sirkeanureeves

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etozheques

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Stanley Kubrick

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Ulla Von Brandenburg,

C, Ü, I, T, H, E, A, K, O, G, N, B, D, F, R, M, P, L, II, 2019

Tissus teints, cordes, film super 16 mm, couleur, son (10'), dimensions variables

Meyer Riegger, Berlin/Karlsruhe ; Pilar Corrias Gallery, London and Produzentengalerie Hamburg

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Lindsay Elizabeth Warner

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St Wendreda is a 14th-century church famous for its “angel roof”, featuring 120 carved figures of martyrs, apostles, saints, and angels. The ornaments were created either at the end of the 15th century or in the first quarter of the 16th century.

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Francis Giacobetti - Pirelli Calendar (1971)

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Where is everybody? José Manuel Ballester

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thinking about edvard munch's "The Sun" (1911)

like yeah thats how it feels. thats what it feels like to exist sometimes. he gets it

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Koen van den Broek (Belgian, 1973), Spring, 2008. Oil on canvas, 166 x 110 cm.

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René Magritte

La lunette d’approche (The Telescope), 1963

Oil on canvas.

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Armored breastplate crafted by Filippo Negroli (fl.1532-51), made of metal. Currently part of the collection at the Museo Nazionale del Bargello, Florence, Italy.

The breastplate hails from a period when armor was evolving not just as a tool of war but as a symbol of prestige and personal expression. During the Renaissance, Italian armorers like Filippo Negroli brought new artistic vision into the field. This period saw the development of highly decorative armor intended for parades, tournaments, and ceremonial purposes rather than the battlefield. Armor became a status symbol, worn by the elite and often featuring mythological or naturalistic designs.

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saints

Hours of Louis de Laval, France ca. 1480

BnF, Latin 920, fol. 180r