The essence of femininity and a shounen women's strength - a long Gintama analysis
Gintama, despite its comedic form, talks about some important topics and I deeply appreciate it. There are many problems, but still some themes come back more often, in different settings and with different situations, yet they are not outdated, on the contrary - there is always something new that can be added. One of those problem is the matter of femininity, or rather problems with defining femininity, because not once and not twice Sorachi-sensei let his women said âI donât want to be a woman, becauseâ⌠yeah, why?
Here the answer is not so simple, every woman is a little different and her protest against femininity has a different form, is associated with different troubles. I do not want to be a woman, because I canât do things that are natural for men. I do not want to be a woman, because it makes certain things unattainable for me. It cuts my perspectives. I do not want to be a woman, because it makes me weak. I do not want to be a woman, because men humiliate me. Because my life would be different if I was a man. Sorachi-sensei shows a woman fighting on many levels, not only to be equal to men, but also to show what does it mean to be a shounen woman, a strong female character, a valuable female character.
For the first time Sorachi-sensei showed a woman having problems solely because of her gender in a short story about firefighters, when Gintoki met Tatsumi. Because it was the beginning of the manga and Tatsumi never came back, I just remind that she was a girl saved from fire by a fireman. The fire killed her parents, so since then the girl was brought up at a fireman headquarters. Her dream was to become a firefighter, but her wings were quickly clipped. How? Simply, Tatsumi heard that she wouldnât be able to be the real firefighter because she was a woman. And we all know itâs a male profession, a man world where a woman inherently does not fit. It was not that the firefighters didnât like Tatsumi. They just didnât treat her seriously - couldnât imagine a good female firefighter. Sorachi-sensei showed it as a function too abstract for stagers.
There arenât any simple stories in Gintama, so of course it turned out that it was never about Tatsumiâs gender. Her foster father wanted to protect her from his dangerous work, he just wanted to make her happy, it never really mattered that she was a girl⌠but for sure?
No. At this moment we disregard the storyline. Undeniably Tatsumiâs father wanted the best for her, he loved her, he didnât regret that he had a daughter. In this case gender actually meant nothing. But letâs get out of the story area and stand on the authorâs side. If a firefighter saved a boy, would he love him as much as he loved a girl? Yes. If he wanted to succeed his profession, would his father stop him? Yes. If Sorachi-sensei chose a man, would the story be the same? No. Sorachi would show this story through completely different means, âdeterrenceâ would be different. The things that a boy has to prove are completely different. He would be a little bit like Shinpachi, most likely he would prove that he can do something - he himself, as an Individual. Tatsumi didnât have to prove that she can do something. Immediately obvious way to divert her attention from firefighters was to remind her that she was a woman, with a man such a thing does not exist. Her privacy was taken away from her, her efforts were not individual, but very general. Because it showed that a woman can pursue male professions. She has gained privacy at the end, when she learned the truth about his father, thatâs true. But Sorachi-sensei had reasons to choose a woman, underestimated just because of her gender.
When we talk about the problem of femininity in Gintama, without any doubt the most important character is Kyuubei Yagyuu. I mentioned Tatsumi because her silent protest was not a protest against femininity. Of course, she wasnât sweet and girly, but she also didnât hate being a woman. She was the woman doing some things as well as men, it was her role. Kyuubeiâs problem was totally different. Kyuubei is that unusual character, in her the approval and contempt for the womanhood existed at the same time, or rather admiration for Otaeâs femininity and the contempt of her own femininity.
Her father and grandfather said they never wanted Kyuubei to abandon her femininity (father again. If I have a little time my next essay will be about fairly difficult role of a father and his impact on a child in Gintama), but we are not surprised. Kyuubei was raised on simple rules - if you were a boy, you would inherit family, the dojo, our name, youâd be a samurai, you would be our pride. But youâre not, youâre just a girl. Some people probably would look askance at you if they knew youâre not a boy. And perhaps it was never explicitly stated, never said like that, but what little Kyuubei could hear if not âif you were a boy, youâd be much better, valuable personâ. But she was just a woman.
Anime and manga sometimes give us situations like âOh God, you are a woman?â and responses like âIâm a man in my heart, but outside Iâm a womanâ. Surely anyone can add more than one character. But how often the problem itself is marginalized and the topic runs as a TV trope or the effect of surprise, nothing more? Kyuubei has a serious problem, because she is not another character whose sex turns out to be different. Kyuubei is someone who believed that being a woman made her worse. As we know, in fact Kyuubei felt like a girl, she wanted to be like Otae, she wanted to behave similarly. But the influence of the society and the pressures were so strong that her dream was quickly burned.
Once again, remember that Sorachi-sensei, contrary to appearances, doesnât live in a jungle and on a tree. He is an employee of one of the greatest shounen magazines and the amount of parodies shows that he is aware of his market. Perhaps he also knows about the widespread trend of giving women male characteristics, making women like different men to show how strong she is. Iâm sure he knows. Sorachi does the same thing, he makes his woman masculine and⌠shows her as someone completely lost, deprived of identity and above all, unhappy. Sorachi-sensei completely breaks this approach, Kyuubei is only destroyed by such treatment. And Kyuubeiâs society is sometimes like all readers, because are their expectations different? For many people femininity means weakness.
Sorachi-sensei answers when Kyuubei tells Otae that she always wanted to be like her. Who is Otae? She is not manly, sheâs not even a fighter. She is a girl who, after her family death, took over her home, took care of her brother, she is someone who wants to continue the family dojo all alone, who works the night shift, so her brother can train with Gin, who always defended Kyuubei and never to judges her. Or, if you want to use the phrase Kyuubei said, she was a nice and at the same time strong girl. Pretty good definition of strength.
Kyuubei is not the only one who said âI have abandoned my womanhoodâ. But as I said before, every woman is different and we wonât see two similar cases. When Kyuubei says she does not want to be a woman, she thinks about becoming a man. Abandonment of femininity as a sign of masculinity. A third character for whom the essence of femininity is important was Tsukuyo. Tsukuyo is, again, completely different than the previous two girls. First of all, in her case there is no continuous comparisons with a man - with a firefighter, with a son of the Yagyuu family. Tsukuyo never tried to become a man, she also looks quite feminine compared to the two previously women. But Sorachi-sensei at one point said that Yoshiwara is an arc about broken women - none of them has been broken by her life, but by treating like a subject by men. Personally, for me it was the only anime showing a brothel and making named prostitutes the heroines.
The abandonment of femininity for Tsukuyo was divided into two parts. The first occurred when small Tsukuyo, being just a child, took a knife and destroyed her face to escape the fate of a prostitute. Here her gender meant beauty, grace, elegance. For Yoshiwara girls being the real woman was becoming more and more beautiful to please men. According to this inculcated logic the only way to avoid it was to erase the beauty from the very beginning. So the woman without the attribute of femininity, her beauty, automatically cease to be a woman. The second part took place when Tsukuyo met her master. It was him who told her to completely forgot about femininity, but for him it didnât mean the same as for her. For Jiraia woman was weak, because a woman is the one that is protected. If you do not want to be protected, but protect, abandon femininity. Tsukuyo believe in these words, but similar to Kyuubei and Otae, for Tsukuyo being a woman didnât mean anything bad. The real woman was Hinowa, firstly she was beautiful, secondly she was not made to fight, but to be protected by Tsukuyo. But the Yoshiwara society never recognized a not-beautiful woman, a not-for pleasing a man woman. The Yoshiwara was all for men, and the women were only for men too. Tsukuyo said that they were enslaved women and their slavery was created from the continuous power of men and stealing from women any form of freedom, individuality. They were serving as an object. And again, Sorachi says it in this story - if they were not women, they wouldnât suffer. Because they were women, they have been sold to a brothel, because they were women, they were treated like that, because they were women they had to cease to be women to not be forced into prostitution.
Since we are talking about the Yoshiwara, a word about Hinowa. Iâm not a native English language speaker and I admit I have no idea how this term is called in English. But Dostoevskyâs âCrime and Punishmentâ and the character of Sonia has created something called âthe holy whoreâ and in literature it means a woman from seemingly moral lowlands, but distinguished by greater kindness and sense of morality than ânormal womenâ. Sorachi-sensei used it very neatly, because Hinowa was it. A courtesan, a geisha. Certainly she was sold for money to men, at least before Hosen fallen in love and imprisoned her. And for Gintama characters having flaws is quite common, even though itâs hard to find a more flawless character than Hinowa.
Each character is different, each character represents different problems, but they are all associated with the discrimination against women, very visibly outlined by Sorachi-sensei. But letâs not talk only about those women who couldnât make it, because the whole bunch of them did something and their gender couldnât interfere. What do I mean? Gintama is not just a mass of broken women, intimidated by men. Itâs Kagura, physically the strongest character in the entire cast. Itâs Tetsuko Murata, the swordsmith creating the best swords. Itâs Matako Kijima, the best shooter who never misses. Itâs Mutsu or Ikumatsu, leading or co-leading their own business. Theyâre women in male roles that have never heard, âoh, itâs a womanâ or âeven though she is a womanâŚâ. They are simply the best people in their field.
Really, if look at Sakamoto and Mutsu, donât we get the exact opposite of what we expect in fiction from genders? Sakamoto is sometimes careless, sometimes reckless, easily makes friends, often needs to be saved, is guided by the heart rather than by the mind. Mutsu is rational, calculating, down-to-earth, she saves Sakamoto when heâs in danger. And still I didnât see anyone hating on Sakamoto because âheâs so stupid and useless and he still needs help and he should do something andâŚâ
Sorachi-sensei never tells his women to prove anything despite being women or try to catch up with men. If anything, he teaches them to achieve everything in life because they are women. Kyuubei or Tsukuyo not only didnât give up being a woman, but they wear femininity proudly. Because being a woman is the pride and strength and Sorachi-sensei reminds it every time shows together Otae, Kyuubei, Tsukuyo and Sa-chan or Kagura, Tsukuyo and Nobume or any other feminine combination. Male power is not chauvinism, Gin says he doesnât like seeing a crying woman, Shinsengumi is the entirely male unit. And thatâs okay, because next to the thing that only a man can do is what can be achieved only by a woman. In every area of life.
None of them have ever heard âdespiteâ. They are strong and beautiful because they have high self-esteem, awareness of their strengths and pride that canât be crushed and can never be received by those who thinks that a woman has to be like a man to be strong. A Gintama woman is strong when sheâs a real person.
337 notes
¡
View notes