sojsozhehexo

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Manhattan Midnight, Ellison Hoover, 1940

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랜덤으로 주제를 업어와서 글을 써야겠다.

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좀 더 풀어진 글을 쓰고 싶다

좀 더 만져지는 글을

좀 더 실제와 같은 글을

좀 더 실제인 글을

실제를

실재를.

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“Under the gaze of Clarice Lispector, every event hatches; the ordinary opens up and shows its treasure, which is, precisely, ordinary. And suddenly like a storm — of wind, of gunfire, of teeth: life arrives.”

— Hélène Cixous, “Coming to Writing” and Other Essays

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Everything has changed

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#propheticmessage

“Things which matter most must never be at the mercy of things which matter least.”

— Johann Wolfgang von Goethe

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#hope :)

“There are far, far better things ahead than any we leave behind.”

— C. S. Lewis

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He who seeks nourishment from that which does not nourish reels from desire to gratification and in gratification he is left only craving desire

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There is no fixed “I” and in knowing this I don’t feel drawn towards the repression of my own emotions anymore, in not repressing my emotions I have built an endless well of self trust and in building self trust I don’t feel the need to turn my emotions into a performance for others to witness because there is a true center that is not solely rooted in the “I”.

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“You must love in such a way that the person you love feels free.”

— Thich Nhat Hanh

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“So please ask yourself: What would I do if I weren’t afraid? And then go do it.”

— Sheryl Sandberg

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“The esthetic of lapsed or fallen conception tends to separate the artist off from society and posits him or her as intellectual superman. At the same time, it urges the artist toward a glitzy, virtuoso, but (by contemporary esthetic standards) conservative esthetic surface, which must constantly awe the general public. The esthetic of dictation from an Other tends to democratize the artist, making her or him just another human being, who happens to have a line to the unknown. At the same time, it encourages variation, experimentation, a less virtuoso esthetic surface, a less conservative esthetic, and more acceptance of a greater range of concepts and techniques.”

— Samuel R. Delany, “The Politics of Paraliterary Criticism”

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“The more you hide your feelings, the more they show. The more you deny your feelings, the more they grow.”

— Unknown

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The Original Names of Famous Brands and Products

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