🖌🎏GLASS, TRADITIONAL,MIXED MEDIA,ANIMATION,DIGITAL,MUSIC🎏🖌✨Gonna try to post as much art on here till I forget and disappear off the face of this website✨
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Ncuti and Varada’s results for the “Which Doctor Who Character are you?” Test 😂😂
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*emerges from the other room covered in blood* you should see the word document
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i hate dogs with blue eyes. why is fucking jeff the killer at my back door
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A fantasy story starting with the protagonist minding her own business gathering firewood, when a demon appears out of nowhere announcing that she belongs to him now. The protagonist demands to know on what grounds, she's never signed no damn contract. The demon is kind of baffled by this, and awkwardly explains that just now her father had promised his firstborn for something, and she is his firstborn.
The protagonist digs her heels in and says no, she never knew her biological father and by the way the demon explained the situation, evidently her father also doesn't know that he already has a daughter, so therefore the man who had made no contribution to her life after he bred and fled has no claim to her as something he could barter.
Not giving a shit about the fact she's gambling her life in doing so, the protagonist makes contact with the local woodland fae, asking them to negotiate on her side. The fae think that this is fucking hilarious and go with her. So, having lawyered up and with a reluctant demon in tow, the protagonist heads off on a quest to find her father and do whatever it takes to wrangle everyone involved into unmaking the contract.
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after how much love my tenrose piece got, I had to make something for ninerose! I started watching with NuWho so Nine was my first Doctor <333 Bad Wolf / Parting of The Ways is one of my favorite Nine era episodes (up there with Father's Day and Rose!! )
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Colour theory. The 60th Specials have this gorgeous colour palette of reds and blues and greens throughout. But what do they all mean?
Donna spends much of the specials drenched in red – her fiery copper hair, her pink and red jumper, the warmth of her house as the Doctor looks in from the cold, blue night, of the vortex, and of flames.
In many scenes, she's in fact the only source of warmth in frame.
The Doctor's palette is, of course, blue, and he starts his journey very blue prior to stripping off his long, solid overcoat to reveal brown and blue tartan (a mixture of both the Doctor's he's been) and white (a carte blanche that can throw to any colour).
Red and blue, the Doctor and Donna. These are our two primary colours for the Doctor and Donna as individuals. But it doesn't stop there.
Donna often throws red to the Doctor.
Or they share a frame of equal parts red and blue.
But more often than not, the Doctor casts Donna a sickly blue green – not in the moments of peril Donna chooses, like her choice to remember the mind of a Time Lord to save her daughter, but the moments of peril that truly make Donna afraid.
Staring out into the black nothingness of space without stars at the edge of the universe, so far from her family. Being confronted with herself. Half-remembering the Doctor with her daughter in danger, because of her (perceived) failure.
At her most afraid, like when the Doctor is genuinely angry at her, encroaching in her space, she wraps her body in her dark green jacket, a futile attempt to self-soothe. On an RGB colour wheel, green is our third primary colour.
Whereas the Doctor, at his lowest points, is drenched blue.
But where do they end up?
In glorious lavender purple and natural green with flickers of red and brown and yellow and blue.
Purple is a secondary colour, an additive of red and blue. Purple complements green. Green and red add to yellow; add a bit more red than green and you get brown. Yellow complements blue. Red and blue and green are triadic colours – high contrast, bold and vibrant, spaced evenly on the wheel.
Because their ark is not just for Donna to take on part of the Doctor, but for the Doctor to take on part of Donna as well. They are the Doctor and Donna, human and Time Lord, man and woman, travelling and at home – all these things and both and more, binary not-binary, a circle, complete.
Compare and contrast to season three and four.
Donna's colours are deep, jewel-toned reds and purples and blues, analogous colours. She's a bright, discordant blot in a sterile office. She's resplendently human in Pompeii. But by the end, she's adopted a long, brown coat, with just a hint of purple peaking out from a singlet top under all those layers. During Turn Left, never meeting the Doctor slowly sucks her colour to grey almost (but not) completely.
And when the Doctor takes her memories he returns her sans-jacket. Deep jewelled purple again.
The Doctor splits into a Doctor brown and a Doctor blue. One home, with a family. One travelling, alone. A bittersweet – not a happy – ending.
Now is their happy ending.
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a really long rant about why this comment is wrong
i have talked about this time and time again, but the way the doctor who fandom treats donna is so weird.
“[donna] and her character are both arrogant and unpleasant.”
first of all, let’s discuss the “arrogant” portion of this statement.
donna noble has a hard exterior. she has been so put down in her life that her shell is the only thing that she feels will protect her from anymore heartbreak and disappointment! she acts aloof and above others because she feels the exact OPPOSITE. it is proven time and time again that donna feels deeply for others and has even put herself in actual life threatening situations because she CARES that much about others. it also makes no sense to call her arrogant when half of her lines are her demeaning herself and her arc is literally her acceptance of the fact that she IS special and she CAN BE worth something to someone.
second of all, unpleasant? what i’ve found is that donna haters say unpleasant to mean “not complacent in every idiotic idea the doctor has.” its misogyny at its finest. they want donna to be head over heels and awed by everything the doctor does. when she treats him as an equal, they hate it because they’re so used to the women in doctor who thinking the doctor is all knowing and amazing. donna saw him for how he really was before she got his persona.
the thing about donna and the doctor is they are two sides of the same coin. one knows he’s supposed to be important and has a hard time coping with that, and one is convinced she can never be seen as anything but a failure to other people. they both put on a mask of false confidence, but they both understand that neither is okay.
“constant bad behavior and insults are [donna’s] idea of fun.”
yeah, and so is ten’s. that’s why they work so well together. he loved every conversation and argument they had. he held her in such high regard and their banter was a part of what he loved so much about her. it set her apart from other companions. it kept him in check, it made him reevaluate his ego and decisions. not to mention that “bad behavior” and those insults stopped him from literally offing himself.
in conclusion:
the doctor would hate this person, the doctor would hate a lot of the people in this fandom who mistreat and mischaracterize donna. a lot of you are way to comfortable perpetuating misogyny. this isn’t the first time i’ve seen comments like this made about her. i’ve even seen whovians on here be awful about her and disgustingly mischaracterize both her AND the doctor’s feelings about her. i’m tired of seeing it!
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Everyone is assuming Rose Noble named herself that because the Ten part of her, inherited by the metacrisis, loved Rose so damn much. And yeah, that might be true or part of it, but let's not forget how significant Rose was to Donna. Because ROSE was the one following Donna from day dot of her adventures with the Doctor. ROSE was the one who sought Donna out in an alternative reality in which Donna had forgotten the Doctor (for the second time, if you count her experience being saved by the Library). ROSE was the one in that reality to tell her she was brilliant and important and belonged with the Doctor, NEEDED to be with The Doctor, AND he needed HER. And ultimately, it was Rose who helped her to get back to him. Rose told her she was brave and capable and could find a way. So while it's possible that Rose Noble named herself after Rose Tyler because Ten loved her so much, it's equally possible that the metacrisis part of Donna that Rose Noble inherited was trying to remind herself/her mother of the weird blonde woman who stalked her across dimensions, insisted that she remember (The Doctor, their adventures together and HER own importance) and returned Donna to her rightful place at the side of The Doctor. The suppressed memory of Rose Tyler inherited by Rose Noble is another indication that Donna Noble wanted to remember, (re)remind herself and return to the Doctor again.
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Catherine: 'The Ood are the servants of man. If you were each others servants, what would you refuse to do for each other?' If I was your servant... David: Well...
Bringing back this classic.
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Considering Donna was very much not dead when Fourteen was cradling her, she probably heard every word he said, including the bit about him egging on the soldiers to kill him because he didn't care what happened to him anymore.
A few days later when they're all settled in France she finally brings it up like; "Right, Spaceman, sit your skinny Martian arse down because we need to unpack some of this self-destructive things you got going on! Mum, you make the tea, Shaun, go buy some biscuits, Rose start piling your teddies around your Uncle."
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