sortai, entities in the shape of a girl* (she/it) (nb/queer). I probably love you. (if I reblogged something I shouldn't have, please tell me) (also I forget to tag things often, sorry about that) (this blog is mostly sfw but I am 22 and I will interact with 18+ blogs, without reblogging nsfw stuff; dm if you want my nsfw sideblog)
Don't wanna be here? Send us removal request.
Text
late night reminder to self: your depressive episode will not last forever. it will have an end. tonight will not be the end of you.
20K notes
·
View notes
Text
late night reminder to self: your depressive episode will not last forever. it will have an end. tonight will not be the end of you.
20K notes
·
View notes
Text
late night reminder to self: your depressive episode will not last forever. it will have an end. tonight will not be the end of you.
20K notes
·
View notes
Text
I just think it's sad that many artists refuse to learn to draw black features because they're "scared of being perceived as racist" but like, there are so many tutorials and references to use. atp there are no more excuses. it saddens me the amount of times I scroll through an artist gallery and see 0 black characters.
765 notes
·
View notes
Text
babygirl, not gonna lie: with a name like that it'd be a little weird if it specialized in anything else.
661 notes
·
View notes
Text
Internet nicknames introduce the exciting and novel possibility of being internet full named. The first time one of my friends called me "Brawl Together Now!!" in voice chat it had an immeasurable power not unlike being called into the principle's office.
486 notes
·
View notes
Text




My Draculaura cosplay from the last con 🩷
74 notes
·
View notes
Text
i kind of feel like if you take "don't bomb iran" as an endorsement of the iranian government, you're not intellectually ready to engage in conversations about real-world politics. Go talk about steven's universe instead
14K notes
·
View notes
Text
Sphene and Translator Zeiat are so Shakespearean comedic relief/commentary duo. They just get little interstitial scenes talking VERY EXPLICIT ALLEGORICAL ANALYSIS OF EVENTS AND THEMES
The other characters bar Breq often fail to notice or react.
They just sort of float past playing ineffable games and doing racial profiling of cake.
18 notes
·
View notes
Text
Everyone warns you agaist going to the supermarket hungry, but nobody tells you about the dangers of going there too full: I do not want any of these things, for I will never require any food at all!
17K notes
·
View notes
Text


more of the bisexuals to stare at longingly
1K notes
·
View notes
Text
I've been thinking of the "Can Granny Weatherwax beat Bugs Bunny" question and this is my full take for Discworld characters:
Vimes - Cares too much, too easy to piss off. Has the innate chase instinct that makes characters run into walls with realistic tunnels painted on them. Might get to arrest Bugs Bunny but the beast will just slip out of the handcuffs to help him lock them, then walk out of the jail cell to have a union mandated coffee break.
Ridcully - Classic hunting season scenario, but has enough charisma to probably still get a few good shots off before the inevitable.
Rest of the wizards - No survivors, only Bugs.
Carrot - The intense near-magical narrative aura of well meaning innocence should make him immune, Bugs will likely be forced to be the villain of the episode.
Lord Vetinari - Flattened by a comically large anvil in the first few minutes of the episode, unclear if it was all a part of his long term strategy or not.
Moist - Has the 'lovable trickster getting away with it' energy, but nowhere near Bugs level. Already fell for the "old lady who swallowed a fly" scenario with the stamp slugs once, won't fare any better here.
Death - Definitely one of those "character is trying to avoid death" episodes, would go back and forth. Might actually get to end Bugs but his spirit will reappear in Death's domain and ruin his garden.
Nanny Ogg - The ultimate in anti-Bugs technology, a gleefully annoying old lady who doesn't give a fuck and definitely won't be the first to instigate the plot bearing conflict. This is a full sweep, he's the episode antagonist.
Granny Weatherwax - Too win-motivated to not lose. Would have to break the story to have any chance. Might do it.
Magrat - Will have sappy ideas about helping the poor animal which honestly has the 50:50 chance of either getting slapsticked or Bugs ending in a ye olde stroller&pacifier gag.
Colon&Nobby - Designed in a lab to be totaled by Bugs Bunny.
Tiffany Aching - A child that also has a large pan that is the perfect thing to hit someone over the head with and make a BOIOIOINGGG sound, so great odds.
4K notes
·
View notes
Text
ocd is so weird bc its completely belittled and infantilized on the surface level (aka the stereotype- what people think ocd is like) but then the reality of it, the actual symptoms, are completely demonized once you get into them and people see you as evil just for having this mental illness in a non quirky way like they assumed its like. and then at the same time its not taken seriously at all and all the symptoms are handwaved as not that deep because how could you be so upset about something so dumb lol just dont do the compulsion its easy. why dont you hashtag let the intrusive thoughts win and shut the fuck up
6K notes
·
View notes
Text
as a fat person who's always clamoring for more interesting fat characters in media, I honestly think one of my all-time favorite depictions of a fat character is Jumba from the original Lilo and Stitch - both visually and personality wise
from a design perspective, even though he's an alien, he has so many little anatomy quirks that make him a more believable fat character than many fat human designs in other media. I love the realistic sag and layering of the fat on his arms, the lack of neck definition, the rim of chub around his face and upper back, the way his back is rounded. his clothes pull taut and pinch in anatomically accurate places (e.g. shoulders are firmer = smoother outlines, the sides and back are squishier = bumpier outlines).
and he's stylized so well! all these great details boiled down to some simple shapes and pen strokes. IMO the Lilo and Stitch art style is extremely appealing - it's warm and clean and visually pleasing, but every character is super unique. Jumba isn't supposed to be pretty, but even though he's a very large, very fat, bald older guy who spends most of the movie in crop tops, the way he's stylized and staged makes it clear the audience is supposed to find him interesting to look at, and variably intimidating/cool/powerful/capable. he's often funny, but the physical aspect of his comedy is derived from being so hefty the other characters struggle to prevent him from barreling ahead and doing whatever he wants; being fat makes him come off more in control of the funny situations he gets into, not less. also, because the art style is what it is, a lot of his character acting also just makes him look kind of cute ... though that's universal across the cast
I also really like the fact that his size clearly gives him both realistic advantages and realistic disadvantages. along with having a stronger sense of agency in the comedic scenes, his size in combination with his impulsivity also makes him a more intimidating antagonist. you never know what he's going to do, and his size makes it difficult for other characters to stop him when he's made up his mind. at the same time, it seems to take him longer to catch his breath, he sometimes grunts when moving around a lot to imply it takes more effort, and he clearly struggled to find clothes that fit him when putting together his disguise. I think it's awesome that the character's size impacts how he interacts with the world so much, and again, in relatable ways
and personality wise, it is ALWAYS great to see fat characters portrayed as intelligent - not only is Jumba an accomplished scientist, he's also crafty and witty! a few quiet scenes imply a philosophical side, as he ponders on Stitch's existence and feelings as a living weapon. with Stitch explicitly being made in his own image to an extent, I'd argue there's even room to interpret some of the things he says about Stitch being hints to how he sees himself; we never learn much about Jumba's past, but it's clear he's a social misfit and strongly defiant. I don't think it's a stretch to assume some of what he said to Stitch about being a monster who can never belong anywhere was intended to read as projection (which makes it all the more heartwarming when both of them find a place to belong on Earth)
it's also a nice twist that toward the end, Jumba is the one who is unexpectedly compassionate toward Nani, while Pleakley tries to urge him to ignore her. again alluding to a level of emotional depth and intelligence that is often missing from even well-intentioned depictions of fat people. his character isn't even fully explored, and yet he's one of the most dynamic and interesting supporting characters in a movie full of fantastic characters. the audience is expected to find him fascinating and even sort of mysterious, and he is!
the sequels and spinoffs were more merchandise-driven franchise fluff for kids than the artsy direction of the original movie, but even so, I remember Jumba went on to become Lilo's lovable, amoral uncle figure, which I also thought was so fun as a kid. I love that they committed to the fact that he was more caring and compassionate than he seemed. not only was he a cool evil mad scientist character, but he was also eventually ... a friend ...
and he was even gay
5K notes
·
View notes
Text
werewolf flopping her bigass body onto you to demand scritches and falling asleep on you when you pet her
543 notes
·
View notes
Text
"if you wanna be treated like an adult you have to behave like one" is a violence
13 notes
·
View notes
Text
i don’t know how to explain to you people that no matter what a country’s government is like i do not and will not support the US indiscriminately bombing that country’s civilians and i don’t know why that’s a controversial take tbh
38K notes
·
View notes