studiotswapo

[studiotswapo]

WIP, 2023

[studiotswapo]

WIP, 2023

[studiotswapo]

from the bottom of my heart, fuck whoever was able to get porn back on the dashboard. hell.

[studiotswapo]

The Gate Series (Vryburg, 2021)

- seeks to explore the vulnerability of people living in rural (disenfranchised) South African communities. the gate, as an object, acts as a buffer between the inside and outside (us and them) and is ultimately regarded as security.

with this ongoing series (started in 2021), I intend to show the vulnerability most people living in these communities are subjected to. this is in terms of keeping danger out of their homes or even having to afford erecting a gate we could regard as being up to security standards.

[studiotswapo]

God Veil the Queen

Mixed media on canvas

130cm x 87cm

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Mma Lerumo (2020)

ph. by Tlotlo Sereisho

[studiotswapo]

with Mma Lerumo (2020)

[studiotswapo]

[WIP - 2021] // Process imagery for a 100cm x 100cm (oil on canvas) portrait of Andrew Babeile (commissioned by himself) that I'm busy with.

but: who is Andrew Babeile? check out this article by Outlwile Tsipane.

[studiotswapo]

self-portrait

ink and watercolor on acid free paper

420 x 594 mm

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portrait of @neobaepi

graphite and charcoal on acid free paper

2020

[studiotswapo]

busy with this drypoint etching and this is the first proof print #printmaking #marikana

[studiotswapo]

w. Pabi Letshabo

Vryburg

[studiotswapo]

proof print #drypointetching (at UJ FADA) https://www.instagram.com/p/CE3z_PhB5e0/?igshid=1677dzkhbu3tf

[studiotswapo]

MASTERPIECE I (at UJ FADA) https://www.instagram.com/p/CEpNz6oBKLB/?igshid=43qphxyvatly

[studiotswapo]

if i owe you work please give me another week. im going through it and catching up on my school work too (bit im almost there). if i owe you work, please give me another week. (at Johannesburg) https://www.instagram.com/p/CEl0LNRhfTR/?igshid=1d5m7t3r2mxvl

[studiotswapo]

original (frame 2) by bra Santu Mofokeng, manipulation (frame 1) by I

[studiotswapo]

original (frame 2) by bra Santu Mofokeng, manipulation (frame 1) by I