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photographer: Guillaume Le Guillou
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photographer: Guillaume Le Guillou
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photographer: Guillaume Le Guillou
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by Travis Rice
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photographer: Andrew Miller
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photographer: Andrew Miller
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Je me cherchais, je croyais me connaître, je me perdais de vue, je courais à ma poursuite, je me retrouvais hors d’haleine. À peine subissais-je un charme que je me dressais à le contredire.
Jean Cocteau
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source: Natural Selection Tour
photographer: Tom Monterosso
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source: Natural Selection Tour
photographer: Tom Monterosso
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by Andrew Miller
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photographer: Guillaume Le Guillou
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photographer: Guillaume Le Guillou
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“Sometimes my mind goes kind of crazy about skiing and I ask myself, what if...?” - Markus Eder
What if you could link every powder turn, every rail, every cliff drop, every comp run and every kicker nailed into one ultimate run? Well, Markus Eder did just that in ‘The Ultimate Run’!
This is Markus’ Opus Magnum, a medley of face shots, massive tricks and even bigger drops, which was documented by Innsbruck based production company Legs of Steel over the past two years.
Markus has been visualizing the ultimate run since 2015. It may look like a simple undertaking in the final edit, but for arguably the most versatile skier on the planet, it meant taking his skill levels in every form and style of contemporary freeskiing to the next level.
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Frank Hurley is an icon of Australian documentary photography and Antarctic exploration.
In 1911, Hurley began his Antarctic career by persuading Douglas Mawson to employ him as official photographer on the 1911–14 Australasian Antarctic Expedition (AAE). Hurley’s famous motion picture images of expeditioners being driven backwards by the strength of the katabatic winds at Cape Denison captured the day-to-day hardships and heroism of life in the Antarctic. He used a hand-crank movie camera, the Debrie Parvo L 35mm, to document expedition activities. Hurley took part in a record-breaking sledging journey to the South Magnetic Pole (averaging 66km per day) and filmed key events along the way.
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