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i live again on here, too

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PROMPTS FOR COMFORTABLE INTIMACY *  adjust as necessary, send 'reverse' for the reversal of the prompt

[ settle ] sender sits on receiver's lap and gets comfortable

[ sling ] sender slings an arm around receiver's shoulder

[ pinch ] sender affectionately pinches receiver's cheek

[ ruffle ] sender ruffles receiver's hair

[ recline ] sender joins receiver on their chair and snuggles against them

[ hand ] sender takes receiver's hand while driving

[ knee ] sender lays a hand on receiver's leg while driving

[ clean ] sender reaches up to wipe something off receiver's face

[ tie ] sender adjusts receiver's tie

[ collar ] sender smooths out receiver's collar

[ tickle ] sender starts tickling receiver

[ piggyback ] sender gives receiver a piggyback ride

[ pick up ] sender scoops receiver up into their arms and holds them as they walk

[ guide ] sender places a hand on receiver's hip and guides them through a crowded room

[ smudge ] sender cleans lipstick off receiver's face

[ gun ] in the midst of a stand-off, sender reaches over and gently guides receiver's gun down, making them lower it

[ behind ] sender comes up to receiver from behind and wraps their arms around their waist

[ nuzzle ] sender leans in and nuzzles their face into receiver's neck

[ relax ] sender rests their head on receiver's shoulder while they talk

[ arms ] sender hooks their arm with receiver's as they walk

[ itch ] sender assists receiver with an itch they can't reach

[ catch ] receiver starts to fall, so sender reaches out and catches them

[ calm down ] sender pets receiver's hair and tries to soothe them after a scary situation

[ check ] sender checks receiver's temperature by placing the back of their hand against receiver's forehead, trying to see if they're sick

[ tuck ] sender tucks receiver into bed

[ feed ] sender offers a forkful of food out to receiver, helping them eat

[ undress ] sender helps receiver undress

[ shoes ] sender helps receiver put on their shoes

[ intent ] sender leans their forehead against receiver's

[ bathe ] sender helps receiver wash themselves in a bath

[ shower ] sender helps receiver wash themselves in a shower

[ assist ] sender finds receiver has fallen down, so they rush to their aid and help them stand again

[ bed ] sender helps receiver into bed

[ greet ] sender greets receiver with quick kisses to each of their cheeks

[ high five ] sender gives receiver a congratulatory high five

[ makeup ] sender helps receiver apply makeup

[ injury ] sender cleans receiver's wound and patches it up

[ seek ] sender reaches for receiver's hand and laces their fingers

[ surprise ] sender sneaks up behind receiver and places their hands over their eyes, wanting them to guess who it is

[ walk ] sender helps receiver walk by staying by their side and holding onto them

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Boothill had the option to have pain receptors installed when it came to his cyborg operation. However, despite the doctor insisting it would be for the best that he still know pain so he could recognize danger and retain self-preservation, he declined on the basis he didn't need it. After all, before he even underwent the operation, he told her he'd been "dead for a long time", as seen in his character story. Naturally, that was a more mental level than anything else-- but he did consider himself a dead man walking anyway. Especially after the operation, wherein he truly does not consider himself alive anymore.

All this to say, he cannot feel anything anywhere except his face, where the last of his human skin is retained. So the last rb is very real to me.

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Boothill had the option to have pain receptors installed when it came to his cyborg operation. However, despite the doctor insisting it would be for the best that he still know pain so he could recognize danger and retain self-preservation, he declined on the basis he didn't need it. After all, before he even underwent the operation, he told her he'd been "dead for a long time", as seen in his character story. Naturally, that was a more mental level than anything else-- but he did consider himself a dead man walking anyway. Especially after the operation, wherein he truly does not consider himself alive anymore.

All this to say, he cannot feel anything anywhere except his face, where the last of his human skin is retained. So the last rb is very real to me.

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touch starved

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guys he's trying

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THE SHOULDER TOUCH. ( A PROMPT LIST! )

i said i'd make them! i hope you enjoy these, and as always: DO NOT ADD, EDIT OR CLAIM THIS LIST AS YOUR OWN!

[ WAKEN ]: the sender touches the receiver's shoulder to waken them from a nap or sleep.

[ STILL ]: the sender places their hands on the visibly angry/upset receiver to try and restrain them.

[ STAY ]: the sender, noticing the receiver attempting to escape a meeting or a conversation, quietly rests a hand on their shoulder and pulls them back into their seat.

[ REST ]: the sender places a gentle but firm hand on a weakened/sick/injured receiver's shoulder to push them back into their bed to rest more.

[ PUNCH ]: the sender places a hand on the receiver to draw their attention away from another focus, and once they've turned around, the sender swings a punch at them in the moment of confusion.

[ PRIDE ]: the sender, having heard or seen the receiver successfully achieve a remarkable feat, places a hand on their shoulder to express their wordless pride in them.

[ HUG ]: the sender places their hands on the receiver's shoulders to yank them into a hug.

[ COMFORT ]: the sender, noticing a visibly upset receiver, solemnly moves to their side, and places a hand on their shoulder in an effort to comfort them.

[ SURPRISE ]: the sender, noticing an otherwise occupied receiver, moves forward silently and suddenly grabs their shoulder to startle them.

[ STUN ]: the sender, having been apart from the receiver for some time, makes an unexpected return and greets the unaware receiver with a hand on their shoulder.

[ TIDY ]: the sender reaches forward and lightly sweeps something from the receiver's shoulder.

[ WORRY ]: the sender grabs the receiver by the shoulders to take a good look at them for any sign of harm or injury.

[ ARM ]: the sender rests a hand on the receiver's shoulder, their arm draped around them in order to do so.

[ FOCUS ]: the sender, noticing the receiver has become distracted during a conversation, places a hand on their shoulder to redirect and focus their attention.

[ GOTCHA ]: the sender, noticing the receiver has unknowingly walked into the path of a source of danger, grabs them by the shoulder and hoists them back to safety.

[ PRAISE ]: the sender, having heard that the receiver has achieved great success in a task or accomplishment, gives them a proud pat and squeeze of the shoulder to convey their congratulations.

[ STEADY ]: the sender rests a hand on the shaken and panicked receiver's shoulder to steady and ground them.

[ CAUGHT ]: the sender plants a hand on the receiver's shoulder to stop them from fleeing a potential arrest or accusation.

[ DELIVER ]: the sender, about to deliver some bad news to the receiver, gently places a hand on the receiver's shoulder to stop them from running away from the bad news.

[ SHIELD ]: the sender catches hold of the receiver's shoulder and draws them back and away from a threat, pulling them behind them for their safety.

[ SOOTHE ]: the sender places their hands on the receiver's shoulders and begins to give them a massage.

[ LEVER ]: the sender, wanting to sit next to the receiver, places a hand on their shoulder to ease themselves to the space beside them.

[ HERE ]: the sender taps the receiver's shoulder to alert them to their presence.

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Boothill JP voice lines

Twitter

Commission info

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What if this was a starter call while I transfer his previous starters and asks from the previous blog

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baldur's gate 3 starters (part 1)

part 1 / ? .

❝ a less trusting person might think this all sounds very suspicious. ❞ ❝ you say all the right words, but i’m not sure you mean the right things. ❞ ❝ i know somewhere quiet. somewhere intimate. somewhere we can…indulge in each other. ❞ ❝ eugh, don’t be nice to me. it makes me want to be nice back. ❞ ❝ we needn’t be enemies. there’s plenty of those to go around already. ❞ ❝ there’s a steeliness to you, an unwavering tenacity in the face of, to be frank, quite dire odds. ❞ ❝ even the waves of fate can break upon the shores of will. ❞ ❝ i appreciate anyone that opens a conversation with threats of bodily harm. ❞ ❝ oh, you know me - ever the optimist. i’m trying to focus on the positives. ❞ ❝ i’m not easily impressed by people, but you’re stronger than i gave you credit for. ❞ ❝ there’s an air about you. something alien. ❞ ❝ loosen the grip on your pride for one blasted moment, won’t you? ❞ ❝ it’s been a long time since someone stuck their neck out for me like that. ❞ ❝ there’s something odd about this village. people skulk around like they’ve something to hide. ❞ ❝ you know, if you want to spend time with me, you only have to say so. ❞ ❝ i want to know what the world sees when it looks at me. what you see. ❞ ❝ what’s better than a devil you don’t know? a devil you do. ❞ ❝ you must know that you’re…that you’re very special to me. ❞ ❝ the gods are nothing if not vindictive in their vengeance. ❞ ❝ stay with me a while, will you? day will come all too soon. ❞ ❝ here’s my little treat with their cheeks all flushed. ❞ ❝ i am terrified. i will not claim otherwise. ❞ ❝ my apologies. i’m not quite myself yet. i had the strangest dream last night. ❞ ❝ we didn’t die today. tomorrow, perhaps. but not today. ❞ ❝ leader’s need to make tough decisions. we do what we must. ❞ ❝ i think that unknowable powers come with unknowable consequences. ❞ ❝ i’ve had a lifetime’s fill of watching little men puff themselves up with grand titles. ❞ ❝ in these times, all we can trust are the blades in our hands. ❞ ❝ it’s not easy to turn away from one you once loved. ❞ ❝ much has been promised to you, hasn’t it? but what has been taken from you? ❞ ❝ damn it all. i can do nothing right - not a damn thing. ❞ ❝ every instinct i have tells me that nothing’s changed. that i’m still just a means to an end. ❞ ❝ do not speak of a story you only know the half of. ❞ ❝ i dreamt every night that you’d come back to me. that somehow it was all a nightmare dawn would undo. ❞ ❝ when the time comes to strike, you must take it. for there may be only one chance. ❞ ❝ your eyes. there is pain, endless and deep. but also devotion - blazing like the sun. ❞ ❝ you’re adorable even when you’re teasing me. ❞ ❝ i don’t need your help, and i don’t need your pity. ❞ ❝ i’m more than what i was. and i’m not afraid of anything any more. ❞ ❝ i said exactly what i meant: i love you. you should never, never doubt that. ❞ ❝ this is all like some sort of terrible dream. but it’s real, isn’t it? ❞ ❝ there is no redemption. can’t you see? it is too late. ❞ ❝ i don’t know that it was brave. i just know that it was right. ❞ ❝ you took those bastards down like it was nothing. it…was amazing. ❞ ❝ they underestimated me. so they paid the price. ❞ ❝ we fight, we die, and we just hope that when our time comes, there is someone else to take our place. ❞ ❝ unfortunately for me, you’re my friend. rescuing you from mortal peril is my right. ❞ ❝ what did you think i was going to say? 'oh, come here, i'll kiss you better'? ❞ ❝ flowers are so overrated. they're bright, gaudy, and almost never make good poisons. ❞ ❝ i’ve been lied to, my whole life. and i was gullible enough to just believe it. ❞ ❝ you know, i never pictured myself as a hero. never thought i'd be the one they toast for saving so many lives. and now that i'm here…i hate it. ❞ ❝ you know, i feel a connection between us. like we're two souls walking the same path. ❞ ❝ the forgiving sort, are you? you should be careful. plenty would take advantage of that. ❞

❝ it’s as if god made you just to ruin me. ❞ ❝ perish the thought. every word i said was nothing less than true. ❞ ❝ you have a manner of irresistible desperation about you. i like it. ❞ ❝ i got my eye on you. you got the look of a troublemaker. ❞ ❝ i’m starting to think you’re my guardian angel. ❞ ❝ it seems you know me better than i know myself. ❞ ❝ you…you have no idea what you’ve done. ❞ ❝ they say madness and genius are separated by but a hair’s breadth. perhaps the same is true of madness and stupidity. ❞ ❝ oh, it’s you. don’t you get tired of telling people how to live their lives? ❞ ❝ good morning! thank you for not killing me the other night. ❞ ❝ when the time comes to strike, you must take it. for there may be only one chance. ❞ ❝ it is good to savour the moment of victory - but pace bg3 syourself. our fight is just beginning. ❞ ❝ i was too hasty to judge you. i thought you were witless, gutless, unimpressivably bland… ❞ ❝ yours is the first happy face i’ve seen in a good while. ❞ ❝ when hope has been whittled down to the very marrow of despair – that’s when you’ll come knocking on my door. ❞ ❝ thank you, my friend. maybe we’ll meet again, in another life. ❞ ❝ you’ll regret sticking your nose in my business. ❞

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WHAT DO YOU MEAN ? a collection of various questions that can be asked. feel free to change around anything that needs to be !!

" what do you mean ? "

" oh, so now you can tell me ? "

" are you asleep ? "

" do you hate me or something ? "

" can i help you with that ? "

" is that blood ? "

" where did you find this ? "

" do you remember how it used to be ? "

" do you miss me ? "

" can you turn out the light ? "

" did you have a nightmare ? "

" will i always be second best ? "

" why do you love me ? "

" did you apologize ? "

" do you want more rest ? "

" are you okay ? "

" are you going to finish that ? "

" where are you going ? "

" is that smoke ? "

" didn't you quit drinking ? "

" does your mother know ? "

" are we going to be parents ? "

" how do i look ? "

" can i hold you ? "

" is that a puppy ? "

" can i kiss you ? "

" where did that scar come from ? "

" can you hear my voice ? "

" will you shut up for a second ? "

" are you satisfied ? "

" where are you ? "

" where the hell did you go ? "

" why do i smell smoke ? "

" did you try to make me dinner ? "

" will you go out with me ? "

" will you go on a date with me ? "

" will you marry me ? "

" could you please kiss me goodnight ? "

" are you kidding me right now ? "

" did you shut the door on your way out ? "

" can you see me ? "

" did you get a picture of it ? "

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A few days ago (I think), Eve sent me an artist that draws a lot of Boothill and Clara interacting together, siblings stuff and such. And it has only intensified how much I think Boothill both adores children, as someone who was a father— and simultaneously is so pained when he does interact with them. Loves them to pieces, would think Clara and others are such good kids, but he can never fully ignore the pang of nostalgia and missing his own kid that comes with it.

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I never need to pull for anything ever again in this game /j

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HEROIC INTERVENTION. ( A PROMPT LIST! )

so i was writing this headcanon for one of my characters, and it got me thinking about how some characters are absolutely, to their very core, protectors, and even then they still need protecting! so i made this list which is similar to about five other memes i've made. feel free to add a "reverse" if you so wish! DO NOT ADD TO THIS LIST NOR CLAIM IT AS YOUR OWN. THANK YOU.

FROM THE SENDER TO THE THREAT:

[ TO THE THREAT ]: " is there a problem over here? "

[ TO THE THREAT ]: " can i help you with something? "

[ TO THE THREAT ]: " i think it's time you were leaving. "

[ TO THE THREAT ]: " why don't you and i go outside for a sec? "

[ TO THE THREAT ]: " you wanna tell me why you're hassling my friend? "

[ TO THE THREAT ]: " you better start running before i really get pissed. "

[ TO THE THREAT ]: " i'm sure there's a rational explanation behind you upsetting this person? "

[ TO THE THREAT ]: " i hope you're not thinking of staying here a moment longer. "

[ TO THE THREAT ]: " get out. "

[ TO THE THREAT ]: " right, either you leave or i kick you out. your choice. "

[ TO THE THREAT ]: " i think it's fairly obvious my friend doesn't want anything to do with you, don't you? "

[ TO THE THREAT ]: " leave them alone. now. "

[ TO THE THREAT ]: " didn't you hear them? back off! "

[ TO THE THREAT ]: " don't even think of pretending you didn't hear me the first time: leave! "

FROM THE SENDER TO THE RECEIVER:

[ TO THE RECEIVER ]: " hey, are you okay? "

[ TO THE RECEIVER ]: " don't worry. i'll take care of this. "

[ TO THE RECEIVER ]: " why don't you go on out back? i got this, it's okay. "

[ TO THE RECEIVER ]: " here. you go on into the car, alright? i'm right behind you. "

[ TO THE RECEIVER ]: " is this person bothering you? "

[ TO THE RECEIVER ]: " it's okay. hey, hey… look at me. they're gone. "

[ TO THE RECEIVER ]: " hey… what's going on? what's wrong? i… has this person said something to you? "

[ TO THE RECEIVER ]: " it's alright. the others just went out to the car; why don't you join them? i'll handle this. "

[ TO THE RECEIVER ]: " hey, hey… talk to me, huh? what's the matter? you look like you've seen a ghost… who was that? "

[ TO THE RECEIVER ]: " don't be scared. i'm going to take care of this. i promise. "

[ TO THE RECEIVER ]: " you don't need to say anything. just nod if you want me to kick them out, okay? "

[ TO THE RECEIVER ]: " you're alright. i'm right here, don't worry. and they'll be gone before you can blink, that's another promise. "

ACTIONS:

[ HAND ]: sender, having seen the receiver's encounter with the threat, gently takes the receiver's hand to assure them they aren't alone.

[ INTERVENE ]: sender wordlessly steps in between the receiver and the threat, facing the threat while shielding the receiver from them.

[ BLOCK ]: sender steps in between the receiver and the threat, this time facing the receiver while turning their back to the threat and blocking them from the receiver's line of sight.

[ BACK ]: sender places a protective and gentle hand on the receiver's back, preparing to guide them away from the threat.

[ DOOR ]: sender firmly but politely insists that the threat leave the building, and escorts them out of the door.

[ EXIT ]: sender physically catches hold of the threat and drags them away from the receiver, and outside of the building.

[ PUSH ]: sender places a careful hand on the threat to keep them at arm's length, and steps forward again to give the receiver more space between them and the threat.

[ SHOVE ]: sender runs over and forcefully shoves the threat back and away from the receiver.

[ SPACE ]: sender pushes between the receiver and the threat and begins to move forward, invading the threat's personal space as both a means of intimidation and a way of getting them away from the receiver.

[ DIVERT ]: sender arrives behind the threat and gains their attention, distracting them from the receiver so as to give them time to leave the area.

[ CLEAR ]: the sender firmly and clearly tells the threat that they are no longer allowed in the premises nor anywhere near the receiver.

[ ARM ]: sender wraps a protective arm around the receiver and guides them away from the threat and out of the premises.

[ PUNCH ]: the sender, having seen the receiver's reaction to the threat and the threat's lack of consideration, moves forward and punches the threat in the face.

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for no reason at all, i think boothill should speak some spanish

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@herostatus / rylee asked: ❛ are you thinking what i'm thinking? ❜ (rylee and boothill yippee bc i thought they would be fun together)

asks from the previous blog

ARE YOU? IT'S entirely possible you're on different wavelengths right now— you can't be too sure with someone you don't really know. but something about her, and the way she carries herself, tells you that whatever her train of thought may be, it can only be fun. what kind? who knows, but you're interested anyway.

❝MAYBE, OR MAYBE not,❞ is your easy response, a grin playing at your lips as you watch her over the brim of your glass (not that you even need to drink, but sometimes it's better than chewing on bullets or scrap metal and getting endless questions for it). a gulp or two later, you set it back down on the table and drape your arm across the back of your chair, regarding her with keen interest. the crosshairs in your eyes even narrow slightly, but it's with a sense of delight and intrigue rather than any actual intent to harm.

❝WHY DON'T YOU tell me anyway? or do you wanna instead keep me on my toes an' see if i can keep up with whatever plan is cookin' in that head of yours?❞ you probably wouldn't mind that either— adapting going with the flow in any kind of situation is something you think you've gotten quite good at, all things considered. maybe it'd liven things up around here, too. which, naturally, brings the risk of drawing attention to yourself and ruining your little game, but when has that ever stopped you? if anyone trying to collect your bounty notices and wants to intervene, then let them try.