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Günther Uecker. Jede sieht es anders - Jeder sieht es anders, 2022

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Henri Chopin. Untitled, date unknown

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Every Future

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La Biblioteca di B.: Perec (1985) (1989) S_pun Tr(Pautasso) L→135 A↑217, (series of 27 traces), 2018

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herendiartemisio.ch

Herendi Artemisio / Taubert Contemporary / Signage / 2019

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Mohammed Alani 2023

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The Great Tamer by Dimitris Papaioannou

spectacle

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Laure Prouvost, Exhaust Branch, 2015, 200 × 110 × 75 cm

at Bianca D’Alessandro, Copenhagen, Denmark

 2017

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plump plump

©Lazy A. Space

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Julia couzens

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Barry Le Va, Velocity piece #2, (1970)

Investigating the relationship between physical endurance and the external space of an architecturally constructed environment, Le Va ran back and forth between two opposite walls placed 15 meters apart, impacting violently against them before hurling himself back into space until he was no longer able continue. After the performance, evidence of the piece was evident on the blood splattered walls and in the stereo sound recording. As Le Va explained to curator Liz Bear, “The energy drain was one of the main purposes of the piece and that of course increased with time until I was worn out and couldn’t move at all… every part of my body ended up being used.”

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frank Rheinboldt 2000 tool-wood object

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Micol Assaël - Chizhevsky Lessons (2007)

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Paco Cao (*1965)

INVERTIDO – Instalación parte de la exposición La magnífica obsesión. 2005-2012

Instalación: Octubre de 2012, MART, Rovereto, Italia.

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Femke Dekkers

During exposure time number 1, 2015/ PE paper exposed in 8x10 inch TC.

Femke Dekkers

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Vik Muniz: Verso, 2018

The artist Vik Muniz, who lives in New York and Rio de Janeiro, has dedicated himself to investigating the reverse sides, or the versos, of famous paintings, and produces three-dimensional, faithful reproductions of them. They are replicas of the most important works of art history that leave open the question of original versus copy. This intervention in the Upper Belvedere is the artist’s first major solo exhibition in Vienna. Muniz’s reproductions in his Verso series are presented together with important works from the museum’s collection. Among Muniz’s replicas are the reverse sides of da Vinci’s Mona Lisa, van Gogh’s Starry Night, Vermeer’s Girl with the Pearl Earring, Fabritius’s The Goldfinch, Rembrandt’s The Anatomy Lesson of Dr Nicolaes Tulp, and Picasso’s Les Demoiselles d'Avignon. For this project, Gustav Klimt’s Kiss and Egon Schiele’s The Embrace, two principal works from the Belvedere, have been added to Muniz’s series of masterpieces.