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spaceandfiction · 14 hours
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He wears woe as others wear velvet; sorrow flatters him like the light of candles; tears become him like jewels.
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spaceandfiction · 1 day
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Don't blame me, blame Misha Collins!
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spaceandfiction · 2 days
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Having watched eleven and a half seasons of Supernatural, this is my greatest contribution to the community. A classification of angels personality types.
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spaceandfiction · 2 days
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spaceandfiction · 2 days
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"The Big Dipper as it is today (left) and as it will look in 50,000 years." Dream of stars. 1940.
Internet Archive
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spaceandfiction · 3 days
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Pilot Lilith
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spaceandfiction · 3 days
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tiramisu am i right
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spaceandfiction · 3 days
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i want 60 thousand votes by next thursday
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spaceandfiction · 3 days
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Ben Edlund posting about Destiel and still obsessing over Cas in the year 2024... truly one of us 🥺😭
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spaceandfiction · 3 days
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These are the actual colours I painted with, but I played around a bit with gradient maps to get a few variations... I like them all, and cannot really decide which I prefer. Ref is from this.
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spaceandfiction · 3 days
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“The show begins by hinting that there’s something off about Eve. It’s not just in her refusal to heed warnings or respect her superiors. It’s in the little moments—like how she can tell her husband how she’d kill him without blinking, or how she stabs herself just to understand what it’s like to exert that kind of pressure. The key moment, although it’s the quietest one, is after her first real interaction with Villanelle. The two women haven’t even spoken yet, but just stared at one another after Eve puts herself between Villanelle and her target. Eve is shaken by the taut, oddly erotic encounter and decides to head home on a bus. But when she sits down at the bus stop she notices a crack in the glass. Her finger glances over it, her eyes study it, and then she suddenly, violently smashes the glass with her elbow. It’s an outpouring of all her rage and betrayal up until that point and foreshadowing to the final moments of the season, where she and Villanelle encounter each other again. Eve tracks Villanelle down and after confessing their preoccupation with each other they lie on a bed, a tangle of obsession and lust. In the moment Villanelle seems to have won. She’s worn Eve down like every Sexy Serial Killer before her has worn down every hunter before Eve. But this is Eve’s story, and while every point in the show has been driving her towards Villanelle, it’s also been driving her towards embracing her own violence independent of Villanelle. When she digs a knife into Villanelle’s belly it isn’t just about what she’s feeling toward the woman herself, it’s about her need to experience the violent acts she’s so obsessed with.”
— Alex Cranz
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spaceandfiction · 3 days
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When you decide to watch the first episode of Killing Eve for a little meta post and get to Eve’s first scene where she screams in bed (having fallen asleep on both of her arms) and yells “I can’t”, and then have to think about the finale where she lays in bed with Villanelle and says “I can” right before she plunges the knife in. I don’t care if this was intentional or not, I’m calling the ambulance.
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spaceandfiction · 3 days
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yeah you were
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spaceandfiction · 3 days
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was it as good for you as it was for me
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spaceandfiction · 3 days
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Eve you are the funniest woman who ever lived
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spaceandfiction · 3 days
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When Eve and Niko fight he says some pretty angry and maybe a smidge unfair but mostly true things and Eve responds by hitting him and pushing him twice. He then says "you don't want that in your life, whatever that is" and the that is violence which is Villanelle and she fundamentally does want it in her life!! She craves it!
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spaceandfiction · 3 days
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Villanelle asking Konstantin why he's never tried to have sex with her in the context of the relationship she had with Anna is... :(
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