond has been shown to exist in contrast to those who are poor pairings in canon? No. I don’t think it’s true. I do think it’s real. I’m an Elriel true mates truther.

4. Will they revive the Dusk Court?

So unpopular opinion (maybe) but I actually think Elain’s story is bigger than Dusk and Prythian 🫣. This is just a crack theory and thoughts I share with others. I think we’re talking about intergalactic travel and mystic- like abilities for Elain. I think Elain will heal and restore not only Dusk (provided the land is not already restored and healed by Bryce as she speculated was possible in HOFAS) but the middle, the CoN, etc. I think Elain will heal and restore the cauldron. I think it’s very possible she will travel intergalactically to find answers.

If koschei is valg, as some have speculated, is it possible she will go to Erilea to find answers on how to defeat him? I still think it’s very possible. I remain fixated on this excerpt from Heir of Fire:

“…or oracular sight. We did have a female wander in with raw magic two years ago—she could do anything she wanted, summon any element, and she was here a week before Maeve called her to Doranelle and we never heard from her again. A shame—she was so pretty, too. ”

This screams Elain to me and I will scream if Sarah makes this connection (Sarah, please make this connection).

4. Will they defeat Koschei and the queens?

I think the next book will focus on answer finding. Spying- possibly on Beron with the help of Lucien and Vassa. Finding out what needs to happen to defeat Koschei and move the story forward (which imo will inevitably lead into a greater crossover series). The healing of the cauldron and the land will take center stage imo. We’ll learn what needs to be done to defeat Koschei in preparation for the third book.

I believe the third book could be multi-pov (I hope it is) or Feysand. I think Koschei will be defeated in that book.

Elain and Azriel do have so much potential. I’m so excited and interested in what and how SJM will make this happen. Again, all of this is pure speculation and some crackish thoughts. I can’t wait to see how things unfold. I think plot will take place alongside the romance (more so like ACOMAF) as opposed to ACOSF which (imo) was lacking plot.

Elain will have her triad friend group, as Nesta and Feyre do. Elain will have her batboy, as Nesta and Feyre do. And I think there will be a prophetic outcome to the 6 of them being together and in balance.

“A six-pointed star,” he said. Like the one Bryce had made between the Gates this spring, with the seventh candle at its center.

“It’s a symbol of balance,” she explained, moving away a foot, but keeping the dagger at her side. Her crown of cloudberries seemed to glow with an inner light. “Two intersecting triangles. Male and female, dark and light, above and below … and the power that lies in the place where they meet.” Her face became grave. “It is in that place of balance where I’ll focus my power.”

The place she focuses her power: love (probably).

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silverlinedeyes · 3 months ago

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Lets get a couple things straight...

Azriel doesn't want a mate...he wants elain.

Azriel doesnt want(want is the emphasis here) to be elain's mate...he doesn't think he should have been her mate. He thinks his two brothers are with two sisters and the third was given to another..."SEE IM UNWORTHY" and he wants cauldron to be proven wrong bc he wants to be worthy of being elain's mate. There is a HUGE difference. Like if you cant see that you dont understand azriel's character AT ALL.

Elain doesn't not want a mate...she doesnt want lucien bc of choice plot(you know how he declared he was her mate the momemt her choice was taken out of her hands...like seriously 😐 lucien is the epitome of elain's choice being taken out of her hands)

People needs to get their fact rights about these topics bc it is just so frustrating how you guys read these wrong and cant understand the characters and their cores.

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silverlinedeyes · 6 months ago

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I know I’m late to the party, but what struck me during Sarah’s Spotify video—including her rings (😆)—is that she is dressed as a tortured poet. She’s clearly in her ttpd era. The question is, did she want her outfit and accessories to tell us what kind of story she’s currently drafting editing?

If she’s been using ttpd as inspiration, as we suspect, then it might mean she’s editing a love story that is forbidden and all-consuming...like the one that plays out in Fortnight (and this whole tortured, fatalistic theme can be found throughout the entire album, including the song Sarah featured on her instagram). Now, why am I bringing up Fortnight specifically?

Because of this scene:

In the music video, we see forbidden lovers pining for each other, sharing secret glances and touches. Everything is in black and white until they both type the tortured words: I love you, it’s ruining my life. These words emit two colors that draw together and blend. Kind of like Elain’s warm light and Azriel’s cold darkness in acowar. Or, you know, Sarah’s contrasting, colorful rings amid her black and white outfit. ✨

Even if it doesn’t mean anything more, I am here for all the ttpd vibes (and a real update, please).

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silverlinedeyes · 6 months ago

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A new article that came out on E news and states that fans speculate the next book will be about elriel also mentions that "the teacup foreshadowed her fate of being made into high fae" which reminded me of your theory.

Hi anon! Thanks for stopping by.

If you mean this news article, then yes I heard about it recently!

Firstly, it shouldn't need to be stated, but this is all in good fun. If your first reaction to this incredibly innocuous post is to be nasty about it then please take a deep breath and go outside. The fresh air will do you good. I don't know anybody who thinks that anything NOT from SJM or BB is actual confirmation.

Weirdly enough, the tea post got a few random reblogs a few days ago for no apparent reason, so who knows what was going on at the time. I'd pretty much forgotten about it - given everything that's happened in the Maasverse recently it's not been important, for spoilery reasons - but either way, whether the author of the article saw it or not, I do hope that tea will feature in Elain's story, as it would be so appropriate for a Seer to read tea leaves!

Also, while I don't think the ring is cobalt blue - it does seem more purple to me - Elain did glow in a purple gown, so... my clown makeup remains lol. 🤡

“You came,” Elain said behind her, and Nesta started, not having heard her sister approach. She scanned Elain from head to toe, wondering if she’d been taking lessons in stealth either from Azriel or the two half-wraiths she called friends. Gone was the ill-suited black dress from the ball, replaced by a gown of amethyst velvet, her hair half-up and curling down to her waist. She glowed with good health. - ACOSF, chapter 58

As an aside, apparently people are being nasty about the long book = biggest wingspan comment? Idk, I thought that was clearly a joke (and not even one made by an Elriel at that). It even reads as ship neutral to me, no matter how the E News author took and used it. I hope whoever made it knows that it was actually fucking funny, and clearly in good humour. I'm sorry people are being crummy about it.

Anyway, like the rest of the fandom, I'm hoping that we're all put out of our misery early next year with some sort of direct FMC/main couple confirmation.

🕯️🕯️🕯️

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silverlinedeyes · 6 months ago

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What if the eight-pointed star is a symbol of so much more than the Starborn; on Wyrd, Chaos, the Cauldron and the Archeron sisters...

Disclaimer: this post is just a theory and makes no claims of being canon. These thoughts are definitely not unique at this point in time - I'll link to existing posts where relevant - but I had both a moment and the motivation to get my thoughts down, so here we are lol. Also, I am aware that the bigger stars in the gif above have more than eight points but as it's very pretty, has crescent moons and little motifs with three tear drops each... it stays. A massive thank you, as usual, to @wingedblooms for always being up for some theorising. 💜

Spoilers: the entire Maasverse is fair game, be careful if you're not up to date.

The eight-pointed star is a symbol that exists across the entire Maasverse, in Erilea, Prythian, Midgard.

Erilea:

The High Priestess walked onto the stone platform and raised her hands above her head. The folds of her midnight-blue gossamer robe fell around her, and her white hair was long and unbound. An eight-pointed star was tattooed upon her brow in a shade of blue that matched her gown, its sharp lines extending to her hairline. “Welcome all, and may the blessings of the Goddess and all her gods be upon you.” Her voice echoed across the chamber to reach even those in the back. - TOG, chapter 37

Prythian:

There, dead in the center of the Illyrian tattoo snaking down his spine, a new tattoo had appeared. An eight-pointed star, whose compass points radiated in sharp lines across and up the groove of his back, twining with the Illyrian markings long inked there. The eastern and western points of the star shot right onto his wings, black blending into black. A matching one, he knew, would be on Nesta’s spine. - ACOSF, chapter 12

Midgard:

Ruhn held out his phone, the picture of the illuminated manuscript glaringly bright in the thick shadows. The illustration of the carved horn lifted to the lips of a helmeted Fae male was as pristine as it had been when inked millennia ago. Above the figure gleamed an eight-pointed star, the emblem of the Starborn. - HOEAB, chapter 21

“You first.” “Not a chance. I want to hear how you hid the fact that you’ve got a star inside you.” He looked down at her chest then, as if he’d glimpse it shimmering beneath her skin. But when his eyebrows flicked upward, Bryce followed his line of sight. “Well,” she said with a sigh, “that’s new.” Indeed, just visible down the V-neck of her T-shirt, a white splotch—an eight-pointed star—now scarred the place between her breasts. - HOEAB, chapter 95

Bryce has told us that she thinks it's the symbol of the Starborn, but I think it could go much deeper - all the way down to Wyrd/Urd.

She found nothing but open curiosity on Nesta’s face. Nesta said, “The scar your light comes from … it’s shaped like an eight-pointed star. Why?” Bryce peered at where the light was muffled by her T-shirt. “It’s the symbol of the Starborn, I think.” “And the magic marked you in this way?” “Yes. When I … revealed who I was, what I am, to the world, I drew the star out of my chest. It left that scar in its wake.” She glanced to Azriel. “Like a burn.” - HOFAS, chapter 12

As @wingedblooms said in her amazing meta earlier this year, she, @silverlinedeyes and I all think that Urd - who we now know is Wyrd - could be Chaos.

In addition to being significant to the Starborn fae within the Maasverse, the eight-pointed star is also known as a compass rose - or rose of the wind - as @wingedblooms has previously discussed. So isn't it suss that 'The Elain' ship (as pictured below, in the ACOTAR colouring book - far right) has what could be an eight pointed star on its sail? One with empty space - as in void of anything - on either side?

In addition to her thoughts about the compass rose, @wingedblooms has previously discussed how SJM's use of the eight-pointed star could also be inspired by the star of Ishtar. Wingedblooms made great points as usual - so I won't rehash them - BUT I have wanted to add for ages that there is also an eight-pointed star called "the Chaos star." 👀

Is the eight-pointed star a symbol of Chaos?

Source.

Aidas told us in HOEAB that it was the Void who sired the Princes of Hel, and Chaos was their dam. While the Chaos star as a symbol of Chaos began its life in a completely separate work of fiction, it has - apparently - been adopted by other authors and fandoms, so there's always the possibility that SJM might be one of those who has done/will do that.

I think it's interesting that after Bryce and co found Helena's cave under Avallen and dream-travelled to Hel, they wound up in the Temple of Chaos, by boat.

“The Temple of Chaos is a sacred place,” Apollion said sharply. “We shall never defile it with violence.” The words rumbled like thunder again. - HOFAS, chapter 59

Each of the Archeron sisters had a ship named for her (as above). Word and Wyrd are homophones of each other, though I may be clowning with the latter point. Ramiel means "thunder of god" - we'll come back to that later - but Apollion's words "rumbled like thunder"... was SJM linking Wyrd and thunder, or Ramiel, here? Will the Archeron sisters travel by boat - sail the Void - to meet, or free, Chaos?

Pushing aside every raging thought and question for the moment, Hunt kept one eye on the exit behind them as they traded the pebbled shore for the smooth temple steps. As they walked up those steps and entered a space that was a near-mirror to temples back home—indeed, its layout was identical to the last temple Hunt had stood in: Urd’s Temple. - HOFAS, chapter 59

But he tried to at least look like it—back straight, shoulders squared—as he and Hypaxia stood before the Under-King in a gray-stoned temple to Urd. The Under-King lounged on a throne beneath a behemoth statue of a figure holding a black metal bowl between her upraised hands. Symbols were carved all over the bowl, continuing down her fingers, her arms, her body. Ithan could only assume it was meant to represent Urd. No other temples ever depicted the goddess, no one even dared—most people claimed that fate was impossible to portray in any one form. But it seemed that the dead, unlike the living, had a vision of her. And those symbols running from the bowl onto her skin … they were like tattoos. - HOFAS, chapter 81

“And she,” the Under-King went on, gesturing to that unusual depiction of Urd towering above him, “was not a goddess, but a force that governed worlds. A cauldron of life, brimming with the language of creation. Urd, they call her here—a bastardized version of her true name. Wyrd, we called her in that old world.” - HOFAS, chapter 81

That "unusual depiction" of Urd in the Bone Quarter sounds eerily similar to the statues in the corridor leading to the library under the House of Wind, as well as the statue of the primal goddess that Nesta found in the same house - the one by which she placed Elain's carved wooden rose.

It's almost like a mix of the two.

“Because the books were full of magic, and things they wanted to keep humans from knowing.” Rhys slid his hands into his pockets, leading me down a corridor lit only by bowls of faelight upraised in the hands of beautiful female statues, their forms High Fae and faerie alike. “The scholars and librarians refused to keep slaves of their own—some for personal reasons, but mainly because they didn’t want them accessing the books and archives.” - ACOWAR, chapter 20

Her gaze shifted to the carved wooden rose she’d placed upon the mantel, half-hidden in the shadows beside a figurine of a supple-bodied female, her upraised arms clasping a full moon between them. Some sort of primal goddess—perhaps even the Mother herself. Nesta hadn’t let herself dwell on why she’d felt the need to set the rose there. Why she hadn’t just thrown it in a drawer. - ACOSF, chapter 56

The Cauldron... the court of thorns and roses?

We now know that Urd is none other than Wyrd, from Erilea - a cauldron of life that is "brimming with the language of creation" (which fits with my theory that Elain might Sing Wyrd, as the language of the universe, through the murky void to See as a parallel to the priestesses in Prythian requiring darkness to commune with the Cauldron), and a force that governs worlds. One with many forms - "high fae and faerie alike"?

Could Chaos actually be Wyrd, given the similarities Hunt noted between the temples of Urd and Chaos?

Chaos the Dam?

The Mother?

But why the notable lack of tattoos - Wyrdmarks? - in the statues at the House of Wind's temple to the Mother, or on the Cauldron itself?

The Cauldron was absence and presence. Darkness and … whatever the darkness had come from. But not life. Not joy or light or hope. It was perhaps the size of a bathtub, forged of dark iron, its three legs—those three legs the king had ransacked those temples to find—crafted like creeping branches covered in thorns. I had never seen something so hideous—and alluring. Mor’s face had drained of color. “Hurry,” she said to me. “We’ve got a few minutes.” - ACOMAF, chapter 62

Could that be the influence of the Daglan/Asteri when they warped the Cauldron so long ago? Wyrd, and Her marks, were removed in the process?

“Unless … ” The boy bounced each finger off his thumb, his hand like some pale, twitchy insect. “Long ago, before the High Fae, before man, there was a Cauldron … They say all the magic was contained inside it, that the world was born in it. But it fell into the wrong hands. And great and horrible things were done with it. Things were forged with it. Such wicked things that the Cauldron was eventually stolen back at great cost. It could not be destroyed, for it had Made all things, and if it were broken, then life would cease to be. So it was hidden. And forgotten. Only with that Cauldron could something that is dead be reforged like that.” - ACOMAF, chapter 18

Before Bryce could contemplate this further, Silene went on, But my mother and father knew they needed the most valuable of all the Daglan’s weapons. Bryce tensed. This had to be the thing that had given them the edge— The snows around Ramiel parted, revealing a massive bowl of iron at the foot of the monolith. Even through the vision, its presence leaked into the world, a heavy, ominous thing. “The Cauldron,” Nesta said, dread lacing her voice. Not a useful weapon, then. Bryce braced herself as Silene continued. The Cauldron was of our world, our heritage. But upon arriving here, the Daglan captured it and used their powers to warp it. To turn it from what it had been into something deadlier. No longer just a tool of creation, but of destruction. And the horrors it produced … those, too, my parents would turn to their advantage. - HOFAS, chapter 19

And isn't it interesting that Papa Archeron carved the aforementioned rose for Elain - out of a dark, heavy wood that a few of us have wondered was ironwood (just like the bed on which each of the Archeron sisters was born) - while the legs of the Mother's iron Cauldron were covered in thorns?

She plucked another figurine from the mantel: a rose carved from a dark sort of wood. She held it in her palm, its solid weight surprising, and traced a finger over one of the petals. “He made this one for Elain. Since it was winter and she missed the flowers.” - ACOSF, chapter 55

In yet another of her brilliant posts, @wingedblooms theorised that the Cauldron might represent the flower of life; roses* are obviously a flower (shh), so the imagery of the Cauldron being an iron rose on a thorny pedestal is, quite possibly, significant. One of the definitions of the word "court" is "a sovereign's residence." Has the series title "A Court of Thorns and Roses" been referring to the Cauldron all along?!

* Posts involving roses and rose imagery pertaining to Elain are here, here, here and here.

The Ouroboros and Ramiel's black monolith - the "seat" of Wyrd/Chaos?

But let's get back on topic. I have theorised in the past that the Dusk Court - which we now know are the Starborn Fae - may have had four items, or four treasures, similar to the Tuatha de Danann of Irish mythology (my first Dusk Court post leaned heavily into that association).

I suggested that they may have been paired as:

Dagda's Cauldron/The Undry - the Veritas

Spear of Destiny/Spear of Lugh - Narben

Sword of Light/Claiomh Solais - Gwydion

The Stone of Kings/Lia Fail - the Ouroboros

Fragarach - Truth-Teller (as a bonus)

@merymoonbeam has also posted about her own take on the four treasures of the Tuatha de Danann; we agree about the Spear of Lugh and the sword of light, but diverged with Dagda's Cauldron - she suggested it may have been the Cauldron, and I agree that makes sense as well - and the Lia Fail, which she theorised was the stone on top of Ramiel (again, a solid choice that makes sense). Now, I know that the Ouroboros might seem like an odd choice as an in-universe stone of kings, but if you read my four treasures post I still think it fits... but it's not a stone. And Mery's thoughts about the Lia Fail fit, too. Both options made sense to me.

Which brings me back to HOFAS.

As others have suggested already, this sounds like the same black stone monolith that Cassian flew by in ACOFAS.

The conifer forests and ravines that dotted the landscape flowing to Ramiel’s foot gleamed under fresh snow. Empty and clean. No sign of the bloodshed that would occur come the start of spring. The mountain neared, mighty and endless, so wide that he might as well have been a mayfly in the wind. Cassian soared toward Ramiel’s southern face, rising high enough to catch a glimpse of the shining black stone jutting from its top. Who had put that stone atop the peak, he didn’t know, either. Legend said it had existed before the Night Court formed, before the Illyrians migrated from the Myrmidons, before humans had even walked the earth. Even with the fresh snow crusting Ramiel, none had touched the pillar of stone. A thrill, icy and yet not unwelcome, flooded his veins. It was rare for anyone in the Blood Rite to make it to the monolith. - ACOFAS, chapter 3

* A quick aside: conifer forests and ravines surround Ramiel; who smells like night-chilled mist and cedar, and may be associated with/related to Thanatos, the prince of the Ravine? Azriel!

In @wingedblooms brilliant post about Ramiel as the heart of the Night Court, she wondered if the black monolith and Cauldron together may have been a complete depiction of Wyrd, and then something clicked (and now I'm finally getting to the point lol, sorry for the wait); what if the black stone and the Ouroboros were combined as the Lia Fail/Stone of Kings? Or Wyrd/Chaos (as the Queen)? If the Cauldron is the "court" (residence) of Wyrd, and it once "sat" at the base of the black stone Monolith as @wingedblooms suggested, it checks out.

And there, against the far wall of the chamber, snow crusting its surface, its bronze casing … The Ouroboros. It was a massive, round disc—as tall as I was. Taller. And the metal around it had been fashioned after a massive serpent, the mirror held within its coils as it devoured its own tail. Ending and beginning. From across the room, with the snow … I could not see it. What lay within. I forced myself to take a step forward. Another. The mirror itself was black as night—yet … wholly clear. [...] Up close, the surface of the Ouroboros was like a gray, calm sea. Undisturbed. Sleeping. - ACOWAR, chapter 68

So now we have a black monolith as a (hypothetical) statue of Wyrd, with the Ouroboros being held high above Her head... sound familiar?

But wait, there's (possibly) more...

Despite the plush furniture, the room definitely belonged to a witch: a small crystal altar to Cthona adorned the eastern wall, covered in various tools of worship; a large obsidian scrying mirror hung above it; and the fireplace built into the southern wall had various iron arms, presumably to hold cauldrons during spells. A royal suite, yes, but a workroom as well. - HOSAB, chapter 56

Ithan crossed his arms. On the desk itself sat a statuette of Cthona, carved from black stone. In one arm the goddess cradled an infant to her bare breast. In the other, she extended an orb—Midgard—out into the room. Cthona, birther of worlds. He touched it idly, gathering his courage. - HOFAS, chapter 13

Ithan was carefully setting down a figurine of Cthona giving birth on all fours—the planet Midgard crowning between her legs—when Jesiba’s phone rang. The shrill sound shattered the silence, but Ithan’s sunball reflexes kept him from dropping the fragile marble. - HOFAS, chapter 44

Could the Ouroboros represent the moon associated with the priestesses of the Mother? I mean it's big and round, and I'm a simple person haha. Was there ever a temple to Wyrd/Chaos on - or underneath - Ramiel? Does the black stone monolith represent the goddess/Wyrd, the Ouroboros the moon and the Cauldron the world to which she's giving birth? If black stone/obsidian attracts the princes of Hel, is that because obsidian is a stand in for Void and they are themselves a mixture of Void and Chaos? Is black stone used to depict Wyrd/Chaos because it acknowledges that She is attracted* to the Void? And the Ouroboros, which I have previously thought could be a portal (and hey, it's taller than Feyre, so tall enough), and @wingedblooms theorised it may be a mirror of witch glass... it seems intentional.

* This imagery reminds me of the Embrace of Solas and Cthona.

Sailing the Void

In my post about The Weaver's Song, I theorised that it might be a prophecy suggesting that the three Archeron sisters may sing, or "sail" (for lack of a better term haha) the bat brothers through the Void, either figuratively or (I hope!) literally. Either to Hel or to some other place - I would scream if it's Erilea, as @psychologynerd has theorised for Elain - but ultimately, wherever they go, I think it will be with the goal of finding and freeing Wyrd from whatever (hypothetically) binds Her, thus purifying Her and the Cauldron from the corruption of the Daglan/Asteri.

Which, speaking of, could the Asteri/Daglan have bound Wyrd with wyrdstone as like calls to like? Or did they use a crystal prism - like the one Bryce found in the Autumn King's study - to split Her light into its many facets and bind - tether - each to something or one? Did they create an anti rainbow with wyrdstone to split Wyrd apart, weakening Her?

With a sharp inhale, Bryce rallied her magic. On the exhale, she sent a stream of her starlight into the prism, her power faster than ever before. Starlight hit the prism, passed through it, and— “Huh.” It wasn’t a rainbow that emerged from the other side. Not even close. It took her a moment to process what she was seeing: a gradient beam of starlight. Where the rainbow would have been full of color, this one began in shimmering white light and descended into shadow. An anti-rainbow, as it were. Light falling into darkness, droplets of starlight raining from the highest beam into the shadowy band at the bottom, devoured by the darkness below. Like the fading light of day—of dusk. What did it mean? She was pretty sure her light had been pure before, but now, with Silene’s power mixed in … there was darkness there, too. Hidden beneath. - HOFAS, chapter 39

I've previously spoken about the need for balance to be restored to the universe, and that something may be preventing light (Chaos?) from flowing freely through the Void. If this is true, and it stems from the Asteri's corrupting efforts, it would make sense that purifying their influence on the Mother and Cauldron - who we now know is Wyrd - would help to heal the land, by unchaining the magic, as Feyre hinted in ACOMAF (and @wingedblooms has discussed extensively).

I shivered, craving the moderate winter of Velaris, wondering how it could be so temperate in the far north, but … everything in Prythian was strange. Perhaps when the wall hadn’t existed, when magic had flowed freely between realms, the seasonal differences hadn’t been so vast. - ACOMAF, chapter 23

I have more thoughts on this but I'm getting off track, hopefully I'll post them soon.

I've already discussed the possible significance of 'The Elain' ship flying a sail with the compass rose, or rose of the winds - an eight-pointed star - with nothing (void) on either side. I think it's interesting that 'The Feyre' flies two crescent moons and two diamond-type symbols that represent some of the (hypothetical) wyrdmarks on Wyrd's arms as depicted on the cover of HOFAS, and that 'The Nesta' flies a sail with a dragon and two suns, possibly referring to the dragon Ariadne from HOSAB (in Greek mythology, Ariadne was heavily associated with labyrinths, ie. finding one's way) and the sun being a star with a powerful flame? I know I sound like a broken record, but will the Archeron sisters be like the light from Eärendil's - a mariner! - star contained in the phial of Galadriel, but as the three brothers' most beloved stars? Will they light their way through the Void?

Getting back to the compass rose, Cassian refers to the eight-pointed star as a map for striking with a sword, and we know that light can be wielded as a weapon, as Yrene Towers did in Erilea, to heal Chaol and execute the Valg King Erawan.

“You didn’t ask.” He unsheathed his Illyrian blade. “Enough history.” He drew four lines in the dirt, all intersecting to form an eight-pointed star. “This is your map for striking with a sword. These eight maneuvers. You’ve learned six of them. You’ll learn the other two today, and we’ll start on the combinations.” - ACOSF, chapter 44

Additionally, Nesta suggested that the eight-pointed star was stamped on her heart.

Nesta lifted the sword and executed a perfect arcing slash. Her weight shifted to her legs just as she flipped the blade, leading with the hilt, and brought up her arm against an invisible blow. Another shift and the sword swept down, a brutal slash that would have sliced an opponent in half. Each slice was perfect. Like that eight-pointed star was stamped on her very heart. - ACOSF, chapter 50

This sounds incredibly similar to Bryce carrying a star in her chest - her star tattoo was over her heart - so I would not be surprised to learn that Feyre and Elain had something similar, too. It makes sense. Each Cauldron-Made sister carrying one third of a whole star, to replace Theia's protective magic that Bryce took with her to Midgard (as she didn't return it when she did Truth-Teller, Prythian is currently unprotected). And if the Cauldron is Wyrd's vessel, as it appears to be, this makes Feyre, Elain and Nesta supremely important. Perhaps they're not the "scum" Vesperus suggested at all.

Perhaps they are the wyrdkeys to everything? At least in Prythian, if each sister holds within her one third of a whole star that Wyrd planted Herself.

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silverlinedeyes · 7 months ago

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Truth-Teller, Gwydion and Illyrian Runes... or are they actually Wyrdmarks?

This post was written for @azrielappreciationweek Day 7 - Free

Disclaimer: as always, this is just a theory that I think is fun and it makes no claim of being canon. It's definitely entering crack theory territory. This post also isn't Azriel specific - it's more about the dagger he has used for centuries and how it may tie into the Maasverse, or Prythian's plot, as a whole than Azriel himself. I know it's Azriel Appreciation Week, but this is his dagger, at least currently, so I feel like it's okay. It also rambles a bit, sorry.

Spoilers: there are big, huge, massive Maasverse spoilers ahead, so please beware.

Other posts about Azriel and/or Truth-Teller you might find relevant:

Why is Azriel so different? On Dusk, Hel and the Valg

What if Azriel - or his Shadows - are Made Beings?

Azriel could be Koschei’s heir; a crack theory

Shadows, siphons and fog; has something happened in Velaris?

Powerful Heirlooms and the Four Treasures of the Tuatha de Danann

Does Truth-Teller portend a future relationship between Azriel and Elain Archeron? Especially the first section, about Fragarach inspiring TT.

The possible significance of Azriel and Elain Archeron, the Embrace of Solas and Cthona, the paired blades Gwydion and Truth-Teller, and thin places; a theory - in particular the section about the two Made blades.

Love it or hate it - though personally, I love it for many reasons - we all know about the "Truth-Teller scene" in ACOWAR. While I do think it will end up being incredibly crucial and symbolic for Azriel and Elain Archeron as a couple (you may disagree of course), I also think there is a good chance that its importance to the overall plot was intentionally highlighted by its inclusion in the ACOTAR colouring book, which is what I hope to discuss here (plot, not romance, though as this is romantasy I do think the couple will be reflected in the plot/vice versa).

Here is the passage again, to refresh your memory:

Viviane stepped in, offering a Winter Court fashion that was far less scandalous: leather pants, but paired with a thigh-length blue surcoat, white fur trimming the collar. In the heat, it’d be miserable, but Elain was thankful enough that she didn’t complain when we again emerged from the covered wagon and found our companions waiting. She refused the knife Cassian handed her, though. Went white as death at the sight of it. Azriel, still limping, merely nudged aside Cassian and extended another option. “This is Truth-Teller,” he told her softly. “I won’t be using it today—so I want you to.” His wings had healed—though long, thin scars now raked down them. Still not strong enough, Madja had warned him, to fly today. The argument with Rhys this morning had been swift and brutal: Azriel insisted he could fly—fight with the legions, as they’d planned. Rhys refused. Cassian refused. Azriel threatened to slip into shadow and fight anyway. Rhys merely said that if he so much as tried, he’d chain Azriel to a tree. And Azriel … It was only when Mor had entered the tent and begged him—begged him with tears in her eyes—that he relented. Agreed to be eyes and ears and nothing else. And now, standing amongst the sighing meadow grasses in his Illyrian armor, all seven Siphons gleaming … Elain’s eyes widened at the obsidian-hilted blade in Azriel’s scarred hand. The runes on the dark scabbard. “It has never failed me once,” the shadowsinger said, the midday sun devoured by the dark blade. “Some people say it is magic and will always strike true.” He gently took her hand and pressed the hilt of the legendary blade into it. “It will serve you well.” “I—I don’t know how to use it—” “I’ll make sure you don’t have to,” I said, grass crunching as I stepped closer. Elain weighed my words … and slowly closed her fingers around the blade. Cassian gawked at Azriel, and I wondered how often Azriel had lent out that blade— Never, Rhys said from where he finished buckling on his own weapons against the side of the wagon. I have never once seen Azriel let another person touch that knife. Elain looked up at Azriel, their eyes meeting, his hand still lingering on the hilt of the blade. I saw the painting in my mind: the lovely fawn, blooming spring vibrant behind her. Standing before Death, shadows and terrors lurking over his shoulder. Light and dark, the space between their bodies a blend of the two. The only bridge of connection … that knife. Paint that when we get home. Busybody. - ACOWAR, chapter 69

I have previously theorised that Truth-Teller may have pierced the veil of Prythian's world in order to let Elain shadow walk through the murky realm/void to save Nesta and Cassian at the end of ACOWAR - which of course parallels Azriel's threat to "slip into shadow and fight anyway" - but it also ties into the power that Truth-Teller and Gwydion/the Starsword can activate together: instead of opening a portal to somewhere, as a few of us had previously theorised about Truth-Teller alone, we learnt in HOFAS that the dagger and sword will open a portal to nowhere.

A black hole... or a Void?

@wingedblooms has previously suggested that the woman on the cover of HOFAS, who had runes - or were they really Wyrdmarks? - down her arms, may be Wyrd, and I agree. We would both especially love it if Wyrd was the secret language of the universe - the language spoken by shadow, wind and stone, or even what Singers used to cast spells - because how much would that make sense? It would also tie TOG in with a tidy bow, given the importance of Wyrd, Wyrdmarks, Wyrdkeys and Wyrdgates to Aelin's story.

But it could get wrapped up even tidier. I hope.

The markings on Truth-Teller's sheath

Take a much closer look at the "Illyrian runes" on Truth-Teller's scabbard, the runes that SJM made sure existed in print, in May 2017 (the colouring book was published the same day that ACOWAR came out, on the 2nd of May).

But back to the runes.

Do you see what I see?!

They are so similar to the runes on HOFAS' cover that it cannot be coincidental? I acknowledge that they're not identical, but they pass the vibe check.

A. I've previously discussed the possibility of the first rune on the HOFAS cover being derived from the Embrace of Solas and Cthona, and that it might have been indicating the two Made blades, Gwydion and Truth-Teller, coming together to create a portal to nowhere. @wingedblooms has also brilliantly suggested that it could be depicting the three mountains of the Night Court, or even the three sister peaks. But do you see the similarity with the top rune(s) on Truth-Teller's scabbard? The dot and two ^ type markings come together differently, but imo the components are still there.

B. This portion is the weakest link for sure, not least because there are more runes on the woman's arm than Truth-Teller's sheath - and I'm no artist so my opinion definitely comes with a huge heaping of salt (if anyone wants to weigh in then please do!) - but I can see similarities in the elements of certain runes. If I put my clown hat on then the spiral could be referring to a vortex/portal, and the marking half hidden by the O could be depicting a ship... you know, like those names after the Archeron sisters.

C. The two opposing triangles on Truth-Teller could be referencing the diamond on the woman's forearm and the crescent moon shape half hidden by Azriel's thumb could potentially be linked with the crescent moon shape above the diamond. Could the diamond on each of her forearms be suggesting siphons, like those worn by Azriel and Cassian? And is the crescent moon referring to the Mother, or Wyrd? SJM paralleled siphons and invoking stones were in ACOSF, was she hinting that the Illyrians and the priestesses all serve Wyrd in the end?

If I'm correct - a big "if" - the difference in runes, or Wyrdmarks, could be down to one of a few potential reasons (though the following list is not exhaustive):

It was always intentional so we wouldn't piece it together too easily.

The almost seven year gap between ACOWAR and the colouring book coming out in 2017, and HOFAS in 2024. Things change.

The in-universe time difference between Wyrd's birth/creation and Truth-Teller's forging. Did the wyrdmarks "evolve," so to speak?

The Wyrdmarks are not actually identical; perhaps they only look similar because they have similar or even complementary meanings?

I'm actually completely wrong and need to remove my clown makeup right now. 🤡

It would make sense that Truth-Teller's wyrdmarks were not identical to those we would see on Wyrd (assuming it is actually Her on HOFAS' cover). One of those things is a goddess, a force who created their entire universe, and the other is a dagger that can help open a portal to the Void and ferry the bearer through. Truth-Teller's scabbard might tell a story, it might hold a warning, or even contain a spell or the instructions for activating its magic etc; are they a spell to contain the power of the blade, as Bryce hinted at in HOFAS, or something else?

As if their sheaths had kept their power contained, the naked metal now throbbed against her palm, up her arms, tugging toward each other so violently it took all her strength to keep them apart. - HOFAS, chapter 48

It's just a pity that - unless I missed it - we weren't told about any markings on the Starsword, though that's assuming that its scabbard¹ was the original (or that Truth-Teller's is the original, of course - maybe it was given a new sheath, one with a very specific message, after Silene returned to Prythian). All we know is that both blades were Made by the Cauldron, with their obsidian² (wyrdstone?) hilts and black Iridium blades that can devour light (though Gwydion's blade can sparkle) and appear muted in darkness, I assume because there is no sunlight to charge their magic.

¹ @ladynightcourt3 has previously suggested that Truth-Teller may have been blessed by the God of Truth, who also blessed Damaris - the Sword of Truth, first wielded by Gavin Havilliard and currently claimed by Dorian Havilliard - which also has Wyrdmarks on its scabbard and was used in the Valg king Erawan's death. She's also reminded me that the Asterion blades in TOG also have markings, and are described as being made of a dark metal imbued with starlight... sounds familiar!

² @emmitaaa4 reminded me that wyrdstone can cause headaches in those who carry it - and who is known to rub his temples so much that Elain gifted him headache powder? Azriel.

I have spoken before about the possibility of the obsidian hilts either being possessed by some sort of Void based being, or that the material may help the Made blades attract a prince of Hel by design (here and here). Imagine if the Iridium³ blades come from a meteorite originating in Hel. Could the Made blades be secret wyrdkeys thanks to their hilts?

³ The element iridium's name is derived from "Iris," which means rainbow. Could this be where the meteorite that went into forging Gwydion and Truth-Teller have fallen... in the Rainbow of Velaris? What does this mean for Velaris' history, or the future of the Made blades? Will Feyre, the protector of the Rainbow, become involved?

What might this mean for Prythian?

Let's revisit the Truth-Teller scene, and pay close attention to Elain's clothes: Winter Court attire. Too warm, but Elain didn't complain... is that because she suspected she may have to brave the cold, harsh environment in the space between before the day was done? My next suggestion is unlikely, but could her face have turned crimson because she didn't know how to ask for warmer clothes without explaining that she'd Seen that she'd need them, especially if she knew that she was going to be sent away and she'd have to work from the shadows, as uaual? This could even tie in with my theory that the Archeron sisters will "sail" (for lack of a better term, sorry I know it's silly) the bat brothers by Singing them across the Void, possibly to Hel, as Nesta wanted insulated leathers in ACOSF. @elrieldreamer and I have previously discussed the fact that the serpents (dragons?) on HOFAS' cover look like they could be passing through Wyrdgates, which could also circle into the "sailing through the void" idea I mentioned in my post about The Weaver's Song, because Illyrian armour is known to feature scales. So isn't it handy that Emerie can source fleece-lined leathers!

“I was about to write to you before Bellius interrupted me. I asked about making leathers with fleece inside.” Emerie leaned her forearms on the immaculate counter. “It can be done, but it’s not cheap.” “Then it’s beyond my means, but thank you for finding out anyway.” “I could order it and let you pay it off as you’re able.” - ACOSF, chapter 25

Then there's the blade-like object that appears to be pointing down onto the eight-pointed star above the woman's head; could it be indicating Truth-Teller or Gwydion, or even Damaris - the Sword of Truth - from TOG?

The eight-pointed star obviously holds relevance to Nesta, given the tattoos that she and Cassian shared for much of ACOSF and Bryce's parting remarks in HOFAS, and we know the Starborn used it as their symbol, but why? Many don't realise that it may also have been the symbol on 'The Elain' ship that Papa Archeron commissioned among the three named for each of his daughters. Could it be a seafaring compass rose/rose of the winds, as Wingedblooms has previously discussed? Is it also related to Ishtar, another amazing theory shared by @wingedblooms' and @merymoonbeam? Or could it actually be the Chaos⁴ star, and truly be a symbol of Wyrd as Chaos, the Mother - or dam - to all?

⁴ I hope to post this theory soon.

I cannot move past the fact that, in addition to The Elain flying an eight-pointed star with nothing on either side (referencing the Void?), The Nesta was flying a dragon with two suns, and The Feyre was flying two crescent moons and diamonds. It has to mean something, right?

I still find it really interesting that one of the eyes of the woman on HOFAS' cover - which seems to be all about depicting gate travel and world walking - appears to be bleeding, when Gwyn remarked in ACOSF that reading Merrill's theories about multiple worlds made her eyes bleed.

Gwyn frowned. “Lots of things. Merrill’s brilliant. Horrible, but brilliant. When she first came here, she was obsessed with theories regarding the existence of different realms—different worlds. Living on top of each other without even knowing it. Whether there is merely one existence, our existence, or if it might be possible for worlds to overlap, occupying the same space but separated by time and a whole bunch of other things I can’t even begin to explain to you because I barely understand them myself.” Nesta’s brows rose. “Really?” “Some philosophers believe there are eleven worlds like that. And some believe there are as many as twenty-six, the last one being Time itself, which …” Gwyn’s voice dropped to a whisper. “Honestly, I looked at some of her early research and my eyes bled just reading her theorizing and formulas.” Nesta chuckled. “I can imagine. But she’s researching something else now?” “Yes, thank the Cauldron. She’s writing a comprehensive history of the Valkyries.” - ACOSF, chapter 13

Now, Gwyn was obviously being flippant while attempting to demonstrate the extent of Merrill's brilliance, but who do we know who has peered across one world so far, who may be set up as a worldwalker with a strong affinity to any thin places? Elain Archeron, the sister whose ship flew the eight pointed star sail for all to see. A Seer. Will the Seer's eyes bleed when she looks too far, or past wards of "mist and shadow" designed to keep her out?

“Firebird by day,” Rhys mused, “woman by night … So she’s held captive by this sorcerer-lord?” Elain shook her head. “I don’t know. I hear her—her screaming. With rage. Utter rage …” She shuddered. Mor leaned forward. “Do you know why the other queens cursed her—sold her to him?” Elain studied the table. “No. No—that is all mist and shadow.” Rhys blew out a breath. “Can you sense where she is?” “There is … a lake. Deep in—in the continent, I think. Hidden amongst mountains and ancient forests.” Elain’s throat bobbed. “He keeps them all at the lake.” “Other women like her?” “Yes—and no. Their feathers are white as snow. They glide across the water—while she rages through the skies above it.” - ACOWAR, chapter 33

Its over-large teeth clacked faintly. “Thrice now, we have met. Thrice now, you have hunted for me. This time, you sent the trembling fawn to find me. I did not expect to see those doe-eyes peering at me from across the world.” - ACOWAR, chapter 58

Alpha and omega. Ask and answer (and Azriel told Elain that Truth-Teller would "serve" - a synonym to "answer" - her well). Made (or Make) and Unmade (or Unmake). Matter and antimatter. Gwydion can kill the unkillable, while Truth-Teller slew an almost unstoppable king. They Sing⁵ to each other - is it a spell, or are they communicating in Wyrd, the secret language of the universe > Chaos > eight pointed star? - and to those who bear enough Starborn magic to hear it. Azriel learnt that he can charge a Starborn fae like Bryce in HOFAS, there are three Archeron sisters who share significant parallels with Bryce and Theia... and wouldn't you know it, Azriel has two brothers. I could always be wrong, but this all seems fated to me.

⁵ I know I'm not alone in speculating whether Elain heard Truth-Teller Singing to her like kin, as @wingedblooms, @emmitaaa4, @psychologynerd and @ladynightcourt3 all share this theory at least (I've also wondered if she can hear Azriel's siphons singing, but that's another theory). Is this why Elain's eyes widened when Azriel offered Truth-Teller? Did it Sing to her? Is she a Singer, as @silverlinedeyes, @wingedblooms and I suspect? Was this in addition to (or instead of) her Seeing herself using it to kill the king? If true, this could parallel the scene earlier on in HOFAS where Elain's eyes widened at "the shadowsinger's display" just before Azriel winnowed her to Windhaven; was Elain listening to his shadows and/or Truth-Teller such that she could activate the blades (or her own) hypothetical shadow walking magic later on?

Anyway, sorry for rambling on a fair bit there, if you made it this far thank you for reading my nonsense! I am so excited to learn what SJM has been planning, because just like Koschei I think she's been playing the long game and setting all of these pieces up for years, even if it was just in case.

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silverlinedeyes · 7 months ago

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Is this proof that the mating bonds of the High Fae were corrupted along with Prythian's Cauldron? What might this mean for Azriel and Elain Archeron?

This post was written for @azrielappreciationweek Day 5: No Need For Poetry

Disclaimer: this is a theory that, while based on the text, makes no claim of being canon. My thanks as always go out to @wingedblooms, @elrieldreamer, @ladynightcourt3, @psychologynerd and anyone else who tolerates my nattering. And don't worry, this isn't nearly as long as my last post. 😂

Spoilers: the entire Maasverse to date is discussed.

High Fae and their mating bonds

@wingedblooms recently made a great observation: that the witches from Erilea had once taken up the Fae habit of "selecting" their mates. This especially caught my eye as I have previously theorised that all Singers could be witches or sorcerers of a sort. I think @psychologynerd also mentioned the same passage when she discussed the possibility of Azriel being a witch prince, which I absolutely hope is true.

The crone read her question in her eyes. “Our men dwell at our homes, where they are safe. This camp is an outpost while we conduct our business.” The Crochans had always given birth to more males than the Ironteeth, and had adopted the Fae habit of selecting mates—if not a true mating bond, then in spirit. She’d always thought it outlandish and strange. Unnecessary. - KOA, chapter 15

It even pairs nicely with the following quote, which @silverlinedeyes included in her discussion about true mates possibly being a bond type all of its own.

“After your mother never returned, your father was asked to couple with another young witch. He was the sole carrier of the Crochan bloodline, you see, and should your mother and you not have survived the birthing, it would end with him. He didn’t know what had happened to either of you. If you were alive, or dead. Didn’t even know where to look. So he agreed to do his duty, agreed to help his dying people.” Her great-grandmother smiled sadly. “All who met Tristan loved him.” Tristan. That had been his name. Had her grandmother even known it before she’d killed him? “A young witch was chosen for him especially. But he did not love her—not with your mother as his true mate, the song of his soul. Tristan made it work nonetheless. Rhiannon was the result of that.” - KOA, chapter 15

Those on their own were very interesting finds, but when we combine them with the now-canon fact that, per Silene's message, Prythian's Cauldron has indeed been corrupted, it shines the following passage from ACOMAF in an entirely new light.

The Cauldron was of our world, our heritage. But upon arriving here, the Daglan captured it and used their powers to warp it. To turn it from what it had been into something deadlier. No longer just a tool of creation, but of destruction. And the horrors it produced … those, too, my parents would turn to their advantage. - HOFAS, chapter 19

I held out my own glass for Mor to fill. “He does need unusual amounts of coddling.” Azriel choked on his wine, and I met his gaze—warm for once. Soft, even. I felt Rhys tense beside me and quickly looked away from the spymaster. A glance at the guilt in Rhys’s eyes told me he was sorry. And fighting it. So strange, the High Fae with their mating and primal instincts. So at odds with their ancient traditions and learning. - ACOMAF, chapter 56

So at odds with their ancient traditions and learning.

Feyre suggested the primal instincts of the high fae mating bonds - at least as they currently exist - were "at odds" with their ancient traditions and learning.

Does this not sound like we should be questioning everything, especially in light of the information we learnt in HOFAS, which confirmed what some of us had previously wondered about the Cauldron having been tampered* with? It makes me wonder what, exactly, made these two facets of the current high fae become so at odds with each other.

* Kudos to @fawnandshadows for that brainwave years ago!

Why can Azriel smell the bond between Elain and Lucien before it has been consummated? That shouldn't be possible, especially as - like Cassian - he simply "suspected" that Feyre and Rhys were mates in early ACOMAF. Unless there's something we don't yet know, Amren was the only one who knew without being told.

Further, why does proximity to the "bondmates" become too much for even such a hardened soldier to bear? This doesn't seem normal.

Why does the Cauldron's magic appear to be associated with oiliness?

It has to be the Cauldron's corruption, right?

What if Azriel has been right all along... what if the Cauldron was wrong?

So... Azriel and Elain Archeron?

We know that Azriel's shadows can hide him from binding magic, such as the contract Thesan created to keep the peace in the High Lords' meeting.

Azriel squeezed, Eris thrashing beneath him. No physical brawling—there had been a rule against that, but Azriel, with whatever power those shadows gave him … “Enough, Azriel,” Rhys ordered. Perhaps those shadows that now slid and eddied around the shadowsinger hid him from the wrath of the binding magic. The others made no move to interfere, as if wondering the same. - ACOWAR, chapter 45

@mrspettyferr has previously wondered if this part of the shadows' power could have been why a true bond didn't snap between Azriel and Elain while at Hybern, either when she was in/freshly out of the Cauldron (or with Mor previously, if it turns out they share some sort of bond); do his shadows hide him from the binding magic/contract of a mating bond? Especially as SJM has used the term "shackled." It is an incredibly interesting thought, as I had only ever considered this ability in terms of defensive magic, and is part of the reason why I first took note of the passage below. Of course, we still need to answer why a mating bond would generate with Lucien in the absence of Azriel's soul; was there some sort of external interference, such as the Cauldron itself, or is it simply part of the function of at least one of the hypothesised bonds to snap into place if the nearby match is "good enough" for strong children?

@wingedblooms and I have previously discussed the potential for an evolution of the current mating bond (here and here), and many theories exist about how the bond may be dissolved. Will it be Nesta or Elain who use the power of the Cauldron to unMake it; will it be Truth-Teller severing the Elucien bond, per sleepyliv and @riddlecrux; or did Lucien and his spell-cleaving heritage unintentionally pull their bond thread loose and begin its unravelling back in ACOWAR, as once suggested by @nikethestatue.

Assuming that whatever exists between Elain and Lucien can be unMade, of course, I wonder if Azriel's shadows/magic could contribute in some way towards him "selecting" his own mate in the future, after reading the following exchange.

“No one’s got any rope?” Bryce asked pathetically. She was met with incredulous silence. Bryce nodded to Azriel. “Those shadows of yours could take form—they caused that cave-in. Can’t you, like, make a bridge or something? Or your blue light … you seemed to think it could have restrained the Wyrm. Make a rope with that.” His brows rose. “Neither of those things is remotely possible. The shadows are made of magic, just very condensed. These”—he motioned to the blue stones in his armor—“concentrate my power and allow me to craft it into things that resemble weapons. But they’re still only magic—power.” - HOFAS, chapter 16

Cassian gawked at Azriel, and I wondered how often Azriel had lent out that blade— Never, Rhys said from where he finished buckling on his own weapons against the side of the wagon. I have never once seen Azriel let another person touch that knife. Elain looked up at Azriel, their eyes meeting, his hand still lingering on the hilt of the blade. I saw the painting in my mind: the lovely fawn, blooming spring vibrant behind her. Standing before Death, shadows and terrors lurking over his shoulder. Light and dark, the space between their bodies a blend of the two. The only bridge of connection … that knife. - ACOWAR, chapter 69

Why did we learn that Azriel's shadows cannot make any sort of "bridge" or "rope" (aka a cord of woven threads, which is very reminiscent of a mating bond) to reach across the gap? It seems pretty symbolic to me, and marries nicely with Truth-Teller being described as "bridging the gap" between Elain and Azriel in ACOWAR's pre-war meadow scene. Will Azriel's shadows or siphons be able to help nullify the Elucien bond somehow? What about creation?

Purification?

I know @wingedblooms and @ladynightcourt3, at least, join me in my suspicions that - similar to Yrene in KOA - Elain's magic/light could purify a Valg (or similar) infestation from Azriel's shadows, which we now know are really condensed magic. If this is possible, could Az's shadows - once purified by Elain, of course (assuming Valg or similar corruption to the Cauldron, with Elain as the "executioner") - help to bridge the gap between his and Elain's souls with his magic, to meet hers half way? Thereby having Azriel and Elain "select" each other as true mates, just like the witches in Erilea once did?

Why did SJM say that Truth-Teller was bridging the gap between the two? Was it because it had been charged with sunlight and/or Elain's own light enough to begin negating a possible Valg infection in Azriel's magic, or that it will be charged enough to do so at some point in the future? Or will Gwydion or Truth-Teller's magics help to cleanse the hypothetically corrupted Cauldron bond that currently exists between Elain and Lucien? There are so many possibilities going forward.

Whatever ends up happening, this all seems very symbolic. Especially once you add in all of the "purity language" (not my term) that SJM used between Elain and Azriel. Imagine the pay off if it was always suggesting that Azriel sensed Elain's light could cleanse his magic and free him from Valg (or other) corruption?

That would be amazing foreshadowing. Sorry.

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silverlinedeyes · 8 months ago

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Love you

Hahaha ONE DAY! Love you too ❤️❤️

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silverlinedeyes · 8 months ago

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Ooh things just got so interesting with that post from courtofmaas and your post prompted me to perform quick research.

1. Below the Edge of Darkness explores bioluminescence, which of course only truly manifests in the dark. In my research, it’s described as “cold light” as it produces less than 20% heat. Most of this light manifests as blue-green but, depending on the organism, can be in the red or yellow spectrum as well. The enzyme that compels the chemical reaction is called LUCIFERIN. Light that is emitted by certain fungi when decaying wood is called foxfire. The main uses for bioluminescence is to: hunt prey, defend against predators, and find mates. I think SJM is doing research on this bc the love “triangle” b/w Elain, Az, and Lucien.

2. The Once and Future Sex discusses the breaking of the mold of medieval women and essentially is a case study. VERY INTERESTINGLY, two of the women discussed are Eleanor of Aquitaine and Hildegard of Bingen. Eleanor was a queen and well known for learning the art of diplomacy and power brokering and demanding a divorce against the king, I’m sure among other things, illustrating the important of women life on their own terms. Hildegard of Bingen played the harp, was a nun (I’m not sure if canonized a saint, but the process had at least been started) and was well known for having “visions.” In retrospective studies, it’s believed that the visions were interpretations of auras that she saw while experiencing migraine headaches. She stood for mercy, peace, and love.

Elain’s book is 100% next. Azriel and Lucien will both play important roles in this book as accessories to her personal growth, but truly, it seems to me that light shines best in the dark. Like bioluminescence. And I can’t wait for the discussion on women’s roles in society and how Elain is going to break the mold.

Thank you so much for sharing all of this information and your excitement with me. 🥰 While those books could just be topics Sarah is interested in, it is fun to consider how they apply to her writing.

Bioluminescence is really fascinating to me, and given how important light is in all her series, I think it makes sense for Sarah to be exploring that topic (for fun and for research). One light that she continues to return to in her writing is Hope.

Hope is the only light that shines in the Void. The scene where that light of Hope is explained is thematically important, and it shows up in each sister’s journey and the friends they surround themselves with. When Elain asks about that light, the weaver explains:

The weaver explained to my sister, “I made it after I mastered Void.”

I stared at the black fabric that was like peering into a pit of hell. And then stared at the iridescent, living silver thread that cut through it, bright despite the darkness that devoured all other light and color. (acofas)

Hope is living light, just like bioluminescence is living light. It requires characters to face darkness, no matter what it is (a feeling, power, or place). When asked how she did it, the weaver goes on to explain:

“I have to create, or it was all for nothing. I have to create, or I will crumple up with despair and never leave my bed. I have to create because I have no other way to voice this.” Her hand rested on her heart, and my eyes burned. “It is hard,” the weaver said, her stare never leaving mine, “and it hurts, but if I were to stop, if I were to let this loom or spindle go silent…” She broke my gaze at last to look at her tapestry. “Then there would be no hope shining in the Void.” (acofas)

Since Hope is living light, it should be no surprise that it is connected to creation (and, in my interpretation, Wyrd—the mother to all, cauldron of life, and weaver of fate, and no I don’t get tired of saying that 😂). And it is no surprise that each sister engages in creation in various ways, especially Elain. She was pulled from her black pit of despair, a void, by Azriel when he figured out she was a seer. She began to create again soon after this scene with Nuala and Cerridwen, her newfound friends. And her first plan post-war is to build and restore gardens, bringing more life and beauty and joy to the world around her. She creates even though it is hard and her heart still hurts.

Beyond the clear theme of Hope and Void, I think it also has implications for Elain’s gifts. Elain’s strength lies in her ability to see life and beauty and joy where others cannot.

In dark and decaying things.

In scarred hands.

This strength is one of the reasons many of us think she was gifted with such powers, including access to a murky realm where dream and reality entwine. I’ve talked about how that murky realm might mimic the black depths of the Cauldron, which is the darkness of both a womb and a void (which now makes sense, knowing what we do about how the Asteri warped it). @offtorivendell and others have discussed the need for darkness in order to see light, and the same is true for bioluminescence. Sometimes, you have to turn out the lights to see the light and life around you.

I think that might be true for Elain’s gifts, especially when she is tracking down someone or something (she closes her eyes to look across the world, like mystics seem to do in CC). It would make sense that this power might be connected to tracking life in the darkness of her sight. Those with earthen magic are also able to sense natural channels of magic (ie, ley lines) in the world. They become uncomfortable in places where those channels are warped and the natural magic of the world cannot flow freely, restricting access to their life-giving magic. Many of us believe Elain was gifted this kind of magic, and it would explain her physical discomfort and deathly complexion in the Hewn City, where channels of the earth’s natural magic, of life. have clearly been warped.

This book could also have supported Sarah’s writing of adventures outside of Elain’s murky realm, in the very depths of the earth…where it is also as dark as the Cauldron. Like this sequence:

Bryce knew it wasn’t endless only because far, far below, water roared. A large subterranean river, if the sound was this loud even up here. Bits of spray floated from the darkness, the damp air laced with a thick, metallic scent—iron. There must have been deposits of it down here.

Nesta said with equal quiet, “That bridge is the perfect place for an ambush.”

“From who?” Bryce hissed.

“I haven’t lived long enough to know every horror in this world, but I can tell you that dark places tend to breed dark things. Especially ones as old and forgotten as this.”

Then Bryce’s star illuminated the rock framing the tunnel’s mouth.

She ran.

A teeming mass of things crusted the entrance, smaller than the beasts beneath the dungeon, but almost worse. Cruder, more leathery. Like some sort of primordial bat-lizard hybrid. Black tongues tasted the air between flesh-shredding, clear teeth. Like the kristallos, bred and raised for eons in darkness—

A few of the creatures leapt, swooping into the void below, off on the hunt—

The tunnel, the bridge, rumbled.

Bryce staggered, the drop looming sickeningly closer, and a white wave of panic blinded every sense—

Training and Fae grace caught her, and Bryce could have wept with relief that she hadn’t tumbled into that void. Especially as something massive and slimy lurched from below, the size of two city buses.

An enormous worm, gleaming with water and mud. A mouth full of rows of teeth opened wide and snapped— Bryce fell back on her ass as the worm caught three of the flying lizards between those teeth. Swallowed them all in one bite.

Her starlight flared, casting the whole cavern in light and shadow.

The creatures on the walls screeched—either at the worm or the light—flapping off their perches and right into the creature’s opening jaws. Another snapping bite, river water and metallic-reeking mud spraying with the movement, and more vanished down the worm’s throat.

Bryce could only stare.

Her eyes swept over Bryce in a warrior’s wary assessment. “What manner of power is it that you possess? What sort of light is this?”

Bryce slowly shook her head. “Light. Just … light.” Strange, terrible light from another world, she’d once been told.

From this world.

They crossed a stream, wide enough to be a river, but shallow and rocky all the way across. Her blazing star, thankfully, pointed to the tunnel on the other side. No swimming necessary this time. As they crossed, the star illuminated slimy white creatures slithering out of their path. Bryce reined in the urge to cringe down at them. Or at the iron-rich water scent that stuffed itself up her nose. She said, if only to distract herself from the gross fauna of the stream, “Did the Fae make these tunnels?”

Bryce’s starlight in the darkest depths of the earth has a few different purposes, including lighting her path and repelling certain creatures bred and raised in darkness. Since the Asteri buried many other secrets in the earth, we’re bound to explore them in the next acotar spin-off book.

Sarah returns to light and dark repeatedly across her series, especially when Elain and Azriel share scenes. One of the fandom’s favorites is when Sarah explicitly tells us that light and dark meet when their hands do, the legendary Truth-Teller a bridge of power between them. Power lies in the space between them, so what might happen if they bridge that space?

I saw the painting in my mind: the lovely fawn, blooming spring vibrant behind her. Standing before Death, shadows and terrors lurking over his shoulder. Light and dark, the space between their bodies a blend of the two. The only bridge of connection…that knife. (acowar)

Sarah reinforced that concept in hofas with this:

With a prayer to Cthona, she sent twin beams of light arcing around the prisms, shooting straight into them.

Twin bursts of that light flared from either prism, gunning for each other. Bands of light falling into darkness, her power stripped to its most elemental, basic form. They shot for each other, and where they met, light and darkness and darkness and light slamming into each other—

Bryce stepped into the explosion in the heart of it. Stepped into her power. It lit her up from the inside, lit up her very blood. Her hair drifted above her head, pens and papers and other office detritus flowing upward with it.

Such light and darkness—the power lay in the meeting of the two of them. She understood it now, how the darkness shaped the light. (hofas)

I cannot wait to see how this comes into play in the next book, especially as we explore dark places like Elain’s sight, the womb of the earth, subterranean waterways, etc.

The other book, The Once and Future Sex, also sounds interesting and applies to Elain’s story so well. In a discussion of the book, the author talked about the importance of social constructs—and how social constructs can be deconstructed. It makes me think about Elain’s upbringing and role, and how she is perceived by others. There are so many assumptions made about her character and they are sometimes contradictory. I think that was purposeful and we’re in for some surprises related to her character. Sarah reinforced that in different ways in the original series, first spin-off book, and bonus chapters. Turns out, sweet and proper Elain has claws after all and she isn’t afraid to make a move on the fearsome shadowsinger and spymaster. I know not everyone agrees, but I for one find that very interesting.

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silverlinedeyes · 9 months ago

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More precious than soldiers, than any weapon.

@silverlinedeyes’s post reminded me of one of my favorite revelations in tod. I discussed it in the witch series a while ago, but I’m talking about it again because the language is strikingly similar and could be relevant for Elain’s role in acotar. When Yrene and Chaol visit the Oasis, we learn this:

Yrene turned in place, surveying the pillars, the carvings. No caves—none at all. “Nousha knew the location, though,” she mused. “It must have been important—the site. To the Torre.”

“But its importance was forgotten over time, or warped. So that only the name, the sense of its importance remained.”

“Healers were always drawn to this realm, you know,” Yrene said distantly, running a hand over a column. “The land just … blessed them with the magic. More than any other kind. As if this were some breeding ground for healing.”

“Why?”

She traced a carving on a column longer than most ships. “Why does anything thrive? Plants grow best in certain conditions—those most advantageous to them.”

This land was important, but the reason why it important was warped or forgotten over time. Healers were drawn to it and the land blessed them with healing magic more than any kind. We know there is a deep connection between the magic in the land and the magic of those who inhabit and care for it across the Maasverse (and that was likely emphasized in hofas because it has implications for acotar). This description of the southern continent reminds me of the healing land in the Night Court, with its slumbering heart and its full history and purpose forgotten. The peaks like green hands cupping healing waters.

As their exploration continues in tod, Chaol begins to suspect that the Fae settled on the southern continent to hide something, a treasure of a different sort.

Chaol said, “I thought only one group of Fae ever left Doranelle—to establish Terrasen with Brannon.”

“Maybe another settled here during whatever this war was.” The first war. The first demon war, before Elena and Gavin were born, before Terrasen.

Chaol studied Yrene. Her bloodless face. “Or maybe they wanted to hide something.”

Yrene frowned at the ground as if she could see to the tombs beneath. “A treasure?”

“Of a different sort.”

She met his eyes at his tone—his stillness. And fear, cool and sharp, slid into his heart. Yrene said softly, “I don’t understand.”

“Fae magic is passed down through their bloodlines. It doesn’t appear at random. Perhaps these people came here. And then were forgotten by the world, forces good and evil. Perhaps they knew this place was far away enough to remain untouched. That wars would be waged elsewhere. By them.” He jerked his chin to a carving of a Valg soldier. “While the southern continent remained mostly mortal-held. While the seeds planted here by the Fae were bred into the human bloodlines and grew into a people gifted and prone to healing magic.”

“An interesting theory,” she said hoarsely, “but you don’t know if it could stand to reason.”

“If you wanted to hide something precious, wouldn’t you conceal it in plain sight? In a place where you were willing to bet a powerful force would spring up to defend it? Like an empire. Several of them. Whose walls had not been breached by outside conquerors for the entirety of its history. Who would see the value of its healers and think their gift was for one thing, but never know that it might be a treasure waiting to be used at another time. A weapon.”

“We do not kill.”

A treasure of a different sort. Or what one might call a different kind of strength.

Later, when Yrene and Chaol confront the Valg princess beneath the Torre, their suspicions are confirmed:

“Why are you here,” Yrene breathed. “What do you want?”

“You.”

Chaol’s heart stumbled at the word. Duva straightened. “The Dark King heard whispers. Whispers that a healer blessed with Silba’s gifts had entered the Torre. And it made him so very, very wary.”

“Because I can wipe you all out like the parasites you are?”

Chaol shot Yrene a warning glance.

But Duva plucked the dagger off her womb and studied the blade. “Why do you think Maeve has hoarded her healers, never allowing them to leave her patrolled borders? She knew we would return. She wanted to be ready—to protect herself. Her prized favorites, those Doranelle healers. Her secret army.” Duva hummed, motioning with the dagger to the necropolis. “How clever those Fae were, who escaped her clutches after the last war. They ran all the way here—the healers who knew their queen would keep them penned up like animals. And then they bred the magic into the land, into its people. Encouraged the right powers to rise up, to ensure this land would always be strong, defended. And then they vanished, taking their treasures and histories beneath the earth. Ensuring they were forgotten below, while their little garden was planted above.”

“Why,” was all Chaol said.

“To give those Maeve did not consider important a fighting chance should Erawan return.” Duva clicked her tongue. “So noble, those renegade Fae. And thus the Torre grew—and His Dark Majesty indeed rose again, and then fell, and then slept. And even he forgot what someone with the right gifts might do. But then he awoke once more. And he remembered the healers. So he made sure to purge the gifted ones from the northern lands.” A smile at Yrene, hateful and cold. “But it seems a little healer slipped the butcher’s block. And made it all the way to this city, with an empire to guard her.”

Yrene’s breathing was ragged. He saw the guilt and dread settle in. That in coming here, she had brought this upon them. Tumelun, Duva, the Torre, the khaganate.

But what Yrene did not realize, Chaol instead saw it for her. Saw it with the weight of a continent, a world, upon him. Saw what had terrified Erawan enough to dispatch one of his agents.

Because Yrene, ripe with power and facing down that preening Valg demon…

Hope.

It was hope that stood beside him, hidden and protected these years in this city, and in the years before it, spirited across the earth by the gods themselves, concealed from the forces poised to destroy her.

A kernel of hope.

The most dangerous of all weapons against Erawan, against the Valg’s ancient darkness.

What he had been brought here to retrieve for his homeland, his people. What he had been brought here to protect. More precious than soldiers, than any weapon. Their only shot at salvation.

Hope.

The ancient Fae planted a weapon of a different sort—healing magic—in plain sight so that it could be used to protect the most vulnerable from the Valg. They made sure the right powers would rise up and thrive under the right conditions, like plants in a little garden. It could be a coincidence, but we’ve only heard that phrase used elsewhere in reference to Elain:

The little garden beneath the window was hers: every bloom and shrub had been picked and planted by her hand; she would allow no one else to care for it. Even the weeding and watering she did on her own. (acotar)

"Why?" Elain demanded. "Shall I tend to my little garden forever?" When Nesta flinched, Elain said, "You can't have it both ways. You cannot resent my decision to lead a small, quiet life while also refusing to let me do anything greater." (acosf)

It’s a dismissive phrase meant to belittle the efforts of both the ancient healers and Elain. But in tod, Chaol sees the importance of those efforts and what they ultimately represent for the future: Hope. Hope is more precious than soldiers, than any weapon. And in tod, Hope took the form of healing magic (and is generally connected to healing across the Maasverse). Yrene didn’t need extensive warrior training or to wield a sword; her raw healing power—a weapon of a different kind—was the sword.

Which ultimately brings me back to the questions Sarah planted in acosf. Why, exactly, were all of the Archeron sisters reforged with mighty powers? Why have they been brought to the most powerful court, surrounded by the most powerful warriors? What are they still meant to accomplish together?

We cannot answer those questions without understanding the mysterious gifts of the third sister. Elain has a different sort of strength than her sisters and for some reason, she was given such powers by Wyrd. Maybe her powers are a different kind of weapon that are needed now to address an ancient and familiar enemy. One that buried its secrets beneath the earth and warped the magic of the land to their benefit.

#I love this so much #as usual can’t wait for Elain’s book #hope #acotar #cc #SJMCU #crossover theories

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