space-vampires
space-vampires
🔥 Skinty Fia 🦌
73K posts
~ nico ~ 27 ~ he/they/fae ~ transmasc genderqueer lesbian ~ goth ~ i like making things 🧶🪡🎨 ~ big fan of the horror genre ~
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space-vampires · 6 hours ago
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simply unbelievable eggplant my mother grew
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space-vampires · 6 hours ago
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i startled her…
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space-vampires · 6 hours ago
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Since the r-slur is making a comeback (you know, the word that starts with R, has six letters, and ends in D), I'm gonna make a little PSA:
Yes, it's an ableist slur.
Terms like "asshat," "head-up-ass," "up their own ass," and "high on their own farts" exist. There's also words like crap, dogshit, half-assed, assclown, and chucklefuck. And on the less vulgar side, there are terms like ridiculous, nonsense, train wreck, pointless, insipid, self-absorbed, pretentious, annoying, boring, contemptible, vile, and disgusting.
Substituting words like restarted, poptarted, brain damaged, smoothbrain, etc. is still ableist, because either 1. you obviously still mean the r-word, or 2. you're still using disability as an insult.
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space-vampires · 6 hours ago
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so itchio has shadowbanned any games tagged with 'nsfw', 'adult', or 'erotic' so they don't show up in searches, and several devs have reported that their r18 games have been removed from the site with no warning
you know, maybe the internet shouldn’t be controlled by payment processors and terf lobbyists. and maybe people should be more concerned about this rise of censorship on queer media.
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space-vampires · 6 hours ago
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Flora and Fauna 🌿
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space-vampires · 6 hours ago
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space-vampires · 6 hours ago
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No I cant go to your house because your water is too small I will only drink big water or huge water
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space-vampires · 6 hours ago
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LMAO HE CLOCKED HIS ASS FR
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space-vampires · 2 days ago
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So I killed. So I maimed. So I destroyed one innocent life after another. Aren’t I a human being? Don’t I yearn and ache and shop? Don’t I deserve love and jewelry? 
Joan Cusack as Debbie Jellinsky in Addams Family Values (1993)
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space-vampires · 2 days ago
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Today's high schoolers romanticizing 2016 as if there weren't the clown incidents
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space-vampires · 2 days ago
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fuck terry pulling no punches in this one
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space-vampires · 2 days ago
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wow I love to sit crosslegged without moving for several hours straight!
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space-vampires · 2 days ago
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space-vampires · 2 days ago
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space-vampires · 2 days ago
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this is not my screenshot
discord has been pushing its new uk online safety act changes early for some users. this screenshot belongs to a 32 year old who used discords built in face scanner to verify their age. the scanner said they were 11 years old, and instantly suspended the account, with no option to try again or appeal, and the suspension will automatically end in 2027, when they’re “old enough” to use discord.
DO NOT SCAN YOUR FACE TO VERIFY YOUR AGE
if you really want to verify your age, use a different option available. don’t trust the face scan.
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space-vampires · 2 days ago
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space-vampires · 2 days ago
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The cameras were still rolling on "The Birdcage" when Robin Williams pulled Nathan Lane aside between takes. Nathan had just finished a particularly tense scene. He was anxious, his timing had faltered slightly, and his usual control felt off. Robin leaned in and whispered, “You were perfect. I just added chaos. That’s what I do.” Nathan smiled, a little caught off guard. Robin’s words didn’t come like notes from a co-star, but like an arm around the shoulder, silent, kind, and full of permission to breathe.
Filming began in early 1995 at Miami’s Cardozo Hotel and soundstages in Los Angeles. "The Birdcage", directed by Mike Nichols, was a comedy built on flamboyance and theatrical flair, yet layered with emotional vulnerability. On screen, Robin played Armand Goldman, a gay cabaret owner trying to pass for conservative straight to please his son's fiancée's parents. Nathan Lane, as the exuberant Albert, Armand’s partner and drag performer, brought flamboyant wit mixed with aching sensitivity. Their chemistry lit up the film, but it was their off-screen connection that gave the performance its emotional core.
Robin walked onto set carrying more than just scripts. Behind his trademark improvisation was the quiet grief of personal losses and ongoing mental health struggles. He was navigating emotional pain with humor as his lifeline. Nathan, on the other hand, was living with a deep fear. He hadn’t come out publicly and lived in quiet dread that the spotlight could expose what he wasn’t yet ready to share. He later said in interviews that the fear was constant during production. But when Robin stood next to him, that fear softened.
Crew members often recalled moments between takes when Robin would launch into absurd improv routines, not for the camera but for Nathan. A sound technician once described how Robin stood on a table and did a full Shakespearean monologue in the voice of Elmer Fudd, simply because Nathan had flubbed a line and looked close to tears. That single moment broke the tension, made the whole room laugh, and brought Nathan back into himself. These weren’t just jokes. They were quiet acts of care.
Nathan’s attention to detail and his need for control came from years of hiding his authentic self in plain sight. Robin never asked him about it directly. He didn’t need to. Instead, he listened, showed up, and created a space where Nathan could feel seen without explanation. Their late-night conversations, often taking place over coffee in the makeup trailer or walks around the studio lot, were filled with stories, insecurities, and mutual admiration. Nathan once said, “Robin had this way of making you feel like you were the only person in the room. And then he’d make the whole room laugh, and you’d wonder how one person could hold that much light.”
Filming wrapped with both men knowing they had done something more than act. They had held each other up. And in a Hollywood that could often feel isolating, especially for queer actors, Nathan walked away with more than a role. He had found someone who understood the weight of performance, not just for the screen but for survival.
When Robin passed in 2014, Nathan’s tribute came with no flourish, no long stories. Just a handful of sentences, quietly powerful. “He saved me in ways I didn’t even understand until he was gone. Working with him felt like being wrapped in a blanket, warm, chaotic, and comforting.”
What began as two actors cast in a comedy became something infinitely deeper. In a set filled with lights and laughter, two men found a private place of trust where grief, fear, and joy were shared quietly, wordlessly, and without condition.
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