somethingshieet - Tumblr blog

[somethingshieet]

"You are beautiful" Princess Mononoke's scene but bonrin, or whatever

[somethingshieet]

[somethingshieet]

homgofhgmsohgakgj oh? you want some watermelon? slurp sbhgksjhgomf sure, just let me finish this slice sofojgmfmgomfhgsmf i'll cut one for yout omgffjomgmgomg

[somethingshieet]

[somethingshieet]

thinking about how shiro technically raised rin and yukio as christians is so funny when you consider who their birth father is

[somethingshieet]

Fire fall

[somethingshieet]

Fire fall

[somethingshieet]

Is Mephisto still playing both sides?

After the latest chapter, I kept thinking about what Iblis had said. She is on Satan's side, and therefore, her powers are getting stronger.

What about Mephisto?

Is he not on Satan's side? Of course not; we think he's on our side!!

BUT

He did offer to make Satan a body. Lucifer beat him to the punchline, but Lucifer's clone body died along with Satan. So, does that mean that Mephisto is still in play with Satan? Did his father give him another chance?

I hate this theory, but I am bringing it forward.

Mephisto is still playing both sides, with Rin and Yukio being the key to Satan's new body. Or is he playing Satan, knowing that Rin and Yukio might be Satan's foil? I hate the pun but Time will tell.

The first clue we get is that somehow Mephisto survived inside Satan's innards after the big kaboom. Satan spared his life. Satan was looking for a body and absorbing everything in his path, but not Mephisto.

After he escapes, the first thing he sets out in search of is Rin and Yukio. His most valuable chess pieces. The statement he asks Rin, is it a warning, or is he asking him a valid question he is considering.

The next clue. Mephisto mapped out Satan's lair to help the exorcist teams get closer to Satan's heart. Yet, each challenge kills more and more exorcists, leaving the boys less guarded. He has no issue killing valuable chess pieces; he is a demon. He doesn't care about collateral damage until his results are achieved. (Shura has been spared for now...Mephisto still needs her for something)

When Rin and Yukio first tackle the maze, only Rin and Yukio can scale the wall together with their combined powers. That is no accident. When they finally enter the labyrinth, that arrow leading to the escape door (that portals them forward) looks like the sharp end of a clock arm—a symbol of Mephisto's.

Is this why Mephisto isn't helping Rin and Yukio? Has he set up the chessboard to help get the boys closer to Satan's heart? The weird portals, gateways, and doors are in the realm of Time and Space. Neuhaus alludes that they do not have Time on their side. I tend to believe him.

Time is trying to stay neutral, but he's still attempting to pick sides. And I think, in the meantime, he's regaining all of his power and then some. Quite possibly pretending to win Satan's favour to regain his ability to fight.

Or....he's been helping Satan this entire time.

It boils down to the age-old question.

Do we trust him?

[somethingshieet]

Sir, your husband is a genius

[somethingshieet]

Blue Exorcist 15th anniversary event in collaboration with Ghost Stories, with Nobuhiko Okamoto and Ghost Stories Teller in Appearance!

[somethingshieet]

Future trio AU

[somethingshieet]

source

[somethingshieet]

LET'S TALK ABOUT LOKI'S SHOES (ACTUALLY, HIS WHOLE WARDROBE)

Production costs aside, clothes tell the audience about how characters think of themselves.

Loki's shoes in the S2 finale raised a lot eyebrows, but I find them quite fitting: they are comfortable, practical, and most importantly, they are humble. The camera brings this to our attention to communicate his evolution in character.

Loki has always dressed well, often times ostentatiously. Whether he is at war, passing as a Midgardian, or held captive as an Asgardian prisoner, Loki communicates his social class and sense of superiority through clothing. For him, clothing armors his fragile sense of self and against others' opinions of him. He intends to be perceived as deadly charming but ultimately unapproachable.

His attire in the first Thor movie is roughly equal parts green and gold, signifying his royal status. His style is dressed down for his brother's misadventures in Jotenheim, yet overall both silhouettes are lofty, princely, but not hardened or threatening.

In Avengers, Loki's look has more black and leather, with exaggerated emphasis on his shoulders meant to intimidate as he assumes the role of villain. The silhouette is very hard, heavy, and edgy. Gold detailing is prevalent as well. Combined with the goat's helm, this is Loki's most pretentious outfit, which speaks to an undercurrent of low self-esteem and a compulsive need to impress. There's no mistaking he is the main antagonist of the story.

In Thor 2, Loki's attire is similar to Avengers but the overcoat is exchanged for a less bulky version (perhaps conveying he is less guarded now that the effects of the Mind Stone are no longer influencing him). Loki's role likewise pivots from the harsh lines of a villain to the more flexible edges of a reluctant villain-turned-ally. This aligns with his character arc when he protects both Jane and Thor, seemingly sacrificing himself.

In Thor 3, Loki's silhouette is streamlined even further. The overcoat is done away with in favor of what appears to be a leather doublet, pauldrons, and vambraces. Gold accents are minimal. While stylish, Loki's attire is more practical than showy, and his helm serves the dual purpose of protection as well as weaponry. At this point in his arc, Loki has become a full antihero, joining his brother's side in rescuing as many Asgardians as possible, and eventually dying in a vain bid to protect Thor from Thanos.

The TVA does something very fun and interesting in taking away Loki's ability to dress himself. Since Loki cannot use his magic in the TVA, he is forced to wear the same clothing as his captor/advocate, who eventually becomes his best friend and peer.

Perhaps, on a subconscious level, this helped Loki to feel included. We know by his pwn admission that Loki fears being alone and desperately craves a sense of belonging. At the same time, he intentionally dresses to put people at a distance, thereby protecting himself from potential rejection at the cost of isolating himself further.

When Mobius gives him that TVA jacket for the first time, Loki seems uncharacteristically pleased. It is not an attractive jacket by any means, yet he neither scoffs at it nor refuses to wear it. Instead, Loki puts it on and is content when Mobius says it looks "smart" on him. He continues to dress like Mobius and, indeed, mimic some of his mannerisms such as placing his hands on his hips. Without clothing meant to push people away, Loki opens up, has more fun, and makes friends.

Loki's choice of attire as he assumes the mantle of God of Stories (and time) is fascinating. Setting aside the clear design inspiration from the comics, Loki's silhouette is soft, remarkably so. His colors are earthy hues of green, and the only bit of flare are the light gold trimming and crown. The look brings to mind the garb of sages and wise wizards rather than royalty or warriors. He's powerful yet approachable because there is humility in his bearing. And that humility springs from a well of healthy self-worth, self-love, and a deep love for others.

The shoes are not meant to be attractive. They are meant to help him ascend the throne, nothing more.

[somethingshieet]

damn...

[somethingshieet]

[somethingshieet]

I miss them….

[somethingshieet]

That face he did to jogo! 😏

If i want to support me link in bio <3

Reblogs are appreciated!!