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mono ha
mono ha, and the name given to a group of Japanese artists of the 1900s, the artists,聽 have explored the encounter between natural and industrial materials, such as, stone, steel plates, glass, light bulbs, cotton, sponge, paper, wood, wire, rope, leather, oil, the use of simple materials, both natural and manipulated, is a fundamental and unifying aspect of the various exponents of the moment, vegetables, rock fabrics, wood, paper, ropes, glass are the preferred substances, in the mentality of the artist, they become means that push to reconsider under a different gaze, the relationship between art, man, his relationship with space, matter and reality, emerging the interest of mono has consists in seeking and to reveal reality beyond appearance
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the roots
to build is to give form ,in the light ,to the hidden matter of architecture ,to bring it finally to light ,with gravity ,the weight ,the grittiness ,the hardness ,the transparency ,the porosity ,the quality of the stones , of the metals ,of the woods ,of stucco ,of glasses ,in this way ,after many years of work ,the desire to build聽 is still intact ,and it seems the only thing capable of bringing to form the foundation, of the building ,its roots that lose themselves in the rocks disposed or formed by man ,five thousand year ago ,in which few marks are carved in the stone ,small canals ,grooves ,traces ,sacred places ,have still intact and untouched ,essential ,the relation with the rock of the plateau ,with the sea with the sky ,and one may not ,not relation ,and by human measure ,eternal ,a time almost infinite ,almost immortal ,this i call roots ,the origin of architecture聽
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biography
to me ,to whom for a long time ,language ,and the language of the modern tradition ,has seemed an owed evidence and testimony to be given ,as the belonging of one鈥檚 work ,as an artist ,architect , to a possible future ,as roots of architecture ,i mean its construction ,that is born from its foundations , it is the essential relation of invention ,it is to give to one鈥檚 work ,one鈥檚 own internal rhythm.the essential ,relation with the earth and the transformation ,that man has done of it through architecture ,the essential relation with the earth and the transformation ,that man has done of it through architecture ,that has been formed through statements and permanencies ,that has formed through occurrent of phenomena ,the materials ,the archetypes that belong to it ,at this point ,it seems to me that to find the root s of the work of architecture means to build it : to put in question its nature ,through the choice of the project ,it means to go through the confrontation with the reality of its construction .it is the risk and the doubt of thinking ,which the work of architecture goes through in the continue change of its construction .
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essence
in this moment ,for me ,architecture is a need to arrive at the roots ,to fetch the essence the primary construction ,the origin .
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the third house
the third house at the estuary of the river ,is constructed by the nature of the horizontal planes ,and the continuous horizon line ,among the river ,its estuary the land and the sea ,
in this way ,in relation to the continuity of the horizon and of its plane ,it is the vertical line that takes importance and strength ,that builds and distributes the house ,in this case the void space separates and unifies the house vertically ,and brings all the system of stairs聽
in the work the value ,the same legitimacy of utopia ,is constantly reproposed ,the scale of the ,metropolitan intervention ,in fact also indicates a will to reconstruct relations of continuity between architecture form and city ,as it has comes to delineate itself, in the realm of contemporary architectonic culture ,already starting from the english tenment and one has certainly to聽 recognize how these researches pose themselves again in continuity with the seventeen hundred problematics ,also in the reconnection to the reflection on the same models of the renaissance m
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the other building
the imponderable distance between distance between form and project ,between what is measurable ,and what is not ,shows the limit between theory ,and praxis ,between the place of reflection on inhabitation and its declination on the real city ,in material forms .
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THE BED AND BATH BOOK | Terence Conran 漏1978
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