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dancing in my storm, may 2025
Surrender the Snail
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HALLOWEEN (1978) dir. John Carpenter
#brian andrews#brianandrewsedit#tommydoyleedit#tommy doyle#jamie lee curtis#jamieleecurtisedit#lauriestrodeedit#laurie strode#halloween#halloween 1978#halloweenedit#sonicjaxx#filmgifs#horrorgifs#1970s#1978#edit#my edit#my gifs#mine
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anxiety, keep on trying me i feel it quietly, tryna silence me my anxiety, can't shake it off of me somebody's watchin' me and my anxiety
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ROMAN HOLIDAY (1953) dir. William Wyler
Audrey Hepburn as Princess Anne
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DISNEY IN PURPLE
The Golden Age through Post-Renaissance
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DISNEY + PINK
The Rescuers Down Under, Hercules, The Emperor's New Groove, Aladdin, Moana, Fantasia, The Black Cauldron, & The Lion King
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@giftober 2024 | Day 4: Slow Motion
Charlie's Angels (2000) Dir. by McG
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@finalgirlsource Final Girl Appreciation Week: Day 1 — Favourite Final Girl Film SCREAM (1996) template/insp.
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FILM & TV YESTERDAY, TODAY, TOMORROW Day 4 – URL/Icon -> MULTIVERSE-OF-MULTIFANDOMS Template: x
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Megan Thee Stallion attends the 2025 Met Gala Celebrating "Superfine: Tailoring Black Style" at Metropolitan Museum of Art on May 05, 2025 in New York City. (Photo by Dia Dipasupil/Getty Images) if you want to support this blog consider donating to: ko-fi.com/fashionrunways
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A non-exhaustive list of Christmas and Christmas adjacent films - directed by women
American Psycho dir. Mary Harron (2000) Black Christmas dir. Sophia Takal (2019) Bridget Jones’s Diary dir. Sharon Maguire (2001) Happiest Season dir. Clea DuVall (2020) The Holiday dir. Nancy Meyers (2006) Hustlers dir. Lorene Scafaria (2019) The Knight Before Christmas dir. Monika Mitchell (2019) Little Women dir. Gillian Armstrong (1994) Little Women dir. Greta Gerwig (2019) A Very Murray Christmas dir. Sofia Coppola (2015)
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SUBLIME CINEMA #551 - LOST IN TRANSLATION
Easily one of my favorite films. It is perfect and creates something magical out of so little except two endearing personalities and a great location. And what is most amazing is how accessible something so artful and personal can be; there are few movies that fuse entertainment and catharsis so powerfully.
It’s still Sophia Coppola’s best movie.
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