if i leave you then maybe i won’t have to miss you so much by Ali Shapiro
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“THE BODY was found
haloed by flies—& I looked beautiful
in their thousands of eyes.
Didn’t I?”
- Michael Wasson, A Soliloquy Would Imply That the Stage Is Empty.
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each summer has a different taste
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ekkkkk they are so in love
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gestures that gets me on my knees.
(feel free to use<3 the kisses ones are.. im- i-... yall better tag when u write these or else check under ur bed before sleep! :) )
lingering with your lips open, touching, but not kissing, and this one glance at their eyes and you say fuck it and pull at their collar to kiss them
heavily breathing after a kiss (damn ittitit)
gulping when they get a little too close
and not knowing how to talk or exist after they finish kissing you like they've been needing that kiss for a lifetime!!!
loosing your mind when they tilt your chin to look you in the eye
pulling them by their belt to kiss them>>
lazy kisses in the morning, that starts with a grunt as they pull you closer to them as you try to get up and lazily placing kisses all over face and ends with a hoarse whisper from them asking you to stay. fucjfuck
their mouth at your ear, whispering!!!
"give me a chance. to prove what i can make you feel." (ohmykgodks)
when they kiss you, hard, gripping, shaking breaths, fists in each other's clothes, against a wall, but they stop. and smirk, "you want that, love? i want cuddles though." and their grin is too wide, stupid and cocky and beautiful.
you're holding on by a thread and they sort of grin against your lips, mumbling, "just lose control, love."
that glance at your body with their eyes subtly widening, almost gulping as they take in your attire. fuck.
the lips are hot, soft, settling, nibbling and gasping, pulling onto each other for more and when you stop, they have their eyes closed, heavily exhaling, hair ruffled, and they look like the prettiest mess ever.
holding your hands above your head as they kiss you
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maps by Yesenia Montilla
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Robert Wun Haute Couture Fall/Wint 2024
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autumn by chen chen
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Today I gave my students a quick presentation on some of the basic considerations for composition, which I am now sharing with you! I’ve given them separate talks about color and tonal value/contrast, which are also super important compositional concerns. (I’ll be sharing those presentations too once I properly format them)
I personally love learning about different compositional techniques. It’s fun to think about the ways that the brain views & sorts images, and how we can trick it into feeling a certain way or looking at certain aspects of an image first! It’s easy to fall into compositional ruts (which I am also guilty of) because a lot of art gets by with mediocre, though serviceable, compositions. If you can generally understand what’s happening in an image then it’s generally fine. However, it’s the truly great compositions, where everything in the whole image has been considered and ‘clicks’ together, that bump up an illustration to a visual slam dunk. NC Wyeth is one of my favorite artists for this reason: his compositions are rock solid, varied based on the image’s intent, and always enhance the mood or action he is depicting.
For extra reading, some online compositional resources that I’ve found helpful or interesting include:
Creative Illustration by Andrew Loomis (download it for FREE. Such a great book all-around.)
Gurney Journey (check out the “Composition” tag, but really everything he posts is great)
The Schweitzer guide to spotting tangents
Cinemosaic (a blog by Lou Romano with some truly WONDERFUL compositions captured from various films)
Where to Put the Cow by Anita Griffin
Happy composition-ing!
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antilamentation by Dorianne Laux
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Creepy things to add to settings
Just to make things a bit more interesting
—Water stains from flooding
—Withered down machinery resulting from weather
—Torn fabric caught on spikes
—Attempting to find a hiding spot, only to turn around and find the skeleton of the last person who tried to hide there
—Expecting to see spiders and other bugs, only for them all to scurry away as a new presence enters the room
—Fog slithering in through holes in the walls or open windows
—Stepping on the dead, crunchy leaves of plants that started growing inside
—The characters knowing the floorboards will creak, so they try really hard to keep quiet as they travel. Make them all freeze when they hear something else coming at them and decide if they should stand still to keep from attracting any more attention or if they run for their lives
—The wallpaper and paintings on the wall torn off and scattered against the floor, leaving the walls barren and lifeless
it’s all about how you describe it! Find things that get under people’s skin (bugs, snakes, certain sounds, etc) and connect them to whatever you’re trying to make creepy
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sunset over the winter forest by heinrich gogarten / “i know the end” by phoebe bridgers
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mendocino memory by June Jordan
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100 FREE JEAN JACKET REFERENCES FOR ARTISTS
Download the free pack on my Patreon
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really helpful technique ^ once you know how to divide by halves and thirds it makes drawing evenly spaced things in perspective waaay easier:
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