due to systemic oppression, usamerican leftists don't currently have the political power to instate a leftist president. we do, however, have enough power to make one of two candidates lose the election. we could use this power to make the white supremacist lose to the black woman, or we could use it to make the black woman lose to the white supremacist. the obvious choice for leftists would be to prioritize making the white supremacist lose, but tumblr users have devised a loop hole, where they agitate primarily for making the black woman lose, but omit the detail about who she would be losing to. this makes their stance more palatable to people who correctly believe that having a white supremacist president would be the worst possible outcome.
You know what, since I'm thinking about it anyways, let's talk formalwear accessories. Most of these are traditionally menswear but a bit of gender fuckery is good for the soul, and frankly most of these are about making your mass-produced clothing fit and lay properly without having to go to the tailor.
Shirt stays: these go around your thighs to hold your shirt down, so that it stays smooth and tucked in. They're usually elastic, with 1-3 clips, and if you wear skirts frequently this is a GREAT way to make sure your top doesn't ride up. The clips will be visible if you're wearing something tight, so loose pants or skirts are where these do best. There's also an insane version that clips to your socks, but that is for lunatics. If you wanted, you could also use one of these clips to hold up thigh-highs.
These do a great job of smoothing and narrowing the waist area by keeping your shirt from bunching there.
Sleeve garters: usually metal, leather, elastic, or silk. These are usually worn with button-down shirts to adjust where your cuff falls on the wrist or hand. They're properly worn on the upper arm, and you pull the fabric of the sleeve above the garter until you cuff is where you want it. Because this creates a puff of sleeve at the bicep, it also broadens the appearance of the shoulders. It's great if you're working with your hands or if your sleeves are often too long for your preference.
Waistband clip or belt adjustment clip/buttons
Three different ways of tightening the waistband of a pair of pants or a skirt. You're not going to get more than an inch or so tighter without weird bunching, and for most of these you'd want them to be hidden under a shirt or jacket, but they do the job if that's something you're having issues with.
Collar pins: There are so many fun ones out there, both with and without chains. They're not terribly practical, though the slight weight may help keep your collar where you want it. Also consider collar tips, which pin (surprise) to the very tips of your collar points.
Sweater clips/guards: meant to hold your sweater or cardigan mostly closed. Great if your cardigan doesn't button, or if you don't like it to be buttoned all the way.
There's tons of other stuff out there like this--etsy is a great place to find this stuff. A lot of these are old solutions to the very modern problem of mass-maufactured clothes not being as one-size-fits-all as advertised, but they're also a fun way to put a bit of personality into businesswear.
The woodwork at the end is my favorite. Simply delightful.
Hauteville House. Part 1
I’ll start with the oriental motifs in the interior of Hauteville House. Hugo was one of the intellectual founders of orientalism: though he never travelled to the East, he held strong opinions about it and was never shy in sharing them. The entire house is a curious mixture of oriental and gothic elements. He had a particular love for low divans inspired by Muslim interiors—they’re everywhere. But the strongest sense of oriental influence is felt in the so-called Red and Blue Rooms, both designed as sitting rooms.
The Red Room evokes a theatre and was partly inspired by Hugo’s childhood in Spain, but it also features African figures and Asian ornaments. The Blue Room, on the other hand, is covered with damask and adorned with chinoiseries. Hugo and his son scoured shops on Guernsey and in England for various pieces of Chinese furniture. A beautiful set of blue and gold glass-bead embroideries, originally bought for his lover Juliette Drouet (who lived next door), adds a stunning touch to the room’s decor.
This mixture of oriental and gothic aesthetics is present throughout: a medieval mirror against Chinese wallpaper, and Chinese figures above the entrance of his eclectic Delft-style dining room.
A gift from Hugo’s close friend, Alexandre Dumas, a bronze scent burner.
My favourite orientally-inspired piece is the two wooden panels in Hugo’s private room. He personally carved a story of a knight and a dragon (reminiscent of St. George's legend) for his grandchildren. The dragon itself is very oriental—it was inspired by another piece of Chinese furniture on the ground floor of the house. He used to tell his grandchildren stories about the dragon, and then he carved and painted it. The panels feel strikingly modern, almost Art Nouveau. You can even see Hugo’s initials carved in the lower corner.
Or as Strunk and White said in Elements of Style (to the best of my memory), "Feel free to ignore everything in this book rather than write something inelegant."
It's weird how geological time works. Eras start and end bit by bit over the course of hundreds of thousands of years. That sounds like a big uncertainty but that sort of timescale, on which the climate can overhaul itself completely and entire species rise and fall, is instantaneous compared to the age of the earth. Any hypothetical sentient creature would have no idea it was living through a major turning point. The Silurian slid into the Devonian as land plants became A Thing and insects started to wonder if 'pilot' might be a good career path, but there was no one moment when one thing ended and another began. That's not how that works...
... except for the Cretaceous. The Cretaceous had a Last Day and it was probably in April, and then the next day it was the Paleogene.
As someone who works with social history for a living, I feel like I’m the aggressive opposite of an anti-vaxxer
I fucking LOVE vaccines, friends. Give me the science stab. I’m so ready. it’s a beautiful day to not die of a Bajillion and one diseases that carried off like half the population before they had even reached age 10, and a significant portion before they made it to old age, 150 years ago
I go to the old cemetery. I see the vast numbers of infant and child and young adult graves. And then I go to my doctor and get injected with Potion of Fuck That Noise. This is beautiful and miraculous and I do not remotely understand how some people can reject it – not just for themselves, but for their children
The Daisy story has made me realize I have a piece of advice for my younger followers. When we are in school, those of us who are different, we are often bullied. People are mean to us because of who we are. We patch over those wounds as we go out into the world with our scars.
But when you enter college, the workforce, the military, a food service job, whatever, people are going to be mean to you for an entirely different reason. Not because of who you are but because of what you are. And what you will be is new. New to the team, new to the job.
When you are new to an assimilated group of people working towards a common goal you represent a liability. You are by default not pulling your weight and everyone knows it. You don’t know the rules and the rhythms.
So humans as a collective developed hazing. Across time and cultures people decided to be dicks to newcomers. It’s usually petty suffering inflicted because the core group wants to see what you’re made of. How you’ll handle mishaps and adversity. They need to know if you’re someone they can count on and the fastest way to do that is through aggression.
The biggest mistake you can make in that situation is to automatically assume they’re being mean because of who you are. They might be! People are shitty sometimes! But it’s worth reflection because it’s much more likely that it’s just generalized spite trying to reveal your character. I’m not saying bullying doesn’t happen in work places or that you should put up with people being a dick to you but this is just a phenomena I’ve seen over and over.
We didn’t dislike Daisy as a person when we pulled our prank. We disliked that we couldn’t count on her. We got yelled at for pizzas that she fucked up, we got yelled at when she was going too slow. We as a team bore the brunt of her ineptitude and so we as a team tried to vent it back to her. Daisy then showed us what she was made of.
What she was made of was just sunshine and buttercups and amazing good temper. We understood then that she needed tasks that weren’t as fast paced but rather customer facing because her positive attitude made up for her lack of hustle.
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