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supermental-mess · 5 months
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"My pulse jumps, for no reason I can name. He has looked at me a thousand thousand times, but there is something different in this gaze, an intensity I do not know. " [The song of Achilles- Madeline Miller]
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supermental-mess · 5 months
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[saltburn characters + text posts]
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supermental-mess · 5 months
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JACOB ELORDI The first poster for Emerald Fennell’s ‘SALTBURN’
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supermental-mess · 5 months
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personally if i was deeply in love with a guy and managed to get with half of his family but not him despite our intense sexual chemistry i’d throw a fit and murder him too
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supermental-mess · 5 months
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We need to talk about Oliver and the grave scene. (spoilers)
Barry Keoghan's improvisation in that scene completely changed Oliver's character and the film as a whole. It encapsulates a critical moment of emotional catharsis for Oliver, marking the first and only time in the film where he completely lets down his guard.
Throughout the film, Oliver maintains a distance from Felix, constantly holding back parts of himself, standing in front of the bathroom door but not allowing himself to enter. At first glance, it appears almost masochistic, but it's critical to understand that Oliver's feelings for Felix go beyond love. He's obsessed. It's as if he fears that getting too close to Felix could expose his true, empty self. And deeper than that, Oliver perceives Felix as something ethereal, akin to a living god. How could you even begin to approach such a being?
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His confession in one of the last scenes with Felix where he admits that everything he did was to meet Felix's desires, underscores this guarded nature. Even in this moment of apparent honesty, Oliver is totally incapable of being fully vulnerable with Felix, as evidenced by his backup plan involving the drink.
In stark contrast, the grave scene is where Oliver's walls finally come crashing down. His open weeping, undressing, and act of penetration with the grave soil are profoundly powerful symbols of his extreme vulnerability and his unfiltered emotional state, now finally free of all societal pressures. As disturbing as this act may be, it symbolizes his intense longing for a deep, unfulfilled connection with Felix. In death, where Felix can no longer see or judge him, Oliver finally finds the freedom to express his true self and desires.
The act of penetration can be seen as a desperate, symbolic attempt to maintain a bond with Felix, a way to bridge the unbridgeable gap between life and death. It's a poignant and tragic manifestation of his grief, the complex emotions of longing and obsession he silently harbors throughout the film.
The grave scene is a turning point in Oliver's character arc, perfectly complimented by the finality of the grave beneath him.
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Oliver loved Felix in the only way Oliver knew how to love Felix.
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supermental-mess · 5 months
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The scene depicting the angel beneath the Minotaur illustrates Felix's deadly encounter with a more brutal reality, as represented by the bestial Minotaur. His costume, symbolizing angelic hopes and innocence, suggests he might have been unprepared to face life's more savage elements and the darker sides of human nature.
The juxtaposition of the angel and the minotaur highlights the conflict between the ideal and the primal, the spiritual and the earthly, or the civilized and the wild.
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supermental-mess · 5 months
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saltburn is a romcom btw sorry to those who don't get it. pin in the bike tyre is just intentionally spilling a drink on your crush for the chance to touch their skin while wiping them down. embellishing a story so they find you interesting? been there. who hasn't drugged a bottle of champagne to kill them with when they don't reciprocate your feelings. that's what young love is all about
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supermental-mess · 5 months
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"I just thought, 'I really want to go and lounge around on some sofas and do absolutely nothing and drop some funny lines.'" ROSAMUND PIKE on playing ELSPETH CATTON in SALTBURN (2023)
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supermental-mess · 10 months
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How does someone know what to do with their future? Why aren't we all running around creating new flourishing life! Why are we all walking?
asking for a friend
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supermental-mess · 1 year
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I pointed this out in a Discord server I'm in and thought Id share here:
Bob Iger announced that Disney is going to absorb Hulu, and Hulu will no longer exist next year. All shows will move to the Disney+ app.
Disney also announced they were going to remove shows and movies periodically from their streaming services.
I believe both of these moves are because of the Writers Strike.
Disney knows its going to lose the strike. There is too much public support. Specifically, the WGA is going to win writers getting more residuals from streaming.
So if Disney takes shows off of streaming, they dont have to pay the writers the residuals.
They are going to use excuses like "not enough funding for the server capacity" or "not enough views to warrent keeping the show". These are BULLSHIT. Its all greed. Its only GREED.
Pay attention to what happens in the following weeks.
And keep supporting the writers' strike.
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supermental-mess · 1 year
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supermental-mess · 3 years
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Stargate SG-1: Grace
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supermental-mess · 3 years
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All the times Sam and Jack call each other by their first names.
I chose to only include the times when our Jack and Sam are the ones saying it. AKA no AU versions, no imaginary versions (Grace comes to mind), etc.
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supermental-mess · 3 years
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6.15 Paradise Lost | 7.13 Grace
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supermental-mess · 3 years
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Yesterday I confused a friend because I called him sir and he was like ??? why are you calling me sir we’re friends? And i had to explain that sir is not a word its a feeling. my mac shutting down for no reason is sir. My cat is sir. My pair of jeans is sir. An email that finds me unwell is sir. Two bugs outside my window are sirs.
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supermental-mess · 3 years
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CARTER: Yes, sir. We’re fine. Yeah, it was just the reactor. No sir, just an initial energy pulse. There’s no threat to the base.
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supermental-mess · 3 years
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Sam/Jack + Jack commending Sam
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