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We looked inside some of the posts by summer-boundaries and here's what we found interesting.
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IN DEPTH AUDIEďżźNCE ANALYSIS covering: 1.1, 2.1, 2.3, 3.1.
Every single person in the world is or will be affect by the events of 2020 in one way or another. Wwhether it is the Australian bush fires, the Black Lives Matter movement, the presidential vote in America, the Beirut explosion etc. And especially he COVID-19 pandemic. Everyone is susceptible to getting the virus, everyone know someone who could be considered vulnerable, everyoneâs idea of reality has been altered and everyday life been transformed (albeit some more than others). I donât believe itâs really a matter of how many people understand my work about COVID and 2020 events, but how many people will react to this specific approach and resonate with the artwork. If someone who works in a more stereotypically practical and straightforward environment were to look at my work, it may not be of interest to them at all; it may just be too arty, and thatâs okay. Some people prefer hard facts, statistics and numbers, but some prefer artistic and poetic based pieces of work to get messages. But I think just because someone is in an academic profession doesnât mean that they cannot appreciate art or a poetic reading of a global issue, it may mean that they can appreciate it more.Humans relate to different things differently. Class, status, money etc. Doesnât necessarily mean an â art-centricâ taste. On the other hand, it could be possible that a member of the general public may look at my work and see it as âtoo artsyâ and not get it , so I could say that my audience is specifically creative people and people who know and appreciate art and poetry. In regards to age, I believe my work is more universal than that, like I said, Covid has affected everyone in the world. Having an over defined audience isnât necessarily a bad thing, but it might be apt for my work in particular. I create for everyone any anyone, I donât expect certain people to like or be able to know/appreciate the meaning and I think thatâs okay, as long as it reads heâs out to and resonates with someone.
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In this workshop I created cyanotypes by brushing a chemical solution onto paper, laying over an image/illustration I photo copied onto acetate and put into a light box. Through the light exposure, the image printed onto the paper behind in a cyan blue.
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Emilio Villalba is an artist who is known for his very unique painting style. His paintings are âlooserâ and he draws his inspiration from musicians and lyricists and how they express their emotions or stare of mind through music and words, and how confident or cool something sappy can sound. His paintings look deconstructed and unfinished, there are areas of stability and structure and areas of exploration. He usually has one focal point which is the âfaceâ and keeps a balance with the composition. Emilio usually sticks to oil on canvas, and creates these portraits that explore the human condition. His distortion of the human face are a reappropriation of conventional portraiture, the features are fractured, obscured or magnified.
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Robert Rauschenberg
Some work I have produced inspired by the mixed media artist Robert Rauschenberg.
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