Here you will find a journal sponsored by Sullivan + Strumpf Gallery promoting Australian and International Contemporary Art. Established by Ursula Sullivan + Joanna Strumpf, Sullivan+Strumpf Fine Art presents the work of emerging and established artists working at the forefront of contemporary art. The gallery is both critically and aesthetically engaged with the work of its represented artists and is committed to the creative and commercial development of artists and exhibiting them in appropriate spaces around the world including art fairs, public institutions and of course the gallery. ADDRESS 799 Elizabeth St Zetland, Sydney NSW 2017 CONTACT Tel: 61 2 9698 4696 Fax: 61 2 9698 7607 Email: [email protected] OPENING HOURS Tues-Fri 10-6pm Sat 10-5pm or by appointment http://www.sullivanstrumpf.com/
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AFTERPRIMA POSTVERA
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#jeffkoons #zwirner #chelseamylove #artlove
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Boys perpetually eating bananas
kasumi © 2013 Artists Rights Society (ARS), New York / ADAGP, Paris
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Mary Sibande
Her Majesty the Queen
2010, digital print.
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'That's a good dog' by eX de Medici. at the Drill Hall Gallery, Australian National University
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Duane Hanson, Tourists II, 1988, polyvinyl chloride, coloured with oil, mixed technique, accessories
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WALTER PICHLER. Small Room (Prototype 4), 1967 Photography: Werner Kaligofsky. Generali Foundation, Vienna. © Generali Foundation
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Victor Alimpiev, Still fromSweet Nightingale, 2005
"The video ‘Sweet Nightingale’ expresses the tension between small private gestures and their collective repetition. A man slowly runs his hand through his hair to the strains of Mahler’s fifth symphony. We then see rows of people in a hall repeating the same gesture as the man and a series of other actions that are interpreted in social communication as signs of insecurity. Their movements seem to follow some secret choreography underpinned by the rhythm of the music and background noises. The artist leaves the background of the scene in darkness so as to focus the viewer’s attention on the individual gestures. The tension is released only when the crowd – once again with no warning – begin to throw the bags of rubbish they are holding into the middle of the room in a new act of protest."
From: http://www.outset.org.uk/projects/sweet-nightingale/
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You see people doing these weird moving light photographs all the time, and it may seem like a pretty new-ish thing, but how cool is it that PABLO PICASSO was doing it way back in 1949!?!? Life Magazine’s Gyon Mili visited Picasso in the south of France back in 1949 to interview and document him in the studio where he posed 5 times projecting over 30 “light drawings" of centaurs, bulls and greek profiles.
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