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Whenever I think about students using AI, I think about an essay I did in high school. Now see, we were reading The Grapes of Wrath, and I just couldn't do it. I got 25 pages in and my brain refused to read any more. I hated it. And its not like I hate the classics, I loved English class and I loved reading. I had even enjoyed Of Mice and Men, which I had read for fun. For some reason though, I absolutely could NOT read The Grapes of Wrath.

And it turned out I also couldn't watch the movie. I fell asleep in class both days we were watching it.

This, of course, meant I had to cheat on my essay.

And I got an A.

The essay was to compare the book and the movie and discuss the changes and how that affected the story.

Well it turned out Sparknotes had an entire section devoted to comparing and contrasting the book and the movie. Using that, and flipping to pages mentioned in Sparknotes to read sections of the book, I was able to bullshit an A paper.

But see the thing is, that this kind of 'cheating' still takes skills, you still learn things.

I had to know how to find the information I needed, I needed to be able to comprehend what sparknotes was saying and the analysis they did, I needed to know how to USE the information I read there to write an essay, I needed to know how to make sure none of it was marked as plagerized. I had to form an opinion on the sparknotes analysis so I could express my own opinions in the essay.

Was it cheating? Yeah, I didn't read the book or watch the movie. I used Sparknotes. It was a lot less work than if I had read the book and watched the movie and done it all myself.

The thing is though, I still had to use my fucking brain. Being able to bullshit an essay like that is a skill in and of itself that is useful. I exercised important skills, and even if it wasnt the intended way I still learned.

ChatGTP and other AI do not give that experience to people, people have to do nothing and gain nothing from it.

Using AI is absolutely different from other ways students have cheated in the past, and I stand by my opinion that its making students dumber, more helpless, and less capable.

However you feel about higher education, I think its undeniable that students using chatgtp is to their detriment. And by extension a detriment to anyone they work with or anyone who has to rely on them for something.

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[ID: tags from slime-girl-cytoproct: "Every state is bigger than a European country and has its own distinct culture" no they aren't and no they don't; i think the least you can do as a usamerican is not pretend north carolina is as different from california; as kenya is from australia]

we don't even have to go that far! I've been to North Carolina and California, and I've also been to lots of actually different countries around the world, including neighbours

North Carolina and California are much more similar than France and Germany

they're much more similar than Japan and South Korea

they're even much more similar than Ireland and Britain, two countries that are very physically close together, one of which colonised the other for generations, who use the same daily language and have similar climate and native foods

in North Carolina and California, the main language is English and the dialects are more similar to each other than they are in Ireland compared to Britain (esp if we consider like, Kerry dialect or Donegal dialect vs Yorkshire dialect or inner city London dialect). the second most common language in both North Carolina and California is Spanish. language differences elsewhere are huge, sometimes even within countries!

in North Carolina and California, you can shop in Kroger and Whole Foods, or Target and Walmart, or even if you go to a regional/local shop, you can buy pretty much all the same brands, whereas in Germany and France there's some crossover but lots of differences, and I can't find my favourite brand of French lemon cordial outside of France

you can go to a CVS or a Rite Aid to buy identical painkillers or sunscreen (and for some reason snacks and soda) but in Korea and Japan there's different medicines available in the pharmacies

you can eat at Applebees or Cheesecake Factory, or McDonalds or Burger King, or Panda Express, or you can stay in and order Dominoes, and you can drink Bud or Coors or the local popular microbrew which is somehow always an IPA, and then you can get some Ben & Jerry's or Dunkin Donuts or just a Starbucks venti whatever, and actually you can do those things in pretty much all our countries these days too so exposure to US cultural imperialism is flattening the whole world and ye still think yer states are "as different as different countries"

you can watch CBS or MBC or ABC, or catch a baseball / basketball / American football game, or you can watch a Hollywood movie, or you can go to the "movie theatre" and get popcorn with weird buttery stuff on it, and ye've never even considered that that's not an inherent part of the popcorn experience

you can pay for everything with US dollars, you tip pretty much the same way everywhere, you can order an Uber, it's polite to be a little early, there's prom, there's student loans, you go to the DMV to get your drivers licence, like it's just!! the same country!! all over!! with some regional specialties and preferences and slang!! which is normal!!! even for small countries!!!

When my plan for a third worldist maoist revolution succeeds, every Usamerican shall be forced to attend geography classes

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I feel like tumblr should be bigger fans of The Blues Brothers. It's a movie that has everything we value as a community. Attention and respect to pioneering black musicians, open hostility to nazis, open defiance to police, Carrie Fisher with a rocket launcher and flamethrower, a soundtrack that goes hard as hell, John Belushi so blasted on cocaine that he continues to do somersaults despite having a broken ankle. It's got it all!

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I think more academic programs should let you write a novel as your thesis project, particularly outside the fine arts. Just imagine the kind of bullshit that would result if they let you write a novel for your master's degree in computer science.

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me, quietly whispering to the ao3 page of an author who doesn’t even know I exist: I am obsessed with you

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Not perfect and not always right but basically:

Is it a screen shot?

Is there a link?

Did you click/read the link?

Was it a real source (AP wire, local news, the original online post - not Fox, not the Sun, not NY Post, etc)?

Did you find any confirmation?

Did it strongly confirm a bias or suspicion?

Did it make you feel angry, smug, disgusted, superior, and/or helpless?

Is it important enough to you that you think it needs to be shared?

Do you have the energy, time, ability to research, confirm, and provide sources, links, and some additional clarifying details?

Generally I have this in mind, not necessarily always and not always observed, and I forget and blah blah. But it's a pretty simple guide to remember, and honestly items 1 and 9 cover me most of the time.

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It's pride month so I'll allow myself to express one opinion on the internet :

There are no "exact color" of pride flags.

I see more and more sites and posts talking about the exact hex codes for the lesbian flag, or the right purple for the ace one, and how it should be more or less saturated and I just want to say: pride flags were meant to be sewn in your kitchen. To be spraypainted and to be recognised.

There are no "exact colors" of pride flags because you should do them with what you have ! Nobody should care if you use a crimson red instead of a cherry red or whatever ! Be free ! wave your colors ! The colors you have !

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i get that americans love their cultural imperialism, but it really does piss me off that june is “international” pride month just because something happened in the united states.

in aotearoa, june isn’t our pride, it’s theirs. marsha p johnson and sylvia rivera are their historical figures, not ours. the phrase that “you owe your rights to Black trans women” is true there, but here we owe our rights to (mostly) Māori historical figures. i have the freedoms i do because of the legacy of an entirely different set of people operating in an entirely different context at entirely different times.

But because of american cultural imperialism, most queer people in Aotearoa don’t even know our own queer history. Carmen Rupe, Ngahuia Te Awekotuku, the Dorian Society, Gillian Laundon, Georgina Beyer, and the Wolfenden Association are some of our queer history. We should know their names! we should know what they did for us! but because of the power of the american imperial machine, we don’t.

our national pride month should be july, the month that the Homosexual Law Reform Act passed in 1989. our two largest cities hold their pride festivals in february and march, respectively. american queer history has very little (or nothing, depending on who you ask) to do with our queer history. anecdotally, from my own queries, queer youth in aotearoa know more about american queer history than our own.

anyway, happy pride, americans. i’m truly sorry that most of you don’t see the negative impact your nation’s culture has on the rest of the world. and to the rest of the world reading this, try searching for your own country and culture’s queer history, don’t accept the american narratives as your own. we deserve our own histories divorced from the cultural hegemony of the USA.

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Happy 12th BTS Festa 💜 Our Forever SEVEN

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a feel like the new generation of fanfic readers NEED to understand that clicking on a fic (interaction) does nothing. ao3 has no algorithm. your private discord discussions of fic do not reach the authors. if you do not actively engage with writers they will stop posting. this isn’t social media this is community.

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me: i don’t want to see jellyfish so i will blacklist the tag #jellyfish

people with no common sense: je11yf1sh, je11¥fi5h, j*llyf*sh, je//ÿf!sh, j3ï||yf¡sh, gel lee fisk

result: cannot account for the sheer amount of possible ways to alter the word jellyfish

conclusion: i have to see jellyfish now.

Once again, tumblr is not tiktok, tag properly.

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I feel like this is an unpopular opinion, but more people should read incomplete/unfinished/in-progress fanfics.

I've noticed this huge trend where creators on tiktok and tumblr who will be explaining how to use Archive Of Our Own to new users and they always say "and make sure to scroll down and click completed only" or how people will go out of their way to mention they only read completed fics 'because they were traumatized when they forgot to check the dates and didn't realize this fic hadn't been updated since 2012'.

The thing is - I think by not engaging with and/or actively avoiding writer's WIPs readers are potentially adding to the aggregate of abandoned works. Now this obviously isn't the case for all abandoned fics, anything from major life events, to loss of interest, to getting busy can be a reason for a fic getting abandoned - but at least on some level I just know that writers are quitting while they're ahead when they aren't garnering any response or feedback because reading WIPs has become unpopular. If you're worried about reading something that hasn't been updated since 2012 then you can use the date updated function to sort out old fics.

Anyways, support your favorite fanfic writers by engaging with their WIPs.

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don't judge a fic by its stats

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okay so I am a professor who teaches academic writing and English conversation so I put a lot of stat points into the English language...

I'm curious

So i took this test

Is this a good result?

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As we approach college finals in the U.S. I feel it's important to remind people that no level of school failure is worth killing yourself over. Some failures have consequences. Some failures change the course of your life. But I promise it's not over.

If a career path you wanted to follow has closed because of your grades, it's ok to mourn. It's normal to be upset that goals you had are unattainable now, especially goals you've had for a long time. But you can recover. Even if you can't try again, you can find another path that's fulfilling.

If you want to keep forging down the path of academics, I'm rooting for you. Take the time you need to rest your brain. Remember that taking a semester, a year, or a few years off is normal and often healthy. Do what you need to face the next semester you take relaxed and ready.

If you've been bashing your head against the wall that is college and can't seem to make progress, it might be time to find a different path. No matter what people in your life are telling you, not getting a college education is not the end of the world. No one's approval is worth more than your life.

Every day dropouts and D students are living a life more beautiful than you could ever imagine. No amount of academic failure can take away the joy of being alive. If you're not feeling that joy right now, that's ok, but please hold on through this difficult time in your life. Things will get better.

This is specifically geared towards college students but definitely applies to anyone younger than that as well. This is not the end.

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That’s It.

I’m tired of seeing everyone repeat the same four points: “1) Nani gives Lilo to the state! 2) Hawaii has a better marine biology program than San Fransisco! 3) Jumba doesn’t get redeemed! 4) Pleakley’s not wearing a dress!”

Those are not the only things that were bad about this remake. You could easily tell it was going to be all that and more beforehand, but most people’s reaction to the trailer was “it’s surprisingly good!” and now they’re acting all surprised. If you didn’t see this coming, enough to purchase a ticket, you’re part of the problem and you don’t get the original movie any more than the people who made this remake did.

So I’m done being quiet, this is the Lilo & Stitch 2025 Takedown Post.

And as usual the only good thing about an attempted-remake is that it gives people a reason to think about what made the original so good.

Let’s go in order. But just scroll down to the Heading you Care About if you don’t want to read all this.

1. Cobra Bubbles

In this movie, Cobra Bubbles is a secret agent hunting for aliens and they have a new character take his place as the state social worker.

The Problem They Were Trying to Solve With this Change: “We shouldn’t have a black man or a government worker feel like an insensitive antagonist to Lilo’s family.”

That’s a stupid surface-level one-dimensional misread of the character from the original…and it wouldn’t have been hard, at all, for a child to explain to the 2025 filmmakers that Cobra is not an insensitive antagonist in the original.

Cobra Bubbles is not insensitive and he is not in any way portrayed as a bad guy in the original. Nani sees him that way, Nani sees him as antagonistic, because he’s the representation of Lilo being taken away.

But Nani is wrong about him and learns that she is wrong about him by the end of the movie.

Can we please make a list?

Cobra’s first interaction with the caretaker of the child he was being sent to protect was that she ran out into the road, yelled at a complete stranger, and dented his car.

Then he found her locked out of the home and threatening the child inside with a hammer in her hand.

Then he found out the stove was on while she was out, and she’d left a 7 year-old alone.

The 7 year-old made comments about being disciplined with bricks and a pillow case.

The 7 year-old looks like she might be more than a little emotionally unbalanced because she’s figuring out how to put voodoo spells on her friends to punish them.

He still gave that pair of sisters three days to straighten the ship. When in actuality, in 2002, under HRS §587-73, (don’t play with me) the social worker would’ve been well within his rights to remove the child from the home right then. But instead he gives her three days to fix it. THEN

The 18 year-old loses her job.

The family gets a “dog” who he is implied to know is an alien, right off the bat.

The alien is violent and wreaks havoc across town.

The 7 year-old almost drowns while they surf instead of find a job.

He lets the child and caretaker have one more night together to say goodbye, but when he’s on the way to get her he gets a call that she’s being attacked by aliens, hears a chainsaw, and finds the house on fire.

Do you understand what I’m saying.

Cobra Bubbles had NO BUSINESS being as BIG A SOFTIE AS HE WAS for all of the original movie. He was not only well within his legal rights to take Lilo away from Nani immediately, but he was actually required by law, it was his DUTY, to remove her immediately. But he didn’t do that. Why?

Now listen to me very carefully.

Lilo and Stitch is a movie about how “Family chooses to love and commit to one another selflessly, no matter what the other person can do for them or how hard they make it.” The fancy way they say it is just “Ohana means family: family means nobody gets left behind or forgotten.”

Did you catch that? “No matter how hard they make it.”

Cobra Bubbles was a CIA agent before this. A CIA agent who saved the planet, by doing what? Convincing an alien race to leave them alone. Oh, he didn’t fight them off? No. How? He “convinced” them? He talked it out? Sounds like a pretty compassionate guy, for all his tough exterior. How did he do that?

He could’ve picked any animal that’s actually endangered. The filmmakers chose to make him the guy who convinced aliens to value mosquitos.

MOSQUITOS. Creatures that give nothing, only take. Ugly little bloodsucking monsters. That’s the creature he convinced them to care about enough to save the planet.

NOW do you have any trouble understanding why this is the specific social worker who would give an alien-infested dumpster fire of a dangerous home a chance when two sisters are about to be torn apart?

Do you see that Cobra is just another example of the grace that the movie is always talking about? The love that transforms someone from bad to good simply because it refuses to give up even when it gets nothing out of it? I’m repeating myself because I want you to see why he was a well-done character who NEEDED NO CHANGE.

Cobra Bubbles’ character is not an insensitive monster who doesn’t care who his actions hurt as long as he gets the job done. But you know who that does sound like?

2. Gantu

Gantu is not in the remake at all.

The Problem They Were Trying to Solve With This Change: “It’s going to cost us upwards of 1.5 millions of dollars to design, sculpt, rig, animate, and render a character this big in addition to finding a suitable voice actor to play the part.”

This is a really dumb choice for several reasons. A. Without Gantu, there is no “stakes-raiser” to Lilo and Nani’s story. The movie has no climax without him. For the first and second acts of the movie, it’s about a grieving pair of girls trying to prove themselves to a social worker while the story-equivalent of Beethoven the Destructive St. Bernard wacky Jumba & Pleakley antics get in their way. But when a 40-foot tall alien stomps into their lives and abducts Lilo & Stitch in a spaceship that careens around the island during an explosive sky-chase scene, now you have a high-octane, somebody-could-die climax.

B. Without Gantu, Stitch looks weaker. The climax gave Stitch a reason to come out of the wackadoo puppy he’s been posing as and suddenly remind everybody that he’s a lethal weapon who can survive thousand-foot drops, lava, and astronomic explosions—and a giant alien’s Thanos-dwarfing fist. Take him out and who do we have as a match for Stitch to go up against, even for a moment, and prove how much he’s changed to be willing to risk his freedom and fight?

C. Without Gantu you have no villain to reflect that STITCH is no longer a villain. (So they substituted Jumba.)

But the reason this character is really worth millions is, again, the theme.

I told you Cobra Bubbles was a character who did not put “duty” or even “convenience” or “position” over the real lives of Lilo and Nani. He saw that there was love there, and in his own way, he gave it a chance. And even when he chose to take Lilo away, he did it carefully; he gave them time to say goodbye.

GANTU IS THE OPPOSITE OF COBRA BUBBLES.

Gantu is the insensitive, uncaring, unyielding Captain whose commitment to duty turns into rage and cruelty. Not Cobra.

Nani thinks Cobra is walking in a threatening to tear apart their family in a display of government judgement. But that’s what Gantu literally does.

His first reaction to Stitch is to call for his destruction. Without even waiting to see if “it can be reasoned with” like the Grand Councilwoman suggests. He’s merciless. He mocks Stitch when Stitch is captive. And he knows that he caught Lilo, a human, along with him. He doesn’t care. He even suggests that Stitch eat her as a snack.

There are only two other characters who laugh at others’ misfortune in the movie. One is Stitch, the original villain. Then love changes him. The other is Jumba, who made Stitch. Then love changes him. But Gantu never gets changed. He’s only concerned with his job, and with personally annihilating the flaws he sees in Stitch.

Gantu is unyielding, ungracious, and cruel. And he’s big and powerful enough to be a test for Stitch to prove he’s changed. For the benefits he brings to the story, he’s worth 1.5 million and more. But they cut him anyway.

3. Jumba

In the new movie, Jumba is a villain through-and-through with designs on overthrowing the Galactic Council using Stitch, and instead of being redeemed, he’s sentenced to prison.

The Problem They Were Trying to Solve With This Change: “We can’t spend money on our real villain so we’ll just keep Jumba evil.”

The reason this is dumb is obvious. They created their own problem, and the ‘fix’ makes the movie weaker, not stronger. But here’s how.

In the original, Jumba is introduced as trying to self-protect. He’s on trial, and he lies. But when Stitch is revealed, he’s genuinely passionate about the thing he’s created. And he cares about image. He prefers to be called “evil genius,” and he hates the headlines labelling him “idiot scientist.”

You have to remember he’s part of “Galaxy Defense Industries.” They had him making weapons of destruction anyway. He just got too into it with his genetic Experiments, went a little insane.

I’m not downplaying the fact that Jumba is evil at the start of the movie. He is. It is evil to be outcasted from society and then respond to that with, “well, if they’re going to treat me like an idiot, I’LL SHOW THEM, I won’t care about anything except my passion for mad science!” That’s evil.

But it also explains a lot.

I said it in another post. Jumba’s whole utility as a character is that he knows who and what Stitch really is, better than anyone. He made him to be a monster who can’t belong and wreaks havoc on everybody else’s ‘place of belonging.’ Jumba is the audience’s insider’s perspective on what is going on in Stitch’s head, at first.

But when he’s redeemed, it happens fast. And why? Because that’s how plain and simple Stitch is, as a character. Jumba knows Stitch is a disgusting little monster with nothing inherently loveable about him, and no “greater purpose.” So when his disgusting monster is loved by someone? When his disgusting monster is willing to ask him, Jumba, for help? Something totally outside his programming, totally not what Jumba thought he’d ever be capable of?

That proves to Jumba, in an instant, that there’s love out there that transforms. And creates a place of belonging.

There were already germs of that, a desire to belong, a compassion, in Jumba after he reached earth.

He doesn’t try to get Nani fired, he offers an explanation for Pleakley’s swollen head.

He claims he won’t hit Lilo (why would he care about collateral damage?)

He sounds sorry for Nani when she’s upset about losing Lilo, and tries to keep Stitch from bothering her.

My point is, Jumba’s redemption isn’t important because it’s cute or because we need to set up the big happy found-family trope everybody loves.

Jumba’s redemption is important because it is just one more PROOF that what’s happened to Stitch is so incredible. The love Jumba finds transforming his monster is enough to transform Jumba, too.

But sure, fine, whatever, make him a soulless one-dimensional talking head. Whatever.

4. Stitch’s Design

In this movie, Stitch is cuter than he is ugly, and he’s half Lilo’s size.

The Problem They Were Trying to Solve With This Change: “Ugly-cute doesn’t come across as well in ‘live action’ animation. And all the Wal-Mart moms remember Stitch as ‘cute.’ Plus we’ll save about 15% in rendering the animation.”

This is crippling to the characterization of Stitch.

Stitch is supposed to be an echo of who Lilo could become now that she’s lost her parents and may be losing Nani. This scene:

Where Jumba points out that Stitch has nothing, and destruction is his only purpose, is the evidence for that. But Chris Sanders, who made this whole story, also point-blank said it. Stitch is a future Lilo, if she loses her family.

So that’s reason number 1 that he should be her same height. But also, practically, no iconic pair of best friends, yin and yang, have visuals where one is smaller than the other. Especially not if one of them is supposed to be disguised as a pet.

The point is, Stitch is not LILO’s pet. He is her best friend, her other half. But between the muzzle-muscles they worked into his upper lip and the darkened dog nose and the butt-scooting across the floor, the remake is trying to make him more pet-like in relation to Lilo.

That’s not what he is.

I said this in another post. But Stitch is supposed to throw food to the back of his head like a gator—his lips are not designed for forming words. His gums and teeth are supposed to look like a shark’s. His nose is supposed to be too big, stamped into his face. His ears are supposed to be like bat ears, not bunny ears. He hunches forward, instead of bending at the waist like a toddler. His eyes can narrow to lizard slits.

He has to look like he can believably be a disgusting monster. Yes, he can also be cute. But he has to first look like a monster. Because that’s what he really is, in the story. If he isn’t, then LILO’s love for him doesn’t look as powerful.

It is easy to love a cat even if it scratches you, because it’s cute. It’s harder to love a life-sized spider that keeps knocking you down and eating your prized possessions and laughing when you get hurt. Stitch is supposed to be closer to the second one, so that Lilo’s love shines brighter.

But also, practically:

She can’t look him in the eye for emotional shots when he’s that short. He’ll always have to awkwardly be standing on a box or a chair or a bed.

How is he going to scoop her up, hero-style, and leap off of an exploding spaceship with her in his arms, when he’s half her size? He could do it: it’ll look stupid, though. So they just don’t have that part in the movie.

She can pick him up. That alone is demeaning and again, the visuals are silly. Not what we’re going for.

5. Lilo’s Personality

In this movie, Lilo doesn’t like weird stuff, and she screams when she first meets Stitch. There’s no problem that this solves. It’s just laziness and a lack of care about the characters.

I would like to remind you that the original Lilo:

Made her own doll that looks like a shrunken head and pretended a bug laid eggs in her ears.

Makes up stories about a fish that controls the weather and actively deep-sea dives to bring it peanut butter sandwiches.

Has a knee-jerk reaction of using practical voodoo spells on friends who wrong her.

Listens exclusively to Elvis Presley.

Fills baby bottles with coffee.

Believes Nani’s manager is a vampire.

Has fishing nets and seashells in her room for decoration.

takes safari pictures of overweight bleached tourists.

meets a social worker and her first impulse is to ask if he’s killed someone.

Nails the door shut when she’s mad at her big sister.

She’s not friends with pound dogs in that original movie; when they first get there she acts like she’s never been in the kennel before, and originally wants a pet lobster.

I know that we all love that little girl they got to play Lilo, but if you were really being objective, you’d acknowledge that she’s a little girl. She’s not Lilo. She’s a cute little girl.

They did not write Lilo into the 2025 movie. They wrote any old little girl.

You should have known, from the moment she first sees Stitch and her reaction is to scream in the trailer, that THAT IS NOT LILO.

Lilo had a very specific set of characterizations. She was a character with a personality that exploded out of the screen. Every other character in the movie meets Stitch and reacts with disgust.

But not. LILO. She’s the only one to react to him like THIS:

She is literally not like anyone else. She’s doesn’t care that he’s ugly. Or weird. Or blue. Or even bat an eye when he can talk with all those shark teeth.

From Moment One, Lilo chooses Stitch. She chooses to love him. Regardless of what he can do for her. Regardless of how many times he pushes her over or rips up her house or makes her relationship with Nani harder. That is the number one thing about Lilo.

She is desperate for people to stay, but she chooses to love Stitch even though he’s a monster. And she tries to make him better. And her love succeeds in transforming him when nothing else could.

Lilo’s personality traits all mean something in the story. (I.e. she likes Elvis because she’s clinging to the past, she snaps pictures of tourists like they’re safari animals because they’re inherently people who LEAVE and she has issues with LEAVING, etc.) But the thing I think that was so obvious that the moviemakers missed for 2025 is she has to be weird. If she’s not weird, there’s no reason for her not to have friends. And if she has friends, what does she need Stitch for?

But also, Lilo’s personality in the new movie is just boring. Cute. But boring. Cute’s not that great of an accomplishment; any 7 year-old is cute.

6. Nani

I don’t think you guys need to know this. It’s not just that Nani leaves. It’s that “take care of yourself” is the exact opposite of the selfless message of the movie.

In the beginning, Lilo literally argues with Nani after being told she’s “such a pain,” and goes, “why don’t you SELL ME and buy a RABBIT INSTEAD?”

And then breaks down and cries at the thought of Nani wishing she had a rabbit instead of Lilo, later.

Because Lilo is afraid of people leaving. But Nani won’t leave her. Nani loses her job, her own life, because of Lilo. But she’s desperate to keep Lilo anyway, because she loves her. Don’t you understand? The message of the movie was about self-sacrificial love. A love that doesn't care what I get out of the relationship.

Nani starts it. But you know what, David loves her like that, too. And then Lilo transfers it to Stitch, who shows it off to Jumba. It’s a chain reaction, but Nani is spearheading it.

You realize that when their parents died, Nani already would’ve been in high school? With a whole life of her own? Her own friends, her own potential boyfriend, a job she went to, surf competitions (the trophies are in her room.) Lilo would’ve been well aware that that was the status-quo: Nani has her own life. And even a seven year-old can see that that life is being put on hold, but maybe the big sister wants to go back to it, at every turn.

The fact that Nani never does that, never expresses a desire for that, only ever expresses a desire to keep Lilo with her, is huge. It’s the core of the movie.

I don’t think that needs any more explaining.

We could talk more. Like about how Lilo needs to see that Stitch is an alien, because that’s the ultimate test: he’s one of the monsters who destroyed her house, he’s been lying to her and using her as a human shield, he’s a criminal—but she still winds up giving everything up to protect him.

Anyway. My neck hurts and I don’t want to type anymore. But we could talk about the music, the social worker, the grand councilwoman—it just doesn’t matter.

Ya’ll had more than enough details in the trailer to be able to not go see this movie because it was obviously going to ruin everything. But instead you chose to make this twisted corpse “the highest-grossing movie of any Memorial Day.” You bought tickets because they ruined a perfect movie and slapped together an uglier package for you.

Whatever. It was my favorite movie today, it’ll be your Treasure Planet or Tangled tomorrow. Keep riiiight on giving them your money, and keep letting influencers regurgitate the same four obvious facts to you over and over, because they paid Disney to make a talking-point for their content benefit. Whatever.