snazzyarts-blog
snazzyarts-blog
Performing Arts
32 posts
Studying Perfroming Arts @ DMU.
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snazzyarts-blog · 9 years ago
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Use of projection mapping
Performance Art
Exploring ideas
Telling a story
Portraying an idea
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snazzyarts-blog · 9 years ago
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snazzyarts-blog · 9 years ago
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snazzyarts-blog · 9 years ago
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His body language is another sort of art
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snazzyarts-blog · 9 years ago
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Border
Project from Elevenplay and Rhizomatiks is a mixed reality dance performance featuring robotic wheelchairs, custom HMDs and dancing in both the real and the virtual:
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“border” is an innovative style of dance performance since it consists of the participation of both dancer and audience. Audiences are able to feel the installation space with their senses by riding personal mobilities all controlled by the system. 10 WHILLs -the personal mobility audiences ride- are prepared, so that 10 people can join at one time of the performance. This means, audiences who do not ride WHILL can enjoy the stage from outside of the performance area. Those who rides WHILL, put on headset formed display of virtual reality at first, and the small camera is set up on the surface of that display. These WHILLs are controlled by the system through radio wave, so that people cannot control them directly, and 10 WHILLs move on the stage in each speed and movement  by the control of automatic computer programs. “WHILL” is produced by the WHILL Inc.
With the start of dance performance, audiences can see the virtual space of the stage through the display they put on, and also the real scene through the camera set up on the headset formed display. AR, augmented reality, enables people to enjoy both scenes of virtual and real, so that they can appreciate the stage from each point of view while each WHILL moves around. On the stage, some dancers of ELEVENPLAY share the space with WHILL, and perform their dance. In the AR, the seamless transition of real movements of real dancers and virtual movements of virtual dancers on the data, are showed to audiences on the WHILL. Then audiences can be greatly excited by the both worlds of spatial and physical expression. Since real dancers touch audiences sometimes, they may be pulled back to the real space, and realized themselves as the real physical existence. This installation space will be presented as one that can be appreciated from outside of the stage as well.
Here is a view of the whole performance from the outside:
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More Here
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snazzyarts-blog · 9 years ago
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A short piece I did at sixth form with the trestle basic masks to Lana Del Rays - Honeymoon.
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snazzyarts-blog · 9 years ago
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Trestle basic mask.
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snazzyarts-blog · 9 years ago
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PANTOMIME
Early Pantomime!
Originated in Italy in the 1500s
Originally they would also wear leather half masks
Included a lot of dance, music, acrobatics, tumbling and buffoonery
Buffoonery -  behaviour that is ridiculous but amusing.
Tumbling - perform acrobatic feats, typically handsprings and somersaults in the air.
Originally they would also wear leather half masks.
Traditions
Children were able to preform
Men dressed up as women - these are called pantomime dames
Women dressed up as men on stage
Women that played mens’ roles were called principle boys
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snazzyarts-blog · 9 years ago
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Silent masks were used to great effect, particularly on child actors, expressing powerlessness, bewilderment, vulnerability, etc.
https://greektheatre.wordpress.com/home/
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snazzyarts-blog · 9 years ago
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Commedia dell’ Arte Masks
Some of who and what the masks were...
Arlecchino (Harlequin) - poor character, always hungry and with no money… hippie but he is witty. Brighella - more roguish and sophisticated, coward villain, would do anything for money! Il Capitano - professional soldier—bold. Il Dottore - caricature of learning. Pantalone - rich and retired, mean and miserly, with a young wife! Pulcinella - dwarfish humpback with a crooked nose, the cruel bachelor who chased pretty girls.
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snazzyarts-blog · 9 years ago
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Manuel Valencia, mask maker, Sevina, Michoacan, Mexico./ Manuel Valencia, mascarero, Sevina, Michoacan, Mexico
Contacto (cellular): 452 526 6881
Photography @ Florence Leyret Jeune
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snazzyarts-blog · 9 years ago
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Trestle Masks
It was created in 1981
ORIGINATED IN BRITAIN
It was established by three students, they all met at university
Basic Masks
Used as an introduction to people which know little or nothing about performing with masks.
Highly entertaining! - ‘hilarious presence’
Through mask work you include the following techniques: physicality, focus and improvisation.
Masks are extremely useful for actors trying to improve character creation
8 separate character masks
handcrafted
Intermediate Masks
more than one expression
begin to look more human
exist to develop the knowledge you gained from using the basic masks
can achieve a more naturalistic performance 
‘diverse array of characters’
only 8 masks
Advanced Masks
hand painted set
strong character types
present higher range of emotions
look extremely human like - shape and colour
array of different colours, unlike basic and intermediate 
notable change around the eyes and mouth - more detail 
there is 18 different advanced masks
Trestle also created half masks, this allow the actor to talk, unlike the other full masks that prevent you from speaking, these are an introduction to Commedia dell’arte.
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snazzyarts-blog · 9 years ago
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snazzyarts-blog · 9 years ago
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(2013) Perfromance Studies: An Introduction, Richard Schechner
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snazzyarts-blog · 9 years ago
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Our second performance. The build up to it was quite hectic as we only had a few lessons with with everyone but we managed to put the whole performance on in time. 
source- vimeo.com 
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snazzyarts-blog · 9 years ago
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Bibliography
Websites
http://italian.about.com/od/italianculture/fl/What-You-Need-to-Know-About-Commedia-dellArte.htm (20/1/17)
http://www.trestle.org.uk/about-trestle/history/ (19/1/17)
http://www.trestle.org.uk/mask-shop/half-masks/ (19/1/17)
http://www.trestle.orh.uk/mask-shop/intermediate-masks/ (19/1/17)
http://www.trestle.org.uk/mask-shop/advanced-masks/ (19/1/17)
http://www.trestle.org.uk/mask-shop/basic-masks/ (19/1/17)
https://en.oxforddictionaries.com/definition/performance (19/1/17)
http://www.forcedentertainment.com/about/ (15/1/17)
https://space.org.uk/2014/08/04/what-is-immersive-theatre/ (15/1/17)
http://the-artists.org/artistsbymovement/site-specific-art (1/12/16)
http://etheses.bham.ac.uk/3510/2/Gleave_12_MPhil.pdf (1/12/16)
Photos
https://www.google.co.uk/search?q=shakespeare+his+wife+and+the+dog&safe=strict&client=safari&rls=en&biw=1440&bih=718&source=lnms&tbm=isch&sa=X&ved=0ahUKEwi-9eKW2dHRAhVM2xoKHRXKAioQ_AUIBigB 
Books
(2013) Perfromance Studies: An Introduction, Richard Schechner
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snazzyarts-blog · 9 years ago
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The Hitchhiker’s Guide to The Family
“Everyone’s dad exists as a kind of statue, frozen in a certain pose. Mine is wearing his cream and black mac, standing in the rain watching football or cross country…it doesn’t matter which: it was muddy, and he was there.”
WRITTEN AND PERFORMED BY BEN NORRIS.
https://twitter.com/BenNorris7
Teaser Trailer - https://www.youtube.com/watch?v=wkwZywNipgI
MARVELOUS!
I really enjoyed this piece, it was performed at Upstairs at the Western (Leicester's first Pub theatre) meaning it was quite a cosy show, minimum of 20 people. It was quite personal, to the point where he even gave out a KitKat and coffee, he also took a sip of an audience member beer when he started to loose  his voice. 
I totally recommend this show!
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