sodelusional

[sodelusional]

Marilyn Monroe photographed by Bert Stern, 1962.

[sodelusional]

Los Angeles, February 1947. “Young upcoming Hollywood starlet Marilyn Monroe practicing in dance class.” Photo by J.R. Eyerman.

[sodelusional]

Alain Delon in Plein Soleil (dir. by René Clément, 1960).

[sodelusional]

By the time she was two, Matilda had learned what most people learn in their early thirties: how to take care of herself.

Matilda | 1996 | dir. Danny DeVito

[sodelusional]

Steve McQueen photographed by William Claxton, 1964.

[sodelusional]

[sodelusional]

Keira Knightley and husband James Righton attend a dinner hosted by Valentino Garavani celebrating #ValentinoLaTraviata in Rome (21.05.2016)

[sodelusional]

[sodelusional]

Natalie Wood photographed by Angelo Frontoni, 1964.

[sodelusional]

[sodelusional]

“Money Monster” Star Jack O'Connell Atop the Empire State Building Behind The Velvet Rope | Jack confirms that he’s going to be in a Netflix original, “Godless” by Steven Soerbergh and Scott Frank

[sodelusional]

[sodelusional]

[sodelusional]

[sodelusional]

I ain’t sorry…

[sodelusional]

This unseen house on the river is, Jerry Brown has said, “not my style.”

As a matter of fact, this is precisely the point about the house on the river -- the house is not Jerry Brown’s style, not Mary McGrory’s style, not our style -- and it is a point which presents a certain problem, since the house so clearly is the style not only of Jerry Brown’s predecessor but of millions of Jerry Brown’s constituents. Words are chosen carefully. Reasonable objections are framed. One hears how the house is too far from the Capitol, too far from the Legislature. [...] One hears every possible reason for not living in the house except the one that counts:it is the kind of house that has a wet bar in the living room. It is the kind of house that has a refreshment center. It is the kind of house in which one does not live, but there is no way to say this without getting into touchy and evanescent and finally inadmissible questions of taste, and ultimately of class. 

-Joan Didion, The White Album 

[sodelusional]

This is the Most Kobe Bryant Photo of All-Time: Champion. Alone. Unsatisfied. Thinking about the next one. 

Thank you, Kobe.