Jeanne. Always talking about lesbians and red flag filmsI don't really tag triggers Letterboxd
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At this rate I'm going to run out of caption ideas
#la cérémonie#isabelle huppert#sandrine bonnaire#chabrol#films#sheep stuffs#fanvids#my beloveeeeeeds#time has proven that I'll never be normal about this film#hadn't made an edit for it in two years. idk what happened to me during that time
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In a rare pair tag, ao3, the internet
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Edvard Munch, The Urn (1987) and Amaryllis (1908)
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what are you wearing rn and is it representative of your style
#half faded Possession 1981 T-shirt and boring jeans with a huppert keychain oomf made for me attached to it#everyday fit that makes me look like an incel so yeah. pretty representative
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Sophie and her fuckass cat
#la cérémonie#sheep stuffs#she's always serving face with her awful micro bangs. looking absolutely in love. and then you see what she's staring at#isabelle huppert#sandrine bonnaire#chabrol
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Böser Traum (Bad Dream), 1931. — Herbert von Reyl-Hanisch (1898-1937)
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Afternoon Playroom by Takato Yamamoto
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DIABOLIQUE (1996) – dir. Jeremiah S. Chechik
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if I add more to this that’s ok. But my predictable obsession rages on
#peaky blinders#obsessed with that one#but then again I say and think that about everything op makes
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Naissance des pieuvres / Water Lilies (2007), dir. Céline Sciamma
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Well, there was a convention about Madame Bovary, which says that, you know, she's generally very much connected with an idea of passivity, of boredom and when I read the book I found that she was very much alive, very active. I think she was a little bit of a feminist. Before the feminist, you know. She really wanted to free herself from a prison, you know. From the prison of the marriage, from the prison of motherhood, which, which was kind of a prison at this time for women because there was no other way for them to exist.
Isabelle Huppert describes her role in Madame Bovary (1991)
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JOAN BAEZ IN FESTIVAL (1967) — dir. Murray Lerner
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let the poison bleed out of me
norman is a good boy
the only way to get rid of the “mother” is to kill her in yourself
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Daisuke Yokota, Back yard, 2012.
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Julia Soboleva
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