I'm a Black woman. A fangirl. And I'm always sleepy. she/her | My side blogs are @sfg18detour @SFGescape @blackfemmesurvival. I've gotten tired of tagging stuff 😖Archives
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"we're at war with the middle east now" you never stopped being at war with the middle east you idiots.
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Sloths aren’t lazy; they’re just saving their energy. Today, that energy is released.
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Here’s a surprise comic specially made just for make a terrible comic day!
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if you’re a white creator and your brown/black characters are always sassy, reckless, aggressive or cold and your white characters are always soft, demure, shy and introverted you should think about maybe why you did that
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Lmaooo 😂💀😭

I thought yall would find humor in this 😂@nahimjustfeelingit-writes @spookysanta
@jazziejax @soufcakmistress @miyuhpapayuh @chromehoney @maugustiee
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Okay, so when people try to speak on BIPOC's involvement in queer history, it is often simplified into just being about individual people like Marsha P. Johnson. While I am never going to say we should talk less about Marsha, I think it would be worth exploring more how BIPOC have a queer history of their own and often it's outside of just the context of the United States of America.
Prioritizing certain stories from QTBIPOC, can slip fairly quickly into erasure. So here is a reminder: colonial powers benefit when we only focus on individuals and erase the long complex queer histories of cultures that have been colonized. Cultures and communities that have been colonized deserve space in our discussions of queer history.
Maybe next time you hear someone boil down queer BIPOC's impact on the queer culture to the same short list of names, maybe question that. Challenge yourself to learn about lesser known stories, and even try to open yourself up to learning about cultural histories of queerness rather than just reading stories that are individual based.
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the main problem i have with america is that nothings old as hell there. i cant be so far away from a castle it damages my aura
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